Shelby Oaks (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $4,500,052 | Details |
| International Box Office | $1,765,942 | Details |
| Worldwide Box Office | $6,265,994 | |
| OpusData ID: 691270100 More info... | ||
| Further financial details... | ||
Synopsis
A woman’s obsessive search for her missing sister leads her into a terrifying mystery at the hands of an unknown evil.
Metrics
| Opening Weekend: | $2,346,918 (52.2% of total gross) |
| Legs: | 1.92 (domestic box office/biggest weekend) |
| Domestic Share: | 71.8% (domestic box office/worldwide) |
| Production Budget: | $2,800,000 (worldwide box office is 2.2 times production budget) |
| Theater counts: | 1,823 opening theaters/1,823 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,500,052 |
Movie Details
| Domestic Releases: | October 24th, 2025 (Wide) by Neon |
| International Releases: | October 10th, 2025 (Wide) (Belgium)
October 16th, 2025 (Limited) (Australia) October 23rd, 2025 (Limited) (New Zealand) October 23rd, 2025 (Limited), released as Shelby Oaks: Grad Duhova (Croatia) October 24th, 2025 (Limited) (South Africa) ... Show all releases |
| Video Release: | November 18th, 2025 by Neon |
| MPA Rating: | R for violent content/gore, suicide and language. (Rating bulletin 2898 (cert #55633), 8/13/2025) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Crowdfunding |
| Film festival: | Fantasia International Film Festival 2024 |
| Plot point: | Animals Gone Bad, Internet, Kidnap, Missing Person, Occult, Paranormal Investigation, Sex Crimes, Suicide |
| Release detail: | Festival Acquisition |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paper Street Films, Intrepid Pictures, Neon Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 24, 2025 | 7 | $2,346,918 | 1,823 | $1,287 | $2,346,918 | 1 | |
| Oct 31, 2025 | 14 | $770,423 | -67% | 1,708 | $451 | $3,950,486 | 2 |
| Nov 7, 2025 | - | $85,251 | -89% | 200 | $426 | $4,401,169 | 3 |
| Nov 14, 2025 | - | $42,626 | -50% | 50 | $853 | $4,484,976 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 23, 2025 | P | $515,000 | 0 | $515,000 | ||||
| Oct 24, 2025 | 6 | $1,156,890 | 1,823 | $635 | $1,156,890 | 1 | ||
| Oct 25, 2025 | 9 | $694,134 | -40% | 1,823 | $381 | $1,851,024 | 2 | |
| Oct 26, 2025 | 9 | $495,894 | -29% | 1,823 | $272 | $2,346,918 | 3 | |
| Oct 27, 2025 | 7 | $208,275 | -58% | 1,823 | $114 | $2,555,193 | 4 | |
| Oct 28, 2025 | - | $277,006 | +33% | 1,823 | $152 | $2,832,199 | 5 | |
| Oct 29, 2025 | - | $191,134 | -31% | 1,823 | $105 | $3,023,333 | 6 | |
| Oct 30, 2025 | - | $156,730 | -18% | 1,823 | $86 | $3,180,063 | 7 | |
| Oct 31, 2025 | 12 | $276,069 | +76% | -76% | 1,708 | $162 | $3,456,132 | 8 |
| Nov 1, 2025 | 13 | $295,394 | +7% | -57% | 1,708 | $173 | $3,751,526 | 9 |
| Nov 2, 2025 | 13 | $198,960 | -33% | -60% | 1,708 | $116 | $3,950,486 | 10 |
| Nov 3, 2025 | - | $99,480 | -50% | -52% | 1,708 | $58 | $4,049,966 | 11 |
| Nov 4, 2025 | - | $136,288 | +37% | -51% | 1,708 | $80 | $4,186,254 | 12 |
| Nov 5, 2025 | - | $91,313 | -33% | -52% | 1,708 | $53 | $4,277,567 | 13 |
| Nov 6, 2025 | 14 | $38,351 | -58% | -76% | 1,708 | $22 | $4,315,918 | 14 |
| Nov 7, 2025 | - | $25,928 | -32% | -91% | 200 | $130 | $4,341,846 | 15 |
| Nov 8, 2025 | - | $37,077 | +43% | -87% | 200 | $185 | $4,378,923 | 16 |
| Nov 9, 2025 | - | $22,246 | -40% | -89% | 200 | $111 | $4,401,169 | 17 |
| Nov 10, 2025 | - | $11,123 | -50% | -89% | 200 | $56 | $4,412,292 | 18 |
| Nov 11, 2025 | - | $15,239 | +37% | -89% | 200 | $76 | $4,427,531 | 19 |
| Nov 12, 2025 | - | $10,362 | -32% | -89% | 200 | $52 | $4,437,893 | 20 |
| Nov 13, 2025 | - | $4,456 | -57% | -88% | 200 | $22 | $4,442,350 | 21 |
| Nov 14, 2025 | - | $12,964 | +191% | -50% | 50 | $259 | $4,455,314 | 22 |
| Nov 15, 2025 | - | $18,539 | +43% | -50% | 50 | $371 | $4,473,853 | 23 |
| Nov 16, 2025 | - | $11,123 | -40% | -50% | 50 | $222 | $4,484,976 | 24 |
| Nov 17, 2025 | - | $4,449 | -60% | -60% | 50 | $89 | $4,489,425 | 25 |
| Nov 18, 2025 | - | $5,740 | +29% | -62% | 50 | $115 | $4,495,165 | 26 |
| Nov 19, 2025 | - | $3,788 | -34% | -63% | 50 | $76 | $4,498,953 | 27 |
| Nov 20, 2025 | - | $1,099 | -71% | -75% | 50 | $22 | $4,500,052 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 24, 2025 | 7 | $3,180,063 | 1,823 | $1,744 | $3,180,063 | 1 | |
| Oct 31, 2025 | 13 | $1,135,855 | -64% | 1,708 | $665 | $4,315,918 | 2 |
| Nov 7, 2025 | 28 | $126,432 | -89% | 200 | $632 | $4,442,350 | 3 |
| Nov 14, 2025 | 34 | $57,702 | -54% | 50 | $1,154 | $4,500,052 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/16/2025 | $0 | 0 | 130 | 0 | $142,325 | 4/4/2026 | |||
| Croatia | 10/23/2025 | $12,786 | 20 | 24 | 64 | $35,945 | 4/6/2026 | |||
| Italy | 11/19/2025 | $245,271 | 0 | 0 | 0 | $420,792 | 4/4/2026 | |||
| Mexico | 11/20/2025 | $0 | 0 | 0 | 0 | $273,351 | 4/4/2026 | |||
| New Zealand | 10/23/2025 | $8,036 | 50 | 50 | 0 | $16,366 | 4/4/2026 | |||
| Portugal | 2/12/2026 | $9,210 | 13 | 13 | 0 | $13,729 | 4/4/2026 | |||
| Russia (CIS) | 10/30/2025 | $0 | 0 | 631 | 631 | $401,315 | 4/4/2026 | |||
| Spain | 2/20/2026 | $83,030 | 101 | 101 | 191 | $152,053 | 4/4/2026 | |||
| United Kingdom | 10/29/2025 | $310,066 | 399 | 399 | 399 | $310,066 | 4/4/2026 | |||
| International Total | $1,765,942 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Camille Sullivan | Mia | |
| Sarah Durn | Riley |
Supporting
| Brendan Sexton III |
Production and Technical Credits
| Chris Stuckmann | Director | |
| Chris Stuckmann | Screenwriter | |
| Chris Stuckmann | Producer | |
| Aaron B. Koontz | Producer | |
| Ashleigh Snead | Producer | |
| Cameron Burns | Producer | |
| Trevor Macy | Executive Producer | |
| Melinda Nishioka | Executive Producer | |
| Mike Flanagan | Executive Producer | |
| Adam F. Goldberg | Executive Producer | |
| Paul Holbrook | Executive Producer | |
| Sean E. DeMott | Executive Producer | |
| Tony Killough | Executive Producer | |
| Andrew Scott Baird | Cinematographer | |
| Patrick Lawrence | Editor | |
| Brett W. Bachman | Editor | |
| The Newton Brothers* | Composer | |
| The Newton Brothers* | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A woman’s obsessive search for her missing sister leads her into a terrifying mystery at the hands of an unknown evil.
Metrics
| Opening Weekend: | $2,346,918 (52.2% of total gross) |
| Legs: | 1.92 (domestic box office/biggest weekend) |
| Domestic Share: | 71.8% (domestic box office/worldwide) |
| Production Budget: | $2,800,000 (worldwide box office is 2.2 times production budget) |
| Theater counts: | 1,823 opening theaters/1,823 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,500,052 |
Movie Details
| Domestic Releases: | October 24th, 2025 (Wide) by Neon |
| International Releases: | October 10th, 2025 (Wide) (Belgium)
October 16th, 2025 (Limited) (Australia) October 23rd, 2025 (Limited) (New Zealand) October 23rd, 2025 (Limited), released as Shelby Oaks: Grad Duhova (Croatia) October 24th, 2025 (Limited) (South Africa) ... Show all releases |
| Video Release: | November 18th, 2025 by Neon |
| MPA Rating: | R for violent content/gore, suicide and language. (Rating bulletin 2898 (cert #55633), 8/13/2025) |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Crowdfunding |
| Film festival: | Fantasia International Film Festival 2024 |
| Plot point: | Animals Gone Bad, Internet, Kidnap, Missing Person, Occult, Paranormal Investigation, Sex Crimes, Suicide |
| Release detail: | Festival Acquisition |
| Social setting: | Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Paper Street Films, Intrepid Pictures, Neon Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 24, 2025 | 7 | $2,346,918 | 1,823 | $1,287 | $2,346,918 | 1 | |
| Oct 31, 2025 | 14 | $770,423 | -67% | 1,708 | $451 | $3,950,486 | 2 |
| Nov 7, 2025 | - | $85,251 | -89% | 200 | $426 | $4,401,169 | 3 |
| Nov 14, 2025 | - | $42,626 | -50% | 50 | $853 | $4,484,976 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 23, 2025 | P | $515,000 | 0 | $515,000 | ||||
| Oct 24, 2025 | 6 | $1,156,890 | 1,823 | $635 | $1,156,890 | 1 | ||
| Oct 25, 2025 | 9 | $694,134 | -40% | 1,823 | $381 | $1,851,024 | 2 | |
| Oct 26, 2025 | 9 | $495,894 | -29% | 1,823 | $272 | $2,346,918 | 3 | |
| Oct 27, 2025 | 7 | $208,275 | -58% | 1,823 | $114 | $2,555,193 | 4 | |
| Oct 28, 2025 | - | $277,006 | +33% | 1,823 | $152 | $2,832,199 | 5 | |
| Oct 29, 2025 | - | $191,134 | -31% | 1,823 | $105 | $3,023,333 | 6 | |
| Oct 30, 2025 | - | $156,730 | -18% | 1,823 | $86 | $3,180,063 | 7 | |
| Oct 31, 2025 | 12 | $276,069 | +76% | -76% | 1,708 | $162 | $3,456,132 | 8 |
| Nov 1, 2025 | 13 | $295,394 | +7% | -57% | 1,708 | $173 | $3,751,526 | 9 |
| Nov 2, 2025 | 13 | $198,960 | -33% | -60% | 1,708 | $116 | $3,950,486 | 10 |
| Nov 3, 2025 | - | $99,480 | -50% | -52% | 1,708 | $58 | $4,049,966 | 11 |
| Nov 4, 2025 | - | $136,288 | +37% | -51% | 1,708 | $80 | $4,186,254 | 12 |
| Nov 5, 2025 | - | $91,313 | -33% | -52% | 1,708 | $53 | $4,277,567 | 13 |
| Nov 6, 2025 | 14 | $38,351 | -58% | -76% | 1,708 | $22 | $4,315,918 | 14 |
| Nov 7, 2025 | - | $25,928 | -32% | -91% | 200 | $130 | $4,341,846 | 15 |
| Nov 8, 2025 | - | $37,077 | +43% | -87% | 200 | $185 | $4,378,923 | 16 |
| Nov 9, 2025 | - | $22,246 | -40% | -89% | 200 | $111 | $4,401,169 | 17 |
| Nov 10, 2025 | - | $11,123 | -50% | -89% | 200 | $56 | $4,412,292 | 18 |
| Nov 11, 2025 | - | $15,239 | +37% | -89% | 200 | $76 | $4,427,531 | 19 |
| Nov 12, 2025 | - | $10,362 | -32% | -89% | 200 | $52 | $4,437,893 | 20 |
| Nov 13, 2025 | - | $4,456 | -57% | -88% | 200 | $22 | $4,442,350 | 21 |
| Nov 14, 2025 | - | $12,964 | +191% | -50% | 50 | $259 | $4,455,314 | 22 |
| Nov 15, 2025 | - | $18,539 | +43% | -50% | 50 | $371 | $4,473,853 | 23 |
| Nov 16, 2025 | - | $11,123 | -40% | -50% | 50 | $222 | $4,484,976 | 24 |
| Nov 17, 2025 | - | $4,449 | -60% | -60% | 50 | $89 | $4,489,425 | 25 |
| Nov 18, 2025 | - | $5,740 | +29% | -62% | 50 | $115 | $4,495,165 | 26 |
| Nov 19, 2025 | - | $3,788 | -34% | -63% | 50 | $76 | $4,498,953 | 27 |
| Nov 20, 2025 | - | $1,099 | -71% | -75% | 50 | $22 | $4,500,052 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 24, 2025 | 7 | $3,180,063 | 1,823 | $1,744 | $3,180,063 | 1 | |
| Oct 31, 2025 | 13 | $1,135,855 | -64% | 1,708 | $665 | $4,315,918 | 2 |
| Nov 7, 2025 | 28 | $126,432 | -89% | 200 | $632 | $4,442,350 | 3 |
| Nov 14, 2025 | 34 | $57,702 | -54% | 50 | $1,154 | $4,500,052 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/16/2025 | $0 | 0 | 130 | 0 | $142,325 | 4/4/2026 | |||
| Croatia | 10/23/2025 | $12,786 | 20 | 24 | 64 | $35,945 | 4/6/2026 | |||
| Italy | 11/19/2025 | $245,271 | 0 | 0 | 0 | $420,792 | 4/4/2026 | |||
| Mexico | 11/20/2025 | $0 | 0 | 0 | 0 | $273,351 | 4/4/2026 | |||
| New Zealand | 10/23/2025 | $8,036 | 50 | 50 | 0 | $16,366 | 4/4/2026 | |||
| Portugal | 2/12/2026 | $9,210 | 13 | 13 | 0 | $13,729 | 4/4/2026 | |||
| Russia (CIS) | 10/30/2025 | $0 | 0 | 631 | 631 | $401,315 | 4/4/2026 | |||
| Spain | 2/20/2026 | $83,030 | 101 | 101 | 191 | $152,053 | 4/4/2026 | |||
| United Kingdom | 10/29/2025 | $310,066 | 399 | 399 | 399 | $310,066 | 4/4/2026 | |||
| International Total | $1,765,942 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Camille Sullivan | Mia | |
| Sarah Durn | Riley |
Supporting
| Brendan Sexton III |
Production and Technical Credits
| Chris Stuckmann | Director | |
| Chris Stuckmann | Screenwriter | |
| Chris Stuckmann | Producer | |
| Aaron B. Koontz | Producer | |
| Ashleigh Snead | Producer | |
| Cameron Burns | Producer | |
| Trevor Macy | Executive Producer | |
| Melinda Nishioka | Executive Producer | |
| Mike Flanagan | Executive Producer | |
| Adam F. Goldberg | Executive Producer | |
| Paul Holbrook | Executive Producer | |
| Sean E. DeMott | Executive Producer | |
| Tony Killough | Executive Producer | |
| Andrew Scott Baird | Cinematographer | |
| Patrick Lawrence | Editor | |
| Brett W. Bachman | Editor | |
| The Newton Brothers* | Composer | |
| The Newton Brothers* | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.