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Sherlock Gnomes (2018)

Sherlock Gnomes
Theatrical Performance
Domestic Box Office $37,747,657Details
International Box Office $15,200,000Details
Worldwide Box Office $52,947,657
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$59,000,000
Domestic Releases: March 23rd, 2018 (Wide) by Paramount Pictures
International Releases: March 15th, 2018 (Wide), released as ШЕРЛОК ГНОМС (Russia (CIS))
March 23rd, 2018 (Wide) (Colombia)
March 23rd, 2018 (Wide) (Portugal)
March 23rd, 2018 (Wide) (United Arab Emirates)
March 30th, 2018 (Wide), released as Sherlock Koumes (Czech Republic)
... Show all releases
MPAA Rating: PG for some rude and suggestive humor.
(Rating bulletin 2516 (Cert #51360), 2/28/2018)
Running Time: 86 minutes
Franchise: Gnomeo and Juliet
Comparisons: vs. Gnomeo and Juliet
Create your own comparison chart…
Keywords: Private Investigator, Romance, Animated Inanimate Objects, Delayed Sequel, Missing Person
Source:Original Screenplay
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production Companies: Metro-Goldwyn-Mayer Pictures, Rocket Pictures, Paramount Pictures
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Easter (All Movies, 3-Day) 121 $7,001,570 Mar 30, 2018 10

Lead Ensemble Members

   Sherlock Gnomes
   Gnomeo
   Juliet
   Benny
   Goons
   Mankini
   Nanette
   Paris

Supporting Cast

Chiwetel Ejiofor    Gnome Watson
Michael Caine    Lord Redbrick
Maggie Smith    Lady Bluebury
Mary J. Blige    Irene
Jamie Demetriou    Moriarty
Julie Walters    Ms. Montague
Richard Wilson    Mr. Capulet
Ozzy Osbourne    Fawn
John Stevenson    Big Boy Gorilla
Dan Starkey    Teddy Gregson

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Ben Zazove    Screenwriter
Kevin Cecil    Story by
Andy Riley    Story by
Emily Cook    Story by
Kathy Greenburg    Story by
Steve Hamilton Shaw    Producer
David Furnish    Producer
Carolyn Soper    Producer
Elton John    Executive Producer
Karen DeJong    Editor
Prakash Patel    Editor
Mark Solomon    Editor
Chris Bacon    Composer
Nick Angel    Music Supervisor
Nina Gold    Casting Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Wrap-Up: Spielberg’s Decade Best Can’t Save Overall Box Office

April 3rd, 2018

Ready Player One

Ready Player One not only opened in first place over the weekend, but its three-day total of $41.77 million was Steven Spielberg’s best opening weekend as a director in almost exactly a decade. Acrimony was a solid second place finisher with $17.17 million. God’s Not Dead: A Light in Darkness missed the top ten. Overall, the box office rose 4.9% from last weekend hitting $136 million, but this was still 20% lower than the same weekend last year. 2018 is now 4.9% or $150 million behind 2017’s pace at $2.84 billion to $2.99 billion. More...

Weekend Wrap-Up: Uprising Wins, but Falls Compared to Original

March 27th, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising opened in first place over the weekend. In fact, it opened better than expected with $28.12 million. Unfortunately, that’s nowhere near enough compared to its production budget, so it will need international numbers to thrive. Black Panther was finally removed from top spot, but it also held on better than expected with $17.10 million. As for the rest of the new releases, they ranged from serious disappointments like Sherlock Gnomes and Paul, Apostle of Christ, to complete bombs like Midnight Sun and Unsane. The overall box office slipped just 2.0% from last week earning $129 million. However, this is 36% lower than the same weekend last year. 2018’s lead has completely evaporated and it is now $60 million or $2.1% behind 2017’s pace at $2.64 billion to $2.69 billion. I don’t see that improving this coming weekend. More...

Weekend Estimates: Pacific Rim Leads Weak Field of Openers

March 25th, 2018

Pacific Rim: Uprising

Black Panther’s run at the top of the domestic chart will finally come to an end this weekend, with Pacific Rim: Uprising taking over as the most popular film in the US and Canada. The switch over is mostly due to Panther beginning to run out of steam, rather than Uprising showing any particular strength though. Universal’s sci-fi action movie will pick up $28.005 million over its opening weekend in North America, about in line with expectations, but disappointing for a film that cost $150 million to make. Overseas markets, particularly in Asia, are where the box office action is at for this one. More...

Friday Estimates: Pacific Rim Rises to Meet Expectations

March 24th, 2018

Pacific Rim: Uprising

As expected, Pacific Rim: Uprising earned first place on Friday. In fact, its opening day box office of $10.36 million is actually a little better than expected and it is on pace for a $26 million opening weekend. Granted, this is a terrible opening compared to the film’s production budget, which is reportedly in the $155 million to $175 million range. Neither its reviews, nor its B-rating from CinemaScore will help its legs, but this film was never made to win over domestic audiences. It was made to shine in Asia, specifically China. It is too soon to tell for sure if that’s a viable strategy, or if Universal is going to have to suck up massive losses. Based on Friday numbers, the studio is predicting a $65 million opening weekend China alone and a $120.5 million international debut. That’s obviously better than here, but the film will need at least $400 million internationally to break even any time soon. More...

Thursday Night Previews: Pacific Rim Rises with $2.35 million from Previews

March 23rd, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising got off to an okay start with $2.35 million from Thursday previews. Given its reviews and the recent results of films like Tomb Raider and last year’s Power Rangers that puts the film’s projected weekend haul at $26 million. That’s a little higher than we predicted, but close enough to call it a victory. More...

Weekend Predictions: Kaiju vs. Panther

March 22nd, 2018

Pacific Rim: Uprising

Black Panther will finally give up its hold on first place, that is unless something goes horribly wrong for Pacific Rim: Uprising. There are four other wide or semi-wide releases hitting theaters this weekend, which is at least two too many. Sherlock Gnomes and Paul, Apostle of Christ are the only two that have a legitimate shot at the top five. Meanwhile, Midnight Sun and Unsane are just hoping to not miss the top ten. This weekend last year, there were three wide releases that earned a combined $60 million. This is more than the five wide releases this year will earn. Also, Beauty and the Beast remained in second place with $90 million. 2018 has already lost its lead over 2017 and this weekend it is going to get crushed in the year-over-year comparison. More...

2018 Preview: March

March 1st, 2018

Ready Player One

February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month. More...

Sherlock Gnomes Trailer

February 22nd, 2018

Animated adventure with the voices of Johnny Depp, James McAvoy, and Emily Blunt opens March 29 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/03/23 4 $10,604,774   3,662 $2,896   $10,604,774 1
2018/03/30 6 $7,001,570 -34% 3,662 $1,912   $22,822,216 2
2018/04/06 8 $5,436,068 -22% 2,733 $1,989   $33,734,129 3
2018/04/13 11 $2,404,661 -56% 2,116 $1,136   $37,228,148 4

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2018/03/23 5 $2,801,819   3,662 $765   $2,801,819 1
2018/03/24 4 $4,600,352 +64% 3,662 $1,256   $7,402,171 2
2018/03/25 4 $3,202,603 -30% 3,662 $875   $10,604,774 3
2018/03/26 5 $1,026,439 -68% 3,662 $280   $11,631,213 4
2018/03/27 4 $1,653,440 +61% 3,662 $452   $13,284,653 5
2018/03/28 4 $1,109,971 -33% 3,662 $303   $14,394,624 6
2018/03/29 5 $1,426,022 +28% 3,662 $389   $15,820,646 7
2018/03/30 6 $3,032,200 +113% 3,662 $828   $18,852,846 8
2018/03/31 6 $2,342,686 -23% 3,662 $640   $21,195,532 9
2018/04/01 6 $1,626,684 -31% 3,662 $444   $22,822,216 10
2018/04/02 4 $1,610,044 -1% 3,662 $440   $24,432,260 11
2018/04/03 5 $1,524,535 -5% 3,662 $416   $25,956,795 12
2018/04/04 5 $1,265,845 -17% 3,662 $346   $27,222,640 13
2018/04/05 5 $1,075,421 -15% 3,662 $294   $28,298,061 14
2018/04/06 9 $1,410,215 +31% 2,733 $516   $29,708,276 15
2018/04/07 7 $2,503,492 +78% 2,733 $916   $32,211,768 16
2018/04/08 7 $1,522,361 -39% 2,733 $557   $33,734,129 17
2018/04/09 10 $243,412 -84% 2,733 $89   $33,977,541 18
2018/04/10 10 $377,411 +55% 2,733 $138   $34,354,952 19
2018/04/11 11 $252,730 -33% 2,733 $92   $34,607,682 20
2018/04/12 10 $215,805 -15% 2,733 $79   $34,823,487 21
2018/04/13 13 $420,724 +95% 2,116 $199   $35,244,211 22
2018/04/14 11 $1,050,554 +150% 2,116 $496   $36,294,765 23
2018/04/15 11 $933,383 -11% 2,116 $441   $37,228,148 24
2018/04/16 11 $283,962 -70% 2,116 $134   $37,512,110 25
2018/04/17 11 $235,547 -17% 2,116 $111   $37,747,657 26

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2018/03/23 4 $15,820,646   3,662 $4,320   $15,820,646 1
2018/03/30 6 $12,477,415 -21% 3,662 $3,407   $28,298,061 2
2018/04/06 8 $6,525,426 -48% 2,733 $2,388   $34,823,487 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/6/2018 $602,563 281 281 562 $1,733,037 4/16/2018
Colombia 3/23/2018 $125,000 0 0 0 $125,000 3/28/2018
Czech Republic 3/30/2018 $70,136 130 130 275 $111,409 4/18/2018
France 4/13/2018 $868,000 0 0 0 $868,000 4/16/2018
Italy 4/12/2018 $383,600 0 0 0 $383,600 4/16/2018
Mexico 3/30/2018 $876,836 740 740 740 $2,171,422 4/9/2018
New Zealand 4/13/2018 $72,554 81 81 81 $98,437 4/16/2018
Portugal 3/23/2018 $113,513 80 80 272 $586,973 4/18/2018
Russia (CIS) 3/15/2018 $1,387,740 1303 1320 3676 $2,428,431 4/10/2018
Slovakia 3/30/2018 $22,199 55 55 133 $40,726 4/18/2018
United Arab Emirates 3/23/2018 $159,000 0 0 0 $159,000 3/28/2018
 
Rest of World $6,493,965
 
International Total$15,200,000 4/18/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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