She's Out of Control (1989)
| Theatrical Performance | ||
| Domestic Box Office | $12,065,892 | Details |
| OpusData ID: 34110100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,653,142 (30.3% of total gross) |
| Legs: | 3.30 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 987 opening theaters/987 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $34,201,813 |
Movie Details
| Domestic Releases: | April 14th, 1989 (Wide) by Sony Pictures |
| MPA Rating: | PG |
| Running Time: | 90 minutes |
| Plot point: | Coming of Age, Dysfunctional Family, Letting Go |
| Subgenre: | Family Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 1989 | 4 | $3,653,142 | 987 | $3,701 | $3,653,142 | 1 | |
| Apr 21, 1989 | 6 | $2,216,976 | -39% | 987 | $2,246 | $6,776,660 | 2 |
| Apr 28, 1989 | 10 | $1,313,611 | -41% | 961 | $1,367 | $8,550,831 | 3 |
| May 12, 1989 | 14 | $532,704 | 919 | $580 | $10,462,393 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 1989 | 4 | $4,559,684 | 987 | $4,620 | $4,559,684 | 1 | |
| Apr 21, 1989 | 6 | $2,677,536 | -41% | 987 | $2,713 | $7,237,220 | 2 |
| Matthew Perry | Timothy | |
| Wallace Shawn | Doctor Fishbinder | |
| Tony Danza | Doug Simpson | |
| Catherine Hicks | Janet Pearson | |
| Ami Dolenz | Katie Simpson |
Supporting
| Michael Murphy* | Prom Kid |
Production and Technical Credits
| Stan Dragoti | Director | |
| Seth Winston | Screenwriter | |
| Michael J. Nathanson | Screenwriter | |
| Alan Silvestri | Composer | |
| Kenneth Karman | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,653,142 (30.3% of total gross) |
| Legs: | 3.30 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 987 opening theaters/987 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $34,201,813 |
Movie Details
| Domestic Releases: | April 14th, 1989 (Wide) by Sony Pictures |
| MPA Rating: | PG |
| Running Time: | 90 minutes |
| Plot point: | Coming of Age, Dysfunctional Family, Letting Go |
| Subgenre: | Family Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 1989 | 4 | $3,653,142 | 987 | $3,701 | $3,653,142 | 1 | |
| Apr 21, 1989 | 6 | $2,216,976 | -39% | 987 | $2,246 | $6,776,660 | 2 |
| Apr 28, 1989 | 10 | $1,313,611 | -41% | 961 | $1,367 | $8,550,831 | 3 |
| May 12, 1989 | 14 | $532,704 | 919 | $580 | $10,462,393 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 1989 | 4 | $4,559,684 | 987 | $4,620 | $4,559,684 | 1 | |
| Apr 21, 1989 | 6 | $2,677,536 | -41% | 987 | $2,713 | $7,237,220 | 2 |
| Matthew Perry | Timothy | |
| Wallace Shawn | Doctor Fishbinder | |
| Tony Danza | Doug Simpson | |
| Catherine Hicks | Janet Pearson | |
| Ami Dolenz | Katie Simpson |
Supporting
| Michael Murphy* | Prom Kid |
Production and Technical Credits
| Stan Dragoti | Director | |
| Seth Winston | Screenwriter | |
| Michael J. Nathanson | Screenwriter | |
| Alan Silvestri | Composer | |
| Kenneth Karman | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.