Shingeki no kyojin (2015)
| Theatrical Performance | ||
| Domestic Box Office | $258,794 | Details |
| International Box Office | $28,269,594 | Details |
| Worldwide Box Office | $28,528,388 | |
| OpusData ID: 242450100 More info... | ||
| Further financial details... | ||
Synopsis
After a century of relative peace, the people within the walls are growing restless. A young man named Eren and his friends Armin and Mikasa venture to the wall’s edge with the hopes of seeing what’s on the other side. But before they can get there, the unthinkable happens; a Titan larger and more fierce than any that have been seen before breaches the wall, kicking a large hole through the base of it. Now, a once isolated world is flooded with seemingly indestructible Titans, and the only way to beat them is to fight back. But the military forces Eren joins to protect humanity appear to be protecting some secrets of their own. The future looks bleak, but there’s more to Eren than meets the eye: he may be humanity’s last hope against extinction.
Metrics
| Domestic Share: | 0.9% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $367,160 |
Movie Details
| Domestic Releases: | September 30th, 2015 (Limited) by FUNimation, released as Attack on Titan: Part 1 |
| International Releases: | July 31st, 2015 (Wide) (Japan)
August 14th, 2015 (Wide) (Taiwan) August 14th, 2015 (Wide) (Hong Kong) September 4th, 2015 (Wide) (Australia) October 9th, 2015 (Wide) (Russia (CIS)) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Franchise: | Attack on Titan |
| Cast, crew, or production detail: | Live Action Remake |
| Plot point: | Cliffhanger Ending, Giants, Surprise Twist |
| Social setting: | Post Apocalypse |
| Subgenre: | Action Adventure |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Toho Co |
| Production Countries: | Japan |
| Languages: | Japanese |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 30, 2015 | 9 | $258,794 | 264 | $980 | $258,794 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/4/2015 | $168,167 | 0 | 0 | 0 | $173,046 | 9/7/2018 | |||
| Hong Kong | 8/14/2015 | $690,278 | 95 | 95 | 189 | $1,407,115 | 11/26/2018 | |||
| Japan | 7/31/2015 | $4,861,174 | 0 | 0 | 0 | $25,786,344 | 8/24/2018 | |||
| Russia (CIS) | 10/9/2015 | $21 | 1 | 1 | 1 | $302,422 | 11/19/2018 | |||
| Taiwan | 8/14/2015 | $358,237 | 50 | 50 | 113 | $600,667 | 11/4/2018 | |||
| International Total | $28,269,594 | 11/26/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Haruma Miura | Eren | |
| Hiroki Hasegawa | Shikishima | |
| Kanata Hongo | Armin | |
| Takahiro Miura | Jean | |
| Kiko Mizuhara | Mikasa | |
| Nanami Sakuraba | Sasha | |
| Satoru Matsuo | Sannagi | |
| Shu Watanabe | Fukushi | |
| Ayame Misaki | Hiana | |
| Rina Takeda | Lil | |
| Pierre Taki | Souda | |
| Satomi Ishihara | Hans | |
| Jun Kunimura | Kubal |
Production and Technical Credits
| Shinji Higuchi | Director | |
| Yusuke Watanabe | Screenwriter | |
| Tomohiro Machiyama | Screenwriter | |
| Sato Yoshihiro | Producer | |
| Akihiro Yamauchi | Executive Producer | |
| Yohei Taneda | Production Designer | |
| Yusuke Ishida | Editor | |
| Shiro Sagisu | Composer | |
| Shoji Ehara | Director of Photography | |
| Shinichi Miter | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After a century of relative peace, the people within the walls are growing restless. A young man named Eren and his friends Armin and Mikasa venture to the wall’s edge with the hopes of seeing what’s on the other side. But before they can get there, the unthinkable happens; a Titan larger and more fierce than any that have been seen before breaches the wall, kicking a large hole through the base of it. Now, a once isolated world is flooded with seemingly indestructible Titans, and the only way to beat them is to fight back. But the military forces Eren joins to protect humanity appear to be protecting some secrets of their own. The future looks bleak, but there’s more to Eren than meets the eye: he may be humanity’s last hope against extinction.
Metrics
| Domestic Share: | 0.9% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $367,160 |
Movie Details
| Domestic Releases: | September 30th, 2015 (Limited) by FUNimation, released as Attack on Titan: Part 1 |
| International Releases: | July 31st, 2015 (Wide) (Japan)
August 14th, 2015 (Wide) (Taiwan) August 14th, 2015 (Wide) (Hong Kong) September 4th, 2015 (Wide) (Australia) October 9th, 2015 (Wide) (Russia (CIS)) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Franchise: | Attack on Titan |
| Cast, crew, or production detail: | Live Action Remake |
| Plot point: | Cliffhanger Ending, Giants, Surprise Twist |
| Social setting: | Post Apocalypse |
| Subgenre: | Action Adventure |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Toho Co |
| Production Countries: | Japan |
| Languages: | Japanese |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 30, 2015 | 9 | $258,794 | 264 | $980 | $258,794 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/4/2015 | $168,167 | 0 | 0 | 0 | $173,046 | 9/7/2018 | |||
| Hong Kong | 8/14/2015 | $690,278 | 95 | 95 | 189 | $1,407,115 | 11/26/2018 | |||
| Japan | 7/31/2015 | $4,861,174 | 0 | 0 | 0 | $25,786,344 | 8/24/2018 | |||
| Russia (CIS) | 10/9/2015 | $21 | 1 | 1 | 1 | $302,422 | 11/19/2018 | |||
| Taiwan | 8/14/2015 | $358,237 | 50 | 50 | 113 | $600,667 | 11/4/2018 | |||
| International Total | $28,269,594 | 11/26/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Haruma Miura | Eren | |
| Hiroki Hasegawa | Shikishima | |
| Kanata Hongo | Armin | |
| Takahiro Miura | Jean | |
| Kiko Mizuhara | Mikasa | |
| Nanami Sakuraba | Sasha | |
| Satoru Matsuo | Sannagi | |
| Shu Watanabe | Fukushi | |
| Ayame Misaki | Hiana | |
| Rina Takeda | Lil | |
| Pierre Taki | Souda | |
| Satomi Ishihara | Hans | |
| Jun Kunimura | Kubal |
Production and Technical Credits
| Shinji Higuchi | Director | |
| Yusuke Watanabe | Screenwriter | |
| Tomohiro Machiyama | Screenwriter | |
| Sato Yoshihiro | Producer | |
| Akihiro Yamauchi | Executive Producer | |
| Yohei Taneda | Production Designer | |
| Yusuke Ishida | Editor | |
| Shiro Sagisu | Composer | |
| Shoji Ehara | Director of Photography | |
| Shinichi Miter | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.