Shoshana (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $139,443 | Details |
| International Box Office | $104,300 | Details |
| Worldwide Box Office | $243,743 | |
| OpusData ID: 641540100 More info... | ||
| Further financial details... | ||
Synopsis
A political thriller set in the 1930s in Tel Aviv, a brand new European, Jewish city being built on the shores of the Mediterranean. Thomas Wilkin is in love with the city and with Shoshana Borochov. Through their relationship the film explores the way extremism and violence pushes people apart, forcing people to choose one side or the other. Wilkin works with Geoffrey Morton in the anti terrorist squad of the British Palestine Police force, chasing the charismatic poet and underground leader Avraham Stern. Stern believes Israel can only be built through violence. His two main targets are Wilkin and Morton. Shoshana, like most of Tel Aviv, is modern, progressive and feminist. She hates the politics of Stern and his followers. But as the violence builds everyone is forced to choose which side they will fight on.
Metrics
| Opening Weekend: | $46,972 (33.7% of total gross) |
| Legs: | 2.97 (domestic box office/biggest weekend) |
| Domestic Share: | 57.2% (domestic box office/worldwide) |
| Theater counts: | 56 opening theaters/56 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $139,443 |
Movie Details
| Domestic Releases: | July 25th, 2025 (Limited) by Greenwich Entertainment |
| International Releases: | February 23rd, 2024 (Limited) (United Kingdom)
March 14th, 2024 (Limited), released as A Terra Prometida (Shoshana) (Portugal) June 27th, 2024 (Limited) (Italy) November 7th, 2024 (Limited) (Australia) ... Show all releases |
| MPA Rating: | Not Rated (Rated 7/28/2025) |
| Running Time: | 121 minutes |
| Geographical setting: | Israel, Tel Aviv |
| Plot point: | Jewish |
| Subgenre: | Political Thriller |
| Time period setting: | 1930s |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United Kingdom, Italy |
| Languages: | English, Hebrew, Arabic, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | - | $46,972 | 56 | $839 | $46,972 | 1 | |
| Aug 1, 2025 | - | $26,782 | -43% | 36 | $744 | $94,742 | 2 |
| Aug 8, 2025 | - | $11,055 | -59% | 22 | $503 | $114,828 | 3 |
| Aug 15, 2025 | - | $5,360 | -52% | 16 | $335 | $124,540 | 4 |
| Aug 22, 2025 | - | $2,423 | -55% | 8 | $303 | $130,898 | 5 |
| Aug 29, 2025 | - | $2,553 | +5% | 8 | $319 | $134,741 | 6 |
| Sep 5, 2025 | - | $1,861 | -27% | 5 | $372 | $138,966 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | - | $10,033 | 56 | $179 | $10,033 | 1 | |
| Jul 26, 2025 | - | $18,344 | +83% | 56 | $328 | $28,377 | 2 |
| Jul 27, 2025 | - | $18,595 | +1% | 56 | $332 | $46,972 | 3 |
| Jul 28, 2025 | - | $4,671 | -75% | 56 | $83 | $51,643 | 4 |
| Jul 29, 2025 | - | $5,942 | +27% | 56 | $106 | $57,585 | 5 |
| Jul 30, 2025 | - | $5,582 | -6% | 56 | $100 | $63,167 | 6 |
| Jul 31, 2025 | - | $4,793 | -14% | 56 | $86 | $67,960 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | 28 | $67,960 | 56 | $1,214 | $67,960 | 1 | |
| Aug 1, 2025 | 30 | $35,813 | -47% | 36 | $995 | $103,773 | 2 |
| Aug 8, 2025 | 35 | $15,407 | -57% | 22 | $700 | $119,180 | 3 |
| Aug 15, 2025 | 39 | $9,295 | -40% | 16 | $581 | $128,475 | 4 |
| Aug 22, 2025 | 48 | $3,713 | -60% | 8 | $464 | $132,188 | 5 |
| Aug 29, 2025 | 44 | $4,917 | +32% | 8 | $615 | $137,105 | 6 |
| Sep 5, 2025 | 59 | $2,338 | -52% | 5 | $468 | $139,443 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/7/2024 | $4,678 | 10 | 10 | 22 | $23,781 | 12/16/2024 | |||
| Italy | 6/27/2024 | $28,933 | 0 | 0 | 0 | $28,933 | 7/1/2024 | |||
| Portugal | 3/14/2024 | $3,431 | 9 | 11 | 25 | $15,132 | 4/30/2024 | |||
| United Kingdom | 2/23/2024 | $15,151 | 54 | 54 | 62 | $36,454 | 3/20/2024 | |||
| International Total | $104,300 | 12/16/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Douglas Booth | Thomas Wilkin | |
| Irina Starshenbaum | Shoshana Borochov | |
| Harry Melling | Geoffrey Morton |
Supporting
| Aury Alby | Avraham Stern |
Production and Technical Credits
| Michael Winterbottom | Director | |
| Laurence Coriat | Screenwriter | |
| Paul Viragh | Screenwriter | |
| Michael Winterbottom | Screenwriter | |
| Luigi Napoleone | Producer | |
| Massimo Di Rocco | Producer | |
| Josh Hyams | Producer | |
| Melissa Parmenter | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A political thriller set in the 1930s in Tel Aviv, a brand new European, Jewish city being built on the shores of the Mediterranean. Thomas Wilkin is in love with the city and with Shoshana Borochov. Through their relationship the film explores the way extremism and violence pushes people apart, forcing people to choose one side or the other. Wilkin works with Geoffrey Morton in the anti terrorist squad of the British Palestine Police force, chasing the charismatic poet and underground leader Avraham Stern. Stern believes Israel can only be built through violence. His two main targets are Wilkin and Morton. Shoshana, like most of Tel Aviv, is modern, progressive and feminist. She hates the politics of Stern and his followers. But as the violence builds everyone is forced to choose which side they will fight on.
Metrics
| Opening Weekend: | $46,972 (33.7% of total gross) |
| Legs: | 2.97 (domestic box office/biggest weekend) |
| Domestic Share: | 57.2% (domestic box office/worldwide) |
| Theater counts: | 56 opening theaters/56 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $139,443 |
Movie Details
| Domestic Releases: | July 25th, 2025 (Limited) by Greenwich Entertainment |
| International Releases: | February 23rd, 2024 (Limited) (United Kingdom)
March 14th, 2024 (Limited), released as A Terra Prometida (Shoshana) (Portugal) June 27th, 2024 (Limited) (Italy) November 7th, 2024 (Limited) (Australia) ... Show all releases |
| MPA Rating: | Not Rated (Rated 7/28/2025) |
| Running Time: | 121 minutes |
| Geographical setting: | Israel, Tel Aviv |
| Plot point: | Jewish |
| Subgenre: | Political Thriller |
| Time period setting: | 1930s |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United Kingdom, Italy |
| Languages: | English, Hebrew, Arabic, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | - | $46,972 | 56 | $839 | $46,972 | 1 | |
| Aug 1, 2025 | - | $26,782 | -43% | 36 | $744 | $94,742 | 2 |
| Aug 8, 2025 | - | $11,055 | -59% | 22 | $503 | $114,828 | 3 |
| Aug 15, 2025 | - | $5,360 | -52% | 16 | $335 | $124,540 | 4 |
| Aug 22, 2025 | - | $2,423 | -55% | 8 | $303 | $130,898 | 5 |
| Aug 29, 2025 | - | $2,553 | +5% | 8 | $319 | $134,741 | 6 |
| Sep 5, 2025 | - | $1,861 | -27% | 5 | $372 | $138,966 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | - | $10,033 | 56 | $179 | $10,033 | 1 | |
| Jul 26, 2025 | - | $18,344 | +83% | 56 | $328 | $28,377 | 2 |
| Jul 27, 2025 | - | $18,595 | +1% | 56 | $332 | $46,972 | 3 |
| Jul 28, 2025 | - | $4,671 | -75% | 56 | $83 | $51,643 | 4 |
| Jul 29, 2025 | - | $5,942 | +27% | 56 | $106 | $57,585 | 5 |
| Jul 30, 2025 | - | $5,582 | -6% | 56 | $100 | $63,167 | 6 |
| Jul 31, 2025 | - | $4,793 | -14% | 56 | $86 | $67,960 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 25, 2025 | 28 | $67,960 | 56 | $1,214 | $67,960 | 1 | |
| Aug 1, 2025 | 30 | $35,813 | -47% | 36 | $995 | $103,773 | 2 |
| Aug 8, 2025 | 35 | $15,407 | -57% | 22 | $700 | $119,180 | 3 |
| Aug 15, 2025 | 39 | $9,295 | -40% | 16 | $581 | $128,475 | 4 |
| Aug 22, 2025 | 48 | $3,713 | -60% | 8 | $464 | $132,188 | 5 |
| Aug 29, 2025 | 44 | $4,917 | +32% | 8 | $615 | $137,105 | 6 |
| Sep 5, 2025 | 59 | $2,338 | -52% | 5 | $468 | $139,443 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/7/2024 | $4,678 | 10 | 10 | 22 | $23,781 | 12/16/2024 | |||
| Italy | 6/27/2024 | $28,933 | 0 | 0 | 0 | $28,933 | 7/1/2024 | |||
| Portugal | 3/14/2024 | $3,431 | 9 | 11 | 25 | $15,132 | 4/30/2024 | |||
| United Kingdom | 2/23/2024 | $15,151 | 54 | 54 | 62 | $36,454 | 3/20/2024 | |||
| International Total | $104,300 | 12/16/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Douglas Booth | Thomas Wilkin | |
| Irina Starshenbaum | Shoshana Borochov | |
| Harry Melling | Geoffrey Morton |
Supporting
| Aury Alby | Avraham Stern |
Production and Technical Credits
| Michael Winterbottom | Director | |
| Laurence Coriat | Screenwriter | |
| Paul Viragh | Screenwriter | |
| Michael Winterbottom | Screenwriter | |
| Luigi Napoleone | Producer | |
| Massimo Di Rocco | Producer | |
| Josh Hyams | Producer | |
| Melissa Parmenter | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.