The Shrouds (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $755,935 | Details |
| International Box Office | $542,501 | Details |
| Worldwide Box Office | $1,298,436 | |
| OpusData ID: 544590100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $49,361 (6.5% of total gross) |
| Legs: | 2.59 (domestic box office/biggest weekend) |
| Domestic Share: | 58.2% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/279 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $755,935 |
Movie Details
| Domestic Releases: | April 18th, 2025 (Limited) by Janus Films |
| International Releases: | April 3rd, 2025 (Limited), released as The Shrouds - Segreti Sepolti (Italy)
April 30th, 2025 (Limited), released as Les Linceuls (France) May 1st, 2025 (Limited), released as The Shrouds - As Mortalhas (Portugal) May 23rd, 2025 (Limited), released as Kefenler (Turkey) July 3rd, 2025 (Limited) (Australia) ... Show all releases |
| Video Release: | July 8th, 2025 by Criterion |
| MPA Rating: | R for strong sexual content, graphic nudity, language and some violent content. (Rating bulletin 2875 (cert #55415), 3/5/2025) |
| Running Time: | 120 minutes |
| Film festival: | Cannes Film Festival 2024 |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Inventor, Widow/Widower |
| Release detail: | Festival Acquisition |
| Subgenre: | Body Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | SBS Productions, Prospero Pictures, FilmNation Entertainment |
| Production Countries: | Canada, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 18, 2025 | - | $49,361 | 3 | $16,454 | $49,361 | 1 | |
| Apr 25, 2025 | - | $292,273 | +492% | 279 | $1,048 | $358,268 | 2 |
| May 2, 2025 | - | $90,902 | -69% | 169 | $538 | $600,619 | 3 |
| May 9, 2025 | - | $34,842 | -62% | 53 | $657 | $700,294 | 4 |
| May 16, 2025 | - | $11,483 | -67% | 32 | $359 | $733,902 | 5 |
| May 23, 2025 | - | $3,621 | -68% | 18 | $201 | $743,634 | 6 |
| May 30, 2025 | - | $1,574 | -57% | 6 | $262 | $748,895 | 7 |
| Jun 6, 2025 | - | $1,898 | +21% | 5 | $380 | $752,115 | 8 |
| Jun 13, 2025 | - | $187 | -90% | 2 | $94 | $752,869 | 9 |
| Jun 20, 2025 | - | $615 | +229% | 2 | $308 | $753,605 | 10 |
| Jun 27, 2025 | - | $125 | -80% | 1 | $125 | $755,532 | 11 |
| Jul 11, 2025 | - | $393 | 1 | $393 | $755,935 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 18, 2025 | 31 | $65,995 | 3 | $21,998 | $65,995 | 1 | |
| Apr 25, 2025 | 15 | $443,722 | +572% | 279 | $1,590 | $509,717 | 2 |
| May 2, 2025 | 15 | $155,735 | -65% | 169 | $922 | $665,452 | 3 |
| May 9, 2025 | 26 | $56,967 | -63% | 53 | $1,075 | $722,419 | 4 |
| May 16, 2025 | 37 | $17,594 | -69% | 32 | $550 | $740,013 | 5 |
| May 23, 2025 | 35 | $7,308 | -58% | 18 | $406 | $747,321 | 6 |
| May 30, 2025 | 44 | $2,896 | -60% | 6 | $483 | $750,217 | 7 |
| Jun 6, 2025 | 48 | $2,465 | -15% | 5 | $493 | $752,682 | 8 |
| Jun 13, 2025 | 57 | $308 | -88% | 2 | $154 | $752,990 | 9 |
| Jun 20, 2025 | 53 | $2,417 | +685% | 4 | $604 | $755,407 | 10 |
| Jun 27, 2025 | 67 | $135 | -94% | 1 | $135 | $755,542 | 11 |
| Jul 11, 2025 | 59 | $393 | 1 | $393 | $755,935 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/3/2025 | $9,133 | 20 | 20 | 0 | $34,041 | 4/6/2026 | |||
| Italy | 4/3/2025 | $86,709 | 0 | 0 | 0 | $162,794 | 4/4/2026 | |||
| New Zealand | 8/21/2025 | $0 | 0 | 3 | 0 | $890 | 4/4/2026 | |||
| Portugal | 5/1/2025 | $5,219 | 5 | 5 | 10 | $8,066 | 4/4/2026 | |||
| Russia (CIS) | 7/10/2025 | $63,920 | 584 | 584 | 584 | $72,776 | 4/4/2026 | |||
| Turkey | 5/23/2025 | $4,245 | 40 | 40 | 44 | $8,339 | 4/4/2026 | |||
| United Kingdom | 7/4/2025 | $31,112 | 61 | 61 | 61 | $31,112 | 4/4/2026 | |||
| Rest of World | $224,483 | |||||||||
| International Total | $542,501 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Vincent Cassel | Karsh | |
| Diane Kruger |
Supporting
| Guy Pearce | ||
| Sandrine Holt |
Production and Technical Credits
| David Cronenberg | Director | |
| David Cronenberg | Screenwriter | |
| Said Ben Said | Producer | |
| Martin Katz | Producer | |
| Michel Merkt | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $49,361 (6.5% of total gross) |
| Legs: | 2.59 (domestic box office/biggest weekend) |
| Domestic Share: | 58.2% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/279 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $755,935 |
Movie Details
| Domestic Releases: | April 18th, 2025 (Limited) by Janus Films |
| International Releases: | April 3rd, 2025 (Limited), released as The Shrouds - Segreti Sepolti (Italy)
April 30th, 2025 (Limited), released as Les Linceuls (France) May 1st, 2025 (Limited), released as The Shrouds - As Mortalhas (Portugal) May 23rd, 2025 (Limited), released as Kefenler (Turkey) July 3rd, 2025 (Limited) (Australia) ... Show all releases |
| Video Release: | July 8th, 2025 by Criterion |
| MPA Rating: | R for strong sexual content, graphic nudity, language and some violent content. (Rating bulletin 2875 (cert #55415), 3/5/2025) |
| Running Time: | 120 minutes |
| Film festival: | Cannes Film Festival 2024 |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Inventor, Widow/Widower |
| Release detail: | Festival Acquisition |
| Subgenre: | Body Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | SBS Productions, Prospero Pictures, FilmNation Entertainment |
| Production Countries: | Canada, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 18, 2025 | - | $49,361 | 3 | $16,454 | $49,361 | 1 | |
| Apr 25, 2025 | - | $292,273 | +492% | 279 | $1,048 | $358,268 | 2 |
| May 2, 2025 | - | $90,902 | -69% | 169 | $538 | $600,619 | 3 |
| May 9, 2025 | - | $34,842 | -62% | 53 | $657 | $700,294 | 4 |
| May 16, 2025 | - | $11,483 | -67% | 32 | $359 | $733,902 | 5 |
| May 23, 2025 | - | $3,621 | -68% | 18 | $201 | $743,634 | 6 |
| May 30, 2025 | - | $1,574 | -57% | 6 | $262 | $748,895 | 7 |
| Jun 6, 2025 | - | $1,898 | +21% | 5 | $380 | $752,115 | 8 |
| Jun 13, 2025 | - | $187 | -90% | 2 | $94 | $752,869 | 9 |
| Jun 20, 2025 | - | $615 | +229% | 2 | $308 | $753,605 | 10 |
| Jun 27, 2025 | - | $125 | -80% | 1 | $125 | $755,532 | 11 |
| Jul 11, 2025 | - | $393 | 1 | $393 | $755,935 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 18, 2025 | 31 | $65,995 | 3 | $21,998 | $65,995 | 1 | |
| Apr 25, 2025 | 15 | $443,722 | +572% | 279 | $1,590 | $509,717 | 2 |
| May 2, 2025 | 15 | $155,735 | -65% | 169 | $922 | $665,452 | 3 |
| May 9, 2025 | 26 | $56,967 | -63% | 53 | $1,075 | $722,419 | 4 |
| May 16, 2025 | 37 | $17,594 | -69% | 32 | $550 | $740,013 | 5 |
| May 23, 2025 | 35 | $7,308 | -58% | 18 | $406 | $747,321 | 6 |
| May 30, 2025 | 44 | $2,896 | -60% | 6 | $483 | $750,217 | 7 |
| Jun 6, 2025 | 48 | $2,465 | -15% | 5 | $493 | $752,682 | 8 |
| Jun 13, 2025 | 57 | $308 | -88% | 2 | $154 | $752,990 | 9 |
| Jun 20, 2025 | 53 | $2,417 | +685% | 4 | $604 | $755,407 | 10 |
| Jun 27, 2025 | 67 | $135 | -94% | 1 | $135 | $755,542 | 11 |
| Jul 11, 2025 | 59 | $393 | 1 | $393 | $755,935 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/3/2025 | $9,133 | 20 | 20 | 0 | $34,041 | 4/6/2026 | |||
| Italy | 4/3/2025 | $86,709 | 0 | 0 | 0 | $162,794 | 4/4/2026 | |||
| New Zealand | 8/21/2025 | $0 | 0 | 3 | 0 | $890 | 4/4/2026 | |||
| Portugal | 5/1/2025 | $5,219 | 5 | 5 | 10 | $8,066 | 4/4/2026 | |||
| Russia (CIS) | 7/10/2025 | $63,920 | 584 | 584 | 584 | $72,776 | 4/4/2026 | |||
| Turkey | 5/23/2025 | $4,245 | 40 | 40 | 44 | $8,339 | 4/4/2026 | |||
| United Kingdom | 7/4/2025 | $31,112 | 61 | 61 | 61 | $31,112 | 4/4/2026 | |||
| Rest of World | $224,483 | |||||||||
| International Total | $542,501 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Vincent Cassel | Karsh | |
| Diane Kruger |
Supporting
| Guy Pearce | ||
| Sandrine Holt |
Production and Technical Credits
| David Cronenberg | Director | |
| David Cronenberg | Screenwriter | |
| Said Ben Said | Producer | |
| Martin Katz | Producer | |
| Michel Merkt | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.