Siakh lokhamim: ha'slilim ha'gnouzim (2015)
| Theatrical Performance | ||
| Domestic Box Office | $41,260 | Details |
| International Box Office | $1,243 | Details |
| Worldwide Box Office | $42,503 | |
| OpusData ID: 245390100 More info... | ||
| Further financial details... | ||
Synopsis
In June of 1967 the armies of Egypt, Jordan and Syria massed on Israel’s borders and threatened its destruction. Israel launched a pre-emptive strike and achieved a stunning and decisive victory nearly tripling its size with the occupation of the West Bank (including East Jerusalem), the Sinai Peninsula and the Golan Heights. The nation brimmed with relief, joy and pride, while a new national narrative of manifest destiny emerged. But drowned out by the euphoria, other voices -many of those who fought the war–had something different to say. One week after the conflict, Amos Oz and editor Avraham Shapira arranged to record conversations with returning soldiers about their experiences. In these intensely candid interviews they reveal their fears, their feelings about the enemy and their doubts about the treatment of Arab prisoners of war and the forced evacuations of Palestinian villages. The tapes capture these young men wrestling with the question of the responsibility of the conqueror to the conquered (even when the shoe could easily have been on the other foot), the paradox of a people who fled oppression who must now oppress to preserve their security and their still fervent hope for a lasting peace with their Arab neighbors. The Israeli Defense Force partially censored the recordings at the time but transcripts were turned into the book “The Seventh Day: Soldiers’ Talk About the Six-Day War” in 1970. Now these newly available recordings form the core of this probing film as we see the former soldiers, now men in their seventies, listening to their younger selves. The recordings are juxtaposed with rare newsreel footage and photography of the conflict combined with an evocative sound design that allows a unique opportunity to re-experience a war that changed the face of a region still locked in a deadly impasse.
Metrics
| Opening Weekend: | $6,153 (14.9% of total gross) |
| Legs: | 4.65 (domestic box office/biggest weekend) |
| Domestic Share: | 97.1% (domestic box office/worldwide) |
| Production Budget: | $450,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 2 opening theaters/6 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $58,066 |
Movie Details
| Domestic Releases: | November 20th, 2015 (Limited) by Music Box Films, released as Censored Voices |
| International Releases: | October 15th, 2015 (Limited), released as Censored Voices (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 87 minutes |
| Plot point: | War |
| Social setting: | Israeli Palestinian Conflict |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | One Man Show, Know Productions, Music Box Films, Made in Germany Filmproduktion, Impact Partners |
| Production Countries: | Israel, Germany |
| Languages: | Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 20, 2015 | 65 | $6,153 | 2 | $3,077 | $6,153 | 1 | |
| Nov 27, 2015 | 56 | $8,878 | +44% | 4 | $2,220 | $19,093 | 2 |
| Dec 4, 2015 | 80 | $741 | -92% | 2 | $371 | $23,161 | 3 |
| Dec 11, 2015 | 75 | $1,261 | +70% | 1 | $1,261 | $24,915 | 4 |
| Dec 18, 2015 | 63 | $2,672 | +112% | 3 | $891 | $28,231 | 5 |
| Jan 8, 2016 | 66 | $4,654 | 3 | $1,551 | $34,151 | 8 | |
| Jan 15, 2016 | 72 | $1,182 | -75% | 2 | $591 | $36,873 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 20, 2015 | 68 | $10,215 | 2 | $5,108 | $10,215 | 1 | |
| Nov 27, 2015 | 58 | $12,205 | +19% | 4 | $3,051 | $22,420 | 2 |
| Dec 4, 2015 | 88 | $1,234 | -90% | 2 | $617 | $23,654 | 3 |
| Dec 11, 2015 | 81 | $1,905 | +54% | 1 | $1,905 | $25,559 | 4 |
| Jan 8, 2016 | 66 | $6,194 | 3 | $2,065 | $35,691 | 8 | |
| Jan 15, 2016 | 78 | $1,554 | -75% | 2 | $777 | $37,245 | 9 |
| Jan 22, 2016 | 68 | $4,015 | +158% | 6 | $669 | $41,260 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 10/15/2015 | $1,243 | 3 | 3 | 3 | $1,243 | 10/23/2015 | |||
| International Total | $1,243 | 10/23/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Mor Loushy | Director | |
| Mor Loushy | Screenwriter | |
| Daniel Sivan | Screenwriter | |
| Ran Tal | Screenwriter | |
| Daniel Sivan | Producer | |
| Hilla Medalia | Producer | |
| Neta Zwebner* | Producer | |
| Melanie Andernach | Co-Producer | |
| Knut Losen | Co-Producer | |
| Jenny Raskin | Co-Producer | |
| Dan Cogan | Executive Producer | |
| Danna Stern | Executive Producer | |
| Dagmar Mielke | Executive Producer | |
| Nick Fraser | Executive Producer | |
| Morgan Spurlock | Executive Producer | |
| Jeremy Chilnick | Executive Producer | |
| Ethan Goldman | Executive Producer | |
| Daniel Sivan | Editor | |
| Markus Aust | Composer | |
| Itai Raziel | Cinematographer | |
| Avner Shahaf | Cinematographer | |
| Yoss Appelbaum | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In June of 1967 the armies of Egypt, Jordan and Syria massed on Israel’s borders and threatened its destruction. Israel launched a pre-emptive strike and achieved a stunning and decisive victory nearly tripling its size with the occupation of the West Bank (including East Jerusalem), the Sinai Peninsula and the Golan Heights. The nation brimmed with relief, joy and pride, while a new national narrative of manifest destiny emerged. But drowned out by the euphoria, other voices -many of those who fought the war–had something different to say. One week after the conflict, Amos Oz and editor Avraham Shapira arranged to record conversations with returning soldiers about their experiences. In these intensely candid interviews they reveal their fears, their feelings about the enemy and their doubts about the treatment of Arab prisoners of war and the forced evacuations of Palestinian villages. The tapes capture these young men wrestling with the question of the responsibility of the conqueror to the conquered (even when the shoe could easily have been on the other foot), the paradox of a people who fled oppression who must now oppress to preserve their security and their still fervent hope for a lasting peace with their Arab neighbors. The Israeli Defense Force partially censored the recordings at the time but transcripts were turned into the book “The Seventh Day: Soldiers’ Talk About the Six-Day War” in 1970. Now these newly available recordings form the core of this probing film as we see the former soldiers, now men in their seventies, listening to their younger selves. The recordings are juxtaposed with rare newsreel footage and photography of the conflict combined with an evocative sound design that allows a unique opportunity to re-experience a war that changed the face of a region still locked in a deadly impasse.
Metrics
| Opening Weekend: | $6,153 (14.9% of total gross) |
| Legs: | 4.65 (domestic box office/biggest weekend) |
| Domestic Share: | 97.1% (domestic box office/worldwide) |
| Production Budget: | $450,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 2 opening theaters/6 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $58,066 |
Movie Details
| Domestic Releases: | November 20th, 2015 (Limited) by Music Box Films, released as Censored Voices |
| International Releases: | October 15th, 2015 (Limited), released as Censored Voices (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 87 minutes |
| Plot point: | War |
| Social setting: | Israeli Palestinian Conflict |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | One Man Show, Know Productions, Music Box Films, Made in Germany Filmproduktion, Impact Partners |
| Production Countries: | Israel, Germany |
| Languages: | Hebrew |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 20, 2015 | 65 | $6,153 | 2 | $3,077 | $6,153 | 1 | |
| Nov 27, 2015 | 56 | $8,878 | +44% | 4 | $2,220 | $19,093 | 2 |
| Dec 4, 2015 | 80 | $741 | -92% | 2 | $371 | $23,161 | 3 |
| Dec 11, 2015 | 75 | $1,261 | +70% | 1 | $1,261 | $24,915 | 4 |
| Dec 18, 2015 | 63 | $2,672 | +112% | 3 | $891 | $28,231 | 5 |
| Jan 8, 2016 | 66 | $4,654 | 3 | $1,551 | $34,151 | 8 | |
| Jan 15, 2016 | 72 | $1,182 | -75% | 2 | $591 | $36,873 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 20, 2015 | 68 | $10,215 | 2 | $5,108 | $10,215 | 1 | |
| Nov 27, 2015 | 58 | $12,205 | +19% | 4 | $3,051 | $22,420 | 2 |
| Dec 4, 2015 | 88 | $1,234 | -90% | 2 | $617 | $23,654 | 3 |
| Dec 11, 2015 | 81 | $1,905 | +54% | 1 | $1,905 | $25,559 | 4 |
| Jan 8, 2016 | 66 | $6,194 | 3 | $2,065 | $35,691 | 8 | |
| Jan 15, 2016 | 78 | $1,554 | -75% | 2 | $777 | $37,245 | 9 |
| Jan 22, 2016 | 68 | $4,015 | +158% | 6 | $669 | $41,260 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 10/15/2015 | $1,243 | 3 | 3 | 3 | $1,243 | 10/23/2015 | |||
| International Total | $1,243 | 10/23/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Mor Loushy | Director | |
| Mor Loushy | Screenwriter | |
| Daniel Sivan | Screenwriter | |
| Ran Tal | Screenwriter | |
| Daniel Sivan | Producer | |
| Hilla Medalia | Producer | |
| Neta Zwebner* | Producer | |
| Melanie Andernach | Co-Producer | |
| Knut Losen | Co-Producer | |
| Jenny Raskin | Co-Producer | |
| Dan Cogan | Executive Producer | |
| Danna Stern | Executive Producer | |
| Dagmar Mielke | Executive Producer | |
| Nick Fraser | Executive Producer | |
| Morgan Spurlock | Executive Producer | |
| Jeremy Chilnick | Executive Producer | |
| Ethan Goldman | Executive Producer | |
| Daniel Sivan | Editor | |
| Markus Aust | Composer | |
| Itai Raziel | Cinematographer | |
| Avner Shahaf | Cinematographer | |
| Yoss Appelbaum | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.