Siakh lokhamim: ha'slilim ha'gnouzim (2015)

Siakh lokhamim: ha
Theatrical Performance
Domestic Box Office $41,260Details
International Box Office $1,243Details
Worldwide Box Office $42,503
OpusData ID: 245390100 More info...
Further financial details...

Synopsis

In June of 1967 the armies of Egypt, Jordan and Syria massed on Israel’s borders and threatened its destruction. Israel launched a pre-emptive strike and achieved a stunning and decisive victory nearly tripling its size with the occupation of the West Bank (including East Jerusalem), the Sinai Peninsula and the Golan Heights. The nation brimmed with relief, joy and pride, while a new national narrative of manifest destiny emerged. But drowned out by the euphoria, other voices -many of those who fought the war–had something different to say. One week after the conflict, Amos Oz and editor Avraham Shapira arranged to record conversations with returning soldiers about their experiences. In these intensely candid interviews they reveal their fears, their feelings about the enemy and their doubts about the treatment of Arab prisoners of war and the forced evacuations of Palestinian villages. The tapes capture these young men wrestling with the question of the responsibility of the conqueror to the conquered (even when the shoe could easily have been on the other foot), the paradox of a people who fled oppression who must now oppress to preserve their security and their still fervent hope for a lasting peace with their Arab neighbors. The Israeli Defense Force partially censored the recordings at the time but transcripts were turned into the book “The Seventh Day: Soldiers’ Talk About the Six-Day War” in 1970. Now these newly available recordings form the core of this probing film as we see the former soldiers, now men in their seventies, listening to their younger selves. The recordings are juxtaposed with rare newsreel footage and photography of the conflict combined with an evocative sound design that allows a unique opportunity to re-experience a war that changed the face of a region still locked in a deadly impasse.

Metrics

Opening Weekend:$6,153 (14.9% of total gross)
Legs:4.65 (domestic box office/biggest weekend)
Domestic Share:97.1% (domestic box office/worldwide)
Production Budget:$450,000 (worldwide box office is 0.1 times production budget)
Theater counts:2 opening theaters/6 max. theaters, 2.8 weeks average run per theater
Infl. Adj. Dom. BO $58,066

Movie Details

Domestic Releases: November 20th, 2015 (Limited) by Music Box Films, released as Censored Voices
International Releases: October 15th, 2015 (Limited), released as Censored Voices (United Kingdom)
MPA Rating: Not Rated
Running Time: 87 minutes
Plot point: War
Social setting: Israeli Palestinian Conflict
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: One Man Show, Know Productions, Music Box Films, Made in Germany Filmproduktion, Impact Partners
Production Countries: Israel, Germany
Languages: Hebrew

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 20, 2015 65 $6,153   2 $3,077   $6,153 1
Nov 27, 2015 56 $8,878 +44% 4 $2,220   $19,093 2
Dec 4, 2015 80 $741 -92% 2 $371   $23,161 3
Dec 11, 2015 75 $1,261 +70% 1 $1,261   $24,915 4
Dec 18, 2015 63 $2,672 +112% 3 $891   $28,231 5
Jan 8, 2016 66 $4,654   3 $1,551   $34,151 8
Jan 15, 2016 72 $1,182 -75% 2 $591   $36,873 9

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 20, 2015 68 $10,215   2 $5,108   $10,215 1
Nov 27, 2015 58 $12,205 +19% 4 $3,051   $22,420 2
Dec 4, 2015 88 $1,234 -90% 2 $617   $23,654 3
Dec 11, 2015 81 $1,905 +54% 1 $1,905   $25,559 4
Jan 8, 2016 66 $6,194   3 $2,065   $35,691 8
Jan 15, 2016 78 $1,554 -75% 2 $777   $37,245 9
Jan 22, 2016 68 $4,015 +158% 6 $669   $41,260 10

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 10/15/2015 $1,243 3 3 3 $1,243 10/23/2015
  
International Total $1,243 10/23/2015

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Production and Technical Credits

Mor Loushy    Director
Mor Loushy    Screenwriter
Daniel Sivan    Screenwriter
Ran Tal    Screenwriter
Daniel Sivan    Producer
Hilla Medalia    Producer
Neta Zwebner*    Producer
Melanie Andernach    Co-Producer
Knut Losen    Co-Producer
Jenny Raskin    Co-Producer
Dan Cogan    Executive Producer
Danna Stern    Executive Producer
Dagmar Mielke    Executive Producer
Nick Fraser    Executive Producer
Morgan Spurlock    Executive Producer
Jeremy Chilnick    Executive Producer
Ethan Goldman    Executive Producer
Daniel Sivan    Editor
Markus Aust    Composer
Itai Raziel    Cinematographer
Avner Shahaf    Cinematographer
Yoss Appelbaum    Sound Designer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


Synopsis

In June of 1967 the armies of Egypt, Jordan and Syria massed on Israel’s borders and threatened its destruction. Israel launched a pre-emptive strike and achieved a stunning and decisive victory nearly tripling its size with the occupation of the West Bank (including East Jerusalem), the Sinai Peninsula and the Golan Heights. The nation brimmed with relief, joy and pride, while a new national narrative of manifest destiny emerged. But drowned out by the euphoria, other voices -many of those who fought the war–had something different to say. One week after the conflict, Amos Oz and editor Avraham Shapira arranged to record conversations with returning soldiers about their experiences. In these intensely candid interviews they reveal their fears, their feelings about the enemy and their doubts about the treatment of Arab prisoners of war and the forced evacuations of Palestinian villages. The tapes capture these young men wrestling with the question of the responsibility of the conqueror to the conquered (even when the shoe could easily have been on the other foot), the paradox of a people who fled oppression who must now oppress to preserve their security and their still fervent hope for a lasting peace with their Arab neighbors. The Israeli Defense Force partially censored the recordings at the time but transcripts were turned into the book “The Seventh Day: Soldiers’ Talk About the Six-Day War” in 1970. Now these newly available recordings form the core of this probing film as we see the former soldiers, now men in their seventies, listening to their younger selves. The recordings are juxtaposed with rare newsreel footage and photography of the conflict combined with an evocative sound design that allows a unique opportunity to re-experience a war that changed the face of a region still locked in a deadly impasse.

Metrics

Opening Weekend:$6,153 (14.9% of total gross)
Legs:4.65 (domestic box office/biggest weekend)
Domestic Share:97.1% (domestic box office/worldwide)
Production Budget:$450,000 (worldwide box office is 0.1 times production budget)
Theater counts:2 opening theaters/6 max. theaters, 2.8 weeks average run per theater
Infl. Adj. Dom. BO $58,066

Movie Details

Domestic Releases: November 20th, 2015 (Limited) by Music Box Films, released as Censored Voices
International Releases: October 15th, 2015 (Limited), released as Censored Voices (United Kingdom)
MPA Rating: Not Rated
Running Time: 87 minutes
Plot point: War
Social setting: Israeli Palestinian Conflict
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: One Man Show, Know Productions, Music Box Films, Made in Germany Filmproduktion, Impact Partners
Production Countries: Israel, Germany
Languages: Hebrew

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 20, 2015 65 $6,153   2 $3,077   $6,153 1
Nov 27, 2015 56 $8,878 +44% 4 $2,220   $19,093 2
Dec 4, 2015 80 $741 -92% 2 $371   $23,161 3
Dec 11, 2015 75 $1,261 +70% 1 $1,261   $24,915 4
Dec 18, 2015 63 $2,672 +112% 3 $891   $28,231 5
Jan 8, 2016 66 $4,654   3 $1,551   $34,151 8
Jan 15, 2016 72 $1,182 -75% 2 $591   $36,873 9

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 20, 2015 68 $10,215   2 $5,108   $10,215 1
Nov 27, 2015 58 $12,205 +19% 4 $3,051   $22,420 2
Dec 4, 2015 88 $1,234 -90% 2 $617   $23,654 3
Dec 11, 2015 81 $1,905 +54% 1 $1,905   $25,559 4
Jan 8, 2016 66 $6,194   3 $2,065   $35,691 8
Jan 15, 2016 78 $1,554 -75% 2 $777   $37,245 9
Jan 22, 2016 68 $4,015 +158% 6 $669   $41,260 10

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
United Kingdom 10/15/2015 $1,243 3 3 3 $1,243 10/23/2015
  
International Total $1,243 10/23/2015

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Production and Technical Credits

Mor Loushy    Director
Mor Loushy    Screenwriter
Daniel Sivan    Screenwriter
Ran Tal    Screenwriter
Daniel Sivan    Producer
Hilla Medalia    Producer
Neta Zwebner*    Producer
Melanie Andernach    Co-Producer
Knut Losen    Co-Producer
Jenny Raskin    Co-Producer
Dan Cogan    Executive Producer
Danna Stern    Executive Producer
Dagmar Mielke    Executive Producer
Nick Fraser    Executive Producer
Morgan Spurlock    Executive Producer
Jeremy Chilnick    Executive Producer
Ethan Goldman    Executive Producer
Daniel Sivan    Editor
Markus Aust    Composer
Itai Raziel    Cinematographer
Avner Shahaf    Cinematographer
Yoss Appelbaum    Sound Designer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.