The Sicilian (1987)
| Theatrical Performance | ||
| Domestic Box Office | $5,406,879 | Details |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $53,147 | |
| Total | $53,147 | |
| OpusData ID: 45730100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,720,351 (31.8% of total gross) |
| Legs: | 3.14 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 370 opening theaters/370 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,639,841 |
Movie Details
| Domestic Releases: | October 23rd, 1987 (Wide) by 20th Century Fox |
| Video Release: | March 29th, 2016 by Shout Factory |
| Running Time: | 115 minutes |
| Cast, crew, or production detail: | Development Hell |
| Geographical setting: | Sicily, Italy |
| Plot point: | Bandits, Robin Hood Bandits |
| Release detail: | Delayed Release |
| Social setting: | Rebellion |
| Source material: | Inspired by a True Story |
| Subgenre: | Action Thriller |
| Time period setting: | 1950s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gladden Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 23, 1987 | 7 | $1,720,351 | 370 | $4,650 | $1,720,351 | 1 | |
| Nov 6, 1987 | 18 | $355,741 | 191 | $1,863 | $3,727,489 | 3 |
| Terence Stamp | Prince Borsa | |
| Christopher Lambert | Salvatore Giuliano | |
| Joss Ackland | Don Masino Croce | |
| Richard Bauer | Hector Adonis | |
| Joe Regalbuto | Father Doldana | |
| Michael Wincott | Cpl. Silvestro Canio |
Supporting
| John Turturro | Pisciotto |
Production and Technical Credits
| Michael Cimino | Director | |
| Steve Shagan | Screenwriter | |
| Uncredited* | Screenwriter | |
| Mario Puzo | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $1,720,351 (31.8% of total gross) |
| Legs: | 3.14 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 370 opening theaters/370 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,639,841 |
Movie Details
| Domestic Releases: | October 23rd, 1987 (Wide) by 20th Century Fox |
| Video Release: | March 29th, 2016 by Shout Factory |
| Running Time: | 115 minutes |
| Cast, crew, or production detail: | Development Hell |
| Geographical setting: | Sicily, Italy |
| Plot point: | Bandits, Robin Hood Bandits |
| Release detail: | Delayed Release |
| Social setting: | Rebellion |
| Source material: | Inspired by a True Story |
| Subgenre: | Action Thriller |
| Time period setting: | 1950s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gladden Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 23, 1987 | 7 | $1,720,351 | 370 | $4,650 | $1,720,351 | 1 | |
| Nov 6, 1987 | 18 | $355,741 | 191 | $1,863 | $3,727,489 | 3 |
| Terence Stamp | Prince Borsa | |
| Christopher Lambert | Salvatore Giuliano | |
| Joss Ackland | Don Masino Croce | |
| Richard Bauer | Hector Adonis | |
| Joe Regalbuto | Father Doldana | |
| Michael Wincott | Cpl. Silvestro Canio |
Supporting
| John Turturro | Pisciotto |
Production and Technical Credits
| Michael Cimino | Director | |
| Steve Shagan | Screenwriter | |
| Uncredited* | Screenwriter | |
| Mario Puzo | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.