The Sign of the Cross (1933)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 470460100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Domestic Releases: | February 10th, 1933 (Limited) by Paramount Pictures |
| Video Release: | March 28th, 1995 by Universal Home Entertainment |
| Running Time: | 108 minutes |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Fredric March | Marcus Superbus | |
| Elissa Landi | Mercia | |
| Claudette Colbert | Poppea | |
| Charles Laughton | Nero |
Supporting
| Ian Keith | Tigellinus | |
| Ferdinand Gottschalk | Glabrio | |
| Arthur Hohl | Titus | |
| Vivian Tobin | Dacia | |
| Harry Beresford | Flavius | |
| Tommy Conlon | Stephan |
Production and Technical Credits
| Cecil B. DeMille | Director | |
| Waldemar Young | Screenwriter | |
| Sidney Buchman | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
Movie Details
| Domestic Releases: | February 10th, 1933 (Limited) by Paramount Pictures |
| Video Release: | March 28th, 1995 by Universal Home Entertainment |
| Running Time: | 108 minutes |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Fredric March | Marcus Superbus | |
| Elissa Landi | Mercia | |
| Claudette Colbert | Poppea | |
| Charles Laughton | Nero |
Supporting
| Ian Keith | Tigellinus | |
| Ferdinand Gottschalk | Glabrio | |
| Arthur Hohl | Titus | |
| Vivian Tobin | Dacia | |
| Harry Beresford | Flavius | |
| Tommy Conlon | Stephan |
Production and Technical Credits
| Cecil B. DeMille | Director | |
| Waldemar Young | Screenwriter | |
| Sidney Buchman | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.