Sinbad and the Eye of the Tiger (1977)
| Theatrical Performance | ||
| Domestic Box Office | $16,000,000 | Details |
| OpusData ID: 29270100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $81,147,972 |
Movie Details
| Domestic Releases: | August 12th, 1977 (Wide) by Columbia |
| MPA Rating: | G |
| Running Time: | 113 minutes |
| Plot point: | Dysfunctional Family, Romance, Step-Family |
| Social setting: | Sword & Sorcerer |
| Subgenre: | Heroic Adventure |
| Target audience: | Cult Movie |
| Source: | Based on Folk Tale/Legend/Fairytale |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | United Kingdom |
| Languages: | English |
Leading
| Patrick Wayne | Sinbad |
Supporting
| Jane Seymour | Farah | |
| Peter Mayhew | Minoton |
Production and Technical Credits
| Sam Wanamaker | Director | |
| Beverley Cross | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $81,147,972 |
Movie Details
| Domestic Releases: | August 12th, 1977 (Wide) by Columbia |
| MPA Rating: | G |
| Running Time: | 113 minutes |
| Plot point: | Dysfunctional Family, Romance, Step-Family |
| Social setting: | Sword & Sorcerer |
| Subgenre: | Heroic Adventure |
| Target audience: | Cult Movie |
| Source: | Based on Folk Tale/Legend/Fairytale |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | United Kingdom |
| Languages: | English |
Leading
| Patrick Wayne | Sinbad |
Supporting
| Jane Seymour | Farah | |
| Peter Mayhew | Minoton |
Production and Technical Credits
| Sam Wanamaker | Director | |
| Beverley Cross | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.