The Singing Nun (1966)
| Theatrical Performance | ||
| Domestic Box Office | $3,700,000 | Details |
| OpusData ID: 50040100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | April 4th, 1966 (Wide) |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Plot point: | Biography, Monks and Nuns, Singers |
| Subgenre: | Biographical Drama |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
| Languages: | English |
| Debbie Reynolds | Sister Ann | |
| Ricardo Montalbán | Father Clementi | |
| Greer Garson | Mother Prioress | |
| Agnes Moorehead | Sister Cluny | |
| Katharine Ross | Nicole Arlien | |
| Ed Sullivan | Himself |
Production and Technical Credits
| Henry Koster | Director | |
| John Furia, Jr. | Screenwriter | |
| Sally Benson | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
Movie Details
| Domestic Releases: | April 4th, 1966 (Wide) |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Plot point: | Biography, Monks and Nuns, Singers |
| Subgenre: | Biographical Drama |
| Time period setting: | 1960s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | United States |
| Languages: | English |
| Debbie Reynolds | Sister Ann | |
| Ricardo Montalbán | Father Clementi | |
| Greer Garson | Mother Prioress | |
| Agnes Moorehead | Sister Cluny | |
| Katharine Ross | Nicole Arlien | |
| Ed Sullivan | Himself |
Production and Technical Credits
| Henry Koster | Director | |
| John Furia, Jr. | Screenwriter | |
| Sally Benson | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.