Six Minutes to Midnight (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $132,500 | Details |
| International Box Office | $2,663,936 | Details |
| Worldwide Box Office | $2,796,436 | |
| OpusData ID: 343950100 More info... | ||
| Further financial details... | ||
Synopsis
In the summer of 1939, influential families in Nazi Germany have sent their daughters to a finishing school in an English seaside town to learn the language and be ambassadors for a future looking National Socialist. A teacher there sees what is coming and is trying to raise the alarm. But the authorities believe he is the problem.
Metrics
| Opening Weekend: | $51,315 (38.7% of total gross) |
| Legs: | 2.58 (domestic box office/biggest weekend) |
| Domestic Share: | 4.7% (domestic box office/worldwide) |
| Theater counts: | 145 opening theaters/145 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $155,827 |
Movie Details
| Domestic Releases: | March 26th, 2021 (Limited) by IFC Films |
| International Releases: | September 25th, 2020 (Wide) (United Kingdom)
October 15th, 2020 (Wide) (Russia (CIS)) October 15th, 2020 (Wide) (Ukraine) October 16th, 2020 (Wide) (Spain) March 4th, 2021 (Limited) (Australia) ... Show all releases |
| Video Release: | March 26th, 2021 by IFC Video |
| MPA Rating: | PG-13 for some violence. (Rating bulletin 2660 (cert #53017), 12/16/2020) |
| Running Time: | 99 minutes |
| Plot point: | Double Agent, Falsely Accused, Fugitive / On the Run, Nazi Collaborators, Nazis |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Social setting: | World War II |
| Subgenre: | Crime Thriller |
| Time period setting: | 1930s |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Motion Picture Capital, The Welsh Government, FFilm Cymru Wales, West Madison Entertainment, Mad as Birds Films, Ella Communications, REP6 |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 26, 2021 | - | $51,315 | 145 | $354 | $51,315 | 1 | |
| Apr 2, 2021 | - | $13,529 | -74% | 82 | $165 | $84,326 | 2 |
| Apr 9, 2021 | - | $9,752 | -28% | 30 | $325 | $102,085 | 3 |
| Apr 16, 2021 | - | $8,440 | -13% | 29 | $291 | $115,225 | 4 |
| Apr 23, 2021 | - | $4,193 | -50% | 19 | $221 | $123,248 | 5 |
| Apr 30, 2021 | - | $1,372 | -67% | 14 | $98 | $128,138 | 6 |
| May 14, 2021 | - | $640 | 5 | $128 | $131,871 | 8 | |
| May 21, 2021 | - | $140 | -78% | 1 | $140 | $132,492 | 9 |
| Sep 24, 2021 | - | $227 | 1 | $227 | $16,851 | 27 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 26, 2021 | - | $17,088 | 145 | $118 | $17,088 | 1 | ||
| Mar 27, 2021 | - | $19,930 | +17% | 145 | $137 | $37,018 | 2 | |
| Mar 28, 2021 | - | $14,297 | -28% | 145 | $99 | $51,315 | 3 | |
| Mar 29, 2021 | - | $3,468 | -76% | 145 | $24 | $54,783 | 4 | |
| Mar 30, 2021 | - | $6,853 | +98% | 145 | $47 | $61,636 | 5 | |
| Mar 31, 2021 | - | $4,460 | -35% | 145 | $31 | $66,096 | 6 | |
| Apr 1, 2021 | - | $4,701 | +5% | 145 | $32 | $70,797 | 7 | |
| Apr 2, 2021 | - | $5,709 | +21% | -67% | 82 | $70 | $76,506 | 8 |
| Apr 3, 2021 | - | $4,936 | -14% | -75% | 82 | $60 | $81,442 | 9 |
| Apr 4, 2021 | - | $2,884 | -42% | -80% | 82 | $35 | $84,326 | 10 |
| Apr 5, 2021 | - | $1,374 | -52% | -60% | 82 | $17 | $85,700 | 11 |
| Apr 6, 2021 | - | $2,789 | +103% | -59% | 82 | $34 | $88,489 | 12 |
| Apr 7, 2021 | - | $1,530 | -45% | -66% | 82 | $19 | $90,019 | 13 |
| Apr 8, 2021 | - | $2,314 | +51% | -51% | 82 | $28 | $92,333 | 14 |
| Apr 9, 2021 | - | $2,820 | +22% | -51% | 30 | $94 | $95,153 | 15 |
| Apr 10, 2021 | - | $4,310 | +53% | -13% | 30 | $144 | $99,463 | 16 |
| Apr 11, 2021 | - | $2,622 | -39% | -9% | 30 | $87 | $102,085 | 17 |
| Apr 12, 2021 | - | $943 | -64% | -31% | 30 | $31 | $103,028 | 18 |
| Apr 13, 2021 | - | $1,300 | +38% | -53% | 30 | $43 | $104,328 | 19 |
| Apr 14, 2021 | - | $1,124 | -14% | -27% | 30 | $37 | $105,452 | 20 |
| Apr 15, 2021 | - | $1,333 | +19% | -42% | 30 | $44 | $106,785 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 26, 2021 | - | $70,797 | 145 | $488 | $70,797 | 1 | |
| Apr 2, 2021 | - | $21,536 | -70% | 82 | $263 | $92,333 | 2 |
| Apr 9, 2021 | - | $14,452 | -33% | 30 | $482 | $106,785 | 3 |
| Apr 16, 2021 | - | $12,270 | -15% | 29 | $423 | $119,055 | 4 |
| Apr 23, 2021 | - | $7,711 | -37% | 19 | $406 | $126,766 | 5 |
| Apr 30, 2021 | 35 | $2,806 | -64% | 14 | $200 | $129,572 | 6 |
| May 7, 2021 | 42 | $1,320 | -53% | 9 | $147 | $131,231 | 7 |
| May 14, 2021 | 43 | $1,121 | -15% | 5 | $224 | $132,352 | 8 |
| May 21, 2021 | 44 | $148 | -87% | 1 | $148 | $132,500 | 9 |
| Sep 24, 2021 | - | $422 | 1 | $422 | $17,046 | 27 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/4/2021 | $0 | 0 | 232 | 1,299 | $1,644,334 | 10/20/2022 | |||
| New Zealand | 4/22/2021 | $136,043 | 88 | 91 | 647 | $672,631 | 8/20/2021 | |||
| Portugal | 1/13/2022 | $11,124 | 24 | 24 | 63 | $29,810 | 10/20/2022 | |||
| Russia (CIS) | 10/15/2020 | $21,035 | 216 | 216 | 310 | $37,528 | 10/19/2022 | |||
| Spain | 10/16/2020 | $52,373 | 52 | 61 | 275 | $214,975 | 12/3/2020 | |||
| Ukraine | 10/15/2020 | $2,021 | 0 | 0 | 0 | $2,021 | 10/22/2020 | |||
| United Kingdom | 9/25/2020 | $0 | 0 | 12 | 41 | $62,637 | 8/11/2021 | |||
| International Total | $2,663,936 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Eddie Izzard | Thomas Miller | |
| Judi Dench | Miss Rocholl |
Supporting
| Jim Broadbent | Charlie | |
| James D'Arcy | Captain Drey | |
| Carla Juri | Ilse Keller | |
| Celyn Jones | Corporal Willis | |
| Maria Dragus | Astrid | |
| Tijan Marei | Gretel | |
| Franziska Brandmeier | Beatrix | |
| Daria Wolf | Leta |
Production and Technical Credits
| Andy Goddard | Director | |
| Eddie Izzard | Story by | |
| Celyn Jones | Story by | |
| Celyn Jones | Screenwriter | |
| Andy Goddard | Screenwriter | |
| Eddie Izzard | Screenwriter | |
| Andy Evans | Producer | |
| Sean Marley | Producer | |
| Ade Shannon | Producer | |
| Laure Vaysse | Producer | |
| Sarah Townsend | Producer | |
| Eddie Izzard | Executive Producer | |
| Celyn Jones | Executive Producer | |
| Trevor Beattie | Executive Producer | |
| Helen Lee-Kim | Executive Producer | |
| Deepak Nayar | Executive Producer | |
| Adam Partridge | Executive Producer | |
| Pauline Burt | Executive Producer | |
| Christina Papagjika | Executive Producer | |
| Matthew Salloway | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Emma Berkofsky | Executive Producer | |
| Richard Payten | Executive Producer | |
| Andrew Mackie | Executive Producer | |
| Alex Ashworth | Co-Producer | |
| Laura Brook | Associate Producer | |
| Chris Seager | Director of Photography | |
| Candida Otton | Production Designer | |
| Mike Jones | Editor | |
| John Gilbert | Editor | |
| Marc Streitenfeld | Composer | |
| Lucinda Wright | Costume Designer | |
| Colin Jones | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the summer of 1939, influential families in Nazi Germany have sent their daughters to a finishing school in an English seaside town to learn the language and be ambassadors for a future looking National Socialist. A teacher there sees what is coming and is trying to raise the alarm. But the authorities believe he is the problem.
Metrics
| Opening Weekend: | $51,315 (38.7% of total gross) |
| Legs: | 2.58 (domestic box office/biggest weekend) |
| Domestic Share: | 4.7% (domestic box office/worldwide) |
| Theater counts: | 145 opening theaters/145 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $155,827 |
Movie Details
| Domestic Releases: | March 26th, 2021 (Limited) by IFC Films |
| International Releases: | September 25th, 2020 (Wide) (United Kingdom)
October 15th, 2020 (Wide) (Russia (CIS)) October 15th, 2020 (Wide) (Ukraine) October 16th, 2020 (Wide) (Spain) March 4th, 2021 (Limited) (Australia) ... Show all releases |
| Video Release: | March 26th, 2021 by IFC Video |
| MPA Rating: | PG-13 for some violence. (Rating bulletin 2660 (cert #53017), 12/16/2020) |
| Running Time: | 99 minutes |
| Plot point: | Double Agent, Falsely Accused, Fugitive / On the Run, Nazi Collaborators, Nazis |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Social setting: | World War II |
| Subgenre: | Crime Thriller |
| Time period setting: | 1930s |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Motion Picture Capital, The Welsh Government, FFilm Cymru Wales, West Madison Entertainment, Mad as Birds Films, Ella Communications, REP6 |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 26, 2021 | - | $51,315 | 145 | $354 | $51,315 | 1 | |
| Apr 2, 2021 | - | $13,529 | -74% | 82 | $165 | $84,326 | 2 |
| Apr 9, 2021 | - | $9,752 | -28% | 30 | $325 | $102,085 | 3 |
| Apr 16, 2021 | - | $8,440 | -13% | 29 | $291 | $115,225 | 4 |
| Apr 23, 2021 | - | $4,193 | -50% | 19 | $221 | $123,248 | 5 |
| Apr 30, 2021 | - | $1,372 | -67% | 14 | $98 | $128,138 | 6 |
| May 14, 2021 | - | $640 | 5 | $128 | $131,871 | 8 | |
| May 21, 2021 | - | $140 | -78% | 1 | $140 | $132,492 | 9 |
| Sep 24, 2021 | - | $227 | 1 | $227 | $16,851 | 27 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 26, 2021 | - | $17,088 | 145 | $118 | $17,088 | 1 | ||
| Mar 27, 2021 | - | $19,930 | +17% | 145 | $137 | $37,018 | 2 | |
| Mar 28, 2021 | - | $14,297 | -28% | 145 | $99 | $51,315 | 3 | |
| Mar 29, 2021 | - | $3,468 | -76% | 145 | $24 | $54,783 | 4 | |
| Mar 30, 2021 | - | $6,853 | +98% | 145 | $47 | $61,636 | 5 | |
| Mar 31, 2021 | - | $4,460 | -35% | 145 | $31 | $66,096 | 6 | |
| Apr 1, 2021 | - | $4,701 | +5% | 145 | $32 | $70,797 | 7 | |
| Apr 2, 2021 | - | $5,709 | +21% | -67% | 82 | $70 | $76,506 | 8 |
| Apr 3, 2021 | - | $4,936 | -14% | -75% | 82 | $60 | $81,442 | 9 |
| Apr 4, 2021 | - | $2,884 | -42% | -80% | 82 | $35 | $84,326 | 10 |
| Apr 5, 2021 | - | $1,374 | -52% | -60% | 82 | $17 | $85,700 | 11 |
| Apr 6, 2021 | - | $2,789 | +103% | -59% | 82 | $34 | $88,489 | 12 |
| Apr 7, 2021 | - | $1,530 | -45% | -66% | 82 | $19 | $90,019 | 13 |
| Apr 8, 2021 | - | $2,314 | +51% | -51% | 82 | $28 | $92,333 | 14 |
| Apr 9, 2021 | - | $2,820 | +22% | -51% | 30 | $94 | $95,153 | 15 |
| Apr 10, 2021 | - | $4,310 | +53% | -13% | 30 | $144 | $99,463 | 16 |
| Apr 11, 2021 | - | $2,622 | -39% | -9% | 30 | $87 | $102,085 | 17 |
| Apr 12, 2021 | - | $943 | -64% | -31% | 30 | $31 | $103,028 | 18 |
| Apr 13, 2021 | - | $1,300 | +38% | -53% | 30 | $43 | $104,328 | 19 |
| Apr 14, 2021 | - | $1,124 | -14% | -27% | 30 | $37 | $105,452 | 20 |
| Apr 15, 2021 | - | $1,333 | +19% | -42% | 30 | $44 | $106,785 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 26, 2021 | - | $70,797 | 145 | $488 | $70,797 | 1 | |
| Apr 2, 2021 | - | $21,536 | -70% | 82 | $263 | $92,333 | 2 |
| Apr 9, 2021 | - | $14,452 | -33% | 30 | $482 | $106,785 | 3 |
| Apr 16, 2021 | - | $12,270 | -15% | 29 | $423 | $119,055 | 4 |
| Apr 23, 2021 | - | $7,711 | -37% | 19 | $406 | $126,766 | 5 |
| Apr 30, 2021 | 35 | $2,806 | -64% | 14 | $200 | $129,572 | 6 |
| May 7, 2021 | 42 | $1,320 | -53% | 9 | $147 | $131,231 | 7 |
| May 14, 2021 | 43 | $1,121 | -15% | 5 | $224 | $132,352 | 8 |
| May 21, 2021 | 44 | $148 | -87% | 1 | $148 | $132,500 | 9 |
| Sep 24, 2021 | - | $422 | 1 | $422 | $17,046 | 27 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/4/2021 | $0 | 0 | 232 | 1,299 | $1,644,334 | 10/20/2022 | |||
| New Zealand | 4/22/2021 | $136,043 | 88 | 91 | 647 | $672,631 | 8/20/2021 | |||
| Portugal | 1/13/2022 | $11,124 | 24 | 24 | 63 | $29,810 | 10/20/2022 | |||
| Russia (CIS) | 10/15/2020 | $21,035 | 216 | 216 | 310 | $37,528 | 10/19/2022 | |||
| Spain | 10/16/2020 | $52,373 | 52 | 61 | 275 | $214,975 | 12/3/2020 | |||
| Ukraine | 10/15/2020 | $2,021 | 0 | 0 | 0 | $2,021 | 10/22/2020 | |||
| United Kingdom | 9/25/2020 | $0 | 0 | 12 | 41 | $62,637 | 8/11/2021 | |||
| International Total | $2,663,936 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Eddie Izzard | Thomas Miller | |
| Judi Dench | Miss Rocholl |
Supporting
| Jim Broadbent | Charlie | |
| James D'Arcy | Captain Drey | |
| Carla Juri | Ilse Keller | |
| Celyn Jones | Corporal Willis | |
| Maria Dragus | Astrid | |
| Tijan Marei | Gretel | |
| Franziska Brandmeier | Beatrix | |
| Daria Wolf | Leta |
Production and Technical Credits
| Andy Goddard | Director | |
| Eddie Izzard | Story by | |
| Celyn Jones | Story by | |
| Celyn Jones | Screenwriter | |
| Andy Goddard | Screenwriter | |
| Eddie Izzard | Screenwriter | |
| Andy Evans | Producer | |
| Sean Marley | Producer | |
| Ade Shannon | Producer | |
| Laure Vaysse | Producer | |
| Sarah Townsend | Producer | |
| Eddie Izzard | Executive Producer | |
| Celyn Jones | Executive Producer | |
| Trevor Beattie | Executive Producer | |
| Helen Lee-Kim | Executive Producer | |
| Deepak Nayar | Executive Producer | |
| Adam Partridge | Executive Producer | |
| Pauline Burt | Executive Producer | |
| Christina Papagjika | Executive Producer | |
| Matthew Salloway | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Emma Berkofsky | Executive Producer | |
| Richard Payten | Executive Producer | |
| Andrew Mackie | Executive Producer | |
| Alex Ashworth | Co-Producer | |
| Laura Brook | Associate Producer | |
| Chris Seager | Director of Photography | |
| Candida Otton | Production Designer | |
| Mike Jones | Editor | |
| John Gilbert | Editor | |
| Marc Streitenfeld | Composer | |
| Lucinda Wright | Costume Designer | |
| Colin Jones | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.