Six Weeks (1982)
| Theatrical Performance | ||
| Domestic Box Office | $6,668,025 | Details |
| OpusData ID: 43100100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $978,541 (14.7% of total gross) |
| Legs: | 6.47 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 613 opening theaters/613 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,172,350 |
Movie Details
| Domestic Releases: | December 17th, 1982 (Wide) by Universal |
| Running Time: | 107 minutes |
| Plot point: | Cancer, Dancing, Death of a Son or Daughter, Infidelity, Love Triangle, Romance, Terminal Illness |
| Social setting: | Ballet |
| Subgenre: | Family Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 17, 1982 | 10 | $978,541 | 613 | $1,596 | $978,541 | 1 | |
| Dec 24, 1982 | 13 | $765,818 | -22% | 612 | $1,251 | $2,338,731 | 2 |
| Dec 31, 1982 | 13 | $1,030,864 | +35% | 555 | $1,857 | $4,799,864 | 3 |
| Jan 7, 1983 | 12 | $881,831 | -14% | 549 | $1,606 | $6,054,831 | 4 |
| Jan 14, 1983 | 14 | $412,025 | -53% | 389 | $1,059 | $6,668,025 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 17, 1982 | 11 | $1,572,913 | 613 | $2,566 | $1,572,913 | 1 | |
| Dec 24, 1982 | 12 | $2,196,087 | +40% | 612 | $3,588 | $3,769,000 | 2 |
| Dec 31, 1982 | 13 | $1,404,000 | -36% | 555 | $2,530 | $5,173,000 | 3 |
| Jan 7, 1983 | 12 | $1,083,000 | -23% | 549 | $1,973 | $6,256,000 | 4 |
| Dudley Moore | Patrick Dalton | |
| Joe Regalbuto | Bob Crowther | |
| Mary Tyler Moore | Charlotte Dreyfus | |
| Katherine Healy | Nicole Dreyfus |
Production and Technical Credits
| Tony Bill | Director | |
| David Seltzer | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $978,541 (14.7% of total gross) |
| Legs: | 6.47 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 613 opening theaters/613 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,172,350 |
Movie Details
| Domestic Releases: | December 17th, 1982 (Wide) by Universal |
| Running Time: | 107 minutes |
| Plot point: | Cancer, Dancing, Death of a Son or Daughter, Infidelity, Love Triangle, Romance, Terminal Illness |
| Social setting: | Ballet |
| Subgenre: | Family Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 17, 1982 | 10 | $978,541 | 613 | $1,596 | $978,541 | 1 | |
| Dec 24, 1982 | 13 | $765,818 | -22% | 612 | $1,251 | $2,338,731 | 2 |
| Dec 31, 1982 | 13 | $1,030,864 | +35% | 555 | $1,857 | $4,799,864 | 3 |
| Jan 7, 1983 | 12 | $881,831 | -14% | 549 | $1,606 | $6,054,831 | 4 |
| Jan 14, 1983 | 14 | $412,025 | -53% | 389 | $1,059 | $6,668,025 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 17, 1982 | 11 | $1,572,913 | 613 | $2,566 | $1,572,913 | 1 | |
| Dec 24, 1982 | 12 | $2,196,087 | +40% | 612 | $3,588 | $3,769,000 | 2 |
| Dec 31, 1982 | 13 | $1,404,000 | -36% | 555 | $2,530 | $5,173,000 | 3 |
| Jan 7, 1983 | 12 | $1,083,000 | -23% | 549 | $1,973 | $6,256,000 | 4 |
| Dudley Moore | Patrick Dalton | |
| Joe Regalbuto | Bob Crowther | |
| Mary Tyler Moore | Charlotte Dreyfus | |
| Katherine Healy | Nicole Dreyfus |
Production and Technical Credits
| Tony Bill | Director | |
| David Seltzer | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.