Skincare (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $456,590 | Details |
| OpusData ID: 687600100 More info... | ||
| Further financial details... | ||
Synopsis
A talented aesthetician in West Hollywood becomes convinced someone is trying to destroy her life.
Metrics
| Opening Weekend: | $323,856 (70.9% of total gross) |
| Legs: | 1.41 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 760 opening theaters/760 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $482,825 |
Movie Details
| Domestic Releases: | August 16th, 2024 (Wide) by IFC Films |
| Video Release: | September 3rd, 2024 by IFC Video |
| MPA Rating: | R for sexual content, graphic nudity, language throughout, some violence and brief drug use. (Rating bulletin 2841 (cert #55068), 7/3/2024) |
| Running Time: | 94 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Corporate Malfeasance, Professional Rivalry |
| Social setting: | Beauty Industry |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Jalapeno Goat, Iervolino, Lady Bacardi Entertainment, WWPS.TV, Evolution and Development Technology S.A. |
| Production Countries: | United States, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2024 | - | $323,856 | 760 | $426 | $323,856 | 1 | |
| Aug 23, 2024 | - | $10,545 | -97% | 70 | $151 | $443,014 | 2 |
| Aug 30, 2024 | - | $3,801 | -64% | 8 | $475 | $455,182 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 16, 2024 | - | $217,307 | 760 | $286 | $217,307 | 1 | ||
| Aug 17, 2024 | - | $60,356 | -72% | 760 | $79 | $277,663 | 2 | |
| Aug 18, 2024 | - | $46,193 | -23% | 760 | $61 | $323,856 | 3 | |
| Aug 19, 2024 | - | $28,473 | -38% | 760 | $37 | $352,329 | 4 | |
| Aug 20, 2024 | - | $38,090 | +34% | 760 | $50 | $390,419 | 5 | |
| Aug 21, 2024 | - | $27,874 | -27% | 760 | $37 | $418,293 | 6 | |
| Aug 22, 2024 | - | $14,176 | -49% | 760 | $19 | $432,469 | 7 | |
| Aug 23, 2024 | - | $3,507 | -75% | -98% | 70 | $50 | $435,976 | 8 |
| Aug 24, 2024 | - | $3,781 | +8% | -94% | 70 | $54 | $439,757 | 9 |
| Aug 25, 2024 | - | $3,257 | -14% | -93% | 70 | $47 | $443,014 | 10 |
| Aug 26, 2024 | - | $1,750 | -46% | -94% | 70 | $25 | $444,764 | 11 |
| Aug 27, 2024 | - | $2,287 | +31% | -94% | 70 | $33 | $447,051 | 12 |
| Aug 28, 2024 | - | $2,955 | +29% | -89% | 70 | $42 | $450,006 | 13 |
| Aug 29, 2024 | - | $1,375 | -53% | -90% | 70 | $20 | $451,381 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2024 | 17 | $432,469 | 760 | $569 | $432,469 | 1 | |
| Aug 23, 2024 | 35 | $18,912 | -96% | 70 | $270 | $451,381 | 2 |
| Aug 30, 2024 | 55 | $5,209 | -72% | 8 | $651 | $456,590 | 3 |
Leading
| Elizabeth Banks | Hope Goldman |
Supporting
| Lewis James Pullman | ||
| Luis Gerardo Mendez | Angel Vergara | |
| M.J. Rodriguez | ||
| Nathan Fillion | ||
| Michaela Jaé Rodriguez |
Production and Technical Credits
| Austin Peters | Director | |
| Austin Peters | Screenwriter | |
| Deering Regan | Screenwriter | |
| Sam Freilich | Screenwriter | |
| Jonathan Schwartz | Producer | |
| Logan Lerman | Producer | |
| Elizabeth Banks | Executive Producer | |
| Scott Shooman | Executive Producer | |
| Adam Koehler | Executive Producer | |
| Sam Freilich | Executive Producer | |
| Deering Regan | Executive Producer | |
| Luca Matrundola | Executive Producer | |
| Richard Salvatore | Executive Producer | |
| Danielle Maloni | Executive Producer | |
| Andrea Iervolino | Executive Producer | |
| Monika Bacardi | Executive Producer | |
| Christopher Ripley | Director of Photography | |
| Liz Toonkel | Production Designer | |
| Laura Zempel | Editor | |
| Fatima Al Qadiri | Composer | |
| Angelina Vitto | Costume Designer | |
| Eyde Belasco | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A talented aesthetician in West Hollywood becomes convinced someone is trying to destroy her life.
Metrics
| Opening Weekend: | $323,856 (70.9% of total gross) |
| Legs: | 1.41 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 760 opening theaters/760 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $482,825 |
Movie Details
| Domestic Releases: | August 16th, 2024 (Wide) by IFC Films |
| Video Release: | September 3rd, 2024 by IFC Video |
| MPA Rating: | R for sexual content, graphic nudity, language throughout, some violence and brief drug use. (Rating bulletin 2841 (cert #55068), 7/3/2024) |
| Running Time: | 94 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Corporate Malfeasance, Professional Rivalry |
| Social setting: | Beauty Industry |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Jalapeno Goat, Iervolino, Lady Bacardi Entertainment, WWPS.TV, Evolution and Development Technology S.A. |
| Production Countries: | United States, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2024 | - | $323,856 | 760 | $426 | $323,856 | 1 | |
| Aug 23, 2024 | - | $10,545 | -97% | 70 | $151 | $443,014 | 2 |
| Aug 30, 2024 | - | $3,801 | -64% | 8 | $475 | $455,182 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 16, 2024 | - | $217,307 | 760 | $286 | $217,307 | 1 | ||
| Aug 17, 2024 | - | $60,356 | -72% | 760 | $79 | $277,663 | 2 | |
| Aug 18, 2024 | - | $46,193 | -23% | 760 | $61 | $323,856 | 3 | |
| Aug 19, 2024 | - | $28,473 | -38% | 760 | $37 | $352,329 | 4 | |
| Aug 20, 2024 | - | $38,090 | +34% | 760 | $50 | $390,419 | 5 | |
| Aug 21, 2024 | - | $27,874 | -27% | 760 | $37 | $418,293 | 6 | |
| Aug 22, 2024 | - | $14,176 | -49% | 760 | $19 | $432,469 | 7 | |
| Aug 23, 2024 | - | $3,507 | -75% | -98% | 70 | $50 | $435,976 | 8 |
| Aug 24, 2024 | - | $3,781 | +8% | -94% | 70 | $54 | $439,757 | 9 |
| Aug 25, 2024 | - | $3,257 | -14% | -93% | 70 | $47 | $443,014 | 10 |
| Aug 26, 2024 | - | $1,750 | -46% | -94% | 70 | $25 | $444,764 | 11 |
| Aug 27, 2024 | - | $2,287 | +31% | -94% | 70 | $33 | $447,051 | 12 |
| Aug 28, 2024 | - | $2,955 | +29% | -89% | 70 | $42 | $450,006 | 13 |
| Aug 29, 2024 | - | $1,375 | -53% | -90% | 70 | $20 | $451,381 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2024 | 17 | $432,469 | 760 | $569 | $432,469 | 1 | |
| Aug 23, 2024 | 35 | $18,912 | -96% | 70 | $270 | $451,381 | 2 |
| Aug 30, 2024 | 55 | $5,209 | -72% | 8 | $651 | $456,590 | 3 |
Leading
| Elizabeth Banks | Hope Goldman |
Supporting
| Lewis James Pullman | ||
| Luis Gerardo Mendez | Angel Vergara | |
| M.J. Rodriguez | ||
| Nathan Fillion | ||
| Michaela Jaé Rodriguez |
Production and Technical Credits
| Austin Peters | Director | |
| Austin Peters | Screenwriter | |
| Deering Regan | Screenwriter | |
| Sam Freilich | Screenwriter | |
| Jonathan Schwartz | Producer | |
| Logan Lerman | Producer | |
| Elizabeth Banks | Executive Producer | |
| Scott Shooman | Executive Producer | |
| Adam Koehler | Executive Producer | |
| Sam Freilich | Executive Producer | |
| Deering Regan | Executive Producer | |
| Luca Matrundola | Executive Producer | |
| Richard Salvatore | Executive Producer | |
| Danielle Maloni | Executive Producer | |
| Andrea Iervolino | Executive Producer | |
| Monika Bacardi | Executive Producer | |
| Christopher Ripley | Director of Photography | |
| Liz Toonkel | Production Designer | |
| Laura Zempel | Editor | |
| Fatima Al Qadiri | Composer | |
| Angelina Vitto | Costume Designer | |
| Eyde Belasco | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.