Sky Captain and the World of Tomorrow (2004)
| Theatrical Performance | ||
| Domestic Box Office | $37,760,080 | Details |
| International Box Office | $11,970,774 | Details |
| Worldwide Box Office | $49,730,854 | |
| OpusData ID: 14990100 More info... | ||
| Further financial details... | ||
Synopsis
Sky Captain and reporter Polly Perkins investigate the disappearance of well-known scientists around the world. Together with Frankly Cook, commander of an all-female amphibious squadron, and technical genius Dex they try to stop Dr. Totenkopf from executing his evil plot to destroy the world.
Metrics
| Opening Weekend: | $15,580,278 (41.3% of total gross) |
| Legs: | 2.42 (domestic box office/biggest weekend) |
| Domestic Share: | 75.9% (domestic box office/worldwide) |
| Production Budget: | $70,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 3,170 opening theaters/3,170 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $72,723,115 |
Movie Details
| Domestic Releases: | September 17th, 2004 (Wide) by Paramount Pictures |
| International Releases: | February 4th, 2005 (Wide), released as Sky Captain And The World Of Tomorrow (Australia) |
| Video Release: | April 18th, 2006 by Paramount Home Video, released as Sky Captain & the World of Tomorrow |
| MPA Rating: | PG for sequences of stylized sci-fi violence and brief mild language |
| Running Time: | 107 minutes |
| Cast, crew, or production detail: | Visual Effects |
| Geographical setting: | New York, New York City |
| Plot point: | Investigative Journalist, Mad Scientist, Missing Person, Robot |
| Subgenre: | Action Adventure |
| Time period setting: | 1930s, Steampunk |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Brooklyn Films II, Riff Raff, Blue Flower, Filmauro |
| Production Countries: | United States, United Kingdom, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2004 | 1 | $15,580,278 | 3,170 | $4,915 | $15,580,278 | 1 | |
| Sep 24, 2004 | 2 | $6,658,035 | -57% | 3,170 | $2,100 | $25,517,193 | 2 |
| Oct 1, 2004 | 4 | $3,278,417 | -51% | 2,721 | $1,205 | $30,590,216 | 3 |
| Oct 8, 2004 | 7 | $2,341,872 | -29% | 1,743 | $1,344 | $33,932,601 | 4 |
| Oct 15, 2004 | 10 | $1,218,417 | -48% | 1,208 | $1,009 | $35,899,489 | 5 |
| Oct 22, 2004 | 16 | $578,496 | -53% | 872 | $663 | $36,832,192 | 6 |
| Oct 29, 2004 | 24 | $223,973 | -61% | 335 | $669 | $37,226,427 | 7 |
| Nov 5, 2004 | 30 | $100,338 | -55% | 201 | $499 | $37,392,123 | 8 |
| Nov 12, 2004 | 43 | $43,173 | -57% | 107 | $403 | $37,480,359 | 9 |
| Nov 19, 2004 | 51 | $20,453 | -53% | 71 | $288 | $37,514,410 | 10 |
| Nov 26, 2004 | 38 | $91,915 | +349% | 191 | $481 | $37,635,325 | 11 |
| Dec 3, 2004 | 42 | $43,552 | -53% | 142 | $307 | $37,713,761 | 12 |
| Dec 10, 2004 | 52 | $19,468 | -55% | 69 | $282 | $37,747,092 | 13 |
| Dec 17, 2004 | 61 | $6,224 | -68% | 30 | $207 | $37,760,080 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 17, 2004 | 1 | $5,100,000 | 3,170 | $1,609 | $5,100,000 | 1 | ||
| Sep 18, 2004 | 1 | $6,529,339 | +28% | 3,170 | $2,060 | $11,704,850 | 2 | |
| Sep 19, 2004 | 1 | $3,875,428 | -41% | 3,170 | $1,223 | $15,580,278 | 3 | |
| Sep 20, 2004 | 1 | $925,000 | -76% | 3,170 | $292 | $16,506,000 | 4 | |
| Sep 21, 2004 | 1 | $878,000 | -5% | 3,170 | $277 | $17,384,000 | 5 | |
| Sep 22, 2004 | 1 | $752,000 | -14% | 3,170 | $237 | $18,136,000 | 6 | |
| Sep 23, 2004 | 1 | $723,000 | -4% | 3,170 | $228 | $18,859,000 | 7 | |
| Sep 24, 2004 | 2 | $2,100,000 | +190% | -59% | 3,170 | $662 | $21,000,000 | 8 |
| Sep 25, 2004 | 2 | $2,957,495 | +41% | -55% | 3,170 | $933 | $23,769,278 | 9 |
| Sep 26, 2004 | 2 | $1,747,915 | -41% | -55% | 3,170 | $551 | $25,517,193 | 10 |
| Sep 27, 2004 | 2 | $503,000 | -71% | -46% | 3,170 | $159 | $26,021,000 | 11 |
| Sep 28, 2004 | 2 | $486,000 | -3% | -45% | 3,170 | $153 | $26,507,000 | 12 |
| Sep 29, 2004 | 2 | $428,000 | -12% | -43% | 3,170 | $135 | $26,935,000 | 13 |
| Sep 30, 2004 | 2 | $377,000 | -12% | -48% | 3,170 | $119 | $27,312,000 | 14 |
| Oct 1, 2004 | 4 | $1,100,000 | +192% | -48% | 2,721 | $404 | $28,400,000 | 15 |
| Oct 2, 2004 | 4 | $1,369,903 | +25% | -54% | 2,721 | $503 | $29,693,073 | 16 |
| Oct 3, 2004 | 4 | $897,143 | -35% | -49% | 2,721 | $330 | $30,590,216 | 17 |
| Oct 4, 2004 | 4 | $247,000 | -72% | -51% | 2,721 | $91 | $30,838,000 | 18 |
| Oct 5, 2004 | 4 | $272,000 | +10% | -44% | 2,721 | $100 | $31,110,000 | 19 |
| Oct 6, 2004 | 5 | $242,000 | -11% | -43% | 2,721 | $89 | $31,352,000 | 20 |
| Oct 7, 2004 | 5 | $239,000 | -1% | -37% | 2,721 | $88 | $31,591,000 | 21 |
| Oct 8, 2004 | 7 | $500,000 | +109% | -55% | 1,743 | $287 | $32,100,000 | 22 |
| Oct 9, 2004 | 7 | $1,237,958 | +148% | -10% | 1,743 | $710 | $33,346,804 | 23 |
| Oct 10, 2004 | 7 | $585,797 | -53% | -35% | 1,743 | $336 | $33,932,601 | 24 |
| Oct 11, 2004 | 7 | $304,000 | -48% | +23% | 1,743 | $174 | $34,237,000 | 25 |
| Oct 12, 2004 | 7 | $154,000 | -49% | -43% | 1,743 | $88 | $34,391,000 | 26 |
| Oct 13, 2004 | 7 | $133,000 | -14% | -45% | 1,743 | $76 | $34,524,000 | 27 |
| Oct 14, 2004 | 8 | $158,000 | +19% | -34% | 1,743 | $91 | $34,682,000 | 28 |
| Oct 16, 2004 | 10 | $542,445 | -56% | 1,208 | $449 | $35,571,089 | 30 | |
| Oct 17, 2004 | 10 | $328,400 | -39% | -44% | 1,208 | $272 | $35,899,489 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2004 | 1 | $18,859,158 | 3,170 | $5,949 | $18,859,158 | 1 | |
| Sep 24, 2004 | 2 | $8,452,641 | -55% | 3,170 | $2,666 | $27,311,799 | 2 |
| Oct 1, 2004 | 4 | $4,278,930 | -49% | 2,721 | $1,573 | $31,590,729 | 3 |
| Oct 8, 2004 | 7 | $3,090,343 | -28% | 1,743 | $1,773 | $34,681,072 | 4 |
| Oct 15, 2004 | 10 | $1,572,624 | -49% | 1,208 | $1,302 | $36,253,696 | 5 |
| Oct 22, 2004 | 16 | $748,758 | -52% | 872 | $859 | $37,002,454 | 6 |
| Oct 29, 2004 | 24 | $289,331 | -61% | 335 | $864 | $37,291,785 | 7 |
| Nov 5, 2004 | 32 | $145,401 | -50% | 201 | $723 | $37,437,186 | 8 |
| Nov 12, 2004 | 45 | $56,771 | -61% | 107 | $531 | $37,493,957 | 9 |
| Nov 19, 2004 | 47 | $49,453 | -13% | 71 | $697 | $37,543,410 | 10 |
| Nov 26, 2004 | 36 | $126,799 | +156% | 191 | $664 | $37,670,209 | 11 |
| Dec 3, 2004 | 45 | $57,415 | -55% | 142 | $404 | $37,727,624 | 12 |
| Dec 10, 2004 | 47 | $26,232 | -54% | 69 | $380 | $37,753,856 | 13 |
| Dec 17, 2004 | 67 | $6,224 | -76% | 30 | $207 | $37,760,080 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/4/2005 | $0 | 0 | 166 | 330 | $816,123 | 9/10/2020 | |||
| Rest of World | $11,154,651 | |||||||||
| International Total | $11,970,774 | 9/10/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jude Law | Captain Joseph Sullivan, AKA Sky Captain | |
| Gwyneth Paltrow | Polly Perkins | |
| Angelina Jolie | Frankie |
Supporting
| Giovanni Ribisi | Dex | |
| Michael Gambon | Editor Paley | |
| Bai Ling | Mysterious Woman | |
| Omid Djalili | Kaji | |
| Trevor Baxter | Dr. Jennings | |
| Julian Curry | Dr. Vargas | |
| Peter Law | Dr. Kessler | |
| Jon Rumney | German Scientist | |
| Khan Bonfils | Creepy | |
| Samta Gyatso | Scary | |
| Louis Hilyer | Executive Officer | |
| Mark Wells | Communication Engineer | |
| James Cash | Uniformed Officer | |
| Tenzin Bhagen | Kalacakra Priest | |
| Thupten Tsondru | Dying Old Man | |
| Matthew Grant | Crewman | |
| Steve Morphew | Crewman | |
| Nancy Crane | Receptionist | |
| Stuart Milligan | Police Sergeant | |
| Paul Canter | Police Officer | |
| Demetri Goritsas | Radio Operator | |
| William Hope | American Broadcaster | |
| Jonathan Keeble | British Broadcaster | |
| Stephan Cornicard | French Broadcaster | |
| Stephen Ballantyne | German Broadcaster | |
| Victor Sobtchak | Russian Broadcaster | |
| Mido Himadi | Soldier | |
| Gerard Monaco | Technician | |
| Chris Robson | Hindenburg Porter | |
| Matthew Coulter | Hindenburg Boy | |
| Merritt Yohnka | Construction Worker |
Production and Technical Credits
| Kerry Conran | Director | |
| Kerry Conran | Screenwriter | |
| Jon Avnet | Producer | |
| Marsha Oglesby | Producer | |
| Sadie Frost | Producer | |
| Jude Law | Producer | |
| Aurelio De Laurentiis | Executive Producer | |
| Raffaella De Laurentis | Executive Producer | |
| Bill Haber | Executive Producer | |
| Kevin Conran | Production Designer | |
| Sabrina Plisco | Editor | |
| Edward Shearmur | Composer | |
| Eric Adkins | Director of Photography | |
| Hester Hargett-Aupetit | Co-Producer | |
| Brooke Breton | Co-Producer | |
| Robert Gordon | Associate Producer | |
| Marcia Gay Harden | Marcia Gay | |
| Marcia Gay Harden | Marcia Gay | |
| Matthew Feitshans | Production Supervisor | |
| Steven F. Yamamoto | Animation Director | |
| Pier Luigi Basile | Supervising Art Director | |
| Kirsten Conran | Art Director | |
| Dave Warren | Art Director | |
| Mike Stallion | Art Director | |
| Brian Read | Set Decorator | |
| Christopher Probst | Second Unit Camera | |
| Tim Wooster | Second Unit Camera | |
| Kevin Conran | Costume Designer | |
| Stella McCartney | Costume Designer | |
| Richard Pointing | Costume Supervisor | |
| Timothy Coulter | Associate Editor | |
| David Crozier | Sound Mixer | |
| Veda Campbell | Sound Mixer | |
| Terry Porter | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| Todd Toon | Supervising Sound Editor | |
| Donald J. Malouf | Sound Effects Editor | |
| Charles W. Ritter | Sound Effects Editor | |
| Adam Kopald | Sound Effects Editor | |
| Chuck Michael | Sound Effects Editor | |
| Todd Toon | Sound Designer | |
| John Kwiatkowski | Dialogue Editor | |
| Daryl Kell | Music Editor | |
| Michael Bauer | Music Editor | |
| Rebecca Lafford | Make up | |
| Kay Georgiou | Hairstylist | |
| Gary Pollard | Special Make-up Effects | |
| Teese Gold | Music Producer | |
| Rick Pagano | Casting Director | |
| Sheila Trezise | Casting Director | |
| Franklin Henson | Stunt Coordinator | |
| Franklin Henson, Sr. | Stunt Coordinator | |
| Ben Howard | Second Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Sky Captain and reporter Polly Perkins investigate the disappearance of well-known scientists around the world. Together with Frankly Cook, commander of an all-female amphibious squadron, and technical genius Dex they try to stop Dr. Totenkopf from executing his evil plot to destroy the world.
Metrics
| Opening Weekend: | $15,580,278 (41.3% of total gross) |
| Legs: | 2.42 (domestic box office/biggest weekend) |
| Domestic Share: | 75.9% (domestic box office/worldwide) |
| Production Budget: | $70,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 3,170 opening theaters/3,170 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $72,723,115 |
Movie Details
| Domestic Releases: | September 17th, 2004 (Wide) by Paramount Pictures |
| International Releases: | February 4th, 2005 (Wide), released as Sky Captain And The World Of Tomorrow (Australia) |
| Video Release: | April 18th, 2006 by Paramount Home Video, released as Sky Captain & the World of Tomorrow |
| MPA Rating: | PG for sequences of stylized sci-fi violence and brief mild language |
| Running Time: | 107 minutes |
| Cast, crew, or production detail: | Visual Effects |
| Geographical setting: | New York, New York City |
| Plot point: | Investigative Journalist, Mad Scientist, Missing Person, Robot |
| Subgenre: | Action Adventure |
| Time period setting: | 1930s, Steampunk |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Brooklyn Films II, Riff Raff, Blue Flower, Filmauro |
| Production Countries: | United States, United Kingdom, Italy |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2004 | 1 | $15,580,278 | 3,170 | $4,915 | $15,580,278 | 1 | |
| Sep 24, 2004 | 2 | $6,658,035 | -57% | 3,170 | $2,100 | $25,517,193 | 2 |
| Oct 1, 2004 | 4 | $3,278,417 | -51% | 2,721 | $1,205 | $30,590,216 | 3 |
| Oct 8, 2004 | 7 | $2,341,872 | -29% | 1,743 | $1,344 | $33,932,601 | 4 |
| Oct 15, 2004 | 10 | $1,218,417 | -48% | 1,208 | $1,009 | $35,899,489 | 5 |
| Oct 22, 2004 | 16 | $578,496 | -53% | 872 | $663 | $36,832,192 | 6 |
| Oct 29, 2004 | 24 | $223,973 | -61% | 335 | $669 | $37,226,427 | 7 |
| Nov 5, 2004 | 30 | $100,338 | -55% | 201 | $499 | $37,392,123 | 8 |
| Nov 12, 2004 | 43 | $43,173 | -57% | 107 | $403 | $37,480,359 | 9 |
| Nov 19, 2004 | 51 | $20,453 | -53% | 71 | $288 | $37,514,410 | 10 |
| Nov 26, 2004 | 38 | $91,915 | +349% | 191 | $481 | $37,635,325 | 11 |
| Dec 3, 2004 | 42 | $43,552 | -53% | 142 | $307 | $37,713,761 | 12 |
| Dec 10, 2004 | 52 | $19,468 | -55% | 69 | $282 | $37,747,092 | 13 |
| Dec 17, 2004 | 61 | $6,224 | -68% | 30 | $207 | $37,760,080 | 14 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 17, 2004 | 1 | $5,100,000 | 3,170 | $1,609 | $5,100,000 | 1 | ||
| Sep 18, 2004 | 1 | $6,529,339 | +28% | 3,170 | $2,060 | $11,704,850 | 2 | |
| Sep 19, 2004 | 1 | $3,875,428 | -41% | 3,170 | $1,223 | $15,580,278 | 3 | |
| Sep 20, 2004 | 1 | $925,000 | -76% | 3,170 | $292 | $16,506,000 | 4 | |
| Sep 21, 2004 | 1 | $878,000 | -5% | 3,170 | $277 | $17,384,000 | 5 | |
| Sep 22, 2004 | 1 | $752,000 | -14% | 3,170 | $237 | $18,136,000 | 6 | |
| Sep 23, 2004 | 1 | $723,000 | -4% | 3,170 | $228 | $18,859,000 | 7 | |
| Sep 24, 2004 | 2 | $2,100,000 | +190% | -59% | 3,170 | $662 | $21,000,000 | 8 |
| Sep 25, 2004 | 2 | $2,957,495 | +41% | -55% | 3,170 | $933 | $23,769,278 | 9 |
| Sep 26, 2004 | 2 | $1,747,915 | -41% | -55% | 3,170 | $551 | $25,517,193 | 10 |
| Sep 27, 2004 | 2 | $503,000 | -71% | -46% | 3,170 | $159 | $26,021,000 | 11 |
| Sep 28, 2004 | 2 | $486,000 | -3% | -45% | 3,170 | $153 | $26,507,000 | 12 |
| Sep 29, 2004 | 2 | $428,000 | -12% | -43% | 3,170 | $135 | $26,935,000 | 13 |
| Sep 30, 2004 | 2 | $377,000 | -12% | -48% | 3,170 | $119 | $27,312,000 | 14 |
| Oct 1, 2004 | 4 | $1,100,000 | +192% | -48% | 2,721 | $404 | $28,400,000 | 15 |
| Oct 2, 2004 | 4 | $1,369,903 | +25% | -54% | 2,721 | $503 | $29,693,073 | 16 |
| Oct 3, 2004 | 4 | $897,143 | -35% | -49% | 2,721 | $330 | $30,590,216 | 17 |
| Oct 4, 2004 | 4 | $247,000 | -72% | -51% | 2,721 | $91 | $30,838,000 | 18 |
| Oct 5, 2004 | 4 | $272,000 | +10% | -44% | 2,721 | $100 | $31,110,000 | 19 |
| Oct 6, 2004 | 5 | $242,000 | -11% | -43% | 2,721 | $89 | $31,352,000 | 20 |
| Oct 7, 2004 | 5 | $239,000 | -1% | -37% | 2,721 | $88 | $31,591,000 | 21 |
| Oct 8, 2004 | 7 | $500,000 | +109% | -55% | 1,743 | $287 | $32,100,000 | 22 |
| Oct 9, 2004 | 7 | $1,237,958 | +148% | -10% | 1,743 | $710 | $33,346,804 | 23 |
| Oct 10, 2004 | 7 | $585,797 | -53% | -35% | 1,743 | $336 | $33,932,601 | 24 |
| Oct 11, 2004 | 7 | $304,000 | -48% | +23% | 1,743 | $174 | $34,237,000 | 25 |
| Oct 12, 2004 | 7 | $154,000 | -49% | -43% | 1,743 | $88 | $34,391,000 | 26 |
| Oct 13, 2004 | 7 | $133,000 | -14% | -45% | 1,743 | $76 | $34,524,000 | 27 |
| Oct 14, 2004 | 8 | $158,000 | +19% | -34% | 1,743 | $91 | $34,682,000 | 28 |
| Oct 16, 2004 | 10 | $542,445 | -56% | 1,208 | $449 | $35,571,089 | 30 | |
| Oct 17, 2004 | 10 | $328,400 | -39% | -44% | 1,208 | $272 | $35,899,489 | 31 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2004 | 1 | $18,859,158 | 3,170 | $5,949 | $18,859,158 | 1 | |
| Sep 24, 2004 | 2 | $8,452,641 | -55% | 3,170 | $2,666 | $27,311,799 | 2 |
| Oct 1, 2004 | 4 | $4,278,930 | -49% | 2,721 | $1,573 | $31,590,729 | 3 |
| Oct 8, 2004 | 7 | $3,090,343 | -28% | 1,743 | $1,773 | $34,681,072 | 4 |
| Oct 15, 2004 | 10 | $1,572,624 | -49% | 1,208 | $1,302 | $36,253,696 | 5 |
| Oct 22, 2004 | 16 | $748,758 | -52% | 872 | $859 | $37,002,454 | 6 |
| Oct 29, 2004 | 24 | $289,331 | -61% | 335 | $864 | $37,291,785 | 7 |
| Nov 5, 2004 | 32 | $145,401 | -50% | 201 | $723 | $37,437,186 | 8 |
| Nov 12, 2004 | 45 | $56,771 | -61% | 107 | $531 | $37,493,957 | 9 |
| Nov 19, 2004 | 47 | $49,453 | -13% | 71 | $697 | $37,543,410 | 10 |
| Nov 26, 2004 | 36 | $126,799 | +156% | 191 | $664 | $37,670,209 | 11 |
| Dec 3, 2004 | 45 | $57,415 | -55% | 142 | $404 | $37,727,624 | 12 |
| Dec 10, 2004 | 47 | $26,232 | -54% | 69 | $380 | $37,753,856 | 13 |
| Dec 17, 2004 | 67 | $6,224 | -76% | 30 | $207 | $37,760,080 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/4/2005 | $0 | 0 | 166 | 330 | $816,123 | 9/10/2020 | |||
| Rest of World | $11,154,651 | |||||||||
| International Total | $11,970,774 | 9/10/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jude Law | Captain Joseph Sullivan, AKA Sky Captain | |
| Gwyneth Paltrow | Polly Perkins | |
| Angelina Jolie | Frankie |
Supporting
| Giovanni Ribisi | Dex | |
| Michael Gambon | Editor Paley | |
| Bai Ling | Mysterious Woman | |
| Omid Djalili | Kaji | |
| Trevor Baxter | Dr. Jennings | |
| Julian Curry | Dr. Vargas | |
| Peter Law | Dr. Kessler | |
| Jon Rumney | German Scientist | |
| Khan Bonfils | Creepy | |
| Samta Gyatso | Scary | |
| Louis Hilyer | Executive Officer | |
| Mark Wells | Communication Engineer | |
| James Cash | Uniformed Officer | |
| Tenzin Bhagen | Kalacakra Priest | |
| Thupten Tsondru | Dying Old Man | |
| Matthew Grant | Crewman | |
| Steve Morphew | Crewman | |
| Nancy Crane | Receptionist | |
| Stuart Milligan | Police Sergeant | |
| Paul Canter | Police Officer | |
| Demetri Goritsas | Radio Operator | |
| William Hope | American Broadcaster | |
| Jonathan Keeble | British Broadcaster | |
| Stephan Cornicard | French Broadcaster | |
| Stephen Ballantyne | German Broadcaster | |
| Victor Sobtchak | Russian Broadcaster | |
| Mido Himadi | Soldier | |
| Gerard Monaco | Technician | |
| Chris Robson | Hindenburg Porter | |
| Matthew Coulter | Hindenburg Boy | |
| Merritt Yohnka | Construction Worker |
Production and Technical Credits
| Kerry Conran | Director | |
| Kerry Conran | Screenwriter | |
| Jon Avnet | Producer | |
| Marsha Oglesby | Producer | |
| Sadie Frost | Producer | |
| Jude Law | Producer | |
| Aurelio De Laurentiis | Executive Producer | |
| Raffaella De Laurentis | Executive Producer | |
| Bill Haber | Executive Producer | |
| Kevin Conran | Production Designer | |
| Sabrina Plisco | Editor | |
| Edward Shearmur | Composer | |
| Eric Adkins | Director of Photography | |
| Hester Hargett-Aupetit | Co-Producer | |
| Brooke Breton | Co-Producer | |
| Robert Gordon | Associate Producer | |
| Marcia Gay Harden | Marcia Gay | |
| Marcia Gay Harden | Marcia Gay | |
| Matthew Feitshans | Production Supervisor | |
| Steven F. Yamamoto | Animation Director | |
| Pier Luigi Basile | Supervising Art Director | |
| Kirsten Conran | Art Director | |
| Dave Warren | Art Director | |
| Mike Stallion | Art Director | |
| Brian Read | Set Decorator | |
| Christopher Probst | Second Unit Camera | |
| Tim Wooster | Second Unit Camera | |
| Kevin Conran | Costume Designer | |
| Stella McCartney | Costume Designer | |
| Richard Pointing | Costume Supervisor | |
| Timothy Coulter | Associate Editor | |
| David Crozier | Sound Mixer | |
| Veda Campbell | Sound Mixer | |
| Terry Porter | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| Todd Toon | Supervising Sound Editor | |
| Donald J. Malouf | Sound Effects Editor | |
| Charles W. Ritter | Sound Effects Editor | |
| Adam Kopald | Sound Effects Editor | |
| Chuck Michael | Sound Effects Editor | |
| Todd Toon | Sound Designer | |
| John Kwiatkowski | Dialogue Editor | |
| Daryl Kell | Music Editor | |
| Michael Bauer | Music Editor | |
| Rebecca Lafford | Make up | |
| Kay Georgiou | Hairstylist | |
| Gary Pollard | Special Make-up Effects | |
| Teese Gold | Music Producer | |
| Rick Pagano | Casting Director | |
| Sheila Trezise | Casting Director | |
| Franklin Henson | Stunt Coordinator | |
| Franklin Henson, Sr. | Stunt Coordinator | |
| Ben Howard | Second Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.