Slaves of New York (1989)
| Theatrical Performance | ||
| Domestic Box Office | $463,972 | Details |
| OpusData ID: 67830100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $26,118 (5.6% of total gross) |
| Legs: | 6.89 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/13 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,315,161 |
Movie Details
| Domestic Releases: | March 17th, 1989 (Wide) by Sony Pictures |
| Video Release: | July 26th, 2005 by Sony Pictures Home Entertainment |
| Running Time: | 125 minutes |
| Geographical setting: | New York City |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tri-Star Pictures, Merchant Ivory Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 1989 | 12 | $26,118 | 1 | $26,118 | $26,118 | 1 | |
| Mar 24, 1989 | 12 | $67,375 | +158% | 7 | $9,625 | $106,074 | 2 |
| Mar 31, 1989 | 13 | $46,408 | -31% | 8 | $5,801 | $181,340 | 3 |
| Apr 7, 1989 | 19 | $42,848 | -8% | 13 | $3,296 | $246,851 | 4 |
| Apr 14, 1989 | 12 | $28,044 | -35% | 12 | $2,337 | $294,356 | 5 |
| Apr 21, 1989 | 21 | $11,506 | -59% | 11 | $1,046 | $320,586 | 6 |
| Apr 28, 1989 | 12 | $9,542 | -17% | 13 | $734 | $336,519 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 1989 | 10 | $38,699 | 1 | $38,699 | $38,699 | 1 | |
| Mar 24, 1989 | 11 | $96,233 | +149% | 7 | $13,748 | $134,932 | 2 |
| Mar 31, 1989 | 12 | $69,071 | -28% | 8 | $8,634 | $204,003 | 3 |
| Apr 7, 1989 | 9 | $62,309 | -10% | 13 | $4,793 | $266,312 | 4 |
| Apr 14, 1989 | 12 | $42,768 | -31% | 12 | $3,564 | $309,080 | 5 |
| Apr 21, 1989 | 8 | $17,897 | -58% | 11 | $1,627 | $326,977 | 6 |
Leading
| Bernadette Peters | Eleanor |
Supporting
| Chris Sarandon | Victor Okrent | |
| Mary Beth Hurt | Ginger Booth | |
| Madeleine Potter | Daria | |
| Adam Coleman Howard | Stash | |
| Nick Corri | Marley | |
| Charles McCaughan | Sherman McVittie | |
| John Harkins | Chuck Dade Dolger | |
| Mercedes Ruehl | Samantha | |
| Joe Leeway | Jonny Jalouse | |
| Anna Katarina | Mooshka | |
| Stanley Tucci | Darryl | |
| Steve Buscemi | Wilfredo | |
| Anthony LaPaglia | Henry | |
| Jsu Garcia | Marley |
Production and Technical Credits
| James Ivory | Director | |
| Ismail Merchant | Producer | |
| Gary Hendler | Producer | |
| Tama Janowitz | Screenwriter | |
| Tony Pierce-Roberts | Director of Photography | |
| Richard Robbins | Composer | |
| Katherine Wenning | Editor | |
| Vincent Fremont | Associate Producer | |
| Fred Hughes | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $26,118 (5.6% of total gross) |
| Legs: | 6.89 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/13 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,315,161 |
Movie Details
| Domestic Releases: | March 17th, 1989 (Wide) by Sony Pictures |
| Video Release: | July 26th, 2005 by Sony Pictures Home Entertainment |
| Running Time: | 125 minutes |
| Geographical setting: | New York City |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tri-Star Pictures, Merchant Ivory Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 1989 | 12 | $26,118 | 1 | $26,118 | $26,118 | 1 | |
| Mar 24, 1989 | 12 | $67,375 | +158% | 7 | $9,625 | $106,074 | 2 |
| Mar 31, 1989 | 13 | $46,408 | -31% | 8 | $5,801 | $181,340 | 3 |
| Apr 7, 1989 | 19 | $42,848 | -8% | 13 | $3,296 | $246,851 | 4 |
| Apr 14, 1989 | 12 | $28,044 | -35% | 12 | $2,337 | $294,356 | 5 |
| Apr 21, 1989 | 21 | $11,506 | -59% | 11 | $1,046 | $320,586 | 6 |
| Apr 28, 1989 | 12 | $9,542 | -17% | 13 | $734 | $336,519 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 17, 1989 | 10 | $38,699 | 1 | $38,699 | $38,699 | 1 | |
| Mar 24, 1989 | 11 | $96,233 | +149% | 7 | $13,748 | $134,932 | 2 |
| Mar 31, 1989 | 12 | $69,071 | -28% | 8 | $8,634 | $204,003 | 3 |
| Apr 7, 1989 | 9 | $62,309 | -10% | 13 | $4,793 | $266,312 | 4 |
| Apr 14, 1989 | 12 | $42,768 | -31% | 12 | $3,564 | $309,080 | 5 |
| Apr 21, 1989 | 8 | $17,897 | -58% | 11 | $1,627 | $326,977 | 6 |
Leading
| Bernadette Peters | Eleanor |
Supporting
| Chris Sarandon | Victor Okrent | |
| Mary Beth Hurt | Ginger Booth | |
| Madeleine Potter | Daria | |
| Adam Coleman Howard | Stash | |
| Nick Corri | Marley | |
| Charles McCaughan | Sherman McVittie | |
| John Harkins | Chuck Dade Dolger | |
| Mercedes Ruehl | Samantha | |
| Joe Leeway | Jonny Jalouse | |
| Anna Katarina | Mooshka | |
| Stanley Tucci | Darryl | |
| Steve Buscemi | Wilfredo | |
| Anthony LaPaglia | Henry | |
| Jsu Garcia | Marley |
Production and Technical Credits
| James Ivory | Director | |
| Ismail Merchant | Producer | |
| Gary Hendler | Producer | |
| Tama Janowitz | Screenwriter | |
| Tony Pierce-Roberts | Director of Photography | |
| Richard Robbins | Composer | |
| Katherine Wenning | Editor | |
| Vincent Fremont | Associate Producer | |
| Fred Hughes | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.