The Sloth Lane (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $325,449 | Details |
| International Box Office | $1,075,174 | Details |
| Worldwide Box Office | $1,400,623 | |
| OpusData ID: 685370100 More info... | ||
| Further financial details... | ||
Synopsis
After a terrifying storm destroys their home, a speedy sloth named Laura and her kooky family move to the big city in their rusted old food truck, hoping to make their business a success. The family’s delicious food catches the eye of a quick witted cheetah named Dotti who will stop at nothing to revive her failing fast food business, Zoom Fuel.
Metrics
| Legs: | 7.12 (domestic box office/biggest weekend) |
| Domestic Share: | 23.2% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $325,449 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Wide) by Blue Fox Entertainment, released as A Sloth Story |
| International Releases: | July 25th, 2024 (Limited) (Australia)
September 12th, 2024 (Limited), released as The Sloth Lane (Ленивая семейка) (Russia (CIS)) October 11th, 2024 (Limited), released as Tembeller Ailesi (Turkey) February 13th, 2025 (Limited) (United Kingdom) February 20th, 2025 (Wide), released as The Sanctuary Tales: Sloth Lane (Croatia) ... Show all releases |
| MPA Rating: | PG for thematic material, some scary moments and language. (Rating bulletin 2870 (cert #55356), 1/29/2025) |
| Running Time: | 84 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Restaurants, Talking Animals |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Like a Photon Creative, Screen Queensland, Eclectik Vision |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | - | $45,703 | 155 | $295 | $290,378 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 27 | $244,675 | 750 | $326 | $244,675 | 1 | |
| Mar 7, 2025 | 34 | $80,774 | -67% | 155 | $521 | $325,449 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/25/2024 | $27,102 | 133 | 133 | 345 | $66,136 | 11/4/2024 | |||
| Croatia | 2/20/2025 | $21,674 | 52 | 52 | 227 | $93,702 | 4/4/2026 | |||
| Mexico | 2/27/2025 | $331,297 | 0 | 0 | 0 | $331,297 | 4/4/2026 | |||
| Portugal | 3/13/2025 | $13,814 | 41 | 41 | 110 | $39,559 | 4/4/2026 | |||
| Romania | 4/25/2025 | $14,735 | 63 | 63 | 0 | $40,515 | 4/4/2026 | |||
| Russia (CIS) | 9/12/2024 | $115,332 | 1,416 | 1,416 | 2,657 | $213,449 | 9/26/2024 | |||
| Spain | 6/12/2026 | $12,683 | 44 | 44 | 44 | $12,683 | 6/18/2026 | |||
| Turkey | 10/11/2024 | $36,238 | 168 | 168 | 210 | $53,506 | 12/4/2025 | |||
| United Kingdom | 2/13/2025 | $48,116 | 295 | 295 | 295 | $224,327 | 4/6/2026 | |||
| International Total | $1,075,174 | 6/18/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Teo Vergara | ||
| Olivia Vásquez | ||
| Ben Gorroño | ||
| Facundo Herrera |
Supporting
| Dan Brumm | ||
| Remy Hii | ||
| Leslie Jones |
Production and Technical Credits
| Tania Vincent | Director | |
| Ricard Cusso | Director | |
| Tania Vincent | Screenwriter | |
| Ryan Greaves | Screenwriter | |
| Kristen Souvlis | Producer | |
| Nadine Bates | Producer | |
| Ryan Greaves | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After a terrifying storm destroys their home, a speedy sloth named Laura and her kooky family move to the big city in their rusted old food truck, hoping to make their business a success. The family’s delicious food catches the eye of a quick witted cheetah named Dotti who will stop at nothing to revive her failing fast food business, Zoom Fuel.
Metrics
| Legs: | 7.12 (domestic box office/biggest weekend) |
| Domestic Share: | 23.2% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $325,449 |
Movie Details
| Domestic Releases: | February 28th, 2025 (Wide) by Blue Fox Entertainment, released as A Sloth Story |
| International Releases: | July 25th, 2024 (Limited) (Australia)
September 12th, 2024 (Limited), released as The Sloth Lane (Ленивая семейка) (Russia (CIS)) October 11th, 2024 (Limited), released as Tembeller Ailesi (Turkey) February 13th, 2025 (Limited) (United Kingdom) February 20th, 2025 (Wide), released as The Sanctuary Tales: Sloth Lane (Croatia) ... Show all releases |
| MPA Rating: | PG for thematic material, some scary moments and language. (Rating bulletin 2870 (cert #55356), 1/29/2025) |
| Running Time: | 84 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Restaurants, Talking Animals |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Like a Photon Creative, Screen Queensland, Eclectik Vision |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 7, 2025 | - | $45,703 | 155 | $295 | $290,378 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 28, 2025 | 27 | $244,675 | 750 | $326 | $244,675 | 1 | |
| Mar 7, 2025 | 34 | $80,774 | -67% | 155 | $521 | $325,449 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/25/2024 | $27,102 | 133 | 133 | 345 | $66,136 | 11/4/2024 | |||
| Croatia | 2/20/2025 | $21,674 | 52 | 52 | 227 | $93,702 | 4/4/2026 | |||
| Mexico | 2/27/2025 | $331,297 | 0 | 0 | 0 | $331,297 | 4/4/2026 | |||
| Portugal | 3/13/2025 | $13,814 | 41 | 41 | 110 | $39,559 | 4/4/2026 | |||
| Romania | 4/25/2025 | $14,735 | 63 | 63 | 0 | $40,515 | 4/4/2026 | |||
| Russia (CIS) | 9/12/2024 | $115,332 | 1,416 | 1,416 | 2,657 | $213,449 | 9/26/2024 | |||
| Spain | 6/12/2026 | $12,683 | 44 | 44 | 44 | $12,683 | 6/18/2026 | |||
| Turkey | 10/11/2024 | $36,238 | 168 | 168 | 210 | $53,506 | 12/4/2025 | |||
| United Kingdom | 2/13/2025 | $48,116 | 295 | 295 | 295 | $224,327 | 4/6/2026 | |||
| International Total | $1,075,174 | 6/18/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Teo Vergara | ||
| Olivia Vásquez | ||
| Ben Gorroño | ||
| Facundo Herrera |
Supporting
| Dan Brumm | ||
| Remy Hii | ||
| Leslie Jones |
Production and Technical Credits
| Tania Vincent | Director | |
| Ricard Cusso | Director | |
| Tania Vincent | Screenwriter | |
| Ryan Greaves | Screenwriter | |
| Kristen Souvlis | Producer | |
| Nadine Bates | Producer | |
| Ryan Greaves | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.