Snezhnaya koroleva 3. Ogon i led (2016)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $24,640,957 | Details |
| Worldwide Box Office | $24,640,957 | |
| OpusData ID: 279420100 More info... | ||
| Further financial details... | ||
Synopsis
After heroically defeating both the Snow Queen and the Snow King, Gerda still cannot find peace. Her dream is to find her parents who were once taken away from them by the North Wind and finally reunite the family. Thus, Gerda and her friends venture on a difficult journey to find her parents and encounter new challenges along the way: they discover an ancient magical artifact of the trolls, the Stone of Fire and Ice. From that moment on things don't go according to the initial plan. Will Gerda be able to tame the mighty forces of the magical elements and get her family back?
Metrics
Movie Details
| Domestic Releases: | August 31st, 2018 (Limited) by Vertical Entertainment, released as The Snow Queen 3: Fire and Ice |
| International Releases: | December 23rd, 2016 (Wide) (Poland)
December 26th, 2016 (Wide), released as The Snow Queen3: Fire and Ice (South Korea) December 30th, 2016 (Wide), released as СНЕЖНАЯ КОРОЛЕВА 3. ОГОНЬ И ЛЕД (Russia (CIS)) December 30th, 2016 (Wide) (United Arab Emirates) December 30th, 2016 (Wide) (Lithuania) ... Show all releases |
| Video Release: | October 2nd, 2018 by Lionsgate Home Entertainment, released as Snow Queen 3: Fire and Ice |
| Running Time: | 80 minutes |
| Franchise: | Snow Queen |
| Plot point: | Reunited With Biological Family, Royalty, Twins |
| Social setting: | Adopted Family |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | Russian Federation |
| Languages: | Russian |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 8/11/2017 | $230,118 | 0 | 0 | 0 | $230,118 | 10/3/2026 | |||
| Bulgaria | 1/27/2017 | $53,128 | 0 | 0 | 0 | $244,258 | 10/28/2026 | |||
| China | 4/5/2018 | $4,080,000 | 28,915 | 28,915 | 28,915 | $11,554,062 | 10/3/2026 | |||
| Croatia | 1/6/2017 | $89,874 | 0 | 0 | 0 | $89,874 | 10/28/2026 | |||
| Czech Republic | 2/9/2018 | $99,256 | 139 | 139 | 337 | $261,642 | 10/3/2026 | |||
| France | 2/16/2018 | $361,523 | 0 | 289 | 289 | $2,006,018 | 10/3/2026 | |||
| Lithuania | 12/30/2016 | $27,234 | 106 | 109 | 434 | $122,643 | 10/3/2026 | |||
| Poland | 12/23/2016 | $45,888 | 0 | 0 | 0 | $815,065 | 10/3/2026 | |||
| Portugal | 1/25/2019 | $38,158 | 53 | 56 | 225 | $125,237 | 10/3/2026 | |||
| Romania | 1/6/2017 | $105,388 | 0 | 0 | 0 | $542,808 | 10/3/2026 | |||
| Russia (CIS) | 12/30/2016 | $888,349 | 1,170 | 1,201 | 4,056 | $5,134,561 | 10/3/2026 | |||
| Slovakia | 2/2/2018 | $12,707 | 18 | 76 | 216 | $175,027 | 10/3/2026 | |||
| Slovenia | 2/24/2017 | $0 | 0 | 20 | 32 | $58,879 | 10/3/2026 | |||
| South Africa | 7/27/2017 | $14,555 | 0 | 0 | 0 | $37,051 | 10/3/2026 | |||
| South Korea | 12/26/2016 | $0 | 0 | 525 | 907 | $2,503,912 | 10/28/2026 | |||
| Turkey | 2/24/2017 | $194,542 | 253 | 253 | 410 | $524,986 | 10/28/2026 | |||
| Ukraine | 1/20/2017 | $52,311 | 0 | 0 | 0 | $80,946 | 10/3/2026 | |||
| United Arab Emirates | 12/30/2016 | $78,487 | 0 | 0 | 0 | $133,870 | 10/3/2026 | |||
| International Total | $24,640,957 | 10/28/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nataliya Bystrova | Gerda | |
| Nikolay Bystrov | Kai |
Production and Technical Credits
| Aleksey Tsitsilin* | Director | |
| Aleksey Tsitsilin* | Screenwriter | |
| Vladimir Nikolaev | Screenwriter | |
| Aleksey Zamyslov | Screenwriter | |
| Andrey Korenkov* | Screenwriter | |
| Yuriy Moskvin | Producer | |
| Vladimir Nikolaev | Executive Producer | |
| Robert Lence | Editor | |
| Fabrizio Mancinelli | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After heroically defeating both the Snow Queen and the Snow King, Gerda still cannot find peace. Her dream is to find her parents who were once taken away from them by the North Wind and finally reunite the family. Thus, Gerda and her friends venture on a difficult journey to find her parents and encounter new challenges along the way: they discover an ancient magical artifact of the trolls, the Stone of Fire and Ice. From that moment on things don't go according to the initial plan. Will Gerda be able to tame the mighty forces of the magical elements and get her family back?
Metrics
Movie Details
| Domestic Releases: | August 31st, 2018 (Limited) by Vertical Entertainment, released as The Snow Queen 3: Fire and Ice |
| International Releases: | December 23rd, 2016 (Wide) (Poland)
December 26th, 2016 (Wide), released as The Snow Queen3: Fire and Ice (South Korea) December 30th, 2016 (Wide), released as СНЕЖНАЯ КОРОЛЕВА 3. ОГОНЬ И ЛЕД (Russia (CIS)) December 30th, 2016 (Wide) (United Arab Emirates) December 30th, 2016 (Wide) (Lithuania) ... Show all releases |
| Video Release: | October 2nd, 2018 by Lionsgate Home Entertainment, released as Snow Queen 3: Fire and Ice |
| Running Time: | 80 minutes |
| Franchise: | Snow Queen |
| Plot point: | Reunited With Biological Family, Royalty, Twins |
| Social setting: | Adopted Family |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | Russian Federation |
| Languages: | Russian |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Brazil | 8/11/2017 | $230,118 | 0 | 0 | 0 | $230,118 | 10/3/2026 | |||
| Bulgaria | 1/27/2017 | $53,128 | 0 | 0 | 0 | $244,258 | 10/28/2026 | |||
| China | 4/5/2018 | $4,080,000 | 28,915 | 28,915 | 28,915 | $11,554,062 | 10/3/2026 | |||
| Croatia | 1/6/2017 | $89,874 | 0 | 0 | 0 | $89,874 | 10/28/2026 | |||
| Czech Republic | 2/9/2018 | $99,256 | 139 | 139 | 337 | $261,642 | 10/3/2026 | |||
| France | 2/16/2018 | $361,523 | 0 | 289 | 289 | $2,006,018 | 10/3/2026 | |||
| Lithuania | 12/30/2016 | $27,234 | 106 | 109 | 434 | $122,643 | 10/3/2026 | |||
| Poland | 12/23/2016 | $45,888 | 0 | 0 | 0 | $815,065 | 10/3/2026 | |||
| Portugal | 1/25/2019 | $38,158 | 53 | 56 | 225 | $125,237 | 10/3/2026 | |||
| Romania | 1/6/2017 | $105,388 | 0 | 0 | 0 | $542,808 | 10/3/2026 | |||
| Russia (CIS) | 12/30/2016 | $888,349 | 1,170 | 1,201 | 4,056 | $5,134,561 | 10/3/2026 | |||
| Slovakia | 2/2/2018 | $12,707 | 18 | 76 | 216 | $175,027 | 10/3/2026 | |||
| Slovenia | 2/24/2017 | $0 | 0 | 20 | 32 | $58,879 | 10/3/2026 | |||
| South Africa | 7/27/2017 | $14,555 | 0 | 0 | 0 | $37,051 | 10/3/2026 | |||
| South Korea | 12/26/2016 | $0 | 0 | 525 | 907 | $2,503,912 | 10/28/2026 | |||
| Turkey | 2/24/2017 | $194,542 | 253 | 253 | 410 | $524,986 | 10/28/2026 | |||
| Ukraine | 1/20/2017 | $52,311 | 0 | 0 | 0 | $80,946 | 10/3/2026 | |||
| United Arab Emirates | 12/30/2016 | $78,487 | 0 | 0 | 0 | $133,870 | 10/3/2026 | |||
| International Total | $24,640,957 | 10/28/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nataliya Bystrova | Gerda | |
| Nikolay Bystrov | Kai |
Production and Technical Credits
| Aleksey Tsitsilin* | Director | |
| Aleksey Tsitsilin* | Screenwriter | |
| Vladimir Nikolaev | Screenwriter | |
| Aleksey Zamyslov | Screenwriter | |
| Andrey Korenkov* | Screenwriter | |
| Yuriy Moskvin | Producer | |
| Vladimir Nikolaev | Executive Producer | |
| Robert Lence | Editor | |
| Fabrizio Mancinelli | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.