Solaris (2002)
| Theatrical Performance | ||
| Domestic Box Office | $14,970,038 | Details |
| OpusData ID: 30400100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $6,752,722 (45.1% of total gross) |
| Legs: | 2.22 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $47,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 2,406 opening theaters/2,406 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $30,805,636 |
Movie Details
| Domestic Releases: | November 27th, 2002 (Wide) by 20th Century Fox |
| MPA Rating: | PG-13 on appeal for sexuality/nudity, brief language and thematic elements (previously rated R) |
| Running Time: | 105 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Plot point: | Abortion, Doppelganger, Non-Chronological, Relationships Gone Wrong, Scientific Experiment Gone Awry, Suicide, Surprise Twist |
| Social setting: | Space Program |
| Subgenre: | Mystery Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Twentieth Century Fox, Lightstorm Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2002 | 7 | $6,752,722 | 2,406 | $2,807 | $9,418,664 | 1 | |
| Dec 6, 2002 | 11 | $2,354,888 | -65% | 2,406 | $979 | $13,222,112 | 2 |
| Dec 13, 2002 | 21 | $540,606 | -77% | 942 | $574 | $14,569,893 | 3 |
| Dec 20, 2002 | 44 | $50,341 | -91% | 102 | $494 | $14,780,776 | 4 |
| Dec 27, 2002 | 58 | $22,183 | -56% | 59 | $376 | $14,830,374 | 5 |
| Jan 3, 2003 | 63 | $16,629 | -25% | 48 | $346 | $14,864,114 | 6 |
| Jan 10, 2003 | 73 | $11,657 | -30% | 24 | $486 | $14,882,916 | 7 |
| Jan 17, 2003 | 85 | $8,106 | -30% | 18 | $450 | $14,895,981 | 8 |
| Jan 24, 2003 | 81 | $8,903 | +10% | 20 | $445 | $14,906,981 | 9 |
| Jan 31, 2003 | 58 | $31,883 | +258% | 26 | $1,226 | $14,942,785 | 10 |
| Feb 7, 2003 | 73 | $14,963 | -53% | 20 | $748 | $14,970,038 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 27, 2002 | 6 | $1,217,000 | 2,406 | $506 | $1,217,000 | 1 | ||
| Nov 28, 2002 | 7 | $1,597,000 | +31% | 2,406 | $664 | $2,814,000 | 2 | |
| Nov 29, 2002 | 7 | $2,872,000 | +80% | 2,406 | $1,194 | $5,686,000 | 3 | |
| Nov 30, 2002 | 7 | $2,775,000 | -3% | 2,406 | $1,153 | $8,461,000 | 4 | |
| Dec 1, 2002 | 7 | $1,301,863 | -53% | 2,406 | $541 | $9,418,664 | 5 | |
| Dec 2, 2002 | 5 | $374,000 | -71% | 2,406 | $155 | $9,793,000 | 6 | |
| Dec 3, 2002 | 3 | $418,000 | +12% | 2,406 | $174 | $10,211,000 | 7 | |
| Dec 4, 2002 | 4 | $344,000 | -18% | -72% | 2,406 | $143 | $10,555,000 | 8 |
| Dec 5, 2002 | 5 | $313,000 | -9% | -80% | 2,406 | $130 | $10,867,000 | 9 |
| Dec 6, 2002 | 13 | $741,000 | +137% | -74% | 2,406 | $308 | $11,608,000 | 10 |
| Dec 7, 2002 | 11 | $1,046,000 | +41% | -62% | 2,406 | $435 | $12,654,000 | 11 |
| Dec 8, 2002 | 10 | $588,000 | -44% | -55% | 2,406 | $244 | $13,222,112 | 12 |
| Dec 9, 2002 | 8 | $191,000 | -68% | -49% | 2,406 | $79 | $13,414,000 | 13 |
| Dec 10, 2002 | 8 | $229,000 | +20% | -45% | 2,406 | $95 | $13,643,000 | 14 |
| Dec 11, 2002 | 8 | $198,000 | -14% | -42% | 2,406 | $82 | $13,840,000 | 15 |
| Dec 12, 2002 | 8 | $189,000 | -5% | -40% | 2,406 | $79 | $14,029,000 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2002 | 7 | $8,201,282 | 2,406 | $3,409 | $10,867,224 | 2 | |
| Dec 6, 2002 | 11 | $3,162,063 | -61% | 2,406 | $1,314 | $14,029,287 | 3 |
| Dec 13, 2002 | 21 | $701,148 | -78% | 942 | $744 | $14,730,435 | 4 |
| Dec 20, 2002 | 46 | $77,756 | -89% | 102 | $762 | $14,808,191 | 5 |
| Dec 27, 2002 | 57 | $39,294 | -49% | 59 | $666 | $14,847,485 | 6 |
| Jan 3, 2003 | 64 | $23,774 | -39% | 48 | $495 | $14,871,259 | 7 |
| Jan 10, 2003 | 73 | $16,616 | -30% | 24 | $692 | $14,887,875 | 8 |
| Jan 17, 2003 | 83 | $10,203 | -39% | 18 | $567 | $14,898,078 | 9 |
| Jan 24, 2003 | 84 | $12,824 | +26% | 20 | $641 | $14,910,902 | 10 |
| Jan 31, 2003 | 56 | $44,173 | +244% | 26 | $1,699 | $14,955,075 | 11 |
| Feb 7, 2003 | 78 | $14,963 | -66% | 20 | $748 | $14,970,038 | 12 |
Leading
| George Clooney | Chris Kelvin | |
| Natascha McElhone | Rheya |
Supporting
| Jeremy Davies | Snow | |
| Viola Davis | Gordon | |
| Ulrich Tukur | Gibarian | |
| John Cho | DBA Emissary #1 | |
| Morgan Rusler | DBA Emissary #2 | |
| Shane Skelton | Young Boy, Gibarian's Son | |
| Donna Kimball | Mrs. Gibarian | |
| Michael Ensign | Friend #1 | |
| Elpidia Carrillo | Friend #2 | |
| Kent Faulcon | Patient #1 | |
| Lauren Cohn | Patient #2 |
Production and Technical Credits
| Steven Soderbergh | Director | |
| Steven Soderbergh | Screenwriter | |
| James Cameron | Producer | |
| Rae Sanchini | Producer | |
| Jon Landau | Producer | |
| Gregory Jacobs | Executive Producer | |
| Stanislav Lem | Story-Based upon the Book by | |
| Philip Messina | Production Designer | |
| Milena Canonero | Costume Designer | |
| Michael Polaire | Co-Producer | |
| Charles V Bender | Co-Producer | |
| Cliff Martinez | Composer | |
| Debra Zane | Casting Director | |
| Gregory Jacobs | Assistant Director | |
| Michael Polaire | Unit Production Manager | |
| Julie M. Anderson | Production Supervisor | |
| Steve Arnold | Art Director | |
| Keith P. Cunningham | Art Director | |
| Kristen Toscano Messina | Set Decorator | |
| Steven Soderbergh* | Director of Photography | |
| Eduardo Castro | Costume Designer-Associate Costume Designer | |
| Mike Chapman | Costume Supervisor | |
| Mary Ann Bernard | Editor | |
| Susan Littenberg | Associate Editor | |
| Paul Ledford | Sound Mixer | |
| Larry Blake | Re-recording Mixer | |
| Larry Blake | Supervising Sound Editor | |
| Nicholas Renbeck | Sound Editor-Lead Sound Editor | |
| Paul Urmson | Sound Editor | |
| John Pospisil | Sound Editor | |
| Kimberly McCord Wilson* | Sound Editor | |
| Julie Hewett | Make up | |
| Christien Tinsley | Make up | |
| Kathrine Gordon | Hairstylist | |
| Easton Smith | Set Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $6,752,722 (45.1% of total gross) |
| Legs: | 2.22 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $47,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 2,406 opening theaters/2,406 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $30,805,636 |
Movie Details
| Domestic Releases: | November 27th, 2002 (Wide) by 20th Century Fox |
| MPA Rating: | PG-13 on appeal for sexuality/nudity, brief language and thematic elements (previously rated R) |
| Running Time: | 105 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Plot point: | Abortion, Doppelganger, Non-Chronological, Relationships Gone Wrong, Scientific Experiment Gone Awry, Suicide, Surprise Twist |
| Social setting: | Space Program |
| Subgenre: | Mystery Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Twentieth Century Fox, Lightstorm Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2002 | 7 | $6,752,722 | 2,406 | $2,807 | $9,418,664 | 1 | |
| Dec 6, 2002 | 11 | $2,354,888 | -65% | 2,406 | $979 | $13,222,112 | 2 |
| Dec 13, 2002 | 21 | $540,606 | -77% | 942 | $574 | $14,569,893 | 3 |
| Dec 20, 2002 | 44 | $50,341 | -91% | 102 | $494 | $14,780,776 | 4 |
| Dec 27, 2002 | 58 | $22,183 | -56% | 59 | $376 | $14,830,374 | 5 |
| Jan 3, 2003 | 63 | $16,629 | -25% | 48 | $346 | $14,864,114 | 6 |
| Jan 10, 2003 | 73 | $11,657 | -30% | 24 | $486 | $14,882,916 | 7 |
| Jan 17, 2003 | 85 | $8,106 | -30% | 18 | $450 | $14,895,981 | 8 |
| Jan 24, 2003 | 81 | $8,903 | +10% | 20 | $445 | $14,906,981 | 9 |
| Jan 31, 2003 | 58 | $31,883 | +258% | 26 | $1,226 | $14,942,785 | 10 |
| Feb 7, 2003 | 73 | $14,963 | -53% | 20 | $748 | $14,970,038 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 27, 2002 | 6 | $1,217,000 | 2,406 | $506 | $1,217,000 | 1 | ||
| Nov 28, 2002 | 7 | $1,597,000 | +31% | 2,406 | $664 | $2,814,000 | 2 | |
| Nov 29, 2002 | 7 | $2,872,000 | +80% | 2,406 | $1,194 | $5,686,000 | 3 | |
| Nov 30, 2002 | 7 | $2,775,000 | -3% | 2,406 | $1,153 | $8,461,000 | 4 | |
| Dec 1, 2002 | 7 | $1,301,863 | -53% | 2,406 | $541 | $9,418,664 | 5 | |
| Dec 2, 2002 | 5 | $374,000 | -71% | 2,406 | $155 | $9,793,000 | 6 | |
| Dec 3, 2002 | 3 | $418,000 | +12% | 2,406 | $174 | $10,211,000 | 7 | |
| Dec 4, 2002 | 4 | $344,000 | -18% | -72% | 2,406 | $143 | $10,555,000 | 8 |
| Dec 5, 2002 | 5 | $313,000 | -9% | -80% | 2,406 | $130 | $10,867,000 | 9 |
| Dec 6, 2002 | 13 | $741,000 | +137% | -74% | 2,406 | $308 | $11,608,000 | 10 |
| Dec 7, 2002 | 11 | $1,046,000 | +41% | -62% | 2,406 | $435 | $12,654,000 | 11 |
| Dec 8, 2002 | 10 | $588,000 | -44% | -55% | 2,406 | $244 | $13,222,112 | 12 |
| Dec 9, 2002 | 8 | $191,000 | -68% | -49% | 2,406 | $79 | $13,414,000 | 13 |
| Dec 10, 2002 | 8 | $229,000 | +20% | -45% | 2,406 | $95 | $13,643,000 | 14 |
| Dec 11, 2002 | 8 | $198,000 | -14% | -42% | 2,406 | $82 | $13,840,000 | 15 |
| Dec 12, 2002 | 8 | $189,000 | -5% | -40% | 2,406 | $79 | $14,029,000 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 29, 2002 | 7 | $8,201,282 | 2,406 | $3,409 | $10,867,224 | 2 | |
| Dec 6, 2002 | 11 | $3,162,063 | -61% | 2,406 | $1,314 | $14,029,287 | 3 |
| Dec 13, 2002 | 21 | $701,148 | -78% | 942 | $744 | $14,730,435 | 4 |
| Dec 20, 2002 | 46 | $77,756 | -89% | 102 | $762 | $14,808,191 | 5 |
| Dec 27, 2002 | 57 | $39,294 | -49% | 59 | $666 | $14,847,485 | 6 |
| Jan 3, 2003 | 64 | $23,774 | -39% | 48 | $495 | $14,871,259 | 7 |
| Jan 10, 2003 | 73 | $16,616 | -30% | 24 | $692 | $14,887,875 | 8 |
| Jan 17, 2003 | 83 | $10,203 | -39% | 18 | $567 | $14,898,078 | 9 |
| Jan 24, 2003 | 84 | $12,824 | +26% | 20 | $641 | $14,910,902 | 10 |
| Jan 31, 2003 | 56 | $44,173 | +244% | 26 | $1,699 | $14,955,075 | 11 |
| Feb 7, 2003 | 78 | $14,963 | -66% | 20 | $748 | $14,970,038 | 12 |
Leading
| George Clooney | Chris Kelvin | |
| Natascha McElhone | Rheya |
Supporting
| Jeremy Davies | Snow | |
| Viola Davis | Gordon | |
| Ulrich Tukur | Gibarian | |
| John Cho | DBA Emissary #1 | |
| Morgan Rusler | DBA Emissary #2 | |
| Shane Skelton | Young Boy, Gibarian's Son | |
| Donna Kimball | Mrs. Gibarian | |
| Michael Ensign | Friend #1 | |
| Elpidia Carrillo | Friend #2 | |
| Kent Faulcon | Patient #1 | |
| Lauren Cohn | Patient #2 |
Production and Technical Credits
| Steven Soderbergh | Director | |
| Steven Soderbergh | Screenwriter | |
| James Cameron | Producer | |
| Rae Sanchini | Producer | |
| Jon Landau | Producer | |
| Gregory Jacobs | Executive Producer | |
| Stanislav Lem | Story-Based upon the Book by | |
| Philip Messina | Production Designer | |
| Milena Canonero | Costume Designer | |
| Michael Polaire | Co-Producer | |
| Charles V Bender | Co-Producer | |
| Cliff Martinez | Composer | |
| Debra Zane | Casting Director | |
| Gregory Jacobs | Assistant Director | |
| Michael Polaire | Unit Production Manager | |
| Julie M. Anderson | Production Supervisor | |
| Steve Arnold | Art Director | |
| Keith P. Cunningham | Art Director | |
| Kristen Toscano Messina | Set Decorator | |
| Steven Soderbergh* | Director of Photography | |
| Eduardo Castro | Costume Designer-Associate Costume Designer | |
| Mike Chapman | Costume Supervisor | |
| Mary Ann Bernard | Editor | |
| Susan Littenberg | Associate Editor | |
| Paul Ledford | Sound Mixer | |
| Larry Blake | Re-recording Mixer | |
| Larry Blake | Supervising Sound Editor | |
| Nicholas Renbeck | Sound Editor-Lead Sound Editor | |
| Paul Urmson | Sound Editor | |
| John Pospisil | Sound Editor | |
| Kimberly McCord Wilson* | Sound Editor | |
| Julie Hewett | Make up | |
| Christien Tinsley | Make up | |
| Kathrine Gordon | Hairstylist | |
| Easton Smith | Set Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.