Soller’s Point (2018)
| Theatrical Performance | ||
| Domestic Box Office | $32,608 | Details |
| OpusData ID: 324030100 More info... | ||
| Further financial details... | ||
Synopsis
The story of Keith Lombardi, a twenty-four-year-old newly released from prison who is living with his father under house arrest in Baltimore. Keith is struggling to reestablish himself, and break free of the bonds forged behind bars, within a community scarred by unemployment, neglect, and deeply entrenched segregation. His intentions are in the right place and he possesses an aggressive desire to get back on his feet, but as he taps into all his familiar resources, he finds that he may be reverting to his old ways.
Metrics
| Opening Weekend: | $10,618 (32.6% of total gross) |
| Legs: | 3.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $42,805 |
Movie Details
| Domestic Releases: | May 11th, 2018 (Limited) by Oscilloscope Pictures |
| MPA Rating: | R for pervasive language, drug content, and some sexual material. (Rating bulletin 2520 (Cert #51531), 3/28/2018) |
| Running Time: | 101 minutes |
| Geographical setting: | Baltimore, MD |
| Plot point: | Economic Crash, Going Legit, House Arrest, Life on the Outside, Poverty, Unemployed |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Le Bureau, Oscilloscope Laboratories, Hamilton Film Group, Louverture Films, Ike No Koi, Dream Alliance Entertainment, L'Aide aux Cinema du Monde, Centre National du Cinema et de L Image Animee, Institute Francais, La Region-Ile-de-France |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2018 | 66 | $10,618 | 1 | $10,618 | $10,618 | 1 | |
| May 18, 2018 | 70 | $5,101 | -52% | 2 | $2,551 | $16,543 | 2 |
| May 25, 2018 | 70 | $5,208 | +2% | 4 | $1,302 | $24,745 | 3 |
| Jun 1, 2018 | 93 | $1,352 | -74% | 4 | $338 | $29,427 | 4 |
| Jun 8, 2018 | 78 | $1,571 | +16% | 3 | $524 | $31,813 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2018 | 75 | $11,442 | 1 | $11,442 | $11,442 | 1 | |
| May 18, 2018 | 71 | $8,095 | -29% | 2 | $4,048 | $19,537 | 2 |
| May 25, 2018 | 70 | $8,538 | +5% | 4 | $2,135 | $28,075 | 3 |
| Jun 1, 2018 | 87 | $2,167 | -75% | 4 | $542 | $30,242 | 4 |
| Jun 8, 2018 | 84 | $1,801 | -17% | 3 | $600 | $32,043 | 5 |
| Jun 15, 2018 | 91 | $565 | -69% | 2 | $283 | $32,608 | 6 |
Leading
| McCaul Lombardi | Keith |
Supporting
| Jim Belushi* | Carol | |
| Zazie Beetz | Courtney | |
| Tom Guiry | Aaron | |
| Marin Ireland | Kate | |
| Brieyon Bell-El | Marquis | |
| Kazy Tauginas | Gary | |
| Lynn Cohen | Ladybug | |
| Imani Hakim | Candace | |
| Alyssa Bresnahan | Elaine |
Production and Technical Credits
| Matthew Porterfield | Director | |
| Matthew Porterfield | Screenwriter | |
| Eric Bannat | Producer | |
| Alexandra Byer | Producer | |
| Gabrielle Dumon | Producer | |
| Jordan Mintzer | Producer | |
| Ryan Zacarias | Producer | |
| Joslyn Barnes | Co-Producer | |
| Danny Glover | Co-Producer | |
| Madeleine Askwith | Co-Producer | |
| Nancy Dwyer | Executive Producer | |
| Jack Dwyer | Executive Producer | |
| Wally Hall | Executive Producer | |
| Le Tong | Executive Producer | |
| Eric Franklin | Executive Producer | |
| Alexandro Bell | Executive Producer | |
| Shabier Kirchner | Director of Photography | |
| Marc Vives | Editor | |
| Chris Swanson | Music Supervisor | |
| Chris Schneider | Sound Designer | |
| Julien Perez | Sound Designer | |
| Vincent Hazard | Sound Designer | |
| Sara K. White | Production Designer | |
| Elizabeth Warn | Costume Designer | |
| Jessica Kelly | Casting Director | |
| Kate Geller | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of Keith Lombardi, a twenty-four-year-old newly released from prison who is living with his father under house arrest in Baltimore. Keith is struggling to reestablish himself, and break free of the bonds forged behind bars, within a community scarred by unemployment, neglect, and deeply entrenched segregation. His intentions are in the right place and he possesses an aggressive desire to get back on his feet, but as he taps into all his familiar resources, he finds that he may be reverting to his old ways.
Metrics
| Opening Weekend: | $10,618 (32.6% of total gross) |
| Legs: | 3.07 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/4 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $42,805 |
Movie Details
| Domestic Releases: | May 11th, 2018 (Limited) by Oscilloscope Pictures |
| MPA Rating: | R for pervasive language, drug content, and some sexual material. (Rating bulletin 2520 (Cert #51531), 3/28/2018) |
| Running Time: | 101 minutes |
| Geographical setting: | Baltimore, MD |
| Plot point: | Economic Crash, Going Legit, House Arrest, Life on the Outside, Poverty, Unemployed |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Le Bureau, Oscilloscope Laboratories, Hamilton Film Group, Louverture Films, Ike No Koi, Dream Alliance Entertainment, L'Aide aux Cinema du Monde, Centre National du Cinema et de L Image Animee, Institute Francais, La Region-Ile-de-France |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2018 | 66 | $10,618 | 1 | $10,618 | $10,618 | 1 | |
| May 18, 2018 | 70 | $5,101 | -52% | 2 | $2,551 | $16,543 | 2 |
| May 25, 2018 | 70 | $5,208 | +2% | 4 | $1,302 | $24,745 | 3 |
| Jun 1, 2018 | 93 | $1,352 | -74% | 4 | $338 | $29,427 | 4 |
| Jun 8, 2018 | 78 | $1,571 | +16% | 3 | $524 | $31,813 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2018 | 75 | $11,442 | 1 | $11,442 | $11,442 | 1 | |
| May 18, 2018 | 71 | $8,095 | -29% | 2 | $4,048 | $19,537 | 2 |
| May 25, 2018 | 70 | $8,538 | +5% | 4 | $2,135 | $28,075 | 3 |
| Jun 1, 2018 | 87 | $2,167 | -75% | 4 | $542 | $30,242 | 4 |
| Jun 8, 2018 | 84 | $1,801 | -17% | 3 | $600 | $32,043 | 5 |
| Jun 15, 2018 | 91 | $565 | -69% | 2 | $283 | $32,608 | 6 |
Leading
| McCaul Lombardi | Keith |
Supporting
| Jim Belushi* | Carol | |
| Zazie Beetz | Courtney | |
| Tom Guiry | Aaron | |
| Marin Ireland | Kate | |
| Brieyon Bell-El | Marquis | |
| Kazy Tauginas | Gary | |
| Lynn Cohen | Ladybug | |
| Imani Hakim | Candace | |
| Alyssa Bresnahan | Elaine |
Production and Technical Credits
| Matthew Porterfield | Director | |
| Matthew Porterfield | Screenwriter | |
| Eric Bannat | Producer | |
| Alexandra Byer | Producer | |
| Gabrielle Dumon | Producer | |
| Jordan Mintzer | Producer | |
| Ryan Zacarias | Producer | |
| Joslyn Barnes | Co-Producer | |
| Danny Glover | Co-Producer | |
| Madeleine Askwith | Co-Producer | |
| Nancy Dwyer | Executive Producer | |
| Jack Dwyer | Executive Producer | |
| Wally Hall | Executive Producer | |
| Le Tong | Executive Producer | |
| Eric Franklin | Executive Producer | |
| Alexandro Bell | Executive Producer | |
| Shabier Kirchner | Director of Photography | |
| Marc Vives | Editor | |
| Chris Swanson | Music Supervisor | |
| Chris Schneider | Sound Designer | |
| Julien Perez | Sound Designer | |
| Vincent Hazard | Sound Designer | |
| Sara K. White | Production Designer | |
| Elizabeth Warn | Costume Designer | |
| Jessica Kelly | Casting Director | |
| Kate Geller | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.