Sometimes I Think About Dying (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $130,457 | Details |
| International Box Office | $433,030 | Details |
| Worldwide Box Office | $563,487 | |
| OpusData ID: 629260100 More info... | ||
| Further financial details... | ||
Synopsis
Lost on the dreary Oregon coast, Fran finds solace in her cubicle, listening to the constant hum of office-mates and occasionally daydreaming to pass the time. She is ghosting through life, unable to pop her bubble of isolation, when a friendly new coworker, Robert, persistently tries to connect with her. Though it goes against every fiber of her being, she may have to give this guy a chance.
Metrics
| Opening Weekend: | $40,460 (31.0% of total gross) |
| Legs: | 3.22 (domestic box office/biggest weekend) |
| Domestic Share: | 23.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/66 max. theaters, 0.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $137,959 |
Movie Details
| Domestic Releases: | January 26th, 2024 (Limited) by Oscilloscope Pictures |
| International Releases: | January 10th, 2024 (Limited), released as La Vie Revee de Miss Fran (France)
April 19th, 2024 (Limited) (United Kingdom) May 23rd, 2024 (Limited), released as Às Vezes Quero Sumir (Brazil) July 18th, 2024 (Limited) (Netherlands) July 26th, 2024 (Limited), released as Sometimes I Think About Dying (時々、私は考える) (Japan) ... Show all releases |
| Video Release: | March 12th, 2024 by Oscilloscope Video |
| MPA Rating: | PG for thematic material, some language and brief drug material. (Rating bulletin 2791 (cert #54540), 7/12/2023) |
| Running Time: | 95 minutes |
| Film festival: | Sundance Film Festival 2023 |
| Plot point: | Romance |
| Subgenre: | Comedy Drama |
| Source: | Based on Play |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 2024 | - | $40,460 | 2 | $20,230 | $40,460 | 1 | |
| Feb 2, 2024 | - | $22,801 | -44% | 11 | $2,073 | $65,871 | 2 |
| Feb 16, 2024 | - | $4,761 | 16 | $298 | $126,887 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 2024 | 32 | $43,070 | 2 | $21,535 | $43,070 | 1 | |
| Feb 2, 2024 | 35 | $32,896 | -24% | 11 | $2,991 | $75,966 | 2 |
| Feb 9, 2024 | 35 | $46,120 | +40% | 66 | $699 | $122,116 | 3 |
| Feb 16, 2024 | 50 | $8,341 | -82% | 16 | $521 | $130,457 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/18/2024 | $18,526 | 30 | 31 | 118 | $81,365 | 8/12/2024 | |||
| South Korea | 9/4/2024 | $7,414 | 40 | 40 | 40 | $12,125 | 9/11/2024 | |||
| United Kingdom | 4/19/2024 | $36,447 | 62 | 62 | 62 | $78,794 | 4/29/2024 | |||
| Rest of World | $260,746 | |||||||||
| International Total | $433,030 | 9/11/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daisy Ridley | Fran |
Supporting
| Dave Merheje | Robert | |
| Meg Stalter | ||
| Lauren Beveridge |
Production and Technical Credits
| Rachel Lambert | Director | |
| Kevin Armento | Screenwriter | |
| Stefanie Abel Horowitz | Screenwriter | |
| Katy Wright-Mead | Screenwriter | |
| Stefanie Abel Horowitz | Story Creator | |
| Kevin Armento | Story Creator | |
| Alex Saks | Producer | |
| Daisy Ridley | Producer | |
| Dori Rath | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Lost on the dreary Oregon coast, Fran finds solace in her cubicle, listening to the constant hum of office-mates and occasionally daydreaming to pass the time. She is ghosting through life, unable to pop her bubble of isolation, when a friendly new coworker, Robert, persistently tries to connect with her. Though it goes against every fiber of her being, she may have to give this guy a chance.
Metrics
| Opening Weekend: | $40,460 (31.0% of total gross) |
| Legs: | 3.22 (domestic box office/biggest weekend) |
| Domestic Share: | 23.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/66 max. theaters, 0.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $137,959 |
Movie Details
| Domestic Releases: | January 26th, 2024 (Limited) by Oscilloscope Pictures |
| International Releases: | January 10th, 2024 (Limited), released as La Vie Revee de Miss Fran (France)
April 19th, 2024 (Limited) (United Kingdom) May 23rd, 2024 (Limited), released as Às Vezes Quero Sumir (Brazil) July 18th, 2024 (Limited) (Netherlands) July 26th, 2024 (Limited), released as Sometimes I Think About Dying (時々、私は考える) (Japan) ... Show all releases |
| Video Release: | March 12th, 2024 by Oscilloscope Video |
| MPA Rating: | PG for thematic material, some language and brief drug material. (Rating bulletin 2791 (cert #54540), 7/12/2023) |
| Running Time: | 95 minutes |
| Film festival: | Sundance Film Festival 2023 |
| Plot point: | Romance |
| Subgenre: | Comedy Drama |
| Source: | Based on Play |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 2024 | - | $40,460 | 2 | $20,230 | $40,460 | 1 | |
| Feb 2, 2024 | - | $22,801 | -44% | 11 | $2,073 | $65,871 | 2 |
| Feb 16, 2024 | - | $4,761 | 16 | $298 | $126,887 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 26, 2024 | 32 | $43,070 | 2 | $21,535 | $43,070 | 1 | |
| Feb 2, 2024 | 35 | $32,896 | -24% | 11 | $2,991 | $75,966 | 2 |
| Feb 9, 2024 | 35 | $46,120 | +40% | 66 | $699 | $122,116 | 3 |
| Feb 16, 2024 | 50 | $8,341 | -82% | 16 | $521 | $130,457 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Netherlands | 7/18/2024 | $18,526 | 30 | 31 | 118 | $81,365 | 8/12/2024 | |||
| South Korea | 9/4/2024 | $7,414 | 40 | 40 | 40 | $12,125 | 9/11/2024 | |||
| United Kingdom | 4/19/2024 | $36,447 | 62 | 62 | 62 | $78,794 | 4/29/2024 | |||
| Rest of World | $260,746 | |||||||||
| International Total | $433,030 | 9/11/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daisy Ridley | Fran |
Supporting
| Dave Merheje | Robert | |
| Meg Stalter | ||
| Lauren Beveridge |
Production and Technical Credits
| Rachel Lambert | Director | |
| Kevin Armento | Screenwriter | |
| Stefanie Abel Horowitz | Screenwriter | |
| Katy Wright-Mead | Screenwriter | |
| Stefanie Abel Horowitz | Story Creator | |
| Kevin Armento | Story Creator | |
| Alex Saks | Producer | |
| Daisy Ridley | Producer | |
| Dori Rath | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.