Sophie and the Rising Sun (2017)
| Theatrical Performance | ||
| Domestic Box Office | $34,630 | Details |
| OpusData ID: 276380100 More info... | ||
| Further financial details... | ||
Synopsis
The story of two interracial lovers in 1941, Sophie, an artist who also fishes and sells crabs to the townfolk, the other an Asian gentleman, swept up in the tides of history. As World War II rages in Europe, Mr. Ohta, appears in the town badly beaten and under mysterious circumstances. Sophie, a native of Salty Creek, quickly becomes transfixed by Mr. Ohta and a friendship born of their mutual love of art blossoms into a delicate and forbidden courtship. As their secret relationship evolves the war escalates tragically. And when Pearl Harbor is bombed, a surge of misguided patriotism, bigotry and violence sweeps through the town, threatening Mr. Ohta’s life. A trio of women, each with her own secrets—Sophie, along with the town matriarch and her housekeeper—rejects law and propriety, risking their lives with their actions.
Metrics
| Legs: | 6.14 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $46,178 |
Movie Details
| Domestic Releases: | January 20th, 2017 (Limited) by Monterey Media |
| MPA Rating: | R for some sexuality and nudity. (Rating bulletin 2457 (Cert #50674), 1/4/2017) |
| Running Time: | 105 minutes |
| Plot point: | Artists, Bigotry, Forbidden Romance, Interracial Romance |
| Social setting: | Life in a Small Town, World War II |
| Time period setting: | 1940s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Ever Green Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2017 | 52 | $5,636 | 7 | $805 | $6,196 | 2 | |
| Feb 3, 2017 | 58 | $5,230 | -7% | 5 | $1,046 | $14,824 | 3 |
| Feb 10, 2017 | 74 | $495 | -91% | 2 | $248 | $16,847 | 4 |
| Feb 17, 2017 | 65 | $5,278 | +966% | 4 | $1,320 | $22,125 | 5 |
| Feb 24, 2017 | 73 | $845 | -84% | 3 | $282 | $26,155 | 6 |
| Mar 3, 2017 | 85 | $340 | -60% | 1 | $340 | $27,116 | 7 |
| Mar 10, 2017 | 80 | $718 | +111% | 1 | $718 | $27,494 | 8 |
| Mar 24, 2017 | 79 | $754 | 2 | $377 | $29,059 | 10 | |
| Mar 31, 2017 | 72 | $705 | -6% | 2 | $353 | $30,348 | 11 |
| Apr 7, 2017 | 90 | $162 | -77% | 1 | $162 | $33,760 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2017 | 70 | $560 | 4 | $140 | $560 | 1 | |
| Jan 27, 2017 | 48 | $9,034 | +1,513% | 8 | $1,129 | $9,594 | 2 |
| Feb 3, 2017 | 55 | $6,758 | -25% | 6 | $1,126 | $16,352 | 3 |
| Feb 17, 2017 | 62 | $8,463 | 4 | $2,116 | $25,310 | 5 | |
| Feb 24, 2017 | 70 | $1,466 | -83% | 3 | $489 | $26,776 | 6 |
| Mar 3, 2017 | 79 | $718 | -51% | 1 | $718 | $27,494 | 7 |
| Mar 10, 2017 | 77 | $595 | -17% | 1 | $595 | $28,089 | 8 |
| Mar 24, 2017 | 75 | $1,338 | 2 | $669 | $29,643 | 10 | |
| Mar 31, 2017 | 67 | $3,955 | +196% | 4 | $989 | $33,598 | 11 |
| Apr 7, 2017 | 87 | $353 | -91% | 1 | $353 | $33,951 | 12 |
| Apr 14, 2017 | 92 | $679 | +92% | 2 | $340 | $34,630 | 13 |
Leading
| Julianne Nicholson | Sophie Willis |
Supporting
| Margo Martindale | Anne Morrison | |
| Lorraine Toussaint | Salome Whitmore |
Leading
| Takashi Yamaguchi | Grover Ohta |
Supporting
| Diane Ladd | Ruth Jeffers | |
| Mickey Dodge | Samille | |
| Don Henderson Baker | Dr. Gilbert | |
| Sabrina Mayfield | Matilda | |
| Jan Hartsell | Minna | |
| Cali Ward | Young Sophie |
Production and Technical Credits
| Maggie Greenwald | Director | |
| Maggie Greenwald | Screenwriter | |
| Augusta Trobaugh | Based on the Novel by | |
| Brenda Goodman | Producer | |
| Nancy Dickenson | Producer | |
| Lorraine Gallard | Producer | |
| Maggie Greenwald | Producer | |
| Wolfgang Held | Director of Photography | |
| Keith Reamer | Editor | |
| Darcy Scanlin | Production Designer | |
| David Mansfield | Composer | |
| Donna Morong | Casting Director | |
| Susan Lazarus | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of two interracial lovers in 1941, Sophie, an artist who also fishes and sells crabs to the townfolk, the other an Asian gentleman, swept up in the tides of history. As World War II rages in Europe, Mr. Ohta, appears in the town badly beaten and under mysterious circumstances. Sophie, a native of Salty Creek, quickly becomes transfixed by Mr. Ohta and a friendship born of their mutual love of art blossoms into a delicate and forbidden courtship. As their secret relationship evolves the war escalates tragically. And when Pearl Harbor is bombed, a surge of misguided patriotism, bigotry and violence sweeps through the town, threatening Mr. Ohta’s life. A trio of women, each with her own secrets—Sophie, along with the town matriarch and her housekeeper—rejects law and propriety, risking their lives with their actions.
Metrics
| Legs: | 6.14 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $46,178 |
Movie Details
| Domestic Releases: | January 20th, 2017 (Limited) by Monterey Media |
| MPA Rating: | R for some sexuality and nudity. (Rating bulletin 2457 (Cert #50674), 1/4/2017) |
| Running Time: | 105 minutes |
| Plot point: | Artists, Bigotry, Forbidden Romance, Interracial Romance |
| Social setting: | Life in a Small Town, World War II |
| Time period setting: | 1940s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Ever Green Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 27, 2017 | 52 | $5,636 | 7 | $805 | $6,196 | 2 | |
| Feb 3, 2017 | 58 | $5,230 | -7% | 5 | $1,046 | $14,824 | 3 |
| Feb 10, 2017 | 74 | $495 | -91% | 2 | $248 | $16,847 | 4 |
| Feb 17, 2017 | 65 | $5,278 | +966% | 4 | $1,320 | $22,125 | 5 |
| Feb 24, 2017 | 73 | $845 | -84% | 3 | $282 | $26,155 | 6 |
| Mar 3, 2017 | 85 | $340 | -60% | 1 | $340 | $27,116 | 7 |
| Mar 10, 2017 | 80 | $718 | +111% | 1 | $718 | $27,494 | 8 |
| Mar 24, 2017 | 79 | $754 | 2 | $377 | $29,059 | 10 | |
| Mar 31, 2017 | 72 | $705 | -6% | 2 | $353 | $30,348 | 11 |
| Apr 7, 2017 | 90 | $162 | -77% | 1 | $162 | $33,760 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2017 | 70 | $560 | 4 | $140 | $560 | 1 | |
| Jan 27, 2017 | 48 | $9,034 | +1,513% | 8 | $1,129 | $9,594 | 2 |
| Feb 3, 2017 | 55 | $6,758 | -25% | 6 | $1,126 | $16,352 | 3 |
| Feb 17, 2017 | 62 | $8,463 | 4 | $2,116 | $25,310 | 5 | |
| Feb 24, 2017 | 70 | $1,466 | -83% | 3 | $489 | $26,776 | 6 |
| Mar 3, 2017 | 79 | $718 | -51% | 1 | $718 | $27,494 | 7 |
| Mar 10, 2017 | 77 | $595 | -17% | 1 | $595 | $28,089 | 8 |
| Mar 24, 2017 | 75 | $1,338 | 2 | $669 | $29,643 | 10 | |
| Mar 31, 2017 | 67 | $3,955 | +196% | 4 | $989 | $33,598 | 11 |
| Apr 7, 2017 | 87 | $353 | -91% | 1 | $353 | $33,951 | 12 |
| Apr 14, 2017 | 92 | $679 | +92% | 2 | $340 | $34,630 | 13 |
Leading
| Julianne Nicholson | Sophie Willis |
Supporting
| Margo Martindale | Anne Morrison | |
| Lorraine Toussaint | Salome Whitmore |
Leading
| Takashi Yamaguchi | Grover Ohta |
Supporting
| Diane Ladd | Ruth Jeffers | |
| Mickey Dodge | Samille | |
| Don Henderson Baker | Dr. Gilbert | |
| Sabrina Mayfield | Matilda | |
| Jan Hartsell | Minna | |
| Cali Ward | Young Sophie |
Production and Technical Credits
| Maggie Greenwald | Director | |
| Maggie Greenwald | Screenwriter | |
| Augusta Trobaugh | Based on the Novel by | |
| Brenda Goodman | Producer | |
| Nancy Dickenson | Producer | |
| Lorraine Gallard | Producer | |
| Maggie Greenwald | Producer | |
| Wolfgang Held | Director of Photography | |
| Keith Reamer | Editor | |
| Darcy Scanlin | Production Designer | |
| David Mansfield | Composer | |
| Donna Morong | Casting Director | |
| Susan Lazarus | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.