Sorry We Missed You (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $28,273 | Details |
| International Box Office | $10,131,466 | Details |
| Worldwide Box Office | $10,159,739 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,796 | |
| Total | $3,796 | |
| OpusData ID: 366820100 More info... | ||
| Further financial details... | ||
Synopsis
Ricky, a former laborer, and his home-attendant wife Abby—who lost their home in the 2008 financial crash—are desperate to get out of their financial distress. When an opportunity comes up for Ricky to work as his own boss as a delivery driver, they sell their only asset, Abby’s car, to trade it in for a shiny new white van and the dream that Ricky can work his way up to someday owning his own delivery franchise. But the couple find their lives are quickly pushed further to the edge by an unrelenting work schedule, a ruthless supervisor and the needs of their two teenage children.
Metrics
| Opening Weekend: | $9,436 (33.4% of total gross) |
| Legs: | 3.00 (domestic box office/biggest weekend) |
| Domestic Share: | 0.3% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/6 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $36,837 |
Movie Details
| Domestic Releases: | March 6th, 2020 (Limited) by Zeitgeist April 3rd, 2020 (Virtual) by Zeitgeist |
| International Releases: | August 23rd, 2019 (Wide) (Australia)
October 25th, 2019 (Wide) (France) November 1st, 2019 (Wide) (United Kingdom) November 1st, 2019 (Wide) (Spain) November 1st, 2019 (Wide) (Russia (CIS)) ... Show all releases |
| Video Release: | July 7th, 2020 by Zeitgeist Home |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Plot point: | Dysfunctional Family, Gig Economy, Graffitti Artists, Money Troubles, Nurse |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sixteen Films, Why Not Productions, BFI, BBC Films, Les Films du Fleuve, Wild Bunch, France 2 Cinema, Canal Plus, France Television, Le Pacte, Cineart, Cine Plus, VOO ET BETV |
| Production Countries: | United Kingdom, France, Belgium |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 61 | $9,436 | 3 | $3,145 | $19,873 | 1 | |
| Mar 13, 2020 | 53 | $4,614 | -51% | 6 | $769 | $28,273 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 51 | $23,659 | 3 | $7,886 | $23,659 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/23/2019 | $310 | 1 | 33 | 163 | $292,335 | 10/20/2022 | |||
| France | 10/25/2019 | $850,223 | 200 | 505 | 1,558 | $3,575,070 | 12/7/2019 | |||
| Italy | 1/2/2020 | $453,520 | 0 | 8 | 9 | $1,842,981 | 10/19/2022 | |||
| Lithuania | 7/17/2020 | $24 | 1 | 1 | 3 | $92 | 8/12/2020 | |||
| Netherlands | 11/14/2019 | $111,456 | 42 | 53 | 313 | $878,240 | 10/19/2022 | |||
| New Zealand | 12/26/2019 | $3,515 | 1 | 11 | 62 | $30,704 | 10/19/2022 | |||
| Portugal | 11/22/2019 | $10,862 | 14 | 14 | 47 | $35,692 | 10/19/2022 | |||
| Romania | 9/25/2020 | $0 | 0 | 7 | 15 | $3,317 | 2/17/2021 | |||
| Russia (CIS) | 11/1/2019 | $8,858 | 89 | 89 | 229 | $31,579 | 10/19/2022 | |||
| Slovenia | 12/13/2019 | $1,911 | 6 | 7 | 16 | $7,377 | 4/4/2026 | |||
| South Korea | 12/19/2019 | $46,428 | 66 | 66 | 199 | $234,404 | 1/30/2020 | |||
| Spain | 11/1/2019 | $127,708 | 64 | 64 | 125 | $252,896 | 11/14/2019 | |||
| Turkey | 11/22/2019 | $4,985 | 17 | 17 | 36 | $14,421 | 10/19/2022 | |||
| United Kingdom | 11/1/2019 | $472,480 | 178 | 235 | 697 | $1,677,723 | 12/18/2019 | |||
| Rest of World | $1,254,635 | |||||||||
| International Total | $10,131,466 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kris Hitchen | Ricky |
Supporting
| Debbie Honeywood | Abby | |
| Rhys Stone | Seb |
Leading
| Katie Proctor | Liza Joe |
Supporting
| Ross Brewster | Maloney | |
| Charlie Richmond | Henry | |
| Julian Ions | Freddie | |
| Sheila Dunkerley | Rosie | |
| Maxie Peters | Robert | |
| Christopher John Slater | Ben |
Production and Technical Credits
| Ken Loach | Director | |
| Rebecca O'Brien | Producer | |
| Paul Laverty | Screenwriter | |
| Pascal Caucheteux | Executive Producer | |
| Gregoire Sorlat | Executive Producer | |
| Vincent Maraval | Executive Producer | |
| George Fenton | Composer | |
| Jonathan Morris | Editor | |
| Eimhear McMahon | Line Producer | |
| David Gilchrist | Assistant Director | |
| Joanne Slater | Costume Designer | |
| Kahleen Crawford | Casting Director | |
| Kevin Brazier | Sound Editor | |
| Ray Beckett | Recordist | |
| Robbie Ryan | Director of Photography | |
| Fergus Clegg | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Ricky, a former laborer, and his home-attendant wife Abby—who lost their home in the 2008 financial crash—are desperate to get out of their financial distress. When an opportunity comes up for Ricky to work as his own boss as a delivery driver, they sell their only asset, Abby’s car, to trade it in for a shiny new white van and the dream that Ricky can work his way up to someday owning his own delivery franchise. But the couple find their lives are quickly pushed further to the edge by an unrelenting work schedule, a ruthless supervisor and the needs of their two teenage children.
Metrics
| Opening Weekend: | $9,436 (33.4% of total gross) |
| Legs: | 3.00 (domestic box office/biggest weekend) |
| Domestic Share: | 0.3% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/6 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $36,837 |
Movie Details
| Domestic Releases: | March 6th, 2020 (Limited) by Zeitgeist April 3rd, 2020 (Virtual) by Zeitgeist |
| International Releases: | August 23rd, 2019 (Wide) (Australia)
October 25th, 2019 (Wide) (France) November 1st, 2019 (Wide) (United Kingdom) November 1st, 2019 (Wide) (Spain) November 1st, 2019 (Wide) (Russia (CIS)) ... Show all releases |
| Video Release: | July 7th, 2020 by Zeitgeist Home |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Plot point: | Dysfunctional Family, Gig Economy, Graffitti Artists, Money Troubles, Nurse |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sixteen Films, Why Not Productions, BFI, BBC Films, Les Films du Fleuve, Wild Bunch, France 2 Cinema, Canal Plus, France Television, Le Pacte, Cineart, Cine Plus, VOO ET BETV |
| Production Countries: | United Kingdom, France, Belgium |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 61 | $9,436 | 3 | $3,145 | $19,873 | 1 | |
| Mar 13, 2020 | 53 | $4,614 | -51% | 6 | $769 | $28,273 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 51 | $23,659 | 3 | $7,886 | $23,659 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/23/2019 | $310 | 1 | 33 | 163 | $292,335 | 10/20/2022 | |||
| France | 10/25/2019 | $850,223 | 200 | 505 | 1,558 | $3,575,070 | 12/7/2019 | |||
| Italy | 1/2/2020 | $453,520 | 0 | 8 | 9 | $1,842,981 | 10/19/2022 | |||
| Lithuania | 7/17/2020 | $24 | 1 | 1 | 3 | $92 | 8/12/2020 | |||
| Netherlands | 11/14/2019 | $111,456 | 42 | 53 | 313 | $878,240 | 10/19/2022 | |||
| New Zealand | 12/26/2019 | $3,515 | 1 | 11 | 62 | $30,704 | 10/19/2022 | |||
| Portugal | 11/22/2019 | $10,862 | 14 | 14 | 47 | $35,692 | 10/19/2022 | |||
| Romania | 9/25/2020 | $0 | 0 | 7 | 15 | $3,317 | 2/17/2021 | |||
| Russia (CIS) | 11/1/2019 | $8,858 | 89 | 89 | 229 | $31,579 | 10/19/2022 | |||
| Slovenia | 12/13/2019 | $1,911 | 6 | 7 | 16 | $7,377 | 4/4/2026 | |||
| South Korea | 12/19/2019 | $46,428 | 66 | 66 | 199 | $234,404 | 1/30/2020 | |||
| Spain | 11/1/2019 | $127,708 | 64 | 64 | 125 | $252,896 | 11/14/2019 | |||
| Turkey | 11/22/2019 | $4,985 | 17 | 17 | 36 | $14,421 | 10/19/2022 | |||
| United Kingdom | 11/1/2019 | $472,480 | 178 | 235 | 697 | $1,677,723 | 12/18/2019 | |||
| Rest of World | $1,254,635 | |||||||||
| International Total | $10,131,466 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kris Hitchen | Ricky |
Supporting
| Debbie Honeywood | Abby | |
| Rhys Stone | Seb |
Leading
| Katie Proctor | Liza Joe |
Supporting
| Ross Brewster | Maloney | |
| Charlie Richmond | Henry | |
| Julian Ions | Freddie | |
| Sheila Dunkerley | Rosie | |
| Maxie Peters | Robert | |
| Christopher John Slater | Ben |
Production and Technical Credits
| Ken Loach | Director | |
| Rebecca O'Brien | Producer | |
| Paul Laverty | Screenwriter | |
| Pascal Caucheteux | Executive Producer | |
| Gregoire Sorlat | Executive Producer | |
| Vincent Maraval | Executive Producer | |
| George Fenton | Composer | |
| Jonathan Morris | Editor | |
| Eimhear McMahon | Line Producer | |
| David Gilchrist | Assistant Director | |
| Joanne Slater | Costume Designer | |
| Kahleen Crawford | Casting Director | |
| Kevin Brazier | Sound Editor | |
| Ray Beckett | Recordist | |
| Robbie Ryan | Director of Photography | |
| Fergus Clegg | Production Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.