Soul Patrol (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $40,265 | Details |
| OpusData ID: 806660100 More info... | ||
| Further financial details... | ||
Synopsis
The Vietnam War’s first Black special ops team reunites to share their untold story, revealing hidden military history and exploring whether confronting the past can heal old wounds.
Metrics
| Opening Weekend: | $5,052 (12.5% of total gross) |
| Legs: | 7.97 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/79 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $40,265 |
Movie Details
| Domestic Releases: | November 6th, 2026 (Limited) by Kino Lorber |
| Running Time: | 100 minutes |
| Plot point: | African Americans, Special Ops |
| Social setting: | Vietnam War |
| Subgenre: | War Documentary |
| Time period setting: | 1960s, 1970s |
| Source: | Based on Factual Book/Article |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Park Pictures , Wavelength Films, Impact Partners, Gestalt Picture Co., Mass Appeal, Concordia Fellowship |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2026 | - | $5,052 | 1 | $5,052 | $17,876 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2026 | 41 | $27,441 | 79 | $347 | $40,265 | 1 |
Production and Technical Credits
| J.M. Harper | Director | |
| J.M. Harper | Screenwriter | |
| Ed Emanuel | Story based on the book by | |
| Sam Bisbee | Producer | |
| Danielle Massie | Producer | |
| J.M. Harper | Producer | |
| Nassir Jones | Producer | |
| Peter Bittenbender | Producer | |
| Ed Emanuel | Executive Producer | |
| Joe Plummer | Executive Producer | |
| Jenifer Westphal | Executive Producer | |
| Stacey Reiss | Executive Producer | |
| Lance Acord | Executive Producer | |
| Jackie Kelman Bisbee | Executive Producer | |
| Cody Ryder | Executive Producer | |
| Wendy Neu | Executive Producer | |
| Jenny Raskin | Executive Producer | |
| Kelsey Koenig | Executive Producer | |
| Lauren Driscoll | Executive Producer | |
| John Driscoll | Executive Producer | |
| Geralyn White Dreyfous* | Executive Producer | |
| Davis Guggenheim | Executive Producer | |
| Rahdi Taylor | Executive Producer | |
| Andrew Gertler | Executive Producer | |
| Max Allman | Executive Producer | |
| Ted Haddock | Executive Producer | |
| David Fialkow | Executive Producer | |
| Nina Fialkow | Executive Producer | |
| Logan K Triplett | Cinematographer | |
| Niles Howard | Editor | |
| Byron Leon | Editor | |
| Gabriela Tessitore | Editor | |
| Live Footage | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The Vietnam War’s first Black special ops team reunites to share their untold story, revealing hidden military history and exploring whether confronting the past can heal old wounds.
Metrics
| Opening Weekend: | $5,052 (12.5% of total gross) |
| Legs: | 7.97 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/79 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $40,265 |
Movie Details
| Domestic Releases: | November 6th, 2026 (Limited) by Kino Lorber |
| Running Time: | 100 minutes |
| Plot point: | African Americans, Special Ops |
| Social setting: | Vietnam War |
| Subgenre: | War Documentary |
| Time period setting: | 1960s, 1970s |
| Source: | Based on Factual Book/Article |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Park Pictures , Wavelength Films, Impact Partners, Gestalt Picture Co., Mass Appeal, Concordia Fellowship |
| Production Countries: | United States, Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2026 | - | $5,052 | 1 | $5,052 | $17,876 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 6, 2026 | 41 | $27,441 | 79 | $347 | $40,265 | 1 |
Production and Technical Credits
| J.M. Harper | Director | |
| J.M. Harper | Screenwriter | |
| Ed Emanuel | Story based on the book by | |
| Sam Bisbee | Producer | |
| Danielle Massie | Producer | |
| J.M. Harper | Producer | |
| Nassir Jones | Producer | |
| Peter Bittenbender | Producer | |
| Ed Emanuel | Executive Producer | |
| Joe Plummer | Executive Producer | |
| Jenifer Westphal | Executive Producer | |
| Stacey Reiss | Executive Producer | |
| Lance Acord | Executive Producer | |
| Jackie Kelman Bisbee | Executive Producer | |
| Cody Ryder | Executive Producer | |
| Wendy Neu | Executive Producer | |
| Jenny Raskin | Executive Producer | |
| Kelsey Koenig | Executive Producer | |
| Lauren Driscoll | Executive Producer | |
| John Driscoll | Executive Producer | |
| Geralyn White Dreyfous* | Executive Producer | |
| Davis Guggenheim | Executive Producer | |
| Rahdi Taylor | Executive Producer | |
| Andrew Gertler | Executive Producer | |
| Max Allman | Executive Producer | |
| Ted Haddock | Executive Producer | |
| David Fialkow | Executive Producer | |
| Nina Fialkow | Executive Producer | |
| Logan K Triplett | Cinematographer | |
| Niles Howard | Editor | |
| Byron Leon | Editor | |
| Gabriela Tessitore | Editor | |
| Live Footage | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.