Space Jam: A New Legacy (2021)
| Theatrical Performance | ||
| Domestic Box Office | $70,592,228 | Details |
| International Box Office | $93,100,000 | Details |
| Worldwide Box Office | $163,692,228 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $2,639,389 | |
| Blu-ray Sales (estimated) | $2,359,369 | |
| Total | $4,998,758 | |
| OpusData ID: 368590100 More info... | ||
| Further financial details... | ||
Synopsis
When LeBron James and his young son Dom are trapped in a digital space by a rogue A.I., LeBron must get them home safe by leading Bugs, Lola Bunny and the whole gang of notoriously undisciplined Looney Tunes to victory over the A.I.’s digitized champions on the court: a powered-up roster of professional basketball stars. It’s Tunes versus Goons in the highest-stakes challenge of his life, that will redefine LeBron’s bond with his son and shine a light on the power of being yourself. The ready-for-action Tunes destroy convention, supercharge their unique talents and surprise even “King” James by playing the game their own way.
Metrics
| Opening Weekend: | $31,053,362 (44.0% of total gross) |
| Legs: | 2.27 (domestic box office/biggest weekend) |
| Domestic Share: | 43.1% (domestic box office/worldwide) |
| Production Budget: | $150,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 3,965 opening theaters/4,002 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $83,017,015 |
Movie Details
| Domestic Releases: | July 16th, 2021 (Wide) by Warner Bros. July 16th, 2021 (IMAX) by Warner Bros. |
| International Releases: | July 14th, 2021 (Wide) (Iceland)
July 15th, 2021 (Wide) (Australia) July 15th, 2021 (Wide), released as 太空也入樽: 改朝換代 (Hong Kong) July 15th, 2021 (Wide) (South Korea) July 15th, 2021 (Wide) (Argentina) ... Show all releases |
| Video Release: | July 16th, 2021 by Max |
| MPA Rating: | PG for some cartoon violence and some language. (Rating bulletin 2683 (cert #53064), 6/2/2021) |
| Running Time: | 115 minutes |
| Franchise: | Space Jam |
| Cast, crew, or production detail: | Legacy Sequel, Standalone Sequel |
| Character Appearance: | Wonder Woman |
| Filming location (country): | United States |
| Plot point: | Artificial Intelligence, Basketball, Dysfunctional Family, Father’s Footsteps, Video Game Industry |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Subgenre: | Family Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | SpringHill Entertainment, Warner Bros., Proximity Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 16, 2021 | 1 | $31,053,362 | 3,965 | $7,832 | $31,053,362 | 1 | |
| Jul 23, 2021 | 4 | $9,580,220 | -69% | 4,002 | $2,394 | $51,387,825 | 2 |
| Jul 30, 2021 | 6 | $4,235,673 | -56% | 3,501 | $1,210 | $60,800,116 | 3 |
| Aug 6, 2021 | 7 | $2,433,878 | -43% | 2,869 | $848 | $65,694,659 | 4 |
| Aug 13, 2021 | 10 | $1,107,295 | -55% | 1,841 | $601 | $68,165,033 | 5 |
| Aug 20, 2021 | 13 | $501,675 | -55% | 902 | $556 | $69,310,604 | 6 |
| Aug 27, 2021 | 14 | $318,245 | -37% | 584 | $545 | $69,773,077 | 7 |
| Sep 3, 2021 | - | $230,795 | -27% | 352 | $656 | $70,117,406 | 8 |
| Sep 10, 2021 | - | $103,030 | -55% | 230 | $448 | $70,243,307 | 9 |
| Sep 17, 2021 | - | $93,702 | -9% | 230 | $407 | $70,355,073 | 10 |
| Sep 24, 2021 | - | $92,894 | -1% | 201 | $462 | $70,459,801 | 11 |
| Oct 1, 2021 | - | $26,271 | -72% | 85 | $309 | $70,500,721 | 12 |
| Oct 8, 2021 | - | $15,920 | -39% | 57 | $279 | $70,521,366 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 16, 2021 | 1 | $13,100,000 | 3,965 | $3,304 | $13,100,000 | 1 | ||
| Jul 23, 2021 | 4 | $3,050,000 | -77% | 4,002 | $762 | $44,858,000 | 8 | |
| Jul 30, 2021 | 6 | $1,305,000 | -57% | 3,501 | $373 | $57,779,000 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 16, 2021 | 1 | $41,807,605 | 3,965 | $10,544 | $41,807,605 | 1 | |
| Jul 23, 2021 | 4 | $14,666,838 | -65% | 4,002 | $3,665 | $56,474,443 | 2 |
| Jul 30, 2021 | 6 | $6,696,338 | -54% | 3,501 | $1,913 | $63,170,781 | 3 |
| Aug 6, 2021 | 7 | $3,796,957 | -43% | 2,869 | $1,323 | $66,967,738 | 4 |
| Aug 13, 2021 | 10 | $1,751,191 | -54% | 1,841 | $951 | $68,718,929 | 5 |
| Aug 20, 2021 | - | $735,903 | -58% | 902 | $816 | $69,454,832 | 6 |
| Aug 27, 2021 | 15 | $431,779 | -41% | 584 | $739 | $69,886,611 | 7 |
| Sep 3, 2021 | - | $253,666 | -41% | 352 | $721 | $70,140,277 | 8 |
| Sep 10, 2021 | - | $121,094 | -52% | 230 | $526 | $70,261,371 | 9 |
| Sep 17, 2021 | - | $105,536 | -13% | 230 | $459 | $70,366,907 | 10 |
| Sep 24, 2021 | - | $107,543 | +2% | 230 | $468 | $70,474,450 | 11 |
| Oct 1, 2021 | - | $30,996 | -71% | 85 | $365 | $70,505,446 | 12 |
| Oct 8, 2021 | - | $22,626 | -27% | 57 | $397 | $70,528,072 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/15/2021 | $356,000 | 0 | 0 | 0 | $2,400,000 | 10/20/2022 | |||
| Australia | 7/15/2021 | $1,697,762 | 370 | 370 | 2,447 | $900,300 | 4/4/2026 | |||
| Brazil | 7/15/2021 | $720,000 | 0 | 0 | 0 | $2,800,000 | 10/20/2022 | |||
| Colombia | 7/16/2021 | $0 | 0 | 0 | 0 | $2,700,000 | 10/20/2022 | |||
| Czech Republic | 7/16/2021 | $52,729 | 97 | 97 | 227 | $160,496 | 10/20/2022 | |||
| Finland | 7/16/2021 | $0 | 0 | 36 | 64 | $243,064 | 4/21/2026 | |||
| France | 7/21/2021 | $1,100,000 | 727 | 727 | 1,827 | $3,300,000 | 10/20/2022 | |||
| Germany | 7/15/2021 | $736,540 | 0 | 0 | 0 | $3,900,000 | 10/20/2022 | |||
| Hong Kong | 7/15/2021 | $0 | 0 | 0 | 0 | $296,163 | 7/30/2021 | |||
| Israel | 7/16/2021 | $0 | 0 | 0 | 0 | $436,000 | 10/20/2022 | |||
| Italy | 9/23/2021 | $1,402,403 | 0 | 439 | 439 | $3,522,709 | 10/20/2022 | |||
| Lithuania | 7/16/2021 | $42,792 | 15 | 15 | 85 | $185,409 | 9/29/2021 | |||
| Mexico | 7/15/2021 | $3,145,478 | 0 | 0 | 0 | $8,300,000 | 10/20/2022 | |||
| Netherlands | 7/16/2021 | $259,302 | 195 | 205 | 1,130 | $2,146,494 | 10/5/2021 | |||
| New Zealand | 7/16/2021 | $677,198 | 107 | 110 | 624 | $2,406,776 | 10/20/2022 | |||
| Poland | 7/16/2021 | $536,000 | 0 | 0 | 0 | $2,900,000 | 10/20/2022 | |||
| Portugal | 7/16/2021 | $34,926 | 74 | 74 | 321 | $239,886 | 10/19/2021 | |||
| Romania | 7/16/2021 | $37,455 | 80 | 80 | 349 | $184,813 | 10/20/2022 | |||
| Russia (CIS) | 7/15/2021 | $1,038,413 | 1,622 | 1,622 | 5,846 | $3,500,000 | 10/20/2022 | |||
| Saudi Arabia | 7/15/2021 | $0 | 0 | 0 | 0 | $1,100,000 | 10/20/2022 | |||
| Slovakia | 7/16/2021 | $67,238 | 72 | 72 | 172 | $185,733 | 9/14/2021 | |||
| South Korea | 7/15/2021 | $97,223 | 521 | 521 | 570 | $140,450 | 7/28/2021 | |||
| Spain | 7/23/2021 | $1,218,344 | 362 | 368 | 2,100 | $5,097,302 | 10/22/2021 | |||
| Turkey | 7/16/2021 | $44,015 | 155 | 155 | 476 | $181,374 | 4/4/2026 | |||
| United Kingdom | 7/16/2021 | $1,879,730 | 603 | 634 | 6,451 | $17,684,028 | 10/20/2021 | |||
| Rest of World | $28,189,003 | |||||||||
| International Total | $93,100,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| LeBron James | Himself | |
| Jeff Bergman | Bugs Bunny / Sylvester / Yosemite Sam / Fred Flintstone / Yogi Bear | |
| Diana Taurasi | White Mamba | |
| Damian Lillard | Chronos | |
| Nneka Ogwumike | Arachnneka | |
| Anthony Davis | The Brow | |
| Klay Thompson | Wet-Fire |
Supporting
| Don Cheadle | Al-G Rhythm | |
| Cedric Joe | Dom James | |
| Khris Davis | Malik | |
| Sonequa Martin-Green | Kamiyah James | |
| Ceyair J. Wright | Darius James | |
| Harper Leigh Alexander | Xosha James | |
| Xosha Roquemore | Shanice James | |
| Stephen Kankole | Young LeBron (13 years) | |
| Jalyn Hall | Young Malik (13 years) | |
| Wood Harris | Coach C | |
| Jordan Thomas | Young Boy | |
| Randy Mims | Barbershop Customer | |
| Slink Johnson | Warner Bros. Security Guard | |
| Ernie Johnson, Jr. | Game Announcer | |
| Lil Rel Howery | Game Announcer | |
| Zendaya | Lola Bunny | |
| Gabriel Iglesias | Speedy Gonzales | |
| Eric Bauza | Daffy Duck, Porky Pig, Foghorn Leghorn, Elmer Fudd, Marvin The Martian | |
| Candi Milo | Granny | |
| Bob Bergen | Tweety Bird | |
| Fred Tatasciore | Taz | |
| Kimberly Brooks | Additional Voices |
Production and Technical Credits
| Malcolm D. Lee | Director | |
| Juel Taylor | Screenwriter | |
| Tony Rettenmaier | Screenwriter | |
| Keenan Coogler | Screenwriter | |
| Terence Nance | Screenwriter | |
| Jesse Gordon | Screenwriter | |
| Celeste Ballard | Screenwriter | |
| Juel Taylor | Story by | |
| Tony Rettenmaier | Story by | |
| Keenan Coogler | Story by | |
| Terence Nance | Story by | |
| Ryan Coogler | Producer | |
| LeBron James | Producer | |
| Maverick Carter | Producer | |
| Duncan Henderson | Producer | |
| Sev Ohanian | Executive Producer | |
| Zinzi Coogler | Executive Producer | |
| Allison Abbate | Executive Producer | |
| Jesse Ehrman | Executive Producer | |
| Jamal Henderson | Executive Producer | |
| Spencer Beighley | Executive Producer | |
| Justin Lin | Executive Producer | |
| Terence Nance | Executive Producer | |
| Ivan Reitman | Executive Producer | |
| Clint Wallace | Production Designer | |
| Akin McKenzie | Production Designer | |
| Bob Ducsay | Editor | |
| Kris Bowers | Composer | |
| Salvatore Totino | Director of Photography | |
| Kim LoCascio | Co-Producer | |
| R.J. Mino | Co-Producer | |
| Keenan Coogler | Co-Producer | |
| Kelley Robins Hicks | Co-Producer | |
| Kier Lehman | Music Supervisor | |
| Morgan Rhodes | Music Supervisor | |
| Grady Cofer | Visual Effects Supervisor | |
| Kevin Martel | Digital Animation Supervisor | |
| Melissa Bruning | Costume Designer | |
| Kim Coleman | Casting Director | |
| R.J. Mino | Casting Director | |
| Michael J. Moore | First Assistant Director | |
| Rhys Summerhayes | Second Assistant Director | |
| Spike Brandt | Animation Supervisor | |
| Eric Sundahl | Art Director | |
| Julien Pougnier | Art Director | |
| Melisa Jusufi | Set Decorator | |
| Lisa Dennis | Post-Production Supervisor | |
| Sam Bollinger | First Assistant Editor | |
| Torrie Goedtel | Assistant Editor | |
| Joseph Bonn | Music Editor | |
| Daniel Waldman | Music Editor | |
| Ed Novick | Sound Mixer | |
| Kerry Lyn McKissick | Script Supervisor | |
| Howard Berger | Make up | |
| Jennifer Zide-Essex | Make up | |
| Johnny Villanueva | Hairstylist | |
| Shelia Cyphers | Hairstylist | |
| Sara Walbridge | Costume Supervisor | |
| Mark Hawker | Special Effects Coordinator | |
| Jeffrey A. Hunter | Location Manager | |
| David Chow | Set Designer | |
| Tammy S. Lee | Set Designer | |
| Sam Page (Set Designer) | Set Designer | |
| Paul Sonski | Set Designer | |
| Ralph Paredes | Post-Production Executive | |
| Katrina Beshears | Production Manager | |
| Alex Orrelle | Head of Story | |
| Vadim Bazhanov | Story Artist | |
| Steven Fonti | Story Artist | |
| Casey Lowe | Story Artist | |
| John Dusenberry | Story Artist | |
| Delia Gosman | Story Artist | |
| Ovi Nedelcu | Story Artist | |
| Nora Earlie | Story Artist | |
| Jim Kammerud | Story Artist | |
| Taha Neyestani | Story Artist | |
| Sahin Ersoz | Story Artist | |
| Larry Leker | Story Artist | |
| Olivia Asis | Story Artist | |
| Borja Montoro | Character Designer | |
| Tony Siruno | Character Designer | |
| Erik Aadahl | Supervising Sound Editor | |
| Ethan Van der Ryn | Supervising Sound Editor | |
| Erik Aadahl | Sound Designer | |
| Ethan Van der Ryn | Sound Designer | |
| Malte Bieler | Sound Designer | |
| Chris Diebold | Sound Effects Editor | |
| Matt Cavanaugh | Sound Effects Editor | |
| Adam Kopald | Sound Effects Editor | |
| Greg ten Bosch | Sound Effects Editor | |
| Joel Erickson | Dialogue Editor | |
| Robert Jackson | Dialogue Editor | |
| Jonathan Klein | Supervising Foley Editor | |
| Veronica Li | Foley Editor | |
| Tim LeBlanc | Re-recording Mixer | |
| Michael Keller | Re-recording Mixer | |
| Brandon Proctor | Re-recording Mixer | |
| Ludwig Göransson | Executive Music Producer | |
| Archie Davis | Executive Music Producer | |
| Alan Meyerson | Score Recordist | |
| Alan Meyerson | Score Mixer | |
| Michael Dean Parson | Additional Music | |
| Pierre Charles | Additional Music | |
| Kris Bowers | Score Producer | |
| Max Wrightson | Score Producer | |
| Rene Paul Mousseux | Stunt Coordinator | |
| Doug Coleman | Stunt Coordinator | |
| Michael Fisher | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When LeBron James and his young son Dom are trapped in a digital space by a rogue A.I., LeBron must get them home safe by leading Bugs, Lola Bunny and the whole gang of notoriously undisciplined Looney Tunes to victory over the A.I.’s digitized champions on the court: a powered-up roster of professional basketball stars. It’s Tunes versus Goons in the highest-stakes challenge of his life, that will redefine LeBron’s bond with his son and shine a light on the power of being yourself. The ready-for-action Tunes destroy convention, supercharge their unique talents and surprise even “King” James by playing the game their own way.
Metrics
| Opening Weekend: | $31,053,362 (44.0% of total gross) |
| Legs: | 2.27 (domestic box office/biggest weekend) |
| Domestic Share: | 43.1% (domestic box office/worldwide) |
| Production Budget: | $150,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 3,965 opening theaters/4,002 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $83,017,015 |
Movie Details
| Domestic Releases: | July 16th, 2021 (Wide) by Warner Bros. July 16th, 2021 (IMAX) by Warner Bros. |
| International Releases: | July 14th, 2021 (Wide) (Iceland)
July 15th, 2021 (Wide) (Australia) July 15th, 2021 (Wide), released as 太空也入樽: 改朝換代 (Hong Kong) July 15th, 2021 (Wide) (South Korea) July 15th, 2021 (Wide) (Argentina) ... Show all releases |
| Video Release: | July 16th, 2021 by Max |
| MPA Rating: | PG for some cartoon violence and some language. (Rating bulletin 2683 (cert #53064), 6/2/2021) |
| Running Time: | 115 minutes |
| Franchise: | Space Jam |
| Cast, crew, or production detail: | Legacy Sequel, Standalone Sequel |
| Character Appearance: | Wonder Woman |
| Filming location (country): | United States |
| Plot point: | Artificial Intelligence, Basketball, Dysfunctional Family, Father’s Footsteps, Video Game Industry |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Subgenre: | Family Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | SpringHill Entertainment, Warner Bros., Proximity Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 16, 2021 | 1 | $31,053,362 | 3,965 | $7,832 | $31,053,362 | 1 | |
| Jul 23, 2021 | 4 | $9,580,220 | -69% | 4,002 | $2,394 | $51,387,825 | 2 |
| Jul 30, 2021 | 6 | $4,235,673 | -56% | 3,501 | $1,210 | $60,800,116 | 3 |
| Aug 6, 2021 | 7 | $2,433,878 | -43% | 2,869 | $848 | $65,694,659 | 4 |
| Aug 13, 2021 | 10 | $1,107,295 | -55% | 1,841 | $601 | $68,165,033 | 5 |
| Aug 20, 2021 | 13 | $501,675 | -55% | 902 | $556 | $69,310,604 | 6 |
| Aug 27, 2021 | 14 | $318,245 | -37% | 584 | $545 | $69,773,077 | 7 |
| Sep 3, 2021 | - | $230,795 | -27% | 352 | $656 | $70,117,406 | 8 |
| Sep 10, 2021 | - | $103,030 | -55% | 230 | $448 | $70,243,307 | 9 |
| Sep 17, 2021 | - | $93,702 | -9% | 230 | $407 | $70,355,073 | 10 |
| Sep 24, 2021 | - | $92,894 | -1% | 201 | $462 | $70,459,801 | 11 |
| Oct 1, 2021 | - | $26,271 | -72% | 85 | $309 | $70,500,721 | 12 |
| Oct 8, 2021 | - | $15,920 | -39% | 57 | $279 | $70,521,366 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 16, 2021 | 1 | $13,100,000 | 3,965 | $3,304 | $13,100,000 | 1 | ||
| Jul 23, 2021 | 4 | $3,050,000 | -77% | 4,002 | $762 | $44,858,000 | 8 | |
| Jul 30, 2021 | 6 | $1,305,000 | -57% | 3,501 | $373 | $57,779,000 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 16, 2021 | 1 | $41,807,605 | 3,965 | $10,544 | $41,807,605 | 1 | |
| Jul 23, 2021 | 4 | $14,666,838 | -65% | 4,002 | $3,665 | $56,474,443 | 2 |
| Jul 30, 2021 | 6 | $6,696,338 | -54% | 3,501 | $1,913 | $63,170,781 | 3 |
| Aug 6, 2021 | 7 | $3,796,957 | -43% | 2,869 | $1,323 | $66,967,738 | 4 |
| Aug 13, 2021 | 10 | $1,751,191 | -54% | 1,841 | $951 | $68,718,929 | 5 |
| Aug 20, 2021 | - | $735,903 | -58% | 902 | $816 | $69,454,832 | 6 |
| Aug 27, 2021 | 15 | $431,779 | -41% | 584 | $739 | $69,886,611 | 7 |
| Sep 3, 2021 | - | $253,666 | -41% | 352 | $721 | $70,140,277 | 8 |
| Sep 10, 2021 | - | $121,094 | -52% | 230 | $526 | $70,261,371 | 9 |
| Sep 17, 2021 | - | $105,536 | -13% | 230 | $459 | $70,366,907 | 10 |
| Sep 24, 2021 | - | $107,543 | +2% | 230 | $468 | $70,474,450 | 11 |
| Oct 1, 2021 | - | $30,996 | -71% | 85 | $365 | $70,505,446 | 12 |
| Oct 8, 2021 | - | $22,626 | -27% | 57 | $397 | $70,528,072 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/15/2021 | $356,000 | 0 | 0 | 0 | $2,400,000 | 10/20/2022 | |||
| Australia | 7/15/2021 | $1,697,762 | 370 | 370 | 2,447 | $900,300 | 4/4/2026 | |||
| Brazil | 7/15/2021 | $720,000 | 0 | 0 | 0 | $2,800,000 | 10/20/2022 | |||
| Colombia | 7/16/2021 | $0 | 0 | 0 | 0 | $2,700,000 | 10/20/2022 | |||
| Czech Republic | 7/16/2021 | $52,729 | 97 | 97 | 227 | $160,496 | 10/20/2022 | |||
| Finland | 7/16/2021 | $0 | 0 | 36 | 64 | $243,064 | 4/21/2026 | |||
| France | 7/21/2021 | $1,100,000 | 727 | 727 | 1,827 | $3,300,000 | 10/20/2022 | |||
| Germany | 7/15/2021 | $736,540 | 0 | 0 | 0 | $3,900,000 | 10/20/2022 | |||
| Hong Kong | 7/15/2021 | $0 | 0 | 0 | 0 | $296,163 | 7/30/2021 | |||
| Israel | 7/16/2021 | $0 | 0 | 0 | 0 | $436,000 | 10/20/2022 | |||
| Italy | 9/23/2021 | $1,402,403 | 0 | 439 | 439 | $3,522,709 | 10/20/2022 | |||
| Lithuania | 7/16/2021 | $42,792 | 15 | 15 | 85 | $185,409 | 9/29/2021 | |||
| Mexico | 7/15/2021 | $3,145,478 | 0 | 0 | 0 | $8,300,000 | 10/20/2022 | |||
| Netherlands | 7/16/2021 | $259,302 | 195 | 205 | 1,130 | $2,146,494 | 10/5/2021 | |||
| New Zealand | 7/16/2021 | $677,198 | 107 | 110 | 624 | $2,406,776 | 10/20/2022 | |||
| Poland | 7/16/2021 | $536,000 | 0 | 0 | 0 | $2,900,000 | 10/20/2022 | |||
| Portugal | 7/16/2021 | $34,926 | 74 | 74 | 321 | $239,886 | 10/19/2021 | |||
| Romania | 7/16/2021 | $37,455 | 80 | 80 | 349 | $184,813 | 10/20/2022 | |||
| Russia (CIS) | 7/15/2021 | $1,038,413 | 1,622 | 1,622 | 5,846 | $3,500,000 | 10/20/2022 | |||
| Saudi Arabia | 7/15/2021 | $0 | 0 | 0 | 0 | $1,100,000 | 10/20/2022 | |||
| Slovakia | 7/16/2021 | $67,238 | 72 | 72 | 172 | $185,733 | 9/14/2021 | |||
| South Korea | 7/15/2021 | $97,223 | 521 | 521 | 570 | $140,450 | 7/28/2021 | |||
| Spain | 7/23/2021 | $1,218,344 | 362 | 368 | 2,100 | $5,097,302 | 10/22/2021 | |||
| Turkey | 7/16/2021 | $44,015 | 155 | 155 | 476 | $181,374 | 4/4/2026 | |||
| United Kingdom | 7/16/2021 | $1,879,730 | 603 | 634 | 6,451 | $17,684,028 | 10/20/2021 | |||
| Rest of World | $28,189,003 | |||||||||
| International Total | $93,100,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| LeBron James | Himself | |
| Jeff Bergman | Bugs Bunny / Sylvester / Yosemite Sam / Fred Flintstone / Yogi Bear | |
| Diana Taurasi | White Mamba | |
| Damian Lillard | Chronos | |
| Nneka Ogwumike | Arachnneka | |
| Anthony Davis | The Brow | |
| Klay Thompson | Wet-Fire |
Supporting
| Don Cheadle | Al-G Rhythm | |
| Cedric Joe | Dom James | |
| Khris Davis | Malik | |
| Sonequa Martin-Green | Kamiyah James | |
| Ceyair J. Wright | Darius James | |
| Harper Leigh Alexander | Xosha James | |
| Xosha Roquemore | Shanice James | |
| Stephen Kankole | Young LeBron (13 years) | |
| Jalyn Hall | Young Malik (13 years) | |
| Wood Harris | Coach C | |
| Jordan Thomas | Young Boy | |
| Randy Mims | Barbershop Customer | |
| Slink Johnson | Warner Bros. Security Guard | |
| Ernie Johnson, Jr. | Game Announcer | |
| Lil Rel Howery | Game Announcer | |
| Zendaya | Lola Bunny | |
| Gabriel Iglesias | Speedy Gonzales | |
| Eric Bauza | Daffy Duck, Porky Pig, Foghorn Leghorn, Elmer Fudd, Marvin The Martian | |
| Candi Milo | Granny | |
| Bob Bergen | Tweety Bird | |
| Fred Tatasciore | Taz | |
| Kimberly Brooks | Additional Voices |
Production and Technical Credits
| Malcolm D. Lee | Director | |
| Juel Taylor | Screenwriter | |
| Tony Rettenmaier | Screenwriter | |
| Keenan Coogler | Screenwriter | |
| Terence Nance | Screenwriter | |
| Jesse Gordon | Screenwriter | |
| Celeste Ballard | Screenwriter | |
| Juel Taylor | Story by | |
| Tony Rettenmaier | Story by | |
| Keenan Coogler | Story by | |
| Terence Nance | Story by | |
| Ryan Coogler | Producer | |
| LeBron James | Producer | |
| Maverick Carter | Producer | |
| Duncan Henderson | Producer | |
| Sev Ohanian | Executive Producer | |
| Zinzi Coogler | Executive Producer | |
| Allison Abbate | Executive Producer | |
| Jesse Ehrman | Executive Producer | |
| Jamal Henderson | Executive Producer | |
| Spencer Beighley | Executive Producer | |
| Justin Lin | Executive Producer | |
| Terence Nance | Executive Producer | |
| Ivan Reitman | Executive Producer | |
| Clint Wallace | Production Designer | |
| Akin McKenzie | Production Designer | |
| Bob Ducsay | Editor | |
| Kris Bowers | Composer | |
| Salvatore Totino | Director of Photography | |
| Kim LoCascio | Co-Producer | |
| R.J. Mino | Co-Producer | |
| Keenan Coogler | Co-Producer | |
| Kelley Robins Hicks | Co-Producer | |
| Kier Lehman | Music Supervisor | |
| Morgan Rhodes | Music Supervisor | |
| Grady Cofer | Visual Effects Supervisor | |
| Kevin Martel | Digital Animation Supervisor | |
| Melissa Bruning | Costume Designer | |
| Kim Coleman | Casting Director | |
| R.J. Mino | Casting Director | |
| Michael J. Moore | First Assistant Director | |
| Rhys Summerhayes | Second Assistant Director | |
| Spike Brandt | Animation Supervisor | |
| Eric Sundahl | Art Director | |
| Julien Pougnier | Art Director | |
| Melisa Jusufi | Set Decorator | |
| Lisa Dennis | Post-Production Supervisor | |
| Sam Bollinger | First Assistant Editor | |
| Torrie Goedtel | Assistant Editor | |
| Joseph Bonn | Music Editor | |
| Daniel Waldman | Music Editor | |
| Ed Novick | Sound Mixer | |
| Kerry Lyn McKissick | Script Supervisor | |
| Howard Berger | Make up | |
| Jennifer Zide-Essex | Make up | |
| Johnny Villanueva | Hairstylist | |
| Shelia Cyphers | Hairstylist | |
| Sara Walbridge | Costume Supervisor | |
| Mark Hawker | Special Effects Coordinator | |
| Jeffrey A. Hunter | Location Manager | |
| David Chow | Set Designer | |
| Tammy S. Lee | Set Designer | |
| Sam Page (Set Designer) | Set Designer | |
| Paul Sonski | Set Designer | |
| Ralph Paredes | Post-Production Executive | |
| Katrina Beshears | Production Manager | |
| Alex Orrelle | Head of Story | |
| Vadim Bazhanov | Story Artist | |
| Steven Fonti | Story Artist | |
| Casey Lowe | Story Artist | |
| John Dusenberry | Story Artist | |
| Delia Gosman | Story Artist | |
| Ovi Nedelcu | Story Artist | |
| Nora Earlie | Story Artist | |
| Jim Kammerud | Story Artist | |
| Taha Neyestani | Story Artist | |
| Sahin Ersoz | Story Artist | |
| Larry Leker | Story Artist | |
| Olivia Asis | Story Artist | |
| Borja Montoro | Character Designer | |
| Tony Siruno | Character Designer | |
| Erik Aadahl | Supervising Sound Editor | |
| Ethan Van der Ryn | Supervising Sound Editor | |
| Erik Aadahl | Sound Designer | |
| Ethan Van der Ryn | Sound Designer | |
| Malte Bieler | Sound Designer | |
| Chris Diebold | Sound Effects Editor | |
| Matt Cavanaugh | Sound Effects Editor | |
| Adam Kopald | Sound Effects Editor | |
| Greg ten Bosch | Sound Effects Editor | |
| Joel Erickson | Dialogue Editor | |
| Robert Jackson | Dialogue Editor | |
| Jonathan Klein | Supervising Foley Editor | |
| Veronica Li | Foley Editor | |
| Tim LeBlanc | Re-recording Mixer | |
| Michael Keller | Re-recording Mixer | |
| Brandon Proctor | Re-recording Mixer | |
| Ludwig Göransson | Executive Music Producer | |
| Archie Davis | Executive Music Producer | |
| Alan Meyerson | Score Recordist | |
| Alan Meyerson | Score Mixer | |
| Michael Dean Parson | Additional Music | |
| Pierre Charles | Additional Music | |
| Kris Bowers | Score Producer | |
| Max Wrightson | Score Producer | |
| Rene Paul Mousseux | Stunt Coordinator | |
| Doug Coleman | Stunt Coordinator | |
| Michael Fisher | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.