Spark: A Space Tail (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $196,458 | Details |
| International Box Office | $695,467 | Details |
| Worldwide Box Office | $891,925 | |
| OpusData ID: 274090100 More info... | ||
| Further financial details... | ||
Synopsis
Spark is a wisecracking teen living on an abandoned planet with his friends Chunk and Vix. Thirteen years ago the power-hungry General Zhong seized control of their planet Beta, wiping out Spark’s family and sending him into hiding. But now they’ve learned of Zhong’s plan to wipe out the entire universe using the deadly space Kraken, and no one but Spark can stop him.
Metrics
| Opening Weekend: | $116,873 (59.5% of total gross) |
| Legs: | 1.68 (domestic box office/biggest weekend) |
| Domestic Share: | 22.0% (domestic box office/worldwide) |
| Theater counts: | 365 opening theaters/365 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $261,948 |
Movie Details
| Domestic Releases: | April 14th, 2017 (Limited) by Open Road |
| International Releases: | May 26th, 2017 (Wide), released as Spark (United Kingdom)
June 2nd, 2017 (Wide), released as Spark (Russia (CIS)) July 7th, 2017 (Wide), released as Spark: Bir Uzay Macerası (Turkey) April 3rd, 2018 (Wide), released as Spark : A Space Tail (South Korea) ... Show all releases |
| Video Release: | June 27th, 2017 by Universal Home Entertainment |
| MPA Rating: | PG for some action and rude humor. (Rating bulletin 2466 (Cert #50831), 3/8/2017) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Prince/Princess, Robot, Talking Animals |
| Social setting: | Space Opera |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Red Rover Films, Gulfstream Pictures, Toonbox Entertainment, Open Road Films |
| Production Countries: | Canada, Republic of Korea, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 27 | $116,873 | 365 | $320 | $116,873 | 1 | |
| Apr 21, 2017 | 55 | $14,838 | -87% | 85 | $175 | $190,511 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | - | $48,303 | 365 | $132 | $48,303 | 1 | ||
| Apr 15, 2017 | - | $37,676 | -22% | 365 | $103 | $85,979 | 2 | |
| Apr 16, 2017 | - | $30,894 | -18% | 365 | $85 | $116,873 | 3 | |
| Apr 17, 2017 | - | $17,610 | -43% | 365 | $48 | $134,483 | 4 | |
| Apr 18, 2017 | - | $14,440 | -18% | 365 | $40 | $148,923 | 5 | |
| Apr 19, 2017 | - | $13,718 | -5% | 365 | $38 | $162,641 | 6 | |
| Apr 20, 2017 | - | $13,032 | -5% | 365 | $36 | $175,673 | 7 | |
| Apr 21, 2017 | - | $3,262 | -75% | -93% | 85 | $38 | $178,935 | 8 |
| Apr 22, 2017 | - | $5,122 | +57% | -86% | 85 | $60 | $184,057 | 9 |
| Apr 23, 2017 | - | $6,454 | +26% | -79% | 85 | $76 | $190,511 | 10 |
| Apr 24, 2017 | - | $2,194 | -66% | -88% | 85 | $26 | $192,705 | 11 |
| Apr 25, 2017 | - | $2,040 | -7% | -86% | 85 | $24 | $194,745 | 12 |
| Apr 26, 2017 | - | $1,142 | -44% | -92% | 85 | $13 | $195,887 | 13 |
| Apr 27, 2017 | - | $571 | -50% | -96% | 85 | $7 | $196,458 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 29 | $175,673 | 365 | $481 | $175,673 | 1 | |
| Apr 21, 2017 | 55 | $20,785 | -88% | 85 | $245 | $196,458 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 6/2/2017 | $174,425 | 678 | 678 | 1,128 | $393,682 | 1/1/2019 | |||
| South Korea | 4/3/2018 | $0 | 0 | 310 | 441 | $238,210 | 5/24/2018 | |||
| Turkey | 7/7/2017 | $20,577 | 162 | 162 | 190 | $44,120 | 2/26/2019 | |||
| United Kingdom | 5/26/2017 | $19,455 | 122 | 122 | 122 | $19,455 | 6/2/2017 | |||
| International Total | $695,467 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jace Norman | Spark | |
| Jessica Biel | Vix | |
| Susan Sarandon | Bananny | |
| Patrick Stewart | The Captain | |
| Hilary Swank | The Queen |
Supporting
| Alan C. Peterson | Zhong | |
| Jason Deline | Various Characters | |
| Rob deLeeuw | Chunk | |
| Athena Karkanis | Koko | |
| Aaron Woodley | Floyd |
Production and Technical Credits
| Aaron Woodley | Director | |
| Aaron Woodley | Screenwriter | |
| Tracy Grant | Producer | |
| Woo-Kyung Jung | Producer | |
| Youngki Lee | Producer | |
| Harry Linden | Producer | |
| WooKyung Jung | Producer | |
| Zheng Jun | Producer | |
| Hong Kim | Executive Producer | |
| Hoejin Ha | Executive Producer | |
| Jay Ahn | Executive Producer | |
| Hyungkon Kim | Executive Producer | |
| Sen Jia | Executive Producer | |
| Daniel Woo | Executive Producer | |
| Mike Karz | Executive Producer | |
| William Bindley | Executive Producer | |
| Zhao Lan Wu | Executive Producer | |
| Shawn Zhang | Executive Producer | |
| Liang Chen | Executive Producer | |
| Daryl Graham | Production Designer | |
| L. Cliff Brett | Character CG Supervisor | |
| Hee Kyung Kang | Art Director | |
| Goran Delic | Art Director | |
| Paul Hunter | Editor | |
| Robert Duncan | Composer | |
| Sumit Suri | Lighting Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Spark is a wisecracking teen living on an abandoned planet with his friends Chunk and Vix. Thirteen years ago the power-hungry General Zhong seized control of their planet Beta, wiping out Spark’s family and sending him into hiding. But now they’ve learned of Zhong’s plan to wipe out the entire universe using the deadly space Kraken, and no one but Spark can stop him.
Metrics
| Opening Weekend: | $116,873 (59.5% of total gross) |
| Legs: | 1.68 (domestic box office/biggest weekend) |
| Domestic Share: | 22.0% (domestic box office/worldwide) |
| Theater counts: | 365 opening theaters/365 max. theaters, 1.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $261,948 |
Movie Details
| Domestic Releases: | April 14th, 2017 (Limited) by Open Road |
| International Releases: | May 26th, 2017 (Wide), released as Spark (United Kingdom)
June 2nd, 2017 (Wide), released as Spark (Russia (CIS)) July 7th, 2017 (Wide), released as Spark: Bir Uzay Macerası (Turkey) April 3rd, 2018 (Wide), released as Spark : A Space Tail (South Korea) ... Show all releases |
| Video Release: | June 27th, 2017 by Universal Home Entertainment |
| MPA Rating: | PG for some action and rude humor. (Rating bulletin 2466 (Cert #50831), 3/8/2017) |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Plot point: | Prince/Princess, Robot, Talking Animals |
| Social setting: | Space Opera |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Red Rover Films, Gulfstream Pictures, Toonbox Entertainment, Open Road Films |
| Production Countries: | Canada, Republic of Korea, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 27 | $116,873 | 365 | $320 | $116,873 | 1 | |
| Apr 21, 2017 | 55 | $14,838 | -87% | 85 | $175 | $190,511 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | - | $48,303 | 365 | $132 | $48,303 | 1 | ||
| Apr 15, 2017 | - | $37,676 | -22% | 365 | $103 | $85,979 | 2 | |
| Apr 16, 2017 | - | $30,894 | -18% | 365 | $85 | $116,873 | 3 | |
| Apr 17, 2017 | - | $17,610 | -43% | 365 | $48 | $134,483 | 4 | |
| Apr 18, 2017 | - | $14,440 | -18% | 365 | $40 | $148,923 | 5 | |
| Apr 19, 2017 | - | $13,718 | -5% | 365 | $38 | $162,641 | 6 | |
| Apr 20, 2017 | - | $13,032 | -5% | 365 | $36 | $175,673 | 7 | |
| Apr 21, 2017 | - | $3,262 | -75% | -93% | 85 | $38 | $178,935 | 8 |
| Apr 22, 2017 | - | $5,122 | +57% | -86% | 85 | $60 | $184,057 | 9 |
| Apr 23, 2017 | - | $6,454 | +26% | -79% | 85 | $76 | $190,511 | 10 |
| Apr 24, 2017 | - | $2,194 | -66% | -88% | 85 | $26 | $192,705 | 11 |
| Apr 25, 2017 | - | $2,040 | -7% | -86% | 85 | $24 | $194,745 | 12 |
| Apr 26, 2017 | - | $1,142 | -44% | -92% | 85 | $13 | $195,887 | 13 |
| Apr 27, 2017 | - | $571 | -50% | -96% | 85 | $7 | $196,458 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 14, 2017 | 29 | $175,673 | 365 | $481 | $175,673 | 1 | |
| Apr 21, 2017 | 55 | $20,785 | -88% | 85 | $245 | $196,458 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 6/2/2017 | $174,425 | 678 | 678 | 1,128 | $393,682 | 1/1/2019 | |||
| South Korea | 4/3/2018 | $0 | 0 | 310 | 441 | $238,210 | 5/24/2018 | |||
| Turkey | 7/7/2017 | $20,577 | 162 | 162 | 190 | $44,120 | 2/26/2019 | |||
| United Kingdom | 5/26/2017 | $19,455 | 122 | 122 | 122 | $19,455 | 6/2/2017 | |||
| International Total | $695,467 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jace Norman | Spark | |
| Jessica Biel | Vix | |
| Susan Sarandon | Bananny | |
| Patrick Stewart | The Captain | |
| Hilary Swank | The Queen |
Supporting
| Alan C. Peterson | Zhong | |
| Jason Deline | Various Characters | |
| Rob deLeeuw | Chunk | |
| Athena Karkanis | Koko | |
| Aaron Woodley | Floyd |
Production and Technical Credits
| Aaron Woodley | Director | |
| Aaron Woodley | Screenwriter | |
| Tracy Grant | Producer | |
| Woo-Kyung Jung | Producer | |
| Youngki Lee | Producer | |
| Harry Linden | Producer | |
| WooKyung Jung | Producer | |
| Zheng Jun | Producer | |
| Hong Kim | Executive Producer | |
| Hoejin Ha | Executive Producer | |
| Jay Ahn | Executive Producer | |
| Hyungkon Kim | Executive Producer | |
| Sen Jia | Executive Producer | |
| Daniel Woo | Executive Producer | |
| Mike Karz | Executive Producer | |
| William Bindley | Executive Producer | |
| Zhao Lan Wu | Executive Producer | |
| Shawn Zhang | Executive Producer | |
| Liang Chen | Executive Producer | |
| Daryl Graham | Production Designer | |
| L. Cliff Brett | Character CG Supervisor | |
| Hee Kyung Kang | Art Director | |
| Goran Delic | Art Director | |
| Paul Hunter | Editor | |
| Robert Duncan | Composer | |
| Sumit Suri | Lighting Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.