Sparks: The Ken Sparks Story (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $30,801 | Details |
| OpusData ID: 528360100 More info... | ||
| Further financial details... | ||
Synopsis
Sparks: The Ken Sparks Story, is an award winning documentary on the life of Coach Ken Sparks at Carson-Newman University. For 46 years, Ken Sparks devoted his life, despite the sacrifices it demanded of him, to coach the game of football in such a way that it led players, coaches, families, and fans to Christ, and in so doing made the man a legend. At the end of his career and life, he had ended up being the 5th all-time winningest coach in NCAA, in front of Bear Bryant of Alabama, and behind Bobby Bowden of Florida State University. He also was the all time winningest coach in the NCAA Div II. His record was 338-99-2.
Metrics
| Legs: | 8.66 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $34,983 |
Movie Details
| Domestic Releases: | January 7th, 2022 (Limited) by Double J Productions |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Native Wind Media, Double J Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 14, 2022 | - | $3,557 | 3 | $1,186 | $26,245 | 2 | |
| Jan 21, 2022 | - | $1,443 | -59% | 3 | $481 | $29,101 | 3 |
| Jan 28, 2022 | - | $597 | -59% | 3 | $199 | $30,310 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | - | $7,098 | 19 | $374 | $7,098 | 1 | ||
| Jan 8, 2022 | - | $4,650 | -34% | 19 | $245 | $11,748 | 2 | |
| Jan 9, 2022 | - | $5,278 | +14% | 20 | $264 | $17,026 | 3 | |
| Jan 10, 2022 | - | $882 | -83% | 10 | $88 | $17,908 | 4 | |
| Jan 11, 2022 | - | $1,638 | +86% | 10 | $164 | $19,546 | 5 | |
| Jan 12, 2022 | - | $1,153 | -30% | 10 | $115 | $20,699 | 6 | |
| Jan 13, 2022 | - | $1,239 | +7% | 10 | $124 | $21,938 | 7 | |
| Jan 14, 2022 | - | $936 | -24% | -87% | 5 | $187 | $22,874 | 8 |
| Jan 15, 2022 | - | $2,222 | +137% | -52% | 5 | $444 | $25,096 | 9 |
| Jan 16, 2022 | - | $399 | -82% | -92% | 3 | $133 | $25,495 | 10 |
| Jan 17, 2022 | - | $546 | +37% | -38% | 4 | $137 | $26,197 | 11 |
| Jan 18, 2022 | - | $501 | -8% | -69% | 4 | $125 | $26,698 | 12 |
| Jan 19, 2022 | - | $529 | +6% | -54% | 5 | $106 | $27,227 | 13 |
| Jan 20, 2022 | - | $431 | -19% | -65% | 5 | $86 | $27,658 | 14 |
| Jan 21, 2022 | - | $587 | +36% | -37% | 3 | $196 | $28,245 | 15 |
| Jan 22, 2022 | - | $579 | -1% | -74% | 3 | $193 | $28,824 | 16 |
| Jan 23, 2022 | - | $277 | -52% | -31% | 3 | $92 | $29,101 | 17 |
| Jan 24, 2022 | - | $117 | -58% | -79% | 3 | $39 | $29,218 | 18 |
| Jan 25, 2022 | - | $213 | +82% | -57% | 3 | $71 | $29,431 | 19 |
| Jan 26, 2022 | - | $127 | -40% | -76% | 3 | $42 | $29,558 | 20 |
| Jan 27, 2022 | - | $155 | +22% | -64% | 3 | $52 | $29,713 | 21 |
| Jan 28, 2022 | - | $254 | +64% | -57% | 3 | $85 | $29,967 | 22 |
| Jan 29, 2022 | - | $200 | -21% | -65% | 3 | $67 | $30,167 | 23 |
| Jan 30, 2022 | - | $143 | -29% | -48% | 3 | $48 | $30,310 | 24 |
| Jan 31, 2022 | - | $191 | +34% | +63% | 3 | $64 | $30,501 | 25 |
| Feb 1, 2022 | - | $119 | -38% | -44% | 3 | $40 | $30,620 | 26 |
| Feb 2, 2022 | - | $58 | -51% | -54% | 3 | $19 | $30,678 | 27 |
| Feb 3, 2022 | - | $123 | +112% | -21% | 3 | $41 | $30,801 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | - | $21,938 | 10 | $2,194 | $21,938 | 1 | |
| Jan 14, 2022 | - | $5,720 | -74% | 5 | $1,144 | $27,658 | 2 |
| Jan 21, 2022 | - | $2,055 | -64% | 3 | $685 | $29,713 | 3 |
| Jan 28, 2022 | - | $1,088 | -47% | 3 | $363 | $30,801 | 4 |
Documentary Subject
| Ken Sparks | Himself |
Interviewee
| Tony Dungy | Himself | |
| Chad Sparks | Himself | |
| Ken Smith | Himself | |
| Jeff Joslin | Himself | |
| Chanda Childress | Herself | |
| Carol Sparks | Herself | |
| Jay Floyd | Himself | |
| Mark Isom | Himself | |
| Gail Christian | Herself | |
| Alan Duncan | Himself | |
| Curt Duncan | Himself | |
| Scott Cagle | Himself | |
| Mike Clowney | Himself | |
| Stan Cotten | Himself | |
| Jim Klonaris | Himself |
Production and Technical Credits
| Jeff Joslin | Director | |
| Jeff Joslin | Producer | |
| Jeffrey Joslin II | Producer | |
| Ciera Danielle | Producer | |
| Mark Isom | Executive Producer | |
| Mike Schlechter | Executive Producer | |
| Michael Zill | Executive Producer | |
| Margie Zill | Executive Producer | |
| Ciera Danielle | Editor | |
| Jeffrey Joslin II | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Sparks: The Ken Sparks Story, is an award winning documentary on the life of Coach Ken Sparks at Carson-Newman University. For 46 years, Ken Sparks devoted his life, despite the sacrifices it demanded of him, to coach the game of football in such a way that it led players, coaches, families, and fans to Christ, and in so doing made the man a legend. At the end of his career and life, he had ended up being the 5th all-time winningest coach in NCAA, in front of Bear Bryant of Alabama, and behind Bobby Bowden of Florida State University. He also was the all time winningest coach in the NCAA Div II. His record was 338-99-2.
Metrics
| Legs: | 8.66 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $34,983 |
Movie Details
| Domestic Releases: | January 7th, 2022 (Limited) by Double J Productions |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Native Wind Media, Double J Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 14, 2022 | - | $3,557 | 3 | $1,186 | $26,245 | 2 | |
| Jan 21, 2022 | - | $1,443 | -59% | 3 | $481 | $29,101 | 3 |
| Jan 28, 2022 | - | $597 | -59% | 3 | $199 | $30,310 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | - | $7,098 | 19 | $374 | $7,098 | 1 | ||
| Jan 8, 2022 | - | $4,650 | -34% | 19 | $245 | $11,748 | 2 | |
| Jan 9, 2022 | - | $5,278 | +14% | 20 | $264 | $17,026 | 3 | |
| Jan 10, 2022 | - | $882 | -83% | 10 | $88 | $17,908 | 4 | |
| Jan 11, 2022 | - | $1,638 | +86% | 10 | $164 | $19,546 | 5 | |
| Jan 12, 2022 | - | $1,153 | -30% | 10 | $115 | $20,699 | 6 | |
| Jan 13, 2022 | - | $1,239 | +7% | 10 | $124 | $21,938 | 7 | |
| Jan 14, 2022 | - | $936 | -24% | -87% | 5 | $187 | $22,874 | 8 |
| Jan 15, 2022 | - | $2,222 | +137% | -52% | 5 | $444 | $25,096 | 9 |
| Jan 16, 2022 | - | $399 | -82% | -92% | 3 | $133 | $25,495 | 10 |
| Jan 17, 2022 | - | $546 | +37% | -38% | 4 | $137 | $26,197 | 11 |
| Jan 18, 2022 | - | $501 | -8% | -69% | 4 | $125 | $26,698 | 12 |
| Jan 19, 2022 | - | $529 | +6% | -54% | 5 | $106 | $27,227 | 13 |
| Jan 20, 2022 | - | $431 | -19% | -65% | 5 | $86 | $27,658 | 14 |
| Jan 21, 2022 | - | $587 | +36% | -37% | 3 | $196 | $28,245 | 15 |
| Jan 22, 2022 | - | $579 | -1% | -74% | 3 | $193 | $28,824 | 16 |
| Jan 23, 2022 | - | $277 | -52% | -31% | 3 | $92 | $29,101 | 17 |
| Jan 24, 2022 | - | $117 | -58% | -79% | 3 | $39 | $29,218 | 18 |
| Jan 25, 2022 | - | $213 | +82% | -57% | 3 | $71 | $29,431 | 19 |
| Jan 26, 2022 | - | $127 | -40% | -76% | 3 | $42 | $29,558 | 20 |
| Jan 27, 2022 | - | $155 | +22% | -64% | 3 | $52 | $29,713 | 21 |
| Jan 28, 2022 | - | $254 | +64% | -57% | 3 | $85 | $29,967 | 22 |
| Jan 29, 2022 | - | $200 | -21% | -65% | 3 | $67 | $30,167 | 23 |
| Jan 30, 2022 | - | $143 | -29% | -48% | 3 | $48 | $30,310 | 24 |
| Jan 31, 2022 | - | $191 | +34% | +63% | 3 | $64 | $30,501 | 25 |
| Feb 1, 2022 | - | $119 | -38% | -44% | 3 | $40 | $30,620 | 26 |
| Feb 2, 2022 | - | $58 | -51% | -54% | 3 | $19 | $30,678 | 27 |
| Feb 3, 2022 | - | $123 | +112% | -21% | 3 | $41 | $30,801 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 7, 2022 | - | $21,938 | 10 | $2,194 | $21,938 | 1 | |
| Jan 14, 2022 | - | $5,720 | -74% | 5 | $1,144 | $27,658 | 2 |
| Jan 21, 2022 | - | $2,055 | -64% | 3 | $685 | $29,713 | 3 |
| Jan 28, 2022 | - | $1,088 | -47% | 3 | $363 | $30,801 | 4 |
Documentary Subject
| Ken Sparks | Himself |
Interviewee
| Tony Dungy | Himself | |
| Chad Sparks | Himself | |
| Ken Smith | Himself | |
| Jeff Joslin | Himself | |
| Chanda Childress | Herself | |
| Carol Sparks | Herself | |
| Jay Floyd | Himself | |
| Mark Isom | Himself | |
| Gail Christian | Herself | |
| Alan Duncan | Himself | |
| Curt Duncan | Himself | |
| Scott Cagle | Himself | |
| Mike Clowney | Himself | |
| Stan Cotten | Himself | |
| Jim Klonaris | Himself |
Production and Technical Credits
| Jeff Joslin | Director | |
| Jeff Joslin | Producer | |
| Jeffrey Joslin II | Producer | |
| Ciera Danielle | Producer | |
| Mark Isom | Executive Producer | |
| Mike Schlechter | Executive Producer | |
| Michael Zill | Executive Producer | |
| Margie Zill | Executive Producer | |
| Ciera Danielle | Editor | |
| Jeffrey Joslin II | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.