The Spy Who Dumped Me (2018)

The Spy Who Dumped Me
Theatrical Performance
Domestic Box Office $33,562,069Details
International Box Office $45,436,176Details
Worldwide Box Office $78,998,245
Home Market Performance
Est. Domestic DVD Sales $2,567,646 Details
Est. Domestic Blu-ray Sales $2,816,125 Details
Total Est. Domestic Video Sales $5,383,771
OpusData ID: 289300100
Further financial details...

Synopsis

Audrey and Morgan, two thirty-year-old best friends in Los Angeles, are thrust unexpectedly into an international conspiracy when Audrey’s ex-boyfriend shows up at their apartment with a team of deadly assassins on his trail. Surprising even themselves, the duo jump into action, on the run throughout Europe from assassins and a suspicious-but—charming British agent, as they hatch a plan to save the world.

Metrics

Opening Weekend:$12,103,043 (36.1% of total gross)
Legs:2.77 (domestic box office/biggest weekend)
Domestic Share:42.5% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 2.0 times production budget)
Theater counts:3,111 opening theaters/3,111 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $41,667,069

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 2,701-2,800) 2,795 $33,562,069
All Time International Box Office (Rank 2,201-2,300) 2,266 $45,436,176
All Time Worldwide Box Office (Rank 2,301-2,400) 2,331 $78,998,245
All Time Domestic Box Office for Comedy Movies (Rank 501-600) 543 $33,562,069
All Time International Box Office for Comedy Movies (Rank 201-300) 284 $45,436,176
All Time Worldwide Box Office for Comedy Movies (Rank 301-400) 347 $78,998,245
All Time Domestic Box Office for R Movies (Rank 901-1,000) 905 $33,562,069
All Time International Box Office for R Movies (Rank 501-600) 554 $45,436,176
All Time Worldwide Box Office for R Movies (Rank 601-700) 653 $78,998,245

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: August 3rd, 2018 (Wide) by Lionsgate
International Releases: August 1st, 2018 (Wide) (Egypt)
August 1st, 2018 (Wide) (Indonesia)
August 2nd, 2018 (Wide) (Aruba)
August 2nd, 2018 (Wide) (Bahrain)
August 2nd, 2018 (Wide) (Curacao)
... Show all releases
Video Release: October 30th, 2018 by Lionsgate Home Entertainment
MPAA Rating: R for violence, language throughout, some crude sexual material and graphic nudity.
(Rating bulletin 2536 (Cert #51513), 7/18/2018)
Running Time: 117 minutes
Comparisons: vs. Pitch Perfect 3
Create your own comparison chart…
Keywords: Set in Los Angeles, C.I.A., Relationships Gone Wrong, Hitmen, Exes in Love, Secret Agent, Fugitive / On the Run, Aspiring Actress / Actor, Set in Vienna, Set in Prague, Set in Paris, Travelogue, Tortured for Information, Double Agent, Secret Identity, Action Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Imagine Entertainment, Lionsgate, Hercules Film Fund, Bron Creative
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 2,701-2,800) 2,795 $33,562,069
All Time Domestic Inflation Adjusted Box Office (Rank 3,701-3,800) 3,717 $41,667,069
All Time Domestic Non-Sequel Box Office (Rank 2,201-2,300) 2,219 $33,562,069
Top-grossing movies at the domestic box office first released in 2018 83 $33,562,069
All Time Domestic Box Office for Original Screenplay Movies (Rank 1,401-1,500) 1,407 $33,562,069
All Time Domestic Box Office for Live Action Movies (Rank 2,301-2,400) 2,384 $33,562,069
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 1,301-1,400) 1,399 $33,562,069
All Time Domestic Box Office for Comedy Movies (Rank 501-600) 543 $33,562,069
All Time Domestic Box Office for R Movies (Rank 901-1,000) 905 $33,562,069
All Time Domestic Box Office for Lionsgate Movies (Rank 101-200) 104 $33,562,069

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 3, 2018 3 $12,103,043   3,111 $3,890   $12,103,043 1
Aug 10, 2018 6 $6,462,612 -47% 3,111 $2,077   $24,422,997 2
Aug 17, 2018 13 $2,617,298 -60% 2,409 $1,086   $29,998,313 3
Aug 24, 2018 17 $1,010,334 -61% 1,295 $780   $32,288,476 4
Aug 31, 2018 25 $370,887 -63% 460 $806   $33,061,615 5
Sep 7, 2018 32 $105,550 -72% 207 $510   $33,325,340 6
Sep 14, 2018 37 $80,618 -24% 157 $513   $33,453,691 7
Sep 21, 2018 45 $50,368 -38% 107 $471   $33,541,188 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 3, 2018 3 $5,011,316     3,111 $1,611   $5,011,316 1
Aug 4, 2018 3 $4,101,508 -18%   3,111 $1,318   $9,112,824 2
Aug 5, 2018 3 $2,990,219 -27%   3,111 $961   $12,103,043 3
Aug 6, 2018 4 $1,421,278 -52%   3,111 $457   $13,524,321 4
Aug 7, 2018 4 $1,951,386 +37%   3,111 $627   $15,475,707 5
Aug 8, 2018 4 $1,329,216 -32%   3,111 $427   $16,804,923 6
Aug 9, 2018 4 $1,155,462 -13%   3,111 $371   $17,960,385 7
Aug 10, 2018 6 $1,864,211 +61% -63% 3,111 $599   $19,824,596 8
Aug 11, 2018 6 $2,760,248 +48% -33% 3,111 $887   $22,584,844 9
Aug 12, 2018 6 $1,838,153 -33% -39% 3,111 $591   $24,422,997 10
Aug 13, 2018 8 $763,427 -58% -46% 3,111 $245   $25,186,424 11
Aug 14, 2018 8 $1,092,780 +43% -44% 3,111 $351   $26,279,204 12
Aug 15, 2018 9 $600,896 -45% -55% 3,111 $193   $26,880,100 13
Aug 16, 2018 9 $500,915 -17% -57% 3,111 $161   $27,381,015 14
Aug 17, 2018 11 $775,094 +55% -58% 2,409 $322   $28,156,109 15
Aug 18, 2018 13 $1,098,797 +42% -60% 2,409 $456   $29,254,906 16
Aug 19, 2018 13 $743,407 -32% -60% 2,409 $309   $29,998,313 17
Aug 20, 2018 13 $288,255 -61% -62% 2,409 $120   $30,286,568 18
Aug 21, 2018 11 $464,907 +61% -57% 2,409 $193   $30,751,475 19
Aug 22, 2018 12 $301,842 -35% -50% 2,409 $125   $31,053,317 20
Aug 23, 2018 14 $224,825 -26% -55% 2,409 $93   $31,278,142 21
Aug 24, 2018 - $312,226 +39% -60% 1,295 $241   $31,590,368 22
Aug 25, 2018 - $441,222 +41% -60% 1,295 $341   $32,031,590 23
Aug 26, 2018 - $256,886 -42% -65% 1,295 $198   $32,288,476 24
Aug 27, 2018 - $103,643 -60% -64% 1,295 $80   $32,392,119 25
Aug 28, 2018 - $140,198 +35% -70% 1,295 $108   $32,532,317 26
Aug 29, 2018 - $86,742 -38% -71% 1,295 $67   $32,619,059 27
Aug 30, 2018 - $71,669 -17% -68% 1,295 $55   $32,690,728 28
Aug 31, 2018 - $83,630 +17% -73% 460 $182   $32,774,358 29
Sep 1, 2018 - $138,343 +65% -69% 460 $301   $32,912,701 30
Sep 2, 2018 - $148,914 +8% -42% 460 $324   $33,061,615 31
Sep 3, 2018 - $74,710 -50% -28% 460 $162   $33,136,325 32
Sep 4, 2018 - $35,715 -52% -75% 460 $78   $33,172,040 33
Sep 5, 2018 - $24,763 -31% -71% 460 $54   $33,196,803 34
Sep 6, 2018 - $22,987 -7% -68% 460 $50   $33,219,790 35
Sep 7, 2018 - $32,595 +42% -61% 207 $157   $33,252,385 36
Sep 8, 2018 - $48,957 +50% -65% 207 $237   $33,301,342 37
Sep 9, 2018 - $23,998 -51% -84% 207 $116   $33,325,340 38
Sep 10, 2018 - $9,903 -59% -87% 207 $48   $33,335,243 39
Sep 11, 2018 - $17,650 +78% -51% 207 $85   $33,352,893 40
Sep 12, 2018 - $11,514 -35% -54% 207 $56   $33,364,407 41
Sep 13, 2018 - $8,666 -25% -62% 207 $42   $33,373,073 42
Sep 14, 2018 - $23,340 +169% -28% 157 $149   $33,396,413 43
Sep 15, 2018 - $35,047 +50% -28% 157 $223   $33,431,460 44
Sep 16, 2018 - $22,231 -37% -7% 157 $142   $33,453,691 45
Sep 17, 2018 - $7,978 -64% -19% 157 $51   $33,461,669 46
Sep 18, 2018 - $11,560 +45% -35% 157 $74   $33,473,229 47
Sep 19, 2018 - $8,842 -24% -23% 157 $56   $33,482,071 48
Sep 20, 2018 - $8,749 -1% +1% 157 $56   $33,490,820 49
Sep 21, 2018 - $13,851 +58% -41% 107 $129   $33,504,671 50
Sep 22, 2018 - $22,746 +64% -35% 107 $213   $33,527,417 51
Sep 23, 2018 - $13,771 -39% -38% 107 $129   $33,541,188 52
Sep 24, 2018 - $4,774 -65% -40% 107 $45   $33,545,962 53
Sep 25, 2018 - $6,984 +46% -40% 107 $65   $33,552,946 54
Sep 26, 2018 - $4,852 -31% -45% 107 $45   $33,557,798 55
Sep 27, 2018 - $4,271 -12% -51% 107 $40   $33,562,069 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 3, 2018 3 $17,960,385   3,111 $5,773   $17,960,385 1
Aug 10, 2018 7 $9,420,630 -48% 3,111 $3,028   $27,381,015 2
Aug 17, 2018 13 $3,897,127 -59% 2,409 $1,618   $31,278,142 3
Aug 24, 2018 18 $1,412,586 -64% 1,295 $1,091   $32,690,728 4
Aug 31, 2018 25 $529,062 -63% 460 $1,150   $33,219,790 5
Sep 7, 2018 33 $153,283 -71% 207 $740   $33,373,073 6
Sep 14, 2018 35 $117,747 -23% 157 $750   $33,490,820 7
Sep 21, 2018 44 $71,249 -39% 107 $666   $33,562,069 8

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 8/30/2018 $53,003 72 72 73 $66,607 1/1/2019
Aruba 8/2/2018 $0 0 0 0 $28,281 1/1/2019
Australia 8/10/2018 $1,096,009 364 364 1,149 $2,784,352 10/19/2022
Austria 8/31/2018 $318,679 66 66 308 $882,053 11/2/2018
Bahrain 8/2/2018 $0 0 0 0 $206,726 1/1/2019
Bangladesh 8/10/2018 $0 0 5 15 $10,356 1/1/2019
Belgium 8/8/2018 $0 0 77 329 $989,088 10/23/2018
Bolivia 8/23/2018 $15,365 18 18 29 $30,098 1/1/2019
Brazil 8/24/2018 $330,834 344 344 598 $606,412 9/14/2018
Bulgaria 8/24/2018 $22,651 0 0 0 $135,966 2/26/2019
Cambodia 8/3/2018 $0 0 0 0 $5,720 1/1/2019
Chile 8/23/2018 $66,581 5 25 35 $122,419 1/1/2019
China 10/19/2018 $5,750,000 56,343 56,343 56,343 $8,895,647 11/23/2018
Colombia 8/9/2018 $0 0 32 34 $178,501 1/1/2019
Costa Rica 8/9/2018 $0 0 1 1 $18,781 1/1/2019
Croatia 8/9/2018 $0 0 26 120 $303,327 1/1/2019
Curacao 8/2/2018 $0 0 0 0 $16,475 1/1/2019
Czech Republic 8/17/2018 $34,018 69 69 166 $181,730 1/1/2019
Denmark 8/16/2018 $159,016 57 69 178 $310,874 10/12/2018
Dominican Republic 8/9/2018 $0 0 9 19 $23,999 1/1/2019
Ecuador 8/24/2018 $70,340 38 38 72 $243,109 1/1/2019
Egypt 8/1/2018 $0 0 0 0 $68,608 1/1/2019
El Salvador 8/9/2018 $0 0 11 16 $22,088 1/1/2019
Estonia 8/10/2018 $0 0 15 37 $136,873 10/12/2018
Finland 8/17/2018 $45,963 51 51 137 $164,690 10/22/2018
France 8/10/2018 $514,000 0 349 574 $1,198,337 9/14/2018
Germany 8/30/2018 $748,385 381 383 1,356 $1,649,312 10/23/2018
Greece 9/13/2018 $27,998 23 23 23 $59,097 10/22/2018
Guatemala 8/9/2018 $0 0 3 4 $28,233 1/1/2019
Honduras 8/9/2018 $0 0 3 3 $19,162 1/1/2019
Hong Kong 8/23/2018 $236,403 42 42 90 $508,260 10/12/2018
Hungary 8/16/2018 $151,591 53 53 262 $730,026 1/1/2019
Iceland 8/10/2018 $0 0 0 0 $62,817 1/1/2019
India 8/10/2018 $0 0 2 2 $89,380 9/7/2018
Indonesia 8/1/2018 $234,229 0 0 0 $354,125 1/1/2019
Iraq 8/2/2018 $0 0 0 0 $21,064 1/1/2019
Israel 8/2/2018 $0 0 29 146 $1,598,270 12/6/2018
Italy 8/8/2018 $196,436 0 14 14 $457,536 9/14/2018
Jordan 8/2/2018 $0 0 2 3 $97,501 1/1/2019
Kuwait 8/2/2018 $0 0 0 0 $183,903 1/1/2019
Laos 8/2/2018 $0 0 0 0 $5,175 1/1/2019
Latvia 8/10/2018 $0 0 8 20 $73,674 1/1/2019
Lebanon 8/2/2018 $0 0 6 6 $194,525 1/1/2019
Lithuania 8/10/2018 $2,325 6 53 67 $75,777 9/14/2018
Malaysia 8/2/2018 $0 0 64 64 $95,778 9/14/2018
Mexico 8/24/2018 $795,515 0 0 0 $1,694,498 9/14/2018
Middle East Region 8/3/2018 $0 0 0 0 $2,000,000 8/27/2018
Mongolia 8/3/2018 $0 0 0 0 $9,637 1/1/2019
Myanmar (Burma) 8/10/2018 $0 0 0 0 $2,484 12/6/2018
Netherlands 8/10/2018 $315,156 104 104 497 $1,259,728 10/19/2018
New Zealand 8/9/2018 $0 0 67 161 $300,232 10/22/2018
Nicaragua 8/9/2018 $0 0 2 3 $8,537 1/1/2019
Norway 8/17/2018 $65,381 0 61 75 $163,286 10/22/2018
Oman 8/2/2018 $0 0 0 0 $70,153 1/1/2019
Pakistan 8/3/2018 $0 0 0 0 $11,148 1/1/2019
Panama 8/9/2018 $0 0 3 3 $31,897 1/1/2019
Paraguay 8/30/2018 $12,081 0 0 0 $19,114 1/1/2019
Peru 8/23/2018 $160,551 93 93 152 $440,212 1/1/2019
Poland 8/17/2018 $83,940 126 126 347 $353,169 1/1/2019
Portugal 8/31/2018 $86,066 55 55 135 $279,623 10/22/2018
Qatar 8/2/2018 $0 0 0 0 $198,792 1/1/2019
Romania 8/17/2018 $116,561 80 80 155 $618,264 1/1/2019
Russia (CIS) 8/10/2018 $818,158 1,243 1,272 3,116 $2,222,178 2/26/2019
Serbia and Montenegro 8/9/2018 $0 0 27 91 $71,866 1/1/2019
Singapore 8/2/2018 $0 0 6 7 $169,594 9/20/2018
Slovakia 8/24/2018 $53,734 68 68 133 $141,951 10/12/2018
Slovenia 8/23/2018 $26,582 9 11 49 $85,257 10/22/2018
South Africa 8/17/2018 $128,762 77 77 77 $574,519 10/23/2018
South Korea 8/22/2018 $878,424 262 262 597 $2,101,812 9/25/2018
Spain 8/17/2018 $231,491 184 217 565 $721,270 10/19/2018
Suriname 8/16/2018 $9,276 0 0 0 $31,496 1/1/2019
Sweden 8/24/2018 $81,622 147 147 213 $209,795 10/12/2018
Switzerland (French Speaking) 8/8/2018 $0 0 16 30 $104,128 10/12/2018
Switzerland (German Speaking) 8/30/2018 $189,799 60 60 148 $404,607 10/26/2018
Switzerland (Italian Speaking) 8/8/2018 $0 0 0 0 $24,298 9/7/2018
Taiwan 8/17/2018 $142,006 56 56 56 $367,441 10/12/2018
Thailand 8/2/2018 $0 0 0 0 $157,830 10/12/2018
Turkey 8/10/2018 $29,394 209 209 330 $110,983 8/17/2020
Ukraine 8/9/2018 $0 0 156 309 $491,315 1/1/2019
United Arab Emirates 8/2/2018 $0 0 6 7 $1,067,361 1/1/2019
United Kingdom 8/24/2018 $1,359,407 475 475 1,272 $3,000,000 10/22/2018
Uruguay 8/23/2018 $8,690 7 7 18 $24,134 1/1/2019
Vietnam 8/3/2018 $0 0 0 0 $163,620 1/1/2019
West Indies 8/8/2018 $0 0 0 0 $91,279 9/14/2018
 
Rest of World $1,703,936
 
International Total$45,436,176 10/19/2022

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 2,201-2,300) 2,266 $45,436,176
All Time International Non-Sequel Box Office (Rank 1,601-1,700) 1,691 $45,436,176
Top 2018 Movies at the International Box Office (Rank 101-200) 103 $45,436,176
All Time International Box Office for Original Screenplay Movies (Rank 1,101-1,200) 1,137 $45,436,176
All Time International Box Office for Live Action Movies (Rank 1,701-1,800) 1,794 $45,436,176
All Time International Box Office for Contemporary Fiction Movies (Rank 1,001-1,100) 1,012 $45,436,176
All Time International Box Office for Comedy Movies (Rank 201-300) 284 $45,436,176
All Time International Box Office for R Movies (Rank 501-600) 554 $45,436,176
All Time International Box Office for Lionsgate Movies 70 $45,436,176

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 2,301-2,400) 2,331 $78,998,245
All Time Worldwide Non-Sequel Box Office (Rank 1,701-1,800) 1,769 $78,998,245
Top 2018 Movies at the Worldwide Box Office 95 $78,998,245
All Time Worldwide Box Office for Original Screenplay Movies (Rank 1,101-1,200) 1,167 $78,998,245
All Time Worldwide Box Office for Live Action Movies (Rank 1,801-1,900) 1,886 $78,998,245
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 1,001-1,100) 1,064 $78,998,245
All Time Worldwide Box Office for Comedy Movies (Rank 301-400) 347 $78,998,245
All Time Worldwide Box Office for R Movies (Rank 601-700) 653 $78,998,245
All Time Worldwide Box Office for Lionsgate Movies 78 $78,998,245

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Nov 4, 2018366,413 66,413$994,203$994,2031
Nov 11, 2018420,970-68% 87,383$313,711$1,307,9142

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Nov 4, 2018547,139 47,139$954,552$954,5521
Nov 11, 20181216,314-65% 63,453$330,021$1,284,5732

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.

Leading Cast

Mila Kunis    Audrey
Kate McKinnon    Morgan
Justin Theroux    Drew Thayer
Sam Heughan    Sebastian Henshaw

Supporting Cast

Gillian Anderson    Wendy
Ivanna Sakhno    Nadedja
Blanka Györfi Tóth    Little Girl
Lolly Adefope    Tess
Dustin Demri-Burns    Viktor
David Iserson    Friend in the Bar
Hasan Minhaj    Duffer
Peter Schueller    TSA Agent
Mirjam Novak    Verne
Agnes Banfalvy    Jaguar Woman
László Áron    Jaguar Man
Kev Adams    Bitteauto Driver Lukas
Ruby Kammer    Aussie Tourist #1
Genevieve McCarthy    Aussie Tourist #2
Tamás Szabó Sipos    Fashion Show Intern
Jane Curtin    Carol
Paul Reiser    Arnie
Hugo Bolton    CIA Analyst
Patrícia Tary    Dumb American Girl #1
Carolyn Cicalese    Dumb American Girl #2
Hanna Milovits    Dumb American Girl #3
Rebeka Eva Cook    Dumb American Girl #4
Bettina Csipszer    Dumb American Girl #5
Ivett Bukovinszki    Dumb American Girl #6
Fred Melamed    Roger
James Fleet    Tom
Carolyn Pickles    Marsha
Justine Wachsberger    French Girl
Kevin Ezekiel Ogunleye    French Guy
Tom Stourton    Edward Snowden
Roderick Hill    Hairy Man
Anita Anand    News Anchor
Ólafur Darri Ólafsson    Finnish Backpacker
Nicholas Wittman    ISIS Bartender
Gyula Mesterházy    Canadian Ambassador
Livia Habermann    Canadian Ambassador’s Wife
András Velkov    Mustache Man
Barnabas Reti    Male Acrobat
Attila Arpa    Security Guard

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Susanna Fogel    Director
Susanna Fogel    Screenwriter
David Iserson    Screenwriter
Ron Howard    Producer
Brian Grazer    Producer
Karen Lunder    Executive Producer
Julie Oh    Executive Producer
Erik Feig    Executive Producer
Susanna Fogel    Executive Producer
David Iserson    Executive Producer
Guy Riedel    Executive Producer
Paris Kasidokostas Latsis    Executive Producer
Jason Cloth    Executive Producer
Barry Peterson    Director of Photography
Marc Homes    Production Designer
Jonathan Schwartz    Editor
Alex Bovaird    Costume Designer
Tyler Bates    Composer
Kier Lehman    Music Supervisor
Deborah Aquila    Casting Director
Tricia Wood    Casting Director
Jennifer Smith    Casting Director
Theo Park    Casting Director
Udi Nedivi    Unit Production Manager
Artist Robinson    First Assistant Director
Deanna Stadler    Second Assistant Director
Gary Powell    Second Unit Director
Gary Powell    Stunt Coordinator
Domonkos Pardanyi    Stunt Coordinator
László Kósa    Sets Supervisor
Christian Wagner    Additional Editor
Andrew DeCristofaro    Supervising Sound Editor
Becky Sullivan    Supervising Sound Editor
Anna Behlmer    Re-recording Mixer
Mark Paterson    Re-recording Mixer
Udi Nedivi    Line Producer
Bonni Camen    Production Supervisor
Tina Anderson    Co-Producer
Nic Pallace    Supervising Art Director
Andrea Roxy Balogh    Set Decorator
Blair Miller    First Assistant Editor
Richard Conkling    Assistant Editor
Kristina Perez    Script Supervisor
Mac Ruth    Sound Mixer
Zoltán Sárdi    Art Director
Balazs Szedlacsek    Art Director
Yves Debono    Special Effects Supervisor
Natasa Petrik    Costume Supervisor
Csilla Blake-Horvath    Make up
Nóra Kapás    Make up
Hayley Farrington    Hairstylist
Brigitta Mogony    Hairstylist
Bálint Regius    Location Manager
Laszlo Rorarius    Location Manager
Balint Kovacs    Location Manager
Miklos Toth    Production Manager
Phil Barrie    Sound Designer
David Esparza    Sound Designer
Darren Warkentin    Sound Designer
Bill R. Dean    Sound Effects Editor
Jay Wilkinson    Sound Effects Editor
Karen Triest    Sound Effects Editor
Michael Payne    Sound Effects Editor
Chase Keehn    Dialogue Editor
Sean Devereaux    Visual Effects Supervisor
Whitney Gearin    Visual Effects Executive Producer
Kevin Daly    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

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It’s another slow week on the home market, with not a lot of big releases and not a lot of Pick of the Week contenders. There were several that came close, including 2001: A Space Odyssey, Never Goin’ Back, The Princess Bride, etc. In the end, Mandy on Blu-ray was the only true contender for that title. More...

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August 14th, 2018

The Meg

The Meg was arguably the biggest box office surprise of the summer, earning more during its opening weekend than many thought it would earn in total and it doubled our prediction. It also earned more than the next three films earned combined, so it was a rather one-sided affair at the box office. Its $45.40 million debut did help the overall box office rise 5.6% from last weekend reaching $147 million. More importantly, this is 26% higher than the same weekend last year. Year-to-date, 2018 now has a 9.1% / $640 million lead over 2017 at $7.68 billion to $7.04 million. More...

Weekend Wrap-Up: Fallout Continues its Mission

August 7th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout remained on top of the weekend box office chart thanks in part to a stronger than expected hold and in part to weaker than expected competition. Christopher Robin was the only new release to make any real noise opening in second place with $24.59 million, while The Spy Who Dumped Me opened with less than half of that. Overall, the box office earned $139 million, 11% lower than last weekend. More importantly, this was 14% higher than this weekend last year. 2018 extended its lead over 2017 to just under $600 million or 8.7% at $7.46 billion to $6.86 billion. More...

Weekend Estimates: Fallout Doesn’t Fall Very Far

August 5th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout fell just 43% during its second weekend earning $35.0 million for a two-week total of $124.5 million. It will have no trouble getting to $200 million domestically, especially with the weak competition for the rest of the month. More...

Friday Estimates: Christopher Robin can’t make Fallout Fall from Top Spot

August 4th, 2018

Christopher Robin

There was a virtual tie on top of the Friday box office chart, which was good news for Paramount, but not so good news for Disney. Mission: Impossible—Fallout held on better than expected, remaining in first place with $9.85 million, and putting it on pace for $34 million over the weekend. With this result, it will cruise to $200 million domestically. This would be the first $200 million hit for Paramount since Transformers: Age of Extinction came out in 2014. Four years is a long time between $200 million hits. More...

Thursday Night Previews: Christopher Robin’s $1.5 million Start is a Good Omen

August 3rd, 2018

Christopher Robin

Christopher Robin earned $1.5 million during its previews last night. There are not a lot of movies that are great matches for this movie, so it is hard to judge if this is a good start or not. This is almost exactly twice as large an opening as the $775,000 The BFG earned during its previews, so if this film earned the same legs, it would top our prediction by a few million dollars. I’ve seen some people compare it to Peter Rabbit, but that was a spring release. Another Pete, Pete’s Dragon, is a much better comparison, but it had no previews. Despite the lack of concrete data, I think this debut is on the high end of expectations and with good reviews, it should top $33 million over the weekend by a little bit. Anything more than $35 million would be a bit of a surprise. More...

Weekend Predictions: Can Christopher Robin Survive the Fallout?

August 2nd, 2018

Christopher Robin

There are four films opening wide or semi-wide during the first weekend of the August. This includes the only potential $100 million hit, Christopher Robin. The Spy Who Dumped Me’s roller coaster ride on Rotten Tomatoes appears to be coming to an end at the mediocre end of things, but that’s not bad compared to the average August release. On the other hand, bad is the best way to describe The Darkest Minds, while calling Death of a Nation “bad” is a glorious understatement. While most of the new releases are not expected to make an impact at the box office, there could be a close race on top between Christopher Robin and Mission: Impossible—Fallout. This weekend last year, The Dark Tower opened in first place with just under $20 million. This year, the top two films should beat that with ease. Last year’s depth was better, but 2018 should still win in the year-over-year comparison. More...

2018 Preview: August

August 1st, 2018

Christopher Robin

Overall, July was a a little weaker than expected. Ant-Man and the Wasp appears to be on pace for $200 million, while it is too soon to tell if Mission: Impossible—Fallout will also get there. That said, 2018 is still ahead of 2017 by $550 million, so the month of July was a success in that regard. As for August, there’s only one movie that is expected to earn $100 million, Christopher Robin, and maybe a few others that could hit $50 million. It’s a rather sad slate of movies. Fortunately, last August was even worse, so 2018 should at least maintain its lead. Maybe we can get lucky and come away with a $600 million lead by the end of the month. More...

The Spy Who Dumped Me Trailer

March 22nd, 2018

Comedy starring Mila Kunis and Kate McKinnon opens on August 3 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Audrey and Morgan, two thirty-year-old best friends in Los Angeles, are thrust unexpectedly into an international conspiracy when Audrey’s ex-boyfriend shows up at their apartment with a team of deadly assassins on his trail. Surprising even themselves, the duo jump into action, on the run throughout Europe from assassins and a suspicious-but—charming British agent, as they hatch a plan to save the world.

Metrics

Opening Weekend:$12,103,043 (36.1% of total gross)
Legs:2.77 (domestic box office/biggest weekend)
Domestic Share:42.5% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 2.0 times production budget)
Theater counts:3,111 opening theaters/3,111 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $41,667,069

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 2,701-2,800) 2,795 $33,562,069
All Time International Box Office (Rank 2,201-2,300) 2,266 $45,436,176
All Time Worldwide Box Office (Rank 2,301-2,400) 2,331 $78,998,245
All Time Domestic Box Office for Comedy Movies (Rank 501-600) 543 $33,562,069
All Time International Box Office for Comedy Movies (Rank 201-300) 284 $45,436,176
All Time Worldwide Box Office for Comedy Movies (Rank 301-400) 347 $78,998,245
All Time Domestic Box Office for R Movies (Rank 901-1,000) 905 $33,562,069
All Time International Box Office for R Movies (Rank 501-600) 554 $45,436,176
All Time Worldwide Box Office for R Movies (Rank 601-700) 653 $78,998,245

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: August 3rd, 2018 (Wide) by Lionsgate
International Releases: August 1st, 2018 (Wide) (Egypt)
August 1st, 2018 (Wide) (Indonesia)
August 2nd, 2018 (Wide) (Aruba)
August 2nd, 2018 (Wide) (Bahrain)
August 2nd, 2018 (Wide) (Curacao)
... Show all releases
Video Release: October 30th, 2018 by Lionsgate Home Entertainment
MPAA Rating: R for violence, language throughout, some crude sexual material and graphic nudity.
(Rating bulletin 2536 (Cert #51513), 7/18/2018)
Running Time: 117 minutes
Comparisons: vs. Pitch Perfect 3
Create your own comparison chart…
Keywords: Set in Los Angeles, C.I.A., Relationships Gone Wrong, Hitmen, Exes in Love, Secret Agent, Fugitive / On the Run, Aspiring Actress / Actor, Set in Vienna, Set in Prague, Set in Paris, Travelogue, Tortured for Information, Double Agent, Secret Identity, Action Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Imagine Entertainment, Lionsgate, Hercules Film Fund, Bron Creative
Production Countries: United States
Languages: English

Leading Cast

Mila Kunis    Audrey
Kate McKinnon    Morgan
Justin Theroux    Drew Thayer
Sam Heughan    Sebastian Henshaw

Supporting Cast

Gillian Anderson    Wendy
Ivanna Sakhno    Nadedja
Blanka Györfi Tóth    Little Girl
Lolly Adefope    Tess
Dustin Demri-Burns    Viktor
David Iserson    Friend in the Bar
Hasan Minhaj    Duffer
Peter Schueller    TSA Agent
Mirjam Novak    Verne
Agnes Banfalvy    Jaguar Woman
László Áron    Jaguar Man
Kev Adams    Bitteauto Driver Lukas
Ruby Kammer    Aussie Tourist #1
Genevieve McCarthy    Aussie Tourist #2
Tamás Szabó Sipos    Fashion Show Intern
Jane Curtin    Carol
Paul Reiser    Arnie
Hugo Bolton    CIA Analyst
Patrícia Tary    Dumb American Girl #1
Carolyn Cicalese    Dumb American Girl #2
Hanna Milovits    Dumb American Girl #3
Rebeka Eva Cook    Dumb American Girl #4
Bettina Csipszer    Dumb American Girl #5
Ivett Bukovinszki    Dumb American Girl #6
Fred Melamed    Roger
James Fleet    Tom
Carolyn Pickles    Marsha
Justine Wachsberger    French Girl
Kevin Ezekiel Ogunleye    French Guy
Tom Stourton    Edward Snowden
Roderick Hill    Hairy Man
Anita Anand    News Anchor
Ólafur Darri Ólafsson    Finnish Backpacker
Nicholas Wittman    ISIS Bartender
Gyula Mesterházy    Canadian Ambassador
Livia Habermann    Canadian Ambassador’s Wife
András Velkov    Mustache Man
Barnabas Reti    Male Acrobat
Attila Arpa    Security Guard

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Susanna Fogel    Director
Susanna Fogel    Screenwriter
David Iserson    Screenwriter
Ron Howard    Producer
Brian Grazer    Producer
Karen Lunder    Executive Producer
Julie Oh    Executive Producer
Erik Feig    Executive Producer
Susanna Fogel    Executive Producer
David Iserson    Executive Producer
Guy Riedel    Executive Producer
Paris Kasidokostas Latsis    Executive Producer
Jason Cloth    Executive Producer
Barry Peterson    Director of Photography
Marc Homes    Production Designer
Jonathan Schwartz    Editor
Alex Bovaird    Costume Designer
Tyler Bates    Composer
Kier Lehman    Music Supervisor
Deborah Aquila    Casting Director
Tricia Wood    Casting Director
Jennifer Smith    Casting Director
Theo Park    Casting Director
Udi Nedivi    Unit Production Manager
Artist Robinson    First Assistant Director
Deanna Stadler    Second Assistant Director
Gary Powell    Second Unit Director
Gary Powell    Stunt Coordinator
Domonkos Pardanyi    Stunt Coordinator
László Kósa    Sets Supervisor
Christian Wagner    Additional Editor
Andrew DeCristofaro    Supervising Sound Editor
Becky Sullivan    Supervising Sound Editor
Anna Behlmer    Re-recording Mixer
Mark Paterson    Re-recording Mixer
Udi Nedivi    Line Producer
Bonni Camen    Production Supervisor
Tina Anderson    Co-Producer
Nic Pallace    Supervising Art Director
Andrea Roxy Balogh    Set Decorator
Blair Miller    First Assistant Editor
Richard Conkling    Assistant Editor
Kristina Perez    Script Supervisor
Mac Ruth    Sound Mixer
Zoltán Sárdi    Art Director
Balazs Szedlacsek    Art Director
Yves Debono    Special Effects Supervisor
Natasa Petrik    Costume Supervisor
Csilla Blake-Horvath    Make up
Nóra Kapás    Make up
Hayley Farrington    Hairstylist
Brigitta Mogony    Hairstylist
Bálint Regius    Location Manager
Laszlo Rorarius    Location Manager
Balint Kovacs    Location Manager
Miklos Toth    Production Manager
Phil Barrie    Sound Designer
David Esparza    Sound Designer
Darren Warkentin    Sound Designer
Bill R. Dean    Sound Effects Editor
Jay Wilkinson    Sound Effects Editor
Karen Triest    Sound Effects Editor
Michael Payne    Sound Effects Editor
Chase Keehn    Dialogue Editor
Sean Devereaux    Visual Effects Supervisor
Whitney Gearin    Visual Effects Executive Producer
Kevin Daly    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for October 30th, 2018

October 30th, 2018

Made In Abyss

It’s another slow week on the home market, with not a lot of big releases and not a lot of Pick of the Week contenders. There were several that came close, including 2001: A Space Odyssey, Never Goin’ Back, The Princess Bride, etc. In the end, Mandy on Blu-ray was the only true contender for that title. More...

Weekend Wrap-Up: Meg Chows Down on Moviegoers

August 14th, 2018

The Meg

The Meg was arguably the biggest box office surprise of the summer, earning more during its opening weekend than many thought it would earn in total and it doubled our prediction. It also earned more than the next three films earned combined, so it was a rather one-sided affair at the box office. Its $45.40 million debut did help the overall box office rise 5.6% from last weekend reaching $147 million. More importantly, this is 26% higher than the same weekend last year. Year-to-date, 2018 now has a 9.1% / $640 million lead over 2017 at $7.68 billion to $7.04 million. More...

Weekend Wrap-Up: Fallout Continues its Mission

August 7th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout remained on top of the weekend box office chart thanks in part to a stronger than expected hold and in part to weaker than expected competition. Christopher Robin was the only new release to make any real noise opening in second place with $24.59 million, while The Spy Who Dumped Me opened with less than half of that. Overall, the box office earned $139 million, 11% lower than last weekend. More importantly, this was 14% higher than this weekend last year. 2018 extended its lead over 2017 to just under $600 million or 8.7% at $7.46 billion to $6.86 billion. More...

Weekend Estimates: Fallout Doesn’t Fall Very Far

August 5th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout fell just 43% during its second weekend earning $35.0 million for a two-week total of $124.5 million. It will have no trouble getting to $200 million domestically, especially with the weak competition for the rest of the month. More...

Friday Estimates: Christopher Robin can’t make Fallout Fall from Top Spot

August 4th, 2018

Christopher Robin

There was a virtual tie on top of the Friday box office chart, which was good news for Paramount, but not so good news for Disney. Mission: Impossible—Fallout held on better than expected, remaining in first place with $9.85 million, and putting it on pace for $34 million over the weekend. With this result, it will cruise to $200 million domestically. This would be the first $200 million hit for Paramount since Transformers: Age of Extinction came out in 2014. Four years is a long time between $200 million hits. More...

Thursday Night Previews: Christopher Robin’s $1.5 million Start is a Good Omen

August 3rd, 2018

Christopher Robin

Christopher Robin earned $1.5 million during its previews last night. There are not a lot of movies that are great matches for this movie, so it is hard to judge if this is a good start or not. This is almost exactly twice as large an opening as the $775,000 The BFG earned during its previews, so if this film earned the same legs, it would top our prediction by a few million dollars. I’ve seen some people compare it to Peter Rabbit, but that was a spring release. Another Pete, Pete’s Dragon, is a much better comparison, but it had no previews. Despite the lack of concrete data, I think this debut is on the high end of expectations and with good reviews, it should top $33 million over the weekend by a little bit. Anything more than $35 million would be a bit of a surprise. More...

Weekend Predictions: Can Christopher Robin Survive the Fallout?

August 2nd, 2018

Christopher Robin

There are four films opening wide or semi-wide during the first weekend of the August. This includes the only potential $100 million hit, Christopher Robin. The Spy Who Dumped Me’s roller coaster ride on Rotten Tomatoes appears to be coming to an end at the mediocre end of things, but that’s not bad compared to the average August release. On the other hand, bad is the best way to describe The Darkest Minds, while calling Death of a Nation “bad” is a glorious understatement. While most of the new releases are not expected to make an impact at the box office, there could be a close race on top between Christopher Robin and Mission: Impossible—Fallout. This weekend last year, The Dark Tower opened in first place with just under $20 million. This year, the top two films should beat that with ease. Last year’s depth was better, but 2018 should still win in the year-over-year comparison. More...

2018 Preview: August

August 1st, 2018

Christopher Robin

Overall, July was a a little weaker than expected. Ant-Man and the Wasp appears to be on pace for $200 million, while it is too soon to tell if Mission: Impossible—Fallout will also get there. That said, 2018 is still ahead of 2017 by $550 million, so the month of July was a success in that regard. As for August, there’s only one movie that is expected to earn $100 million, Christopher Robin, and maybe a few others that could hit $50 million. It’s a rather sad slate of movies. Fortunately, last August was even worse, so 2018 should at least maintain its lead. Maybe we can get lucky and come away with a $600 million lead by the end of the month. More...

The Spy Who Dumped Me Trailer

March 22nd, 2018

Comedy starring Mila Kunis and Kate McKinnon opens on August 3 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 2,701-2,800) 2,795 $33,562,069
All Time Domestic Inflation Adjusted Box Office (Rank 3,701-3,800) 3,717 $41,667,069
All Time Domestic Non-Sequel Box Office (Rank 2,201-2,300) 2,219 $33,562,069
Top-grossing movies at the domestic box office first released in 2018 83 $33,562,069
All Time Domestic Box Office for Original Screenplay Movies (Rank 1,401-1,500) 1,407 $33,562,069
All Time Domestic Box Office for Live Action Movies (Rank 2,301-2,400) 2,384 $33,562,069
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 1,301-1,400) 1,399 $33,562,069
All Time Domestic Box Office for Comedy Movies (Rank 501-600) 543 $33,562,069
All Time Domestic Box Office for R Movies (Rank 901-1,000) 905 $33,562,069
All Time Domestic Box Office for Lionsgate Movies (Rank 101-200) 104 $33,562,069

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 3, 2018 3 $12,103,043   3,111 $3,890   $12,103,043 1
Aug 10, 2018 6 $6,462,612 -47% 3,111 $2,077   $24,422,997 2
Aug 17, 2018 13 $2,617,298 -60% 2,409 $1,086   $29,998,313 3
Aug 24, 2018 17 $1,010,334 -61% 1,295 $780   $32,288,476 4
Aug 31, 2018 25 $370,887 -63% 460 $806   $33,061,615 5
Sep 7, 2018 32 $105,550 -72% 207 $510   $33,325,340 6
Sep 14, 2018 37 $80,618 -24% 157 $513   $33,453,691 7
Sep 21, 2018 45 $50,368 -38% 107 $471   $33,541,188 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 3, 2018 3 $5,011,316     3,111 $1,611   $5,011,316 1
Aug 4, 2018 3 $4,101,508 -18%   3,111 $1,318   $9,112,824 2
Aug 5, 2018 3 $2,990,219 -27%   3,111 $961   $12,103,043 3
Aug 6, 2018 4 $1,421,278 -52%   3,111 $457   $13,524,321 4
Aug 7, 2018 4 $1,951,386 +37%   3,111 $627   $15,475,707 5
Aug 8, 2018 4 $1,329,216 -32%   3,111 $427   $16,804,923 6
Aug 9, 2018 4 $1,155,462 -13%   3,111 $371   $17,960,385 7
Aug 10, 2018 6 $1,864,211 +61% -63% 3,111 $599   $19,824,596 8
Aug 11, 2018 6 $2,760,248 +48% -33% 3,111 $887   $22,584,844 9
Aug 12, 2018 6 $1,838,153 -33% -39% 3,111 $591   $24,422,997 10
Aug 13, 2018 8 $763,427 -58% -46% 3,111 $245   $25,186,424 11
Aug 14, 2018 8 $1,092,780 +43% -44% 3,111 $351   $26,279,204 12
Aug 15, 2018 9 $600,896 -45% -55% 3,111 $193   $26,880,100 13
Aug 16, 2018 9 $500,915 -17% -57% 3,111 $161   $27,381,015 14
Aug 17, 2018 11 $775,094 +55% -58% 2,409 $322   $28,156,109 15
Aug 18, 2018 13 $1,098,797 +42% -60% 2,409 $456   $29,254,906 16
Aug 19, 2018 13 $743,407 -32% -60% 2,409 $309   $29,998,313 17
Aug 20, 2018 13 $288,255 -61% -62% 2,409 $120   $30,286,568 18
Aug 21, 2018 11 $464,907 +61% -57% 2,409 $193   $30,751,475 19
Aug 22, 2018 12 $301,842 -35% -50% 2,409 $125   $31,053,317 20
Aug 23, 2018 14 $224,825 -26% -55% 2,409 $93   $31,278,142 21
Aug 24, 2018 - $312,226 +39% -60% 1,295 $241   $31,590,368 22
Aug 25, 2018 - $441,222 +41% -60% 1,295 $341   $32,031,590 23
Aug 26, 2018 - $256,886 -42% -65% 1,295 $198   $32,288,476 24
Aug 27, 2018 - $103,643 -60% -64% 1,295 $80   $32,392,119 25
Aug 28, 2018 - $140,198 +35% -70% 1,295 $108   $32,532,317 26
Aug 29, 2018 - $86,742 -38% -71% 1,295 $67   $32,619,059 27
Aug 30, 2018 - $71,669 -17% -68% 1,295 $55   $32,690,728 28
Aug 31, 2018 - $83,630 +17% -73% 460 $182   $32,774,358 29
Sep 1, 2018 - $138,343 +65% -69% 460 $301   $32,912,701 30
Sep 2, 2018 - $148,914 +8% -42% 460 $324   $33,061,615 31
Sep 3, 2018 - $74,710 -50% -28% 460 $162   $33,136,325 32
Sep 4, 2018 - $35,715 -52% -75% 460 $78   $33,172,040 33
Sep 5, 2018 - $24,763 -31% -71% 460 $54   $33,196,803 34
Sep 6, 2018 - $22,987 -7% -68% 460 $50   $33,219,790 35
Sep 7, 2018 - $32,595 +42% -61% 207 $157   $33,252,385 36
Sep 8, 2018 - $48,957 +50% -65% 207 $237   $33,301,342 37
Sep 9, 2018 - $23,998 -51% -84% 207 $116   $33,325,340 38
Sep 10, 2018 - $9,903 -59% -87% 207 $48   $33,335,243 39
Sep 11, 2018 - $17,650 +78% -51% 207 $85   $33,352,893 40
Sep 12, 2018 - $11,514 -35% -54% 207 $56   $33,364,407 41
Sep 13, 2018 - $8,666 -25% -62% 207 $42   $33,373,073 42
Sep 14, 2018 - $23,340 +169% -28% 157 $149   $33,396,413 43
Sep 15, 2018 - $35,047 +50% -28% 157 $223   $33,431,460 44
Sep 16, 2018 - $22,231 -37% -7% 157 $142   $33,453,691 45
Sep 17, 2018 - $7,978 -64% -19% 157 $51   $33,461,669 46
Sep 18, 2018 - $11,560 +45% -35% 157 $74   $33,473,229 47
Sep 19, 2018 - $8,842 -24% -23% 157 $56   $33,482,071 48
Sep 20, 2018 - $8,749 -1% +1% 157 $56   $33,490,820 49
Sep 21, 2018 - $13,851 +58% -41% 107 $129   $33,504,671 50
Sep 22, 2018 - $22,746 +64% -35% 107 $213   $33,527,417 51
Sep 23, 2018 - $13,771 -39% -38% 107 $129   $33,541,188 52
Sep 24, 2018 - $4,774 -65% -40% 107 $45   $33,545,962 53
Sep 25, 2018 - $6,984 +46% -40% 107 $65   $33,552,946 54
Sep 26, 2018 - $4,852 -31% -45% 107 $45   $33,557,798 55
Sep 27, 2018 - $4,271 -12% -51% 107 $40   $33,562,069 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 3, 2018 3 $17,960,385   3,111 $5,773   $17,960,385 1
Aug 10, 2018 7 $9,420,630 -48% 3,111 $3,028   $27,381,015 2
Aug 17, 2018 13 $3,897,127 -59% 2,409 $1,618   $31,278,142 3
Aug 24, 2018 18 $1,412,586 -64% 1,295 $1,091   $32,690,728 4
Aug 31, 2018 25 $529,062 -63% 460 $1,150   $33,219,790 5
Sep 7, 2018 33 $153,283 -71% 207 $740   $33,373,073 6
Sep 14, 2018 35 $117,747 -23% 157 $750   $33,490,820 7
Sep 21, 2018 44 $71,249 -39% 107 $666   $33,562,069 8

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 8/30/2018 $53,003 72 72 73 $66,607 1/1/2019
Aruba 8/2/2018 $0 0 0 0 $28,281 1/1/2019
Australia 8/10/2018 $1,096,009 364 364 1,149 $2,784,352 10/19/2022
Austria 8/31/2018 $318,679 66 66 308 $882,053 11/2/2018
Bahrain 8/2/2018 $0 0 0 0 $206,726 1/1/2019
Bangladesh 8/10/2018 $0 0 5 15 $10,356 1/1/2019
Belgium 8/8/2018 $0 0 77 329 $989,088 10/23/2018
Bolivia 8/23/2018 $15,365 18 18 29 $30,098 1/1/2019
Brazil 8/24/2018 $330,834 344 344 598 $606,412 9/14/2018
Bulgaria 8/24/2018 $22,651 0 0 0 $135,966 2/26/2019
Cambodia 8/3/2018 $0 0 0 0 $5,720 1/1/2019
Chile 8/23/2018 $66,581 5 25 35 $122,419 1/1/2019
China 10/19/2018 $5,750,000 56,343 56,343 56,343 $8,895,647 11/23/2018
Colombia 8/9/2018 $0 0 32 34 $178,501 1/1/2019
Costa Rica 8/9/2018 $0 0 1 1 $18,781 1/1/2019
Croatia 8/9/2018 $0 0 26 120 $303,327 1/1/2019
Curacao 8/2/2018 $0 0 0 0 $16,475 1/1/2019
Czech Republic 8/17/2018 $34,018 69 69 166 $181,730 1/1/2019
Denmark 8/16/2018 $159,016 57 69 178 $310,874 10/12/2018
Dominican Republic 8/9/2018 $0 0 9 19 $23,999 1/1/2019
Ecuador 8/24/2018 $70,340 38 38 72 $243,109 1/1/2019
Egypt 8/1/2018 $0 0 0 0 $68,608 1/1/2019
El Salvador 8/9/2018 $0 0 11 16 $22,088 1/1/2019
Estonia 8/10/2018 $0 0 15 37 $136,873 10/12/2018
Finland 8/17/2018 $45,963 51 51 137 $164,690 10/22/2018
France 8/10/2018 $514,000 0 349 574 $1,198,337 9/14/2018
Germany 8/30/2018 $748,385 381 383 1,356 $1,649,312 10/23/2018
Greece 9/13/2018 $27,998 23 23 23 $59,097 10/22/2018
Guatemala 8/9/2018 $0 0 3 4 $28,233 1/1/2019
Honduras 8/9/2018 $0 0 3 3 $19,162 1/1/2019
Hong Kong 8/23/2018 $236,403 42 42 90 $508,260 10/12/2018
Hungary 8/16/2018 $151,591 53 53 262 $730,026 1/1/2019
Iceland 8/10/2018 $0 0 0 0 $62,817 1/1/2019
India 8/10/2018 $0 0 2 2 $89,380 9/7/2018
Indonesia 8/1/2018 $234,229 0 0 0 $354,125 1/1/2019
Iraq 8/2/2018 $0 0 0 0 $21,064 1/1/2019
Israel 8/2/2018 $0 0 29 146 $1,598,270 12/6/2018
Italy 8/8/2018 $196,436 0 14 14 $457,536 9/14/2018
Jordan 8/2/2018 $0 0 2 3 $97,501 1/1/2019
Kuwait 8/2/2018 $0 0 0 0 $183,903 1/1/2019
Laos 8/2/2018 $0 0 0 0 $5,175 1/1/2019
Latvia 8/10/2018 $0 0 8 20 $73,674 1/1/2019
Lebanon 8/2/2018 $0 0 6 6 $194,525 1/1/2019
Lithuania 8/10/2018 $2,325 6 53 67 $75,777 9/14/2018
Malaysia 8/2/2018 $0 0 64 64 $95,778 9/14/2018
Mexico 8/24/2018 $795,515 0 0 0 $1,694,498 9/14/2018
Middle East Region 8/3/2018 $0 0 0 0 $2,000,000 8/27/2018
Mongolia 8/3/2018 $0 0 0 0 $9,637 1/1/2019
Myanmar (Burma) 8/10/2018 $0 0 0 0 $2,484 12/6/2018
Netherlands 8/10/2018 $315,156 104 104 497 $1,259,728 10/19/2018
New Zealand 8/9/2018 $0 0 67 161 $300,232 10/22/2018
Nicaragua 8/9/2018 $0 0 2 3 $8,537 1/1/2019
Norway 8/17/2018 $65,381 0 61 75 $163,286 10/22/2018
Oman 8/2/2018 $0 0 0 0 $70,153 1/1/2019
Pakistan 8/3/2018 $0 0 0 0 $11,148 1/1/2019
Panama 8/9/2018 $0 0 3 3 $31,897 1/1/2019
Paraguay 8/30/2018 $12,081 0 0 0 $19,114 1/1/2019
Peru 8/23/2018 $160,551 93 93 152 $440,212 1/1/2019
Poland 8/17/2018 $83,940 126 126 347 $353,169 1/1/2019
Portugal 8/31/2018 $86,066 55 55 135 $279,623 10/22/2018
Qatar 8/2/2018 $0 0 0 0 $198,792 1/1/2019
Romania 8/17/2018 $116,561 80 80 155 $618,264 1/1/2019
Russia (CIS) 8/10/2018 $818,158 1,243 1,272 3,116 $2,222,178 2/26/2019
Serbia and Montenegro 8/9/2018 $0 0 27 91 $71,866 1/1/2019
Singapore 8/2/2018 $0 0 6 7 $169,594 9/20/2018
Slovakia 8/24/2018 $53,734 68 68 133 $141,951 10/12/2018
Slovenia 8/23/2018 $26,582 9 11 49 $85,257 10/22/2018
South Africa 8/17/2018 $128,762 77 77 77 $574,519 10/23/2018
South Korea 8/22/2018 $878,424 262 262 597 $2,101,812 9/25/2018
Spain 8/17/2018 $231,491 184 217 565 $721,270 10/19/2018
Suriname 8/16/2018 $9,276 0 0 0 $31,496 1/1/2019
Sweden 8/24/2018 $81,622 147 147 213 $209,795 10/12/2018
Switzerland (French Speaking) 8/8/2018 $0 0 16 30 $104,128 10/12/2018
Switzerland (German Speaking) 8/30/2018 $189,799 60 60 148 $404,607 10/26/2018
Switzerland (Italian Speaking) 8/8/2018 $0 0 0 0 $24,298 9/7/2018
Taiwan 8/17/2018 $142,006 56 56 56 $367,441 10/12/2018
Thailand 8/2/2018 $0 0 0 0 $157,830 10/12/2018
Turkey 8/10/2018 $29,394 209 209 330 $110,983 8/17/2020
Ukraine 8/9/2018 $0 0 156 309 $491,315 1/1/2019
United Arab Emirates 8/2/2018 $0 0 6 7 $1,067,361 1/1/2019
United Kingdom 8/24/2018 $1,359,407 475 475 1,272 $3,000,000 10/22/2018
Uruguay 8/23/2018 $8,690 7 7 18 $24,134 1/1/2019
Vietnam 8/3/2018 $0 0 0 0 $163,620 1/1/2019
West Indies 8/8/2018 $0 0 0 0 $91,279 9/14/2018
 
Rest of World $1,703,936
 
International Total$45,436,176 10/19/2022

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 2,201-2,300) 2,266 $45,436,176
All Time International Non-Sequel Box Office (Rank 1,601-1,700) 1,691 $45,436,176
Top 2018 Movies at the International Box Office (Rank 101-200) 103 $45,436,176
All Time International Box Office for Original Screenplay Movies (Rank 1,101-1,200) 1,137 $45,436,176
All Time International Box Office for Live Action Movies (Rank 1,701-1,800) 1,794 $45,436,176
All Time International Box Office for Contemporary Fiction Movies (Rank 1,001-1,100) 1,012 $45,436,176
All Time International Box Office for Comedy Movies (Rank 201-300) 284 $45,436,176
All Time International Box Office for R Movies (Rank 501-600) 554 $45,436,176
All Time International Box Office for Lionsgate Movies 70 $45,436,176

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 2,301-2,400) 2,331 $78,998,245
All Time Worldwide Non-Sequel Box Office (Rank 1,701-1,800) 1,769 $78,998,245
Top 2018 Movies at the Worldwide Box Office 95 $78,998,245
All Time Worldwide Box Office for Original Screenplay Movies (Rank 1,101-1,200) 1,167 $78,998,245
All Time Worldwide Box Office for Live Action Movies (Rank 1,801-1,900) 1,886 $78,998,245
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 1,001-1,100) 1,064 $78,998,245
All Time Worldwide Box Office for Comedy Movies (Rank 301-400) 347 $78,998,245
All Time Worldwide Box Office for R Movies (Rank 601-700) 653 $78,998,245
All Time Worldwide Box Office for Lionsgate Movies 78 $78,998,245

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Nov 4, 2018366,413 66,413$994,203$994,2031
Nov 11, 2018420,970-68% 87,383$313,711$1,307,9142

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Nov 4, 2018547,139 47,139$954,552$954,5521
Nov 11, 20181216,314-65% 63,453$330,021$1,284,5732

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.