Stan & Ollie (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $5,470,235 | Details |
| International Box Office | $23,592,439 | Details |
| Worldwide Box Office | $29,062,674 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $904,731 | |
| Blu-ray Sales (estimated) | $705,369 | |
| Total | $1,610,100 | |
| OpusData ID: 362930100 More info... | ||
| Further financial details... | ||
Synopsis
Laurel & Hardy, one of the world’s great comedy teams, set out on a variety hall tour of Britain in 1953. Diminished by age and with their golden era as the kings of Hollywood comedy now behind them, they face an uncertain future. As the charm and beauty of their performances shines through, they re-connect with their adoring fans. The tour becomes a hit, but Stan & Ollie can’t quite shake the specter of Laurel and Hardy’s past; the long-buried ghosts, coupled with Oliver’s failing health, start to threaten their precious partnership. They are aware that they may be approaching their swan song, trying to rediscover just how much they mean to each other.
Metrics
| Opening Weekend: | $78,104 (1.4% of total gross) |
| Legs: | 4.43 (domestic box office/biggest weekend) |
| Domestic Share: | 18.8% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 2.9 times production budget) |
| Theater counts: | 5 opening theaters/754 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,142,919 |
Movie Details
| Domestic Releases: | December 28th, 2018 (Limited) by Sony Pictures Classics January 25th, 2019 (Expands Wide) by Sony Pictures Classics |
| International Releases: | January 11th, 2019 (Wide) (Netherlands)
January 11th, 2019 (Wide), released as Stan and Ollie (United Kingdom) February 8th, 2019 (Wide), released as Stenas ir Olis. Juoko broliai (Lithuania) February 22nd, 2019 (Wide), released as Stan And Ollie (Australia) March 1st, 2019 (Wide), released as Bucha & Estica (Portugal) ... Show all releases |
| Video Release: | March 26th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | PG for some language, and for smoking. (Rating bulletin 2553 (Cert #51909), 11/14/2018) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Epilogue, Intertitle, Prologue |
| Geographical setting: | United Kingdom |
| Plot point: | Biography |
| Social setting: | On Tour, Theater, Vaudeville |
| Subgenre: | Biographical Drama |
| Time period setting: | 1930s, 1950s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | BBC Films, Fable House Productions, Entertainment One |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 28, 2018 | 32 | $78,104 | 5 | $15,621 | $78,104 | 1 | |
| Jan 4, 2019 | 33 | $87,356 | +12% | 8 | $10,920 | $234,342 | 2 |
| Jan 11, 2019 | 34 | $85,167 | -3% | 13 | $6,551 | $354,835 | 3 |
| Jan 18, 2019 | 23 | $337,744 | +297% | 84 | $4,021 | $735,665 | 4 |
| Jan 25, 2019 | 19 | $1,235,322 | +266% | 725 | $1,704 | $2,158,390 | 5 |
| Feb 1, 2019 | 23 | $755,092 | -39% | 754 | $1,001 | $3,473,098 | 6 |
| Feb 8, 2019 | 26 | $430,368 | -43% | 352 | $1,223 | $4,303,334 | 7 |
| Feb 15, 2019 | 29 | $248,629 | -42% | 210 | $1,184 | $4,737,878 | 8 |
| Feb 22, 2019 | 40 | $125,408 | -50% | 128 | $980 | $5,000,351 | 9 |
| Mar 1, 2019 | 48 | $47,005 | -63% | 71 | $662 | $5,070,010 | 10 |
| Mar 8, 2019 | 46 | $50,173 | +7% | 61 | $823 | $5,148,272 | 11 |
| Mar 15, 2019 | 36 | $105,622 | +111% | 230 | $459 | $5,279,599 | 12 |
| Mar 22, 2019 | 50 | $33,359 | -68% | 79 | $422 | $5,392,227 | 13 |
| Mar 29, 2019 | 56 | $13,891 | -58% | 46 | $302 | $5,426,763 | 14 |
| Apr 5, 2019 | 58 | $6,711 | -52% | 21 | $320 | $5,445,321 | 15 |
| Apr 12, 2019 | 74 | $3,098 | -54% | 8 | $387 | $5,452,726 | 16 |
| Apr 19, 2019 | 94 | $750 | -76% | 6 | $125 | $5,454,843 | 17 |
| Apr 26, 2019 | 62 | $6,099 | +713% | 9 | $678 | $5,461,853 | 18 |
| May 3, 2019 | 93 | $166 | -97% | 2 | $83 | $5,467,770 | 19 |
| May 10, 2019 | 94 | $133 | -20% | 3 | $44 | $5,468,641 | 20 |
| May 17, 2019 | 83 | $1,295 | +874% | 2 | $648 | $5,470,235 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 28, 2018 | 32 | $146,986 | 5 | $29,397 | $146,986 | 1 | |
| Jan 4, 2019 | 31 | $122,682 | -17% | 8 | $15,335 | $269,668 | 2 |
| Jan 11, 2019 | 36 | $128,353 | +5% | 13 | $9,873 | $397,921 | 3 |
| Jan 18, 2019 | 24 | $525,147 | +309% | 310 | $1,694 | $923,068 | 4 |
| Jan 25, 2019 | 19 | $1,794,938 | +242% | 725 | $2,476 | $2,718,006 | 5 |
| Feb 1, 2019 | 22 | $1,154,960 | -36% | 754 | $1,532 | $3,872,966 | 6 |
| Feb 8, 2019 | 29 | $616,283 | -47% | 352 | $1,751 | $4,489,249 | 7 |
| Feb 15, 2019 | 30 | $385,694 | -37% | 210 | $1,837 | $4,874,943 | 8 |
| Feb 22, 2019 | 40 | $148,062 | -62% | 128 | $1,157 | $5,023,005 | 9 |
| Mar 1, 2019 | 47 | $75,094 | -49% | 71 | $1,058 | $5,098,099 | 10 |
| Mar 8, 2019 | 47 | $75,878 | +1% | 61 | $1,244 | $5,173,977 | 11 |
| Mar 15, 2019 | 32 | $184,891 | +144% | 230 | $804 | $5,358,868 | 12 |
| Mar 22, 2019 | 49 | $54,004 | -71% | 79 | $684 | $5,412,872 | 13 |
| Mar 29, 2019 | 52 | $25,738 | -52% | 46 | $560 | $5,438,610 | 14 |
| Apr 5, 2019 | 59 | $11,018 | -57% | 21 | $525 | $5,449,628 | 15 |
| Apr 12, 2019 | 78 | $4,465 | -59% | 8 | $558 | $5,454,093 | 16 |
| Apr 19, 2019 | 90 | $1,661 | -63% | 6 | $277 | $5,455,754 | 17 |
| Apr 26, 2019 | 59 | $11,850 | +613% | 9 | $1,317 | $5,467,604 | 18 |
| May 3, 2019 | 89 | $904 | -92% | 2 | $452 | $5,468,508 | 19 |
| May 10, 2019 | 91 | $432 | -52% | 3 | $144 | $5,468,940 | 20 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/22/2019 | $536,754 | 263 | 268 | 1,254 | $1,655,240 | 9/17/2019 | |||
| France | 3/8/2019 | $117,445 | 135 | 135 | 135 | $117,445 | 3/15/2019 | |||
| Germany | 5/3/2019 | $0 | 0 | 269 | 269 | $2,242,415 | 5/24/2019 | |||
| Italy | 5/1/2019 | $942,622 | 0 | 12 | 42 | $2,363,378 | 10/11/2019 | |||
| Lithuania | 2/8/2019 | $1,776 | 27 | 27 | 28 | $2,701 | 2/19/2019 | |||
| Netherlands | 1/11/2019 | $132,555 | 54 | 56 | 208 | $405,152 | 2/5/2019 | |||
| Portugal | 3/1/2019 | $20,695 | 46 | 46 | 89 | $55,472 | 3/19/2019 | |||
| South Africa | 8/2/2019 | $0 | 0 | 4 | 8 | $8,143 | 9/17/2019 | |||
| Spain | 3/15/2019 | $138,488 | 143 | 180 | 372 | $340,450 | 4/5/2019 | |||
| Turkey | 6/28/2019 | $5,942 | 58 | 58 | 61 | $13,036 | 7/11/2019 | |||
| United Kingdom | 1/11/2019 | $3,310,022 | 654 | 679 | 3,408 | $13,619,819 | 4/4/2026 | |||
| Rest of World | $2,769,188 | |||||||||
| International Total | $23,592,439 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Steve Coogan | Stan Laurel | |
| John C. Reilly | Oliver Hardy |
Supporting
| Nina Arianda | Ida Laurel | |
| Shirley Henderson | Lucille Hardy | |
| Danny Huston | Hal Roach | |
| Rufus Jones | Bernard Delfont | |
| Susy Kane | Cynthia Clark | |
| Ella Kenion | Holiday Camp Organizer | |
| Harry Hepple | Wally Brady | |
| Bentley Kalu | Elephant Wrangler | |
| Joseph Balderrama | James Horne | |
| Rebecca Yeo | Concierge Savoy | |
| Lucy Appleton | Audience Member | |
| Sanjeev Kohli | Manager of Glasgow Empire | |
| Gary Kiely | Irishman | |
| Greg Canestrari | Stan’s Lawyer | |
| Julie Eagleton | Irish Woman, Cork Harbour | |
| Nick Owenford | Studio Executive | |
| Roger Ringrose | Doctor | |
| Martin Bratanov | Audience Member | |
| Michael Haydon | Audience Member | |
| David Gambier | Audience Member | |
| Daniel Fearn | Cab Driver | |
| Patrick Alexander Stewart | Joe Schenck | |
| Charlie Robinson | Savoy Guest | |
| Andy Mihalache | Arthur I. Royce | |
| Laraine Dix | Savoy Guest | |
| Callum Forman | Stage Hand | |
| Danny Scheinman | Jeweler | |
| Bethany Audley | Lyceum Theatre Guest | |
| Paul Riddell | Holidaymaker | |
| Conrad Asquith | Lord Warley | |
| Geoffrey Osborne | Photographer | |
| Eve Harding | Train Passenger #1 | |
| Swaylee Loughnane | Theatre Goer | |
| Tom Bates | Roach Scene Hand | |
| Alex Jaep | Audience Member | |
| Simon Ager | Poster Man Newcastle | |
| Elise Lamb | Plymouth Girl | |
| Ashley Robinson | Gordon Douglas | |
| James Thomas Scott | Train Buffet Customer | |
| Sophie Wardlow | Laurel and Hardy’s Makeup Artist | |
| Steve Healey | Theatre Goer | |
| Charles Walters | Bill Payer Station Guard | |
| James Francis Andrews | Clapper Loader | |
| Kate Okello | Newcastle Receptionist | |
| Kevin Millington | Clapper | |
| Richard Clark | Member of Public | |
| Josh Alexander | Stall Holder |
Production and Technical Credits
| Jon S. Baird | Director | |
| Faye Ward | Producer | |
| Jeff Pope | Screenwriter | |
| Jim Spencer | Co-Producer | |
| Xavier Marchand | Executive Producer | |
| Kate Fasulo | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Nichola Martin | Executive Producer | |
| Jeff Pope | Executive Producer | |
| Eugenio Perez | Executive Producer | |
| Gabrielle Tana | Executive Producer | |
| Christine Langan | Executive Producer | |
| Una Ni Dhonghaile | Editor | |
| Bill Sneddon | Editor | |
| Laurie Rose | Director of Photography | |
| John Paul Kelly | Production Designer | |
| Guy Speranza | Costume Designer | |
| Louise Seymour | Post-Production Supervisor | |
| Rolfe Kent | Composer | |
| Karen Elliott | Music Supervisor | |
| Andy Pryor | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Laurel & Hardy, one of the world’s great comedy teams, set out on a variety hall tour of Britain in 1953. Diminished by age and with their golden era as the kings of Hollywood comedy now behind them, they face an uncertain future. As the charm and beauty of their performances shines through, they re-connect with their adoring fans. The tour becomes a hit, but Stan & Ollie can’t quite shake the specter of Laurel and Hardy’s past; the long-buried ghosts, coupled with Oliver’s failing health, start to threaten their precious partnership. They are aware that they may be approaching their swan song, trying to rediscover just how much they mean to each other.
Metrics
| Opening Weekend: | $78,104 (1.4% of total gross) |
| Legs: | 4.43 (domestic box office/biggest weekend) |
| Domestic Share: | 18.8% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 2.9 times production budget) |
| Theater counts: | 5 opening theaters/754 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $7,142,919 |
Movie Details
| Domestic Releases: | December 28th, 2018 (Limited) by Sony Pictures Classics January 25th, 2019 (Expands Wide) by Sony Pictures Classics |
| International Releases: | January 11th, 2019 (Wide) (Netherlands)
January 11th, 2019 (Wide), released as Stan and Ollie (United Kingdom) February 8th, 2019 (Wide), released as Stenas ir Olis. Juoko broliai (Lithuania) February 22nd, 2019 (Wide), released as Stan And Ollie (Australia) March 1st, 2019 (Wide), released as Bucha & Estica (Portugal) ... Show all releases |
| Video Release: | March 26th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | PG for some language, and for smoking. (Rating bulletin 2553 (Cert #51909), 11/14/2018) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Epilogue, Intertitle, Prologue |
| Geographical setting: | United Kingdom |
| Plot point: | Biography |
| Social setting: | On Tour, Theater, Vaudeville |
| Subgenre: | Biographical Drama |
| Time period setting: | 1930s, 1950s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | BBC Films, Fable House Productions, Entertainment One |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 28, 2018 | 32 | $78,104 | 5 | $15,621 | $78,104 | 1 | |
| Jan 4, 2019 | 33 | $87,356 | +12% | 8 | $10,920 | $234,342 | 2 |
| Jan 11, 2019 | 34 | $85,167 | -3% | 13 | $6,551 | $354,835 | 3 |
| Jan 18, 2019 | 23 | $337,744 | +297% | 84 | $4,021 | $735,665 | 4 |
| Jan 25, 2019 | 19 | $1,235,322 | +266% | 725 | $1,704 | $2,158,390 | 5 |
| Feb 1, 2019 | 23 | $755,092 | -39% | 754 | $1,001 | $3,473,098 | 6 |
| Feb 8, 2019 | 26 | $430,368 | -43% | 352 | $1,223 | $4,303,334 | 7 |
| Feb 15, 2019 | 29 | $248,629 | -42% | 210 | $1,184 | $4,737,878 | 8 |
| Feb 22, 2019 | 40 | $125,408 | -50% | 128 | $980 | $5,000,351 | 9 |
| Mar 1, 2019 | 48 | $47,005 | -63% | 71 | $662 | $5,070,010 | 10 |
| Mar 8, 2019 | 46 | $50,173 | +7% | 61 | $823 | $5,148,272 | 11 |
| Mar 15, 2019 | 36 | $105,622 | +111% | 230 | $459 | $5,279,599 | 12 |
| Mar 22, 2019 | 50 | $33,359 | -68% | 79 | $422 | $5,392,227 | 13 |
| Mar 29, 2019 | 56 | $13,891 | -58% | 46 | $302 | $5,426,763 | 14 |
| Apr 5, 2019 | 58 | $6,711 | -52% | 21 | $320 | $5,445,321 | 15 |
| Apr 12, 2019 | 74 | $3,098 | -54% | 8 | $387 | $5,452,726 | 16 |
| Apr 19, 2019 | 94 | $750 | -76% | 6 | $125 | $5,454,843 | 17 |
| Apr 26, 2019 | 62 | $6,099 | +713% | 9 | $678 | $5,461,853 | 18 |
| May 3, 2019 | 93 | $166 | -97% | 2 | $83 | $5,467,770 | 19 |
| May 10, 2019 | 94 | $133 | -20% | 3 | $44 | $5,468,641 | 20 |
| May 17, 2019 | 83 | $1,295 | +874% | 2 | $648 | $5,470,235 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 28, 2018 | 32 | $146,986 | 5 | $29,397 | $146,986 | 1 | |
| Jan 4, 2019 | 31 | $122,682 | -17% | 8 | $15,335 | $269,668 | 2 |
| Jan 11, 2019 | 36 | $128,353 | +5% | 13 | $9,873 | $397,921 | 3 |
| Jan 18, 2019 | 24 | $525,147 | +309% | 310 | $1,694 | $923,068 | 4 |
| Jan 25, 2019 | 19 | $1,794,938 | +242% | 725 | $2,476 | $2,718,006 | 5 |
| Feb 1, 2019 | 22 | $1,154,960 | -36% | 754 | $1,532 | $3,872,966 | 6 |
| Feb 8, 2019 | 29 | $616,283 | -47% | 352 | $1,751 | $4,489,249 | 7 |
| Feb 15, 2019 | 30 | $385,694 | -37% | 210 | $1,837 | $4,874,943 | 8 |
| Feb 22, 2019 | 40 | $148,062 | -62% | 128 | $1,157 | $5,023,005 | 9 |
| Mar 1, 2019 | 47 | $75,094 | -49% | 71 | $1,058 | $5,098,099 | 10 |
| Mar 8, 2019 | 47 | $75,878 | +1% | 61 | $1,244 | $5,173,977 | 11 |
| Mar 15, 2019 | 32 | $184,891 | +144% | 230 | $804 | $5,358,868 | 12 |
| Mar 22, 2019 | 49 | $54,004 | -71% | 79 | $684 | $5,412,872 | 13 |
| Mar 29, 2019 | 52 | $25,738 | -52% | 46 | $560 | $5,438,610 | 14 |
| Apr 5, 2019 | 59 | $11,018 | -57% | 21 | $525 | $5,449,628 | 15 |
| Apr 12, 2019 | 78 | $4,465 | -59% | 8 | $558 | $5,454,093 | 16 |
| Apr 19, 2019 | 90 | $1,661 | -63% | 6 | $277 | $5,455,754 | 17 |
| Apr 26, 2019 | 59 | $11,850 | +613% | 9 | $1,317 | $5,467,604 | 18 |
| May 3, 2019 | 89 | $904 | -92% | 2 | $452 | $5,468,508 | 19 |
| May 10, 2019 | 91 | $432 | -52% | 3 | $144 | $5,468,940 | 20 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/22/2019 | $536,754 | 263 | 268 | 1,254 | $1,655,240 | 9/17/2019 | |||
| France | 3/8/2019 | $117,445 | 135 | 135 | 135 | $117,445 | 3/15/2019 | |||
| Germany | 5/3/2019 | $0 | 0 | 269 | 269 | $2,242,415 | 5/24/2019 | |||
| Italy | 5/1/2019 | $942,622 | 0 | 12 | 42 | $2,363,378 | 10/11/2019 | |||
| Lithuania | 2/8/2019 | $1,776 | 27 | 27 | 28 | $2,701 | 2/19/2019 | |||
| Netherlands | 1/11/2019 | $132,555 | 54 | 56 | 208 | $405,152 | 2/5/2019 | |||
| Portugal | 3/1/2019 | $20,695 | 46 | 46 | 89 | $55,472 | 3/19/2019 | |||
| South Africa | 8/2/2019 | $0 | 0 | 4 | 8 | $8,143 | 9/17/2019 | |||
| Spain | 3/15/2019 | $138,488 | 143 | 180 | 372 | $340,450 | 4/5/2019 | |||
| Turkey | 6/28/2019 | $5,942 | 58 | 58 | 61 | $13,036 | 7/11/2019 | |||
| United Kingdom | 1/11/2019 | $3,310,022 | 654 | 679 | 3,408 | $13,619,819 | 4/4/2026 | |||
| Rest of World | $2,769,188 | |||||||||
| International Total | $23,592,439 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Steve Coogan | Stan Laurel | |
| John C. Reilly | Oliver Hardy |
Supporting
| Nina Arianda | Ida Laurel | |
| Shirley Henderson | Lucille Hardy | |
| Danny Huston | Hal Roach | |
| Rufus Jones | Bernard Delfont | |
| Susy Kane | Cynthia Clark | |
| Ella Kenion | Holiday Camp Organizer | |
| Harry Hepple | Wally Brady | |
| Bentley Kalu | Elephant Wrangler | |
| Joseph Balderrama | James Horne | |
| Rebecca Yeo | Concierge Savoy | |
| Lucy Appleton | Audience Member | |
| Sanjeev Kohli | Manager of Glasgow Empire | |
| Gary Kiely | Irishman | |
| Greg Canestrari | Stan’s Lawyer | |
| Julie Eagleton | Irish Woman, Cork Harbour | |
| Nick Owenford | Studio Executive | |
| Roger Ringrose | Doctor | |
| Martin Bratanov | Audience Member | |
| Michael Haydon | Audience Member | |
| David Gambier | Audience Member | |
| Daniel Fearn | Cab Driver | |
| Patrick Alexander Stewart | Joe Schenck | |
| Charlie Robinson | Savoy Guest | |
| Andy Mihalache | Arthur I. Royce | |
| Laraine Dix | Savoy Guest | |
| Callum Forman | Stage Hand | |
| Danny Scheinman | Jeweler | |
| Bethany Audley | Lyceum Theatre Guest | |
| Paul Riddell | Holidaymaker | |
| Conrad Asquith | Lord Warley | |
| Geoffrey Osborne | Photographer | |
| Eve Harding | Train Passenger #1 | |
| Swaylee Loughnane | Theatre Goer | |
| Tom Bates | Roach Scene Hand | |
| Alex Jaep | Audience Member | |
| Simon Ager | Poster Man Newcastle | |
| Elise Lamb | Plymouth Girl | |
| Ashley Robinson | Gordon Douglas | |
| James Thomas Scott | Train Buffet Customer | |
| Sophie Wardlow | Laurel and Hardy’s Makeup Artist | |
| Steve Healey | Theatre Goer | |
| Charles Walters | Bill Payer Station Guard | |
| James Francis Andrews | Clapper Loader | |
| Kate Okello | Newcastle Receptionist | |
| Kevin Millington | Clapper | |
| Richard Clark | Member of Public | |
| Josh Alexander | Stall Holder |
Production and Technical Credits
| Jon S. Baird | Director | |
| Faye Ward | Producer | |
| Jeff Pope | Screenwriter | |
| Jim Spencer | Co-Producer | |
| Xavier Marchand | Executive Producer | |
| Kate Fasulo | Executive Producer | |
| Joe Oppenheimer | Executive Producer | |
| Nichola Martin | Executive Producer | |
| Jeff Pope | Executive Producer | |
| Eugenio Perez | Executive Producer | |
| Gabrielle Tana | Executive Producer | |
| Christine Langan | Executive Producer | |
| Una Ni Dhonghaile | Editor | |
| Bill Sneddon | Editor | |
| Laurie Rose | Director of Photography | |
| John Paul Kelly | Production Designer | |
| Guy Speranza | Costume Designer | |
| Louise Seymour | Post-Production Supervisor | |
| Rolfe Kent | Composer | |
| Karen Elliott | Music Supervisor | |
| Andy Pryor | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.