Starred Up (2014)
| Theatrical Performance | ||
| Domestic Box Office | $54,915 | Details |
| International Box Office | $66,792 | Details |
| Worldwide Box Office | $121,707 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $222,375 | |
| Total | $222,375 | |
| OpusData ID: 206420100 More info... | ||
| Further financial details... | ||
Synopsis
19-year-old Eric, arrogant and ultra-violent, is prematurely transferred to the same adult prison facility as his estranged father. As his explosive temper quickly finds him enemies in both prison authorities and fellow inmates - and his already volatile relationship with his father is pushed past breaking point - Eric is approached by a volunteer psychotherapist, who runs an anger management group for prisoners. Torn between gang politics, prison corruption, and a glimmer of something better, Eric finds himself in a fight for his own life, unsure if his own father is there to protect him or join in punishing him.
Metrics
| Opening Weekend: | $13,561 (24.7% of total gross) |
| Legs: | 4.05 (domestic box office/biggest weekend) |
| Domestic Share: | 45.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $80,395 |
Movie Details
| Domestic Releases: | August 27th, 2014 (Limited) by TriBeca Films |
| International Releases: | June 4th, 2014 (Wide) (Belgium)
April 3rd, 2015 (Wide) (Spain) |
| Video Release: | February 3rd, 2015 by Cinedigm |
| MPA Rating: | Not Rated |
| Running Time: | 106 minutes |
| Plot point: | Dysfunctional Family, Father’s Footsteps, Prison |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Film4, Creative Scotland, Quickfire Films, Northern Ireland Screen, Lipsync Productions, Sigma Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 29, 2014 | 65 | $13,561 | 2 | $6,781 | $17,855 | 1 | |
| Sep 5, 2014 | 67 | $13,290 | -2% | 6 | $2,215 | $34,145 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 29, 2014 | 69 | $16,561 | 2 | $8,281 | $20,855 | 2 | |
| Sep 5, 2014 | 60 | $18,677 | +13% | 6 | $3,113 | $39,532 | 3 |
| Sep 12, 2014 | 73 | $8,477 | -55% | 7 | $1,211 | $48,009 | 4 |
| Sep 19, 2014 | 89 | $3,872 | -54% | 4 | $968 | $51,881 | 5 |
| Sep 26, 2014 | 102 | $1,364 | -65% | 3 | $455 | $53,245 | 6 |
| Oct 3, 2014 | 112 | $424 | -69% | 3 | $141 | $53,669 | 7 |
| Oct 10, 2014 | 102 | $615 | +45% | 2 | $308 | $54,284 | 8 |
| Oct 17, 2014 | 115 | $246 | -60% | 2 | $123 | $54,530 | 9 |
| Oct 24, 2014 | 112 | $385 | +57% | 2 | $193 | $54,915 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 6/4/2014 | $0 | 0 | 10 | 10 | $63,081 | 12/15/2015 | |||
| Spain | 4/3/2015 | $2,628 | 3 | 3 | 6 | $3,711 | 11/27/2018 | |||
| International Total | $66,792 | 11/27/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jack O'Connell | Eric Love |
Supporting
| Ben Mendelsohn | Neville Love | |
| Rupert Friend | Oliver Baumer | |
| Sam Spruell | Governor Hayes | |
| Anthony Welsh | Hassan | |
| David Ajala | Tyrone | |
| Peter Ferdinando | Spencer | |
| Raphael Sowole | Jago | |
| Gilly Gilchrist | Principle Officer Scott | |
| Gershwyn Eustache Jr. | Des | |
| Ashley Chin | Ryan | |
| Tommy McDonnell | Officer Self | |
| Frederick Schmidt | Officer Gentry |
Production and Technical Credits
| David Mackenzie | Director | |
| Jonathan Asser | Screenwriter | |
| Gillian Berrie | Producer | |
| Peter Hampden | Executive Producer | |
| Norman Merr | Executive Producer | |
| Jan Pace | Executive Producer | |
| James Atherton | Executive Producer | |
| David Mackenzie | Executive Producer | |
| Sam Lavender | Executive Producer | |
| Katherine Butler | Executive Producer | |
| Brian Coffey | Co-Producer | |
| Michael McDonough | Director of Photography | |
| Jake Roberts | Editor | |
| Nick Emerson | Editor | |
| Tom McCullagh | Production Designer | |
| Susan Scott | Costume Designer | |
| Nicole Stafford | Make-up and Hair Designer | |
| Ronan Hill | Sound Mixer | |
| Neil Wallace | Assistant Director | |
| Alex O'Neal | Line Producer | |
| Shaheen Baig | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
19-year-old Eric, arrogant and ultra-violent, is prematurely transferred to the same adult prison facility as his estranged father. As his explosive temper quickly finds him enemies in both prison authorities and fellow inmates - and his already volatile relationship with his father is pushed past breaking point - Eric is approached by a volunteer psychotherapist, who runs an anger management group for prisoners. Torn between gang politics, prison corruption, and a glimmer of something better, Eric finds himself in a fight for his own life, unsure if his own father is there to protect him or join in punishing him.
Metrics
| Opening Weekend: | $13,561 (24.7% of total gross) |
| Legs: | 4.05 (domestic box office/biggest weekend) |
| Domestic Share: | 45.1% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $80,395 |
Movie Details
| Domestic Releases: | August 27th, 2014 (Limited) by TriBeca Films |
| International Releases: | June 4th, 2014 (Wide) (Belgium)
April 3rd, 2015 (Wide) (Spain) |
| Video Release: | February 3rd, 2015 by Cinedigm |
| MPA Rating: | Not Rated |
| Running Time: | 106 minutes |
| Plot point: | Dysfunctional Family, Father’s Footsteps, Prison |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Film4, Creative Scotland, Quickfire Films, Northern Ireland Screen, Lipsync Productions, Sigma Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 29, 2014 | 65 | $13,561 | 2 | $6,781 | $17,855 | 1 | |
| Sep 5, 2014 | 67 | $13,290 | -2% | 6 | $2,215 | $34,145 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 29, 2014 | 69 | $16,561 | 2 | $8,281 | $20,855 | 2 | |
| Sep 5, 2014 | 60 | $18,677 | +13% | 6 | $3,113 | $39,532 | 3 |
| Sep 12, 2014 | 73 | $8,477 | -55% | 7 | $1,211 | $48,009 | 4 |
| Sep 19, 2014 | 89 | $3,872 | -54% | 4 | $968 | $51,881 | 5 |
| Sep 26, 2014 | 102 | $1,364 | -65% | 3 | $455 | $53,245 | 6 |
| Oct 3, 2014 | 112 | $424 | -69% | 3 | $141 | $53,669 | 7 |
| Oct 10, 2014 | 102 | $615 | +45% | 2 | $308 | $54,284 | 8 |
| Oct 17, 2014 | 115 | $246 | -60% | 2 | $123 | $54,530 | 9 |
| Oct 24, 2014 | 112 | $385 | +57% | 2 | $193 | $54,915 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Belgium | 6/4/2014 | $0 | 0 | 10 | 10 | $63,081 | 12/15/2015 | |||
| Spain | 4/3/2015 | $2,628 | 3 | 3 | 6 | $3,711 | 11/27/2018 | |||
| International Total | $66,792 | 11/27/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jack O'Connell | Eric Love |
Supporting
| Ben Mendelsohn | Neville Love | |
| Rupert Friend | Oliver Baumer | |
| Sam Spruell | Governor Hayes | |
| Anthony Welsh | Hassan | |
| David Ajala | Tyrone | |
| Peter Ferdinando | Spencer | |
| Raphael Sowole | Jago | |
| Gilly Gilchrist | Principle Officer Scott | |
| Gershwyn Eustache Jr. | Des | |
| Ashley Chin | Ryan | |
| Tommy McDonnell | Officer Self | |
| Frederick Schmidt | Officer Gentry |
Production and Technical Credits
| David Mackenzie | Director | |
| Jonathan Asser | Screenwriter | |
| Gillian Berrie | Producer | |
| Peter Hampden | Executive Producer | |
| Norman Merr | Executive Producer | |
| Jan Pace | Executive Producer | |
| James Atherton | Executive Producer | |
| David Mackenzie | Executive Producer | |
| Sam Lavender | Executive Producer | |
| Katherine Butler | Executive Producer | |
| Brian Coffey | Co-Producer | |
| Michael McDonough | Director of Photography | |
| Jake Roberts | Editor | |
| Nick Emerson | Editor | |
| Tom McCullagh | Production Designer | |
| Susan Scott | Costume Designer | |
| Nicole Stafford | Make-up and Hair Designer | |
| Ronan Hill | Sound Mixer | |
| Neil Wallace | Assistant Director | |
| Alex O'Neal | Line Producer | |
| Shaheen Baig | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.