State Like Sleep (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $4,282 | Details |
| OpusData ID: 231910100 More info... | ||
| Further financial details... | ||
Synopsis
One year after the mysterious death of her Belgian actor husband, American photographer Katherine returns to Brussels, a city filled with memories of the life she’s tried to leave behind. Their marriage was rocky, but Katherine’s return to the city forces her to finally confront her grief as she packs up the flat they once shared. In doing so, though, she discovers a web of secrets that propel her to probe the circumstances of her husband’s last days. Following in his footsteps, Katherine plunges into Brussels’s underground club scene, where she encounters a mysterious woman and a secret group of friends. At the same time, she meets Edward, a fellow American, who offers the possibility of a new future as she comes to terms with her troubled past.
Metrics
| Opening Weekend: | $2,813 (65.7% of total gross) |
| Legs: | 1.52 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 10 opening theaters/10 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,068 |
Movie Details
| Domestic Releases: | January 4th, 2019 (Limited) by The Orchard |
| Video Release: | January 1st, 2019 by The Orchard |
| MPA Rating: | Not Rated |
| Running Time: | 104 minutes |
| Geographical setting: | Belgium |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Double Life, Suicide, Widow/Widower |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Orchard, Sight Unseen, Scythia Films, Code Red |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 4, 2019 | 61 | $2,813 | 10 | $281 | $2,813 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 4, 2019 | - | $1,117 | 10 | $112 | $1,117 | 1 | |
| Jan 5, 2019 | - | $1,088 | -3% | 10 | $109 | $2,205 | 2 |
| Jan 6, 2019 | - | $608 | -44% | 10 | $61 | $2,813 | 3 |
| Jan 7, 2019 | - | $335 | -45% | 10 | $34 | $3,148 | 4 |
| Jan 8, 2019 | - | $403 | +20% | 10 | $40 | $3,551 | 5 |
| Jan 9, 2019 | - | $384 | -5% | 10 | $38 | $3,935 | 6 |
| Jan 10, 2019 | - | $347 | -10% | 10 | $35 | $4,282 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 4, 2019 | 60 | $4,282 | 10 | $428 | $4,282 | 1 |
Leading
| Katherine Waterston | Katherine Grand | |
| Michael Shannon | Edward |
Supporting
| Luke Evans | Emile | |
| Michiel Huisman | Stefan Delvoe | |
| Mary Kay Place | Elaine Grand | |
| Julie Khaner | Anneke Delvoe | |
| Mark O'Brien | Darren | |
| Bo Martyn | Frieda | |
| Carlo Rota | ||
| Rachel Wilson | Jen |
Production and Technical Credits
| Meredith Danluck | Director | |
| Meredith Danluck | Screenwriter | |
| Eddie Vaisman | Producer | |
| Julia Lebedev | Producer | |
| Angel Lopez | Producer | |
| Leonid Lebedev | Executive Producer | |
| Daniel Bekerman | Executive Producer | |
| Ethan Lazar | Executive Producer | |
| Mark Roberts | Executive Producer | |
| Jen Dana | Executive Producer | |
| Ross Jacobson | Executive Producer | |
| Mark Bennett | Casting Director | |
| Melissa Shouldice | Costume Designer | |
| David Wingo | Composer | |
| Jeff McIlwain | Composer | |
| Curtiss Clayton | Editor | |
| Zosia Mackenzie | Production Designer | |
| Christopher Blauvelt | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
One year after the mysterious death of her Belgian actor husband, American photographer Katherine returns to Brussels, a city filled with memories of the life she’s tried to leave behind. Their marriage was rocky, but Katherine’s return to the city forces her to finally confront her grief as she packs up the flat they once shared. In doing so, though, she discovers a web of secrets that propel her to probe the circumstances of her husband’s last days. Following in his footsteps, Katherine plunges into Brussels’s underground club scene, where she encounters a mysterious woman and a secret group of friends. At the same time, she meets Edward, a fellow American, who offers the possibility of a new future as she comes to terms with her troubled past.
Metrics
| Opening Weekend: | $2,813 (65.7% of total gross) |
| Legs: | 1.52 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 10 opening theaters/10 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,068 |
Movie Details
| Domestic Releases: | January 4th, 2019 (Limited) by The Orchard |
| Video Release: | January 1st, 2019 by The Orchard |
| MPA Rating: | Not Rated |
| Running Time: | 104 minutes |
| Geographical setting: | Belgium |
| Plot point: | Death of a Spouse or Fiancée / Fiancé, Double Life, Suicide, Widow/Widower |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | The Orchard, Sight Unseen, Scythia Films, Code Red |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 4, 2019 | 61 | $2,813 | 10 | $281 | $2,813 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Jan 4, 2019 | - | $1,117 | 10 | $112 | $1,117 | 1 | |
| Jan 5, 2019 | - | $1,088 | -3% | 10 | $109 | $2,205 | 2 |
| Jan 6, 2019 | - | $608 | -44% | 10 | $61 | $2,813 | 3 |
| Jan 7, 2019 | - | $335 | -45% | 10 | $34 | $3,148 | 4 |
| Jan 8, 2019 | - | $403 | +20% | 10 | $40 | $3,551 | 5 |
| Jan 9, 2019 | - | $384 | -5% | 10 | $38 | $3,935 | 6 |
| Jan 10, 2019 | - | $347 | -10% | 10 | $35 | $4,282 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 4, 2019 | 60 | $4,282 | 10 | $428 | $4,282 | 1 |
Leading
| Katherine Waterston | Katherine Grand | |
| Michael Shannon | Edward |
Supporting
| Luke Evans | Emile | |
| Michiel Huisman | Stefan Delvoe | |
| Mary Kay Place | Elaine Grand | |
| Julie Khaner | Anneke Delvoe | |
| Mark O'Brien | Darren | |
| Bo Martyn | Frieda | |
| Carlo Rota | ||
| Rachel Wilson | Jen |
Production and Technical Credits
| Meredith Danluck | Director | |
| Meredith Danluck | Screenwriter | |
| Eddie Vaisman | Producer | |
| Julia Lebedev | Producer | |
| Angel Lopez | Producer | |
| Leonid Lebedev | Executive Producer | |
| Daniel Bekerman | Executive Producer | |
| Ethan Lazar | Executive Producer | |
| Mark Roberts | Executive Producer | |
| Jen Dana | Executive Producer | |
| Ross Jacobson | Executive Producer | |
| Mark Bennett | Casting Director | |
| Melissa Shouldice | Costume Designer | |
| David Wingo | Composer | |
| Jeff McIlwain | Composer | |
| Curtiss Clayton | Editor | |
| Zosia Mackenzie | Production Designer | |
| Christopher Blauvelt | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.