Stealing Beauty (1996)
| Theatrical Performance | ||
| Domestic Box Office | $4,573,330 | Details |
| OpusData ID: 47570100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $103,028 (2.3% of total gross) |
| Legs: | 6.34 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/195 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,702,344 |
Movie Details
| Domestic Releases: | June 14th, 1996 (Wide) by Fox Searchlight |
| International Releases: | May 14th, 2026 (Limited), released as Stealing Beauty (Ускользающая красота) (Russia (CIS)) |
| MPA Rating: | R for strong sexuality, nudity, some drug use and language |
| Running Time: | 113 minutes |
| Geographical setting: | Italy |
| Plot point: | Coming of Age, First Love, Loss Of Virginity, Suicide, Young Child Dealing with the Death of a Parent |
| Subgenre: | Coming-of-Age Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom, Italy, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 1996 | 30 | $103,028 | 3 | $34,343 | $103,028 | 1 | |
| Jun 21, 1996 | 21 | $264,885 | +157% | 27 | $9,811 | $440,598 | 2 |
| Jun 28, 1996 | 12 | $696,434 | +163% | 134 | $5,197 | $1,277,139 | 3 |
| Jul 5, 1996 | 12 | $721,008 | +4% | 137 | $5,263 | $2,177,595 | 4 |
| Jul 12, 1996 | 15 | $505,550 | -30% | 195 | $2,593 | $2,948,336 | 5 |
| Jul 19, 1996 | 19 | $309,419 | -39% | 191 | $1,620 | $3,503,788 | 6 |
| Jul 26, 1996 | 25 | $172,829 | -44% | 115 | $1,503 | $3,841,556 | 7 |
| Aug 2, 1996 | 32 | $129,554 | -25% | 79 | $1,640 | $4,086,355 | 8 |
| Aug 9, 1996 | 37 | $89,454 | -31% | 78 | $1,147 | $4,256,850 | 9 |
| Aug 16, 1996 | 42 | $59,379 | -34% | 70 | $848 | $4,376,355 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 1996 | 27 | $175,713 | 3 | $58,571 | $175,713 | 1 | |
| Jun 21, 1996 | 20 | $404,992 | +130% | 27 | $15,000 | $580,705 | 2 |
| Jun 28, 1996 | 12 | $875,882 | +116% | 134 | $6,536 | $1,456,587 | 3 |
| Jul 5, 1996 | 12 | $986,199 | +13% | 137 | $7,199 | $2,442,786 | 4 |
| Jul 12, 1996 | 15 | $751,583 | -24% | 195 | $3,854 | $3,194,369 | 5 |
| Jul 19, 1996 | 19 | $474,358 | -37% | 191 | $2,484 | $3,668,727 | 6 |
| Jul 26, 1996 | 26 | $288,074 | -39% | 115 | $2,505 | $3,956,801 | 7 |
| Aug 2, 1996 | 33 | $210,595 | -27% | 79 | $2,666 | $4,167,396 | 8 |
| Aug 9, 1996 | 37 | $149,580 | -29% | 78 | $1,918 | $4,316,976 | 9 |
| Jeremy Irons | Alex Parrish | |
| Liv Tyler | Lucy Harmon | |
| Joseph Fiennes | Christopher Fox | |
| Rachel Weisz | Miranda Fox | |
| Jason Flemyng | Gregory |
Production and Technical Credits
| Bernardo Bertolucci | Director | |
| Susan Minot | Screenwriter | |
| Bernardo Bertolucci | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $103,028 (2.3% of total gross) |
| Legs: | 6.34 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/195 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,702,344 |
Movie Details
| Domestic Releases: | June 14th, 1996 (Wide) by Fox Searchlight |
| International Releases: | May 14th, 2026 (Limited), released as Stealing Beauty (Ускользающая красота) (Russia (CIS)) |
| MPA Rating: | R for strong sexuality, nudity, some drug use and language |
| Running Time: | 113 minutes |
| Geographical setting: | Italy |
| Plot point: | Coming of Age, First Love, Loss Of Virginity, Suicide, Young Child Dealing with the Death of a Parent |
| Subgenre: | Coming-of-Age Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United Kingdom, Italy, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 1996 | 30 | $103,028 | 3 | $34,343 | $103,028 | 1 | |
| Jun 21, 1996 | 21 | $264,885 | +157% | 27 | $9,811 | $440,598 | 2 |
| Jun 28, 1996 | 12 | $696,434 | +163% | 134 | $5,197 | $1,277,139 | 3 |
| Jul 5, 1996 | 12 | $721,008 | +4% | 137 | $5,263 | $2,177,595 | 4 |
| Jul 12, 1996 | 15 | $505,550 | -30% | 195 | $2,593 | $2,948,336 | 5 |
| Jul 19, 1996 | 19 | $309,419 | -39% | 191 | $1,620 | $3,503,788 | 6 |
| Jul 26, 1996 | 25 | $172,829 | -44% | 115 | $1,503 | $3,841,556 | 7 |
| Aug 2, 1996 | 32 | $129,554 | -25% | 79 | $1,640 | $4,086,355 | 8 |
| Aug 9, 1996 | 37 | $89,454 | -31% | 78 | $1,147 | $4,256,850 | 9 |
| Aug 16, 1996 | 42 | $59,379 | -34% | 70 | $848 | $4,376,355 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 14, 1996 | 27 | $175,713 | 3 | $58,571 | $175,713 | 1 | |
| Jun 21, 1996 | 20 | $404,992 | +130% | 27 | $15,000 | $580,705 | 2 |
| Jun 28, 1996 | 12 | $875,882 | +116% | 134 | $6,536 | $1,456,587 | 3 |
| Jul 5, 1996 | 12 | $986,199 | +13% | 137 | $7,199 | $2,442,786 | 4 |
| Jul 12, 1996 | 15 | $751,583 | -24% | 195 | $3,854 | $3,194,369 | 5 |
| Jul 19, 1996 | 19 | $474,358 | -37% | 191 | $2,484 | $3,668,727 | 6 |
| Jul 26, 1996 | 26 | $288,074 | -39% | 115 | $2,505 | $3,956,801 | 7 |
| Aug 2, 1996 | 33 | $210,595 | -27% | 79 | $2,666 | $4,167,396 | 8 |
| Aug 9, 1996 | 37 | $149,580 | -29% | 78 | $1,918 | $4,316,976 | 9 |
| Jeremy Irons | Alex Parrish | |
| Liv Tyler | Lucy Harmon | |
| Joseph Fiennes | Christopher Fox | |
| Rachel Weisz | Miranda Fox | |
| Jason Flemyng | Gregory |
Production and Technical Credits
| Bernardo Bertolucci | Director | |
| Susan Minot | Screenwriter | |
| Bernardo Bertolucci | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.