Steve Jobs: The Lost Interview (2012)
| Theatrical Performance | ||
| Domestic Box Office | $105,710 | Details |
| International Box Office | $2,361 | Details |
| Worldwide Box Office | $108,071 | |
| OpusData ID: 169870100 More info... | ||
| Further financial details... | ||
Synopsis
In 1995, during the making of his TV series Triumph of the Nerds about the birth of the PC, Bob Cringely did a memorable hour-long interview with Steve Jobs. It was 10 years since Jobs had left Apple following a bruising struggle with John Sculley, the CEO he had brought into the company. At the time of the interview Jobs was running NeXT, the niche computer company he had founded after leaving Apple. During the interview, Jobs was at his charismatic best—witty, outspoken, visionary. In the end, only a part of the interview was used in the series and the rest was thought lost. But recently a VHS copy was found in the series director’s garage. Now, cleaned up with modern technology, and put into context by Cringely, the entire interview was screened in Landmark Theatres.
Metrics
| Opening Weekend: | $2,599 (2.5% of total gross) |
| Legs: | 40.67 (domestic box office/biggest weekend) |
| Domestic Share: | 97.8% (domestic box office/worldwide) |
| Theater counts: | 13 opening theaters/13 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $158,829 |
Movie Details
| Domestic Releases: | November 16th, 2011 (Special Engagement) by Landmark Theaters May 11th, 2012 (Limited) by Magnolia Pictures |
| International Releases: | October 26th, 2012 (Wide) (Taiwan) |
| MPA Rating: | Not Rated |
| Running Time: | 70 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | John Gau Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2012 | 95 | $2,599 | 13 | $200 | $88,953 | 1 | |
| May 18, 2012 | 87 | $2,121 | -18% | 11 | $193 | $94,654 | 2 |
| May 25, 2012 | 71 | $913 | -57% | 7 | $130 | $97,297 | 3 |
| Jun 1, 2012 | 109 | $501 | -45% | 2 | $251 | $98,793 | 4 |
| Jun 8, 2012 | 93 | $1,636 | +227% | 8 | $205 | $100,636 | 5 |
| Jun 15, 2012 | 93 | $924 | -44% | 6 | $154 | $102,628 | 6 |
| Jun 22, 2012 | 92 | $686 | -26% | 6 | $114 | $104,286 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2012 | 82 | $6,179 | 13 | $475 | $92,533 | 1 | |
| May 18, 2012 | 72 | $3,851 | -38% | 11 | $350 | $96,384 | 2 |
| May 25, 2012 | 71 | $1,908 | -50% | 7 | $273 | $98,292 | 3 |
| Jun 1, 2012 | 107 | $708 | -63% | 2 | $354 | $99,000 | 4 |
| Jun 8, 2012 | 94 | $2,704 | +282% | 8 | $338 | $101,704 | 5 |
| Jun 15, 2012 | 87 | $1,896 | -30% | 6 | $316 | $103,600 | 6 |
| Jun 22, 2012 | 88 | $2,110 | +11% | 6 | $352 | $105,710 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Taiwan | 10/26/2012 | $1,812 | 3 | 3 | 3 | $2,361 | 12/12/2015 | |||
| International Total | $2,361 | 12/12/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Interviewee
| Steve Jobs | Himself |
Production and Technical Credits
| Alex Cringely | Screenwriter | |
| Paul Sen | Director | |
| John Gau | Producer | |
| Stephen Segaller | Producer | |
| John Booth | Cinematographer | |
| Gene Koon | Sound | |
| Nic Stacey | Editor | |
| Clayton Moore | Camera |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1995, during the making of his TV series Triumph of the Nerds about the birth of the PC, Bob Cringely did a memorable hour-long interview with Steve Jobs. It was 10 years since Jobs had left Apple following a bruising struggle with John Sculley, the CEO he had brought into the company. At the time of the interview Jobs was running NeXT, the niche computer company he had founded after leaving Apple. During the interview, Jobs was at his charismatic best—witty, outspoken, visionary. In the end, only a part of the interview was used in the series and the rest was thought lost. But recently a VHS copy was found in the series director’s garage. Now, cleaned up with modern technology, and put into context by Cringely, the entire interview was screened in Landmark Theatres.
Metrics
| Opening Weekend: | $2,599 (2.5% of total gross) |
| Legs: | 40.67 (domestic box office/biggest weekend) |
| Domestic Share: | 97.8% (domestic box office/worldwide) |
| Theater counts: | 13 opening theaters/13 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $158,829 |
Movie Details
| Domestic Releases: | November 16th, 2011 (Special Engagement) by Landmark Theaters May 11th, 2012 (Limited) by Magnolia Pictures |
| International Releases: | October 26th, 2012 (Wide) (Taiwan) |
| MPA Rating: | Not Rated |
| Running Time: | 70 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | John Gau Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2012 | 95 | $2,599 | 13 | $200 | $88,953 | 1 | |
| May 18, 2012 | 87 | $2,121 | -18% | 11 | $193 | $94,654 | 2 |
| May 25, 2012 | 71 | $913 | -57% | 7 | $130 | $97,297 | 3 |
| Jun 1, 2012 | 109 | $501 | -45% | 2 | $251 | $98,793 | 4 |
| Jun 8, 2012 | 93 | $1,636 | +227% | 8 | $205 | $100,636 | 5 |
| Jun 15, 2012 | 93 | $924 | -44% | 6 | $154 | $102,628 | 6 |
| Jun 22, 2012 | 92 | $686 | -26% | 6 | $114 | $104,286 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 11, 2012 | 82 | $6,179 | 13 | $475 | $92,533 | 1 | |
| May 18, 2012 | 72 | $3,851 | -38% | 11 | $350 | $96,384 | 2 |
| May 25, 2012 | 71 | $1,908 | -50% | 7 | $273 | $98,292 | 3 |
| Jun 1, 2012 | 107 | $708 | -63% | 2 | $354 | $99,000 | 4 |
| Jun 8, 2012 | 94 | $2,704 | +282% | 8 | $338 | $101,704 | 5 |
| Jun 15, 2012 | 87 | $1,896 | -30% | 6 | $316 | $103,600 | 6 |
| Jun 22, 2012 | 88 | $2,110 | +11% | 6 | $352 | $105,710 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Taiwan | 10/26/2012 | $1,812 | 3 | 3 | 3 | $2,361 | 12/12/2015 | |||
| International Total | $2,361 | 12/12/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Interviewee
| Steve Jobs | Himself |
Production and Technical Credits
| Alex Cringely | Screenwriter | |
| Paul Sen | Director | |
| John Gau | Producer | |
| Stephen Segaller | Producer | |
| John Booth | Cinematographer | |
| Gene Koon | Sound | |
| Nic Stacey | Editor | |
| Clayton Moore | Camera |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.