Sting (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $1,125,116 | Details |
| International Box Office | $1,490,452 | Details |
| Worldwide Box Office | $2,615,568 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $97,149 | |
| Blu-ray Sales (estimated) | $84,306 | |
| Total | $181,455 | |
| OpusData ID: 661250100 More info... | ||
| Further financial details... | ||
Synopsis
After raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the facts about her pet—and fight for her family’s survival—when the once-charming creature rapidly transforms into a giant, flesh-eating monster.
Metrics
| Opening Weekend: | $825,797 (73.4% of total gross) |
| Legs: | 1.36 (domestic box office/biggest weekend) |
| Domestic Share: | 43.0% (domestic box office/worldwide) |
| Theater counts: | 975 opening theaters/975 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,189,781 |
Movie Details
| Domestic Releases: | April 12th, 2024 (Wide) by Well Go USA |
| International Releases: | April 25th, 2024 (Limited) (Netherlands)
April 25th, 2024 (Limited), released as Sting - Aranha Assassina (Portugal) April 26th, 2024 (Limited) (Romania) May 9th, 2024 (Limited), released as Sting (Черная вдова: Укус смерти) (Russia (CIS)) May 16th, 2024 (Limited) (New Zealand) ... Show all releases |
| Video Release: | May 14th, 2024 by Well Go USA Video |
| MPA Rating: | R for violent content, bloody images and language. (Rating bulletin 2816 (cert #54799), 1/24/2024) |
| Running Time: | 91 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Geographical setting: | New York, New York City |
| Plot point: | Animals Gone Bad, Step-Family |
| Subgenre: | Nature Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Screen Australia, Well Go USA Entertainment, Align Pictures, Screen NSW, Cumulus VFX, Spectrum Entertainment, See Pictures, Pictures in Paradise |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2024 | 12 | $825,797 | 975 | $847 | $825,797 | 1 | |
| Apr 19, 2024 | - | $63,846 | -92% | 253 | $252 | $1,090,798 | 2 |
| Apr 26, 2024 | - | $2,336 | -96% | 7 | $334 | $1,122,342 | 3 |
| May 3, 2024 | - | $1,167 | -50% | 3 | $389 | $1,124,510 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2024 | 13 | $1,026,952 | 750 | $1,369 | $1,026,952 | 1 | |
| Apr 19, 2024 | 30 | $93,054 | -91% | 253 | $368 | $1,120,006 | 2 |
| Apr 26, 2024 | 49 | $3,337 | -96% | 7 | $477 | $1,123,343 | 3 |
| May 3, 2024 | 58 | $1,773 | -47% | 3 | $591 | $1,125,116 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/11/2024 | $0 | 0 | 177 | 305 | $141,875 | 9/9/2024 | |||
| Mexico | 12/19/2024 | $159,471 | 0 | 0 | 0 | $189,371 | 12/26/2024 | |||
| Netherlands | 4/25/2024 | $38,646 | 52 | 52 | 92 | $76,540 | 5/6/2024 | |||
| Portugal | 4/25/2024 | $14,081 | 28 | 28 | 44 | $21,316 | 5/7/2024 | |||
| Romania | 4/26/2024 | $19,104 | 54 | 54 | 182 | $102,423 | 6/12/2024 | |||
| Russia (CIS) | 5/9/2024 | $208,165 | 883 | 883 | 1,486 | $323,315 | 5/22/2024 | |||
| Spain | 3/28/2025 | $74,533 | 190 | 190 | 290 | $118,117 | 4/4/2026 | |||
| United Kingdom | 5/31/2024 | $294,374 | 481 | 481 | 481 | $517,495 | 6/10/2024 | |||
| International Total | $1,490,452 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alyla Browne | Charlotte |
Supporting
| Ryan Corr | Ethan | |
| Penelope Mitchell | Heather | |
| Robyn Nevin | Gunter | |
| Noni Hazlehurst | Helga | |
| Silvia Colloca | Maria | |
| Danny Kim | Erik | |
| Jermaine Fowler | Frank | |
| Kate Walsh | Sandy | |
| Jett Berry | Baby Liam | |
| Kade Berry | Baby Liam | |
| Lee Perry | Documentary Narrator | |
| Tony Black | Officer Miller | |
| Alcira Caprio | News Anchor |
Production and Technical Credits
| Kiah Roache-Turner | Director | |
| Kiah Roache-Turner | Screenwriter | |
| Jamie Hilton | Producer | |
| Michael Pontin | Producer | |
| Chris Brown | Producer | |
| Adrian Politowski | Executive Producer | |
| Martin Metz | Executive Producer | |
| Alison Thompson | Executive Producer | |
| Mark Gooder | Executive Producer | |
| William Gammon | Executive Producer | |
| Josh Pomeranz | Executive Producer | |
| Doris Pfardrescher | Executive Producer | |
| Diana Le Dean | Executive Producer | |
| Nadia Khamlichi | Executive Producer | |
| Nessa McGill | Executive Producer | |
| Sierra Garcia | Executive Producer | |
| Brad Shield | Director of Photography | |
| Fiona Donovan | Production Designer | |
| Luke Doolan | Editor | |
| Kiah Roache-Turner | Editor | |
| Rupert Hollier | Music Supervisor | |
| Anna Drubich | Composer | |
| Sam Gain-Emery | Sound Supervisor | |
| William Gammon | Visual Effects Supervisor | |
| Georgia Woods | Costume Designer | |
| John Logue | Make-up and Hair Designer | |
| Lesley Parker | Line Producer | |
| Nikki Barrett | Casting Director | |
| Jamie Crooks | First Assistant Director | |
| Gareth Wilkes | Art Director | |
| Diana Robertson | Set Decorator | |
| Michael Bell | Set Designer | |
| Clint Ingram | Special Effects Supervisor | |
| Jilly Guice | Costume Supervisor | |
| Ben Price | Production Supervisor | |
| George Saliba | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the facts about her pet—and fight for her family’s survival—when the once-charming creature rapidly transforms into a giant, flesh-eating monster.
Metrics
| Opening Weekend: | $825,797 (73.4% of total gross) |
| Legs: | 1.36 (domestic box office/biggest weekend) |
| Domestic Share: | 43.0% (domestic box office/worldwide) |
| Theater counts: | 975 opening theaters/975 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,189,781 |
Movie Details
| Domestic Releases: | April 12th, 2024 (Wide) by Well Go USA |
| International Releases: | April 25th, 2024 (Limited) (Netherlands)
April 25th, 2024 (Limited), released as Sting - Aranha Assassina (Portugal) April 26th, 2024 (Limited) (Romania) May 9th, 2024 (Limited), released as Sting (Черная вдова: Укус смерти) (Russia (CIS)) May 16th, 2024 (Limited) (New Zealand) ... Show all releases |
| Video Release: | May 14th, 2024 by Well Go USA Video |
| MPA Rating: | R for violent content, bloody images and language. (Rating bulletin 2816 (cert #54799), 1/24/2024) |
| Running Time: | 91 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Geographical setting: | New York, New York City |
| Plot point: | Animals Gone Bad, Step-Family |
| Subgenre: | Nature Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Screen Australia, Well Go USA Entertainment, Align Pictures, Screen NSW, Cumulus VFX, Spectrum Entertainment, See Pictures, Pictures in Paradise |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2024 | 12 | $825,797 | 975 | $847 | $825,797 | 1 | |
| Apr 19, 2024 | - | $63,846 | -92% | 253 | $252 | $1,090,798 | 2 |
| Apr 26, 2024 | - | $2,336 | -96% | 7 | $334 | $1,122,342 | 3 |
| May 3, 2024 | - | $1,167 | -50% | 3 | $389 | $1,124,510 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 2024 | 13 | $1,026,952 | 750 | $1,369 | $1,026,952 | 1 | |
| Apr 19, 2024 | 30 | $93,054 | -91% | 253 | $368 | $1,120,006 | 2 |
| Apr 26, 2024 | 49 | $3,337 | -96% | 7 | $477 | $1,123,343 | 3 |
| May 3, 2024 | 58 | $1,773 | -47% | 3 | $591 | $1,125,116 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/11/2024 | $0 | 0 | 177 | 305 | $141,875 | 9/9/2024 | |||
| Mexico | 12/19/2024 | $159,471 | 0 | 0 | 0 | $189,371 | 12/26/2024 | |||
| Netherlands | 4/25/2024 | $38,646 | 52 | 52 | 92 | $76,540 | 5/6/2024 | |||
| Portugal | 4/25/2024 | $14,081 | 28 | 28 | 44 | $21,316 | 5/7/2024 | |||
| Romania | 4/26/2024 | $19,104 | 54 | 54 | 182 | $102,423 | 6/12/2024 | |||
| Russia (CIS) | 5/9/2024 | $208,165 | 883 | 883 | 1,486 | $323,315 | 5/22/2024 | |||
| Spain | 3/28/2025 | $74,533 | 190 | 190 | 290 | $118,117 | 4/4/2026 | |||
| United Kingdom | 5/31/2024 | $294,374 | 481 | 481 | 481 | $517,495 | 6/10/2024 | |||
| International Total | $1,490,452 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alyla Browne | Charlotte |
Supporting
| Ryan Corr | Ethan | |
| Penelope Mitchell | Heather | |
| Robyn Nevin | Gunter | |
| Noni Hazlehurst | Helga | |
| Silvia Colloca | Maria | |
| Danny Kim | Erik | |
| Jermaine Fowler | Frank | |
| Kate Walsh | Sandy | |
| Jett Berry | Baby Liam | |
| Kade Berry | Baby Liam | |
| Lee Perry | Documentary Narrator | |
| Tony Black | Officer Miller | |
| Alcira Caprio | News Anchor |
Production and Technical Credits
| Kiah Roache-Turner | Director | |
| Kiah Roache-Turner | Screenwriter | |
| Jamie Hilton | Producer | |
| Michael Pontin | Producer | |
| Chris Brown | Producer | |
| Adrian Politowski | Executive Producer | |
| Martin Metz | Executive Producer | |
| Alison Thompson | Executive Producer | |
| Mark Gooder | Executive Producer | |
| William Gammon | Executive Producer | |
| Josh Pomeranz | Executive Producer | |
| Doris Pfardrescher | Executive Producer | |
| Diana Le Dean | Executive Producer | |
| Nadia Khamlichi | Executive Producer | |
| Nessa McGill | Executive Producer | |
| Sierra Garcia | Executive Producer | |
| Brad Shield | Director of Photography | |
| Fiona Donovan | Production Designer | |
| Luke Doolan | Editor | |
| Kiah Roache-Turner | Editor | |
| Rupert Hollier | Music Supervisor | |
| Anna Drubich | Composer | |
| Sam Gain-Emery | Sound Supervisor | |
| William Gammon | Visual Effects Supervisor | |
| Georgia Woods | Costume Designer | |
| John Logue | Make-up and Hair Designer | |
| Lesley Parker | Line Producer | |
| Nikki Barrett | Casting Director | |
| Jamie Crooks | First Assistant Director | |
| Gareth Wilkes | Art Director | |
| Diana Robertson | Set Decorator | |
| Michael Bell | Set Designer | |
| Clint Ingram | Special Effects Supervisor | |
| Jilly Guice | Costume Supervisor | |
| Ben Price | Production Supervisor | |
| George Saliba | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.