Stitch Head (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $4,562,943 | Details |
| International Box Office | $2,534,727 | Details |
| Worldwide Box Office | $7,097,670 | |
| OpusData ID: 717060100 More info... | ||
| Further financial details... | ||
Synopsis
The story of a small, forgotten creature living in a long-abandoned castle. Awoken by a Mad Professor, Stitch Head is tasked with protecting the professor’s other wildly inventive creations from the suspicious townspeople of Grubber Nubbin.
Metrics
| Opening Weekend: | $2,017,601 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 64.3% (domestic box office/worldwide) |
| Theater counts: | 2,162 opening theaters/2,162 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,562,943 |
Movie Details
| Domestic Releases: | October 29th, 2025 (Wide) by Briarcliff Entertainment |
| International Releases: | October 16th, 2025 (Limited), released as Frankie y los Monstruos (Mexico)
October 16th, 2025 (Limited), released as Záplaťák (Czech Republic) October 16th, 2025 (Wide), released as Alles Voller Monster (Austria) October 16th, 2025 (Wide), released as Alles Voller Monster (Germany) October 17th, 2025 (Wide), released as Micul erou peticit (Romania) ... Show all releases |
| Video Release: | November 18th, 2025 |
| MPA Rating: | PG for action, thematic elements and mild rude humor. (Rating bulletin 2901 (cert #55651), 9/3/2025) |
| Running Time: | 89 minutes |
| Plot point: | Circus, Mad Scientist, Monster |
| Subgenre: | Kids Horror |
| Target audience: | Family Movie |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Briarcliff Entertainment, Rabbits Black, Aniventure, Gringo Films, Fabrique D Images, Senator Film Produktion, TRAUMHAUS Studios, GFA Animation |
| Production Countries: | United Kingdom, Germany, Luxembourg, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 31, 2025 | 9 | $2,017,601 | 2,162 | $933 | $2,413,357 | 1 | |
| Nov 7, 2025 | - | $819,504 | -59% | 1,605 | $511 | $3,863,439 | 2 |
| Nov 14, 2025 | - | $210,057 | -74% | 535 | $393 | $4,460,214 | 3 |
| Nov 21, 2025 | - | $46,636 | -78% | 100 | $466 | $4,558,477 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 29, 2025 | 11 | $192,044 | 2,162 | $89 | $192,044 | 1 | ||
| Oct 30, 2025 | - | $203,712 | +6% | 2,162 | $94 | $395,756 | 2 | |
| Oct 31, 2025 | 9 | $337,115 | +65% | 2,162 | $156 | $732,871 | 3 | |
| Nov 1, 2025 | 8 | $1,015,104 | +201% | 2,162 | $470 | $1,747,975 | 4 | |
| Nov 2, 2025 | 8 | $665,382 | -34% | 2,162 | $308 | $2,413,357 | 5 | |
| Nov 3, 2025 | 10 | $150,364 | -77% | 2,162 | $70 | $2,563,721 | 6 | |
| Nov 4, 2025 | - | $301,112 | +100% | 2,162 | $139 | $2,864,833 | 7 | |
| Nov 5, 2025 | - | $103,916 | -65% | -46% | 2,162 | $48 | $2,968,749 | 8 |
| Nov 6, 2025 | 11 | $75,186 | -28% | -63% | 2,162 | $35 | $3,043,935 | 9 |
| Nov 7, 2025 | - | $168,120 | +124% | -50% | 1,605 | $105 | $3,212,055 | 10 |
| Nov 8, 2025 | - | $386,270 | +130% | -62% | 1,605 | $241 | $3,598,325 | 11 |
| Nov 9, 2025 | - | $265,114 | -31% | -60% | 1,605 | $165 | $3,863,439 | 12 |
| Nov 10, 2025 | - | $80,111 | -70% | -47% | 1,605 | $50 | $3,943,550 | 13 |
| Nov 11, 2025 | - | $252,033 | +215% | -16% | 1,605 | $157 | $4,195,583 | 14 |
| Nov 12, 2025 | - | $31,174 | -88% | -70% | 1,605 | $19 | $4,226,757 | 15 |
| Nov 13, 2025 | - | $23,400 | -25% | -69% | 1,605 | $15 | $4,250,157 | 16 |
| Nov 14, 2025 | - | $33,393 | +43% | -80% | 535 | $62 | $4,283,550 | 17 |
| Nov 15, 2025 | - | $105,632 | +216% | -73% | 535 | $197 | $4,389,182 | 18 |
| Nov 16, 2025 | - | $71,032 | -33% | -73% | 535 | $133 | $4,460,214 | 19 |
| Nov 17, 2025 | - | $12,010 | -83% | -85% | 535 | $22 | $4,472,224 | 20 |
| Nov 18, 2025 | - | $14,683 | +22% | -94% | 535 | $27 | $4,486,907 | 21 |
| Nov 19, 2025 | - | $13,332 | -9% | -57% | 535 | $25 | $4,500,239 | 22 |
| Nov 20, 2025 | - | $11,602 | -13% | -50% | 535 | $22 | $4,511,841 | 23 |
| Nov 21, 2025 | - | $20,204 | +74% | -39% | 100 | $202 | $4,532,045 | 24 |
| Nov 22, 2025 | - | $14,563 | -28% | -86% | 100 | $146 | $4,546,608 | 25 |
| Nov 23, 2025 | - | $11,869 | -18% | -83% | 100 | $119 | $4,558,477 | 26 |
| Nov 24, 2025 | - | $2,101 | -82% | -83% | 100 | $21 | $4,560,578 | 27 |
| Nov 25, 2025 | - | $2,198 | +5% | -85% | 100 | $22 | $4,562,776 | 28 |
| Nov 26, 2025 | - | $101 | -95% | -99% | 100 | $1 | $4,562,877 | 29 |
| Nov 27, 2025 | - | $66 | -35% | -99% | 100 | $1 | $4,562,943 | 30 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 24, 2025 | 21 | $395,756 | 2,162 | $183 | $395,756 | 1 | |
| Oct 31, 2025 | 9 | $2,648,179 | +569% | 2,162 | $1,225 | $3,043,935 | 2 |
| Nov 7, 2025 | 13 | $1,206,222 | -54% | 1,605 | $752 | $4,250,157 | 3 |
| Nov 14, 2025 | 19 | $261,684 | -78% | 535 | $489 | $4,511,841 | 4 |
| Nov 21, 2025 | 27 | $51,102 | -80% | 100 | $511 | $4,562,943 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Croatia | 12/11/2025 | $0 | 0 | 42 | 226 | $70,461 | 4/6/2026 | |||
| Czech Republic | 10/16/2025 | $40,463 | 133 | 133 | 215 | $63,148 | 4/4/2026 | |||
| Mexico | 10/16/2025 | $309,283 | 0 | 0 | 0 | $652,414 | 4/4/2026 | |||
| Portugal | 1/29/2026 | $56,255 | 47 | 47 | 0 | $105,975 | 4/4/2026 | |||
| Romania | 10/17/2025 | $32,649 | 85 | 85 | 0 | $131,937 | 4/4/2026 | |||
| Russia (CIS) | 11/20/2025 | $228,833 | 1,213 | 1,213 | 1,213 | $228,833 | 4/4/2026 | |||
| Slovakia | 10/30/2025 | $36,681 | 77 | 77 | 160 | $86,335 | 4/4/2026 | |||
| Spain | 1/23/2026 | $143,842 | 195 | 240 | 512 | $312,151 | 4/4/2026 | |||
| Turkey | 11/7/2025 | $35,377 | 128 | 128 | 243 | $187,328 | 4/4/2026 | |||
| United Kingdom | 2/13/2026 | $361,127 | 506 | 203 | 920 | $696,145 | 4/30/2026 | |||
| International Total | $2,534,727 | 4/30/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Asa Butterfield | Stitch Head | |
| Joel Fry | Creature | |
| Alison Steadman | ||
| Rob Brydon |
Supporting
| Fern Brady | ||
| Tia Bannon | Arabella | |
| Jamali Maddix | ||
| Ryan Sampson |
Production and Technical Credits
| Steve Hudson | Director | |
| Steve Hudson | Screenwriter | |
| Guy Bass | Story based on the children's book series by | |
| Sonja Ewers | Producer | |
| Mark Mertens | Producer | |
| Adam Nagle | Executive Producer | |
| Mark Rau | Executive Producer | |
| Guy Collins | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| Ronnie Exley | Executive Producer | |
| Jeremy Ross | Executive Producer | |
| Oli Strong | Executive Producer | |
| A.K. Madhavan | Executive Producer | |
| Amanda Kerridge | Executive Producer | |
| Markus Aldenhoven | Executive Producer | |
| Michael Luda | Executive Producer | |
| Mark Gabizon | Co-Producer | |
| Reik Moller | Co-Producer | |
| Nick Urata | Composer | |
| David Nasser | Animation Director | |
| Stephane Lecocq | Art Director | |
| Dieter Riepenhausen | Editor | |
| Toby Genkel | Co-Director | |
| Oliver Finkelde | Visual Effects Supervisor | |
| Peter Oedekoven | Character Designer | |
| Dietmar Kremer | Head of Story | |
| Maggie Rodford | Music Supervisor | |
| Lucy Rands | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of a small, forgotten creature living in a long-abandoned castle. Awoken by a Mad Professor, Stitch Head is tasked with protecting the professor’s other wildly inventive creations from the suspicious townspeople of Grubber Nubbin.
Metrics
| Opening Weekend: | $2,017,601 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 64.3% (domestic box office/worldwide) |
| Theater counts: | 2,162 opening theaters/2,162 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,562,943 |
Movie Details
| Domestic Releases: | October 29th, 2025 (Wide) by Briarcliff Entertainment |
| International Releases: | October 16th, 2025 (Limited), released as Frankie y los Monstruos (Mexico)
October 16th, 2025 (Limited), released as Záplaťák (Czech Republic) October 16th, 2025 (Wide), released as Alles Voller Monster (Austria) October 16th, 2025 (Wide), released as Alles Voller Monster (Germany) October 17th, 2025 (Wide), released as Micul erou peticit (Romania) ... Show all releases |
| Video Release: | November 18th, 2025 |
| MPA Rating: | PG for action, thematic elements and mild rude humor. (Rating bulletin 2901 (cert #55651), 9/3/2025) |
| Running Time: | 89 minutes |
| Plot point: | Circus, Mad Scientist, Monster |
| Subgenre: | Kids Horror |
| Target audience: | Family Movie |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Briarcliff Entertainment, Rabbits Black, Aniventure, Gringo Films, Fabrique D Images, Senator Film Produktion, TRAUMHAUS Studios, GFA Animation |
| Production Countries: | United Kingdom, Germany, Luxembourg, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 31, 2025 | 9 | $2,017,601 | 2,162 | $933 | $2,413,357 | 1 | |
| Nov 7, 2025 | - | $819,504 | -59% | 1,605 | $511 | $3,863,439 | 2 |
| Nov 14, 2025 | - | $210,057 | -74% | 535 | $393 | $4,460,214 | 3 |
| Nov 21, 2025 | - | $46,636 | -78% | 100 | $466 | $4,558,477 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 29, 2025 | 11 | $192,044 | 2,162 | $89 | $192,044 | 1 | ||
| Oct 30, 2025 | - | $203,712 | +6% | 2,162 | $94 | $395,756 | 2 | |
| Oct 31, 2025 | 9 | $337,115 | +65% | 2,162 | $156 | $732,871 | 3 | |
| Nov 1, 2025 | 8 | $1,015,104 | +201% | 2,162 | $470 | $1,747,975 | 4 | |
| Nov 2, 2025 | 8 | $665,382 | -34% | 2,162 | $308 | $2,413,357 | 5 | |
| Nov 3, 2025 | 10 | $150,364 | -77% | 2,162 | $70 | $2,563,721 | 6 | |
| Nov 4, 2025 | - | $301,112 | +100% | 2,162 | $139 | $2,864,833 | 7 | |
| Nov 5, 2025 | - | $103,916 | -65% | -46% | 2,162 | $48 | $2,968,749 | 8 |
| Nov 6, 2025 | 11 | $75,186 | -28% | -63% | 2,162 | $35 | $3,043,935 | 9 |
| Nov 7, 2025 | - | $168,120 | +124% | -50% | 1,605 | $105 | $3,212,055 | 10 |
| Nov 8, 2025 | - | $386,270 | +130% | -62% | 1,605 | $241 | $3,598,325 | 11 |
| Nov 9, 2025 | - | $265,114 | -31% | -60% | 1,605 | $165 | $3,863,439 | 12 |
| Nov 10, 2025 | - | $80,111 | -70% | -47% | 1,605 | $50 | $3,943,550 | 13 |
| Nov 11, 2025 | - | $252,033 | +215% | -16% | 1,605 | $157 | $4,195,583 | 14 |
| Nov 12, 2025 | - | $31,174 | -88% | -70% | 1,605 | $19 | $4,226,757 | 15 |
| Nov 13, 2025 | - | $23,400 | -25% | -69% | 1,605 | $15 | $4,250,157 | 16 |
| Nov 14, 2025 | - | $33,393 | +43% | -80% | 535 | $62 | $4,283,550 | 17 |
| Nov 15, 2025 | - | $105,632 | +216% | -73% | 535 | $197 | $4,389,182 | 18 |
| Nov 16, 2025 | - | $71,032 | -33% | -73% | 535 | $133 | $4,460,214 | 19 |
| Nov 17, 2025 | - | $12,010 | -83% | -85% | 535 | $22 | $4,472,224 | 20 |
| Nov 18, 2025 | - | $14,683 | +22% | -94% | 535 | $27 | $4,486,907 | 21 |
| Nov 19, 2025 | - | $13,332 | -9% | -57% | 535 | $25 | $4,500,239 | 22 |
| Nov 20, 2025 | - | $11,602 | -13% | -50% | 535 | $22 | $4,511,841 | 23 |
| Nov 21, 2025 | - | $20,204 | +74% | -39% | 100 | $202 | $4,532,045 | 24 |
| Nov 22, 2025 | - | $14,563 | -28% | -86% | 100 | $146 | $4,546,608 | 25 |
| Nov 23, 2025 | - | $11,869 | -18% | -83% | 100 | $119 | $4,558,477 | 26 |
| Nov 24, 2025 | - | $2,101 | -82% | -83% | 100 | $21 | $4,560,578 | 27 |
| Nov 25, 2025 | - | $2,198 | +5% | -85% | 100 | $22 | $4,562,776 | 28 |
| Nov 26, 2025 | - | $101 | -95% | -99% | 100 | $1 | $4,562,877 | 29 |
| Nov 27, 2025 | - | $66 | -35% | -99% | 100 | $1 | $4,562,943 | 30 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 24, 2025 | 21 | $395,756 | 2,162 | $183 | $395,756 | 1 | |
| Oct 31, 2025 | 9 | $2,648,179 | +569% | 2,162 | $1,225 | $3,043,935 | 2 |
| Nov 7, 2025 | 13 | $1,206,222 | -54% | 1,605 | $752 | $4,250,157 | 3 |
| Nov 14, 2025 | 19 | $261,684 | -78% | 535 | $489 | $4,511,841 | 4 |
| Nov 21, 2025 | 27 | $51,102 | -80% | 100 | $511 | $4,562,943 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Croatia | 12/11/2025 | $0 | 0 | 42 | 226 | $70,461 | 4/6/2026 | |||
| Czech Republic | 10/16/2025 | $40,463 | 133 | 133 | 215 | $63,148 | 4/4/2026 | |||
| Mexico | 10/16/2025 | $309,283 | 0 | 0 | 0 | $652,414 | 4/4/2026 | |||
| Portugal | 1/29/2026 | $56,255 | 47 | 47 | 0 | $105,975 | 4/4/2026 | |||
| Romania | 10/17/2025 | $32,649 | 85 | 85 | 0 | $131,937 | 4/4/2026 | |||
| Russia (CIS) | 11/20/2025 | $228,833 | 1,213 | 1,213 | 1,213 | $228,833 | 4/4/2026 | |||
| Slovakia | 10/30/2025 | $36,681 | 77 | 77 | 160 | $86,335 | 4/4/2026 | |||
| Spain | 1/23/2026 | $143,842 | 195 | 240 | 512 | $312,151 | 4/4/2026 | |||
| Turkey | 11/7/2025 | $35,377 | 128 | 128 | 243 | $187,328 | 4/4/2026 | |||
| United Kingdom | 2/13/2026 | $361,127 | 506 | 203 | 920 | $696,145 | 4/30/2026 | |||
| International Total | $2,534,727 | 4/30/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Asa Butterfield | Stitch Head | |
| Joel Fry | Creature | |
| Alison Steadman | ||
| Rob Brydon |
Supporting
| Fern Brady | ||
| Tia Bannon | Arabella | |
| Jamali Maddix | ||
| Ryan Sampson |
Production and Technical Credits
| Steve Hudson | Director | |
| Steve Hudson | Screenwriter | |
| Guy Bass | Story based on the children's book series by | |
| Sonja Ewers | Producer | |
| Mark Mertens | Producer | |
| Adam Nagle | Executive Producer | |
| Mark Rau | Executive Producer | |
| Guy Collins | Executive Producer | |
| Tom Ortenberg | Executive Producer | |
| Ronnie Exley | Executive Producer | |
| Jeremy Ross | Executive Producer | |
| Oli Strong | Executive Producer | |
| A.K. Madhavan | Executive Producer | |
| Amanda Kerridge | Executive Producer | |
| Markus Aldenhoven | Executive Producer | |
| Michael Luda | Executive Producer | |
| Mark Gabizon | Co-Producer | |
| Reik Moller | Co-Producer | |
| Nick Urata | Composer | |
| David Nasser | Animation Director | |
| Stephane Lecocq | Art Director | |
| Dieter Riepenhausen | Editor | |
| Toby Genkel | Co-Director | |
| Oliver Finkelde | Visual Effects Supervisor | |
| Peter Oedekoven | Character Designer | |
| Dietmar Kremer | Head of Story | |
| Maggie Rodford | Music Supervisor | |
| Lucy Rands | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.