Stonewall (2015)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $187,674 | Details |
| International Box Office | $104,529 | Details |
| Worldwide Box Office | $292,203 | |
| OpusData ID: 227560100 More info... | ||
| Further financial details... | ||
Synopsis
Danny Winters is forced to leave behind friends and loved ones when he is kicked out of his parent’s home and flees to New York. Alone in Greenwich Village, homeless and destitute, he befriends a group of street kids who soon introduce him to the local watering hole The Stonewall Inn; however, this shady, mafia-run club is far from a safe-haven. As Danny and his friends experience discrimination, endure atrocities and are repeatedly harassed by the police, we see a rage begin to build. This emotion runs through Danny and the entire community of young gays, lesbians and drag queens who populate the Stonewall Inn and erupts in a storm of anger. With the toss of a single brick, a riot ensues and a crusade for equality is born.
Metrics
| Opening Weekend: | $112,834 (60.1% of total gross) |
| Legs: | 1.66 (domestic box office/biggest weekend) |
| Domestic Share: | 64.2% (domestic box office/worldwide) |
| Theater counts: | 129 opening theaters/129 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $266,265 |
Movie Details
| Domestic Releases: | September 25th, 2015 (Limited) by Roadside Attractions |
| International Releases: | November 19th, 2015 (Wide) (Germany)
January 1st, 2016 (Wide) (Austria) May 6th, 2016 (Wide) (Italy) |
| Video Release: | January 5th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for sexual content, language throughout, some violence and drug use. (Rating bulletin 2387, 7/17/2015) |
| Running Time: | 129 minutes |
| Geographical setting: | New York City |
| Plot point: | LGBTQ+ |
| Social setting: | LGBT Rights Movement |
| Time period setting: | 1960s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Centropolis Entertainment, Goldcrest Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2015 | 37 | $112,834 | 129 | $875 | $112,834 | 1 | |
| Oct 2, 2015 | 65 | $19,692 | -83% | 46 | $428 | $174,289 | 2 |
| Oct 9, 2015 | 83 | $2,292 | -88% | 3 | $764 | $186,354 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 25, 2015 | - | $38,386 | 129 | $298 | $38,386 | 1 | ||
| Sep 26, 2015 | - | $44,172 | +15% | 129 | $342 | $82,558 | 2 | |
| Sep 27, 2015 | - | $30,276 | -31% | 129 | $235 | $112,834 | 3 | |
| Sep 28, 2015 | - | $11,107 | -63% | 129 | $86 | $123,941 | 4 | |
| Sep 29, 2015 | - | $10,656 | -4% | 129 | $83 | $134,597 | 5 | |
| Sep 30, 2015 | - | $10,345 | -3% | 129 | $80 | $144,942 | 6 | |
| Oct 1, 2015 | - | $9,655 | -7% | 129 | $75 | $154,597 | 7 | |
| Oct 2, 2015 | - | $4,694 | -51% | -88% | 46 | $102 | $159,291 | 8 |
| Oct 3, 2015 | - | $8,356 | +78% | -81% | 46 | $182 | $167,647 | 9 |
| Oct 4, 2015 | - | $6,642 | -21% | -78% | 46 | $144 | $174,289 | 10 |
| Oct 5, 2015 | - | $2,318 | -65% | -79% | 46 | $50 | $176,607 | 11 |
| Oct 6, 2015 | - | $2,582 | +11% | -76% | 46 | $56 | $179,189 | 12 |
| Oct 7, 2015 | - | $2,185 | -15% | -79% | 46 | $48 | $181,374 | 13 |
| Oct 8, 2015 | - | $2,688 | +23% | -72% | 46 | $58 | $184,062 | 14 |
| Oct 9, 2015 | - | $494 | -82% | -89% | 3 | $165 | $184,556 | 15 |
| Oct 10, 2015 | - | $746 | +51% | -91% | 3 | $249 | $185,302 | 16 |
| Oct 11, 2015 | - | $1,052 | +41% | -84% | 3 | $351 | $186,354 | 17 |
| Oct 12, 2015 | - | $624 | -41% | -73% | 3 | $208 | $186,978 | 18 |
| Oct 13, 2015 | - | $338 | -46% | -87% | 3 | $113 | $187,316 | 19 |
| Oct 14, 2015 | - | $193 | -43% | -91% | 3 | $64 | $187,509 | 20 |
| Oct 15, 2015 | - | $165 | -15% | -94% | 3 | $55 | $187,674 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2015 | 38 | $154,597 | 129 | $1,198 | $154,597 | 1 | |
| Oct 2, 2015 | 64 | $29,465 | -81% | 46 | $641 | $184,062 | 2 |
| Oct 9, 2015 | 83 | $3,612 | -88% | 3 | $1,204 | $187,674 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 1/1/2016 | $510 | 2 | 2 | 3 | $932 | 6/9/2016 | |||
| Germany | 11/19/2015 | $24,481 | 0 | 22 | 22 | $41,469 | 8/23/2018 | |||
| Italy | 5/6/2016 | $62,128 | 0 | 0 | 0 | $62,128 | 6/9/2016 | |||
| International Total | $104,529 | 8/23/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jeremy Irvine | Danny | |
| Jonny Beauchamp | Ray | |
| Caleb Landry-Jones | Annie |
Supporting
| Matt Craven | Deputy Seymour Pine |
Lead Ensemble Member
| Jonathan Rhys-Meyers | Trevor |
Supporting
| Ron Perlman | Ed Murphy |
Lead Ensemble Member
| Joey King | Phoebe | |
| Otoja Abit | Marsha P. Johnson | |
| Vladimir Alexis | Cong |
Supporting
| David Cubitt | Coach Winters |
Production and Technical Credits
| Roland Emmerich | Director | |
| Jon Robin Baitz | Screenwriter | |
| Roland Emmerich | Producer | |
| Michael Fossat | Producer | |
| Marc Frydman | Producer | |
| Carsten Lorenz | Producer | |
| Kirstin Winkler | Executive Producer | |
| Adam Press | Executive Producer | |
| Michael Roban | Executive Producer | |
| Markus Forderer | Director of Photography | |
| Adam Wolfe | Editor | |
| Rob Simonsen | Composer | |
| Season Kent | Music Supervisor | |
| Kerry Barden | Casting Director | |
| Paul Schnee | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Danny Winters is forced to leave behind friends and loved ones when he is kicked out of his parent’s home and flees to New York. Alone in Greenwich Village, homeless and destitute, he befriends a group of street kids who soon introduce him to the local watering hole The Stonewall Inn; however, this shady, mafia-run club is far from a safe-haven. As Danny and his friends experience discrimination, endure atrocities and are repeatedly harassed by the police, we see a rage begin to build. This emotion runs through Danny and the entire community of young gays, lesbians and drag queens who populate the Stonewall Inn and erupts in a storm of anger. With the toss of a single brick, a riot ensues and a crusade for equality is born.
Metrics
| Opening Weekend: | $112,834 (60.1% of total gross) |
| Legs: | 1.66 (domestic box office/biggest weekend) |
| Domestic Share: | 64.2% (domestic box office/worldwide) |
| Theater counts: | 129 opening theaters/129 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $266,265 |
Movie Details
| Domestic Releases: | September 25th, 2015 (Limited) by Roadside Attractions |
| International Releases: | November 19th, 2015 (Wide) (Germany)
January 1st, 2016 (Wide) (Austria) May 6th, 2016 (Wide) (Italy) |
| Video Release: | January 5th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for sexual content, language throughout, some violence and drug use. (Rating bulletin 2387, 7/17/2015) |
| Running Time: | 129 minutes |
| Geographical setting: | New York City |
| Plot point: | LGBTQ+ |
| Social setting: | LGBT Rights Movement |
| Time period setting: | 1960s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Centropolis Entertainment, Goldcrest Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2015 | 37 | $112,834 | 129 | $875 | $112,834 | 1 | |
| Oct 2, 2015 | 65 | $19,692 | -83% | 46 | $428 | $174,289 | 2 |
| Oct 9, 2015 | 83 | $2,292 | -88% | 3 | $764 | $186,354 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 25, 2015 | - | $38,386 | 129 | $298 | $38,386 | 1 | ||
| Sep 26, 2015 | - | $44,172 | +15% | 129 | $342 | $82,558 | 2 | |
| Sep 27, 2015 | - | $30,276 | -31% | 129 | $235 | $112,834 | 3 | |
| Sep 28, 2015 | - | $11,107 | -63% | 129 | $86 | $123,941 | 4 | |
| Sep 29, 2015 | - | $10,656 | -4% | 129 | $83 | $134,597 | 5 | |
| Sep 30, 2015 | - | $10,345 | -3% | 129 | $80 | $144,942 | 6 | |
| Oct 1, 2015 | - | $9,655 | -7% | 129 | $75 | $154,597 | 7 | |
| Oct 2, 2015 | - | $4,694 | -51% | -88% | 46 | $102 | $159,291 | 8 |
| Oct 3, 2015 | - | $8,356 | +78% | -81% | 46 | $182 | $167,647 | 9 |
| Oct 4, 2015 | - | $6,642 | -21% | -78% | 46 | $144 | $174,289 | 10 |
| Oct 5, 2015 | - | $2,318 | -65% | -79% | 46 | $50 | $176,607 | 11 |
| Oct 6, 2015 | - | $2,582 | +11% | -76% | 46 | $56 | $179,189 | 12 |
| Oct 7, 2015 | - | $2,185 | -15% | -79% | 46 | $48 | $181,374 | 13 |
| Oct 8, 2015 | - | $2,688 | +23% | -72% | 46 | $58 | $184,062 | 14 |
| Oct 9, 2015 | - | $494 | -82% | -89% | 3 | $165 | $184,556 | 15 |
| Oct 10, 2015 | - | $746 | +51% | -91% | 3 | $249 | $185,302 | 16 |
| Oct 11, 2015 | - | $1,052 | +41% | -84% | 3 | $351 | $186,354 | 17 |
| Oct 12, 2015 | - | $624 | -41% | -73% | 3 | $208 | $186,978 | 18 |
| Oct 13, 2015 | - | $338 | -46% | -87% | 3 | $113 | $187,316 | 19 |
| Oct 14, 2015 | - | $193 | -43% | -91% | 3 | $64 | $187,509 | 20 |
| Oct 15, 2015 | - | $165 | -15% | -94% | 3 | $55 | $187,674 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 2015 | 38 | $154,597 | 129 | $1,198 | $154,597 | 1 | |
| Oct 2, 2015 | 64 | $29,465 | -81% | 46 | $641 | $184,062 | 2 |
| Oct 9, 2015 | 83 | $3,612 | -88% | 3 | $1,204 | $187,674 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 1/1/2016 | $510 | 2 | 2 | 3 | $932 | 6/9/2016 | |||
| Germany | 11/19/2015 | $24,481 | 0 | 22 | 22 | $41,469 | 8/23/2018 | |||
| Italy | 5/6/2016 | $62,128 | 0 | 0 | 0 | $62,128 | 6/9/2016 | |||
| International Total | $104,529 | 8/23/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Jeremy Irvine | Danny | |
| Jonny Beauchamp | Ray | |
| Caleb Landry-Jones | Annie |
Supporting
| Matt Craven | Deputy Seymour Pine |
Lead Ensemble Member
| Jonathan Rhys-Meyers | Trevor |
Supporting
| Ron Perlman | Ed Murphy |
Lead Ensemble Member
| Joey King | Phoebe | |
| Otoja Abit | Marsha P. Johnson | |
| Vladimir Alexis | Cong |
Supporting
| David Cubitt | Coach Winters |
Production and Technical Credits
| Roland Emmerich | Director | |
| Jon Robin Baitz | Screenwriter | |
| Roland Emmerich | Producer | |
| Michael Fossat | Producer | |
| Marc Frydman | Producer | |
| Carsten Lorenz | Producer | |
| Kirstin Winkler | Executive Producer | |
| Adam Press | Executive Producer | |
| Michael Roban | Executive Producer | |
| Markus Forderer | Director of Photography | |
| Adam Wolfe | Editor | |
| Rob Simonsen | Composer | |
| Season Kent | Music Supervisor | |
| Kerry Barden | Casting Director | |
| Paul Schnee | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.