Storm Boy (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $71,760 | Details |
| International Box Office | $4,341,843 | Details |
| Worldwide Box Office | $4,413,603 | |
| OpusData ID: 391080100 More info... | ||
| Further financial details... | ||
Synopsis
Storm Boy has grown up to be Michael Kingley, a successful retired businessman and grandfather. When Kingley starts to see images from his past that he can't explain, he is forced to remember his long-forgotten childhood, growing up on an isolated coastline with his father. He recounts to his grand-daughter the story of how, as a boy, he rescued and raised an extraordinary orphaned pelican, Mr Percival. Their remarkable adventures and very special bond has a profound effect on all their lives. Based on the beloved book, Storm Boy is a timeless story of an unusual and unconditional friendship.
Metrics
| Opening Weekend: | $46,676 (65.0% of total gross) |
| Legs: | 1.54 (domestic box office/biggest weekend) |
| Domestic Share: | 1.6% (domestic box office/worldwide) |
| Theater counts: | 56 opening theaters/56 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $93,695 |
Movie Details
| Domestic Releases: | April 5th, 2019 (Limited) by Good Deed Entertainment |
| International Releases: | January 17th, 2019 (Wide) (Australia)
January 17th, 2019 (Wide) (New Zealand) January 19th, 2019 (Wide) (Poland) March 19th, 2020 (Wide), released as МОЙ ДРУГ МИСТЕР ПЕРСИВАЛЬ (Russia (CIS)) July 24th, 2020 (Wide), released as Audros vaikas (Lithuania) ... Show all releases |
| Video Release: | July 2nd, 2019 by Cinedigm |
| MPA Rating: | PG for some thematic elements, mild peril and brief language. (Rating bulletin 2559 (Cert #51976), 1/2/2019) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Geographical setting: | Australia |
| Plot point: | Coming of Age, Non-Chronological |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Screen Australia, South Australian Film Corp., Piccadilly Pictures, Aurora Media Holdings, ACPI Investments LTD, Salt Media and Entertainment, Ambience Entertainment |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 37 | $46,676 | 56 | $834 | $46,676 | 1 | |
| Apr 12, 2019 | 71 | $4,191 | -91% | 17 | $247 | $67,728 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 38 | $63,537 | 56 | $1,135 | $63,537 | 1 | |
| Apr 12, 2019 | 75 | $5,992 | -91% | 17 | $352 | $69,566 | 2 |
| Apr 19, 2019 | 86 | $2,194 | -63% | 4 | $549 | $71,760 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/17/2019 | $874,035 | 320 | 1 | 1,465 | $3,017,728 | 4/4/2026 | |||
| Italy | 6/24/2021 | $27,034 | 0 | 75 | 90 | $49,076 | 10/20/2022 | |||
| Lithuania | 7/24/2020 | $7,426 | 15 | 15 | 46 | $28,976 | 8/26/2020 | |||
| New Zealand | 1/17/2019 | $37,473 | 73 | 73 | 271 | $162,194 | 3/26/2019 | |||
| Poland | 1/19/2019 | $128,410 | 149 | 149 | 298 | $445,616 | 4/4/2026 | |||
| Russia (CIS) | 3/19/2020 | $14,219 | 370 | 370 | 558 | $760 | 4/4/2026 | |||
| South Korea | 2/16/2023 | $4,876 | 44 | 44 | 44 | $11,371 | 2/22/2023 | |||
| Rest of World | $626,122 | |||||||||
| International Total | $4,341,843 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Geoffrey Rush | Mike Kingley | |
| Jai Courtney | Hideaway Tom | |
| Trevor Jamison | Fingerbone Bill | |
| Morgana Davies | Madeline |
Leading
| Finn Little | Storm Boy |
Supporting
| Erik Thompson | Malcom Downer | |
| Brad Williams | Jasper Davies | |
| Natasha Wanganeen | Susan Franklin | |
| Nick Launchbury | Reporter #1 | |
| Emma Bargery | Reporter #2 |
Production and Technical Credits
| Shawn Seet | Director | |
| Michael Boughen | Producer | |
| Matthew Street | Producer | |
| Justin Monjo | Screenwriter | |
| Colin Thiele | Story based on the original novella by | |
| Robert Slaviero | Executive Producer | |
| Geoffrey Rush | Executive Producer | |
| Christopher Figg | Executive Producer | |
| Robert Whitehouse | Executive Producer | |
| Justin Deimen | Executive Producer | |
| Sherman Ng | Executive Producer | |
| Paul Ranford | Co-Producer | |
| Bruce Young | Director of Photography | |
| Denise Haratzis | Editor | |
| Alan John | Composer | |
| Melinda Doring | Production Designer | |
| Louise McCarthy | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Storm Boy has grown up to be Michael Kingley, a successful retired businessman and grandfather. When Kingley starts to see images from his past that he can't explain, he is forced to remember his long-forgotten childhood, growing up on an isolated coastline with his father. He recounts to his grand-daughter the story of how, as a boy, he rescued and raised an extraordinary orphaned pelican, Mr Percival. Their remarkable adventures and very special bond has a profound effect on all their lives. Based on the beloved book, Storm Boy is a timeless story of an unusual and unconditional friendship.
Metrics
| Opening Weekend: | $46,676 (65.0% of total gross) |
| Legs: | 1.54 (domestic box office/biggest weekend) |
| Domestic Share: | 1.6% (domestic box office/worldwide) |
| Theater counts: | 56 opening theaters/56 max. theaters, 1.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $93,695 |
Movie Details
| Domestic Releases: | April 5th, 2019 (Limited) by Good Deed Entertainment |
| International Releases: | January 17th, 2019 (Wide) (Australia)
January 17th, 2019 (Wide) (New Zealand) January 19th, 2019 (Wide) (Poland) March 19th, 2020 (Wide), released as МОЙ ДРУГ МИСТЕР ПЕРСИВАЛЬ (Russia (CIS)) July 24th, 2020 (Wide), released as Audros vaikas (Lithuania) ... Show all releases |
| Video Release: | July 2nd, 2019 by Cinedigm |
| MPA Rating: | PG for some thematic elements, mild peril and brief language. (Rating bulletin 2559 (Cert #51976), 1/2/2019) |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Geographical setting: | Australia |
| Plot point: | Coming of Age, Non-Chronological |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Screen Australia, South Australian Film Corp., Piccadilly Pictures, Aurora Media Holdings, ACPI Investments LTD, Salt Media and Entertainment, Ambience Entertainment |
| Production Countries: | Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 37 | $46,676 | 56 | $834 | $46,676 | 1 | |
| Apr 12, 2019 | 71 | $4,191 | -91% | 17 | $247 | $67,728 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 5, 2019 | 38 | $63,537 | 56 | $1,135 | $63,537 | 1 | |
| Apr 12, 2019 | 75 | $5,992 | -91% | 17 | $352 | $69,566 | 2 |
| Apr 19, 2019 | 86 | $2,194 | -63% | 4 | $549 | $71,760 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/17/2019 | $874,035 | 320 | 1 | 1,465 | $3,017,728 | 4/4/2026 | |||
| Italy | 6/24/2021 | $27,034 | 0 | 75 | 90 | $49,076 | 10/20/2022 | |||
| Lithuania | 7/24/2020 | $7,426 | 15 | 15 | 46 | $28,976 | 8/26/2020 | |||
| New Zealand | 1/17/2019 | $37,473 | 73 | 73 | 271 | $162,194 | 3/26/2019 | |||
| Poland | 1/19/2019 | $128,410 | 149 | 149 | 298 | $445,616 | 4/4/2026 | |||
| Russia (CIS) | 3/19/2020 | $14,219 | 370 | 370 | 558 | $760 | 4/4/2026 | |||
| South Korea | 2/16/2023 | $4,876 | 44 | 44 | 44 | $11,371 | 2/22/2023 | |||
| Rest of World | $626,122 | |||||||||
| International Total | $4,341,843 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Geoffrey Rush | Mike Kingley | |
| Jai Courtney | Hideaway Tom | |
| Trevor Jamison | Fingerbone Bill | |
| Morgana Davies | Madeline |
Leading
| Finn Little | Storm Boy |
Supporting
| Erik Thompson | Malcom Downer | |
| Brad Williams | Jasper Davies | |
| Natasha Wanganeen | Susan Franklin | |
| Nick Launchbury | Reporter #1 | |
| Emma Bargery | Reporter #2 |
Production and Technical Credits
| Shawn Seet | Director | |
| Michael Boughen | Producer | |
| Matthew Street | Producer | |
| Justin Monjo | Screenwriter | |
| Colin Thiele | Story based on the original novella by | |
| Robert Slaviero | Executive Producer | |
| Geoffrey Rush | Executive Producer | |
| Christopher Figg | Executive Producer | |
| Robert Whitehouse | Executive Producer | |
| Justin Deimen | Executive Producer | |
| Sherman Ng | Executive Producer | |
| Paul Ranford | Co-Producer | |
| Bruce Young | Director of Photography | |
| Denise Haratzis | Editor | |
| Alan John | Composer | |
| Melinda Doring | Production Designer | |
| Louise McCarthy | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.