Storytelling (2002)
| Theatrical Performance | ||
| Domestic Box Office | $912,442 | Details |
| International Box Office | $1,112,080 | |
| Worldwide Box Office | $2,024,522 | |
| OpusData ID: 62410100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $73,688 (8.1% of total gross) |
| Legs: | 5.83 (domestic box office/biggest weekend) |
| Domestic Share: | 45.1% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/40 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,878,282 |
Movie Details
| Domestic Releases: | January 25th, 2002 (Wide) by Fine Line |
| MPA Rating: | R for strong sexual content, language and some drug use. |
| Running Time: | 87 minutes |
| Plot point: | Dysfunctional Family |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2002 | 42 | $73,688 | 4 | $18,422 | $73,688 | 1 | |
| Feb 1, 2002 | 43 | $51,318 | -30% | 5 | $10,264 | $157,505 | 2 |
| Feb 8, 2002 | 33 | $156,460 | +205% | 38 | $4,117 | $339,615 | 3 |
| Feb 15, 2002 | 38 | $129,595 | -17% | 40 | $3,240 | $554,512 | 4 |
| Feb 22, 2002 | 41 | $75,809 | -42% | 25 | $3,032 | $672,644 | 5 |
| Mar 1, 2002 | 44 | $70,598 | -7% | 34 | $2,076 | $777,173 | 6 |
| Mar 8, 2002 | 51 | $39,538 | -44% | 24 | $1,647 | $850,758 | 7 |
| Mar 15, 2002 | 64 | $19,145 | -52% | 16 | $1,197 | $888,836 | 8 |
| Mar 22, 2002 | 71 | $14,038 | -27% | 16 | $877 | $912,442 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2002 | 41 | $106,187 | 4 | $26,547 | $106,187 | 1 | |
| Feb 1, 2002 | 43 | $76,968 | -28% | 5 | $15,394 | $183,155 | 2 |
| Feb 8, 2002 | 33 | $241,762 | +214% | 38 | $6,362 | $424,917 | 3 |
| Feb 15, 2002 | 36 | $171,918 | -29% | 40 | $4,298 | $596,835 | 4 |
| Feb 22, 2002 | 42 | $109,740 | -36% | 25 | $4,390 | $706,575 | 5 |
| Mar 1, 2002 | 45 | $104,645 | -5% | 34 | $3,078 | $811,220 | 6 |
| Mar 8, 2002 | 52 | $58,471 | -44% | 24 | $2,436 | $869,691 | 7 |
| Mar 15, 2002 | 68 | $28,713 | -51% | 16 | $1,795 | $898,404 | 8 |
| Mar 22, 2002 | 84 | $14,038 | -51% | 16 | $877 | $912,442 | 9 |
| Selma Blair | Vi | |
| Leo Fitzpatrick | Marcus | |
| Robert Wisdom | Mr. Scott | |
| Maria Thayer | Amy | |
| Angela Goethals | Elli | |
| Devorah Rose | Lucy | |
| Nancy Ann Ridder | Joyce | |
| Steven Rosen | Ethan | |
| Aleksa Palladino | Catherine | |
| Mary Lynn Rajskub | Melinda | |
| Tina Holmes | Sue | |
| Paul Giamatti | Toby Oxman | |
| John Goodman | Marty Livingston | |
| Franka Potente | Toby's Editor |
Production and Technical Credits
| Todd Solondz | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $73,688 (8.1% of total gross) |
| Legs: | 5.83 (domestic box office/biggest weekend) |
| Domestic Share: | 45.1% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/40 max. theaters, 5.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,878,282 |
Movie Details
| Domestic Releases: | January 25th, 2002 (Wide) by Fine Line |
| MPA Rating: | R for strong sexual content, language and some drug use. |
| Running Time: | 87 minutes |
| Plot point: | Dysfunctional Family |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2002 | 42 | $73,688 | 4 | $18,422 | $73,688 | 1 | |
| Feb 1, 2002 | 43 | $51,318 | -30% | 5 | $10,264 | $157,505 | 2 |
| Feb 8, 2002 | 33 | $156,460 | +205% | 38 | $4,117 | $339,615 | 3 |
| Feb 15, 2002 | 38 | $129,595 | -17% | 40 | $3,240 | $554,512 | 4 |
| Feb 22, 2002 | 41 | $75,809 | -42% | 25 | $3,032 | $672,644 | 5 |
| Mar 1, 2002 | 44 | $70,598 | -7% | 34 | $2,076 | $777,173 | 6 |
| Mar 8, 2002 | 51 | $39,538 | -44% | 24 | $1,647 | $850,758 | 7 |
| Mar 15, 2002 | 64 | $19,145 | -52% | 16 | $1,197 | $888,836 | 8 |
| Mar 22, 2002 | 71 | $14,038 | -27% | 16 | $877 | $912,442 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 25, 2002 | 41 | $106,187 | 4 | $26,547 | $106,187 | 1 | |
| Feb 1, 2002 | 43 | $76,968 | -28% | 5 | $15,394 | $183,155 | 2 |
| Feb 8, 2002 | 33 | $241,762 | +214% | 38 | $6,362 | $424,917 | 3 |
| Feb 15, 2002 | 36 | $171,918 | -29% | 40 | $4,298 | $596,835 | 4 |
| Feb 22, 2002 | 42 | $109,740 | -36% | 25 | $4,390 | $706,575 | 5 |
| Mar 1, 2002 | 45 | $104,645 | -5% | 34 | $3,078 | $811,220 | 6 |
| Mar 8, 2002 | 52 | $58,471 | -44% | 24 | $2,436 | $869,691 | 7 |
| Mar 15, 2002 | 68 | $28,713 | -51% | 16 | $1,795 | $898,404 | 8 |
| Mar 22, 2002 | 84 | $14,038 | -51% | 16 | $877 | $912,442 | 9 |
| Selma Blair | Vi | |
| Leo Fitzpatrick | Marcus | |
| Robert Wisdom | Mr. Scott | |
| Maria Thayer | Amy | |
| Angela Goethals | Elli | |
| Devorah Rose | Lucy | |
| Nancy Ann Ridder | Joyce | |
| Steven Rosen | Ethan | |
| Aleksa Palladino | Catherine | |
| Mary Lynn Rajskub | Melinda | |
| Tina Holmes | Sue | |
| Paul Giamatti | Toby Oxman | |
| John Goodman | Marty Livingston | |
| Franka Potente | Toby's Editor |
Production and Technical Credits
| Todd Solondz | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.