Strange Days (1995)
| Theatrical Performance | ||
| Domestic Box Office | $7,918,562 | Details |
| OpusData ID: 40720100 More info... | ||
| Further financial details... | ||
Metrics
| Legs: | 2.17 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $20,588,260 |
Movie Details
| Domestic Releases: | October 6th, 1995 (Wide) by 20th Century Fox |
| MPA Rating: | R for intense disturbing violence, sexuality and pervasive strong language |
| Running Time: | 145 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Corrupt Cops, Framed, Prostitution, Sex Crimes, Surprise Twist |
| Social setting: | Film Noir |
| Subgenre: | Crime Thriller |
| Time period setting: | 1990s, Yesterday's Tomorrow |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 1995 | 8 | $3,656,012 | 1,691 | $2,162 | $3,725,388 | 2 | |
| Oct 20, 1995 | 12 | $1,470,214 | -60% | 1,689 | $870 | $6,440,093 | 3 |
| Oct 27, 1995 | 22 | $345,162 | -77% | 515 | $670 | $7,333,199 | 4 |
| Nov 3, 1995 | 34 | $152,083 | -56% | 199 | $764 | $7,638,511 | 5 |
| Nov 10, 1995 | 41 | $81,355 | -47% | 131 | $621 | $7,788,162 | 6 |
| Nov 17, 1995 | 50 | $43,733 | -46% | 78 | $561 | $7,868,964 | 7 |
| Nov 24, 1995 | 57 | $21,523 | -51% | 55 | $391 | $7,907,619 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 1995 | 9 | $4,900,503 | 1,691 | $2,898 | $4,969,879 | 2 | |
| Oct 20, 1995 | 11 | $2,018,158 | -59% | 1,689 | $1,195 | $6,988,037 | 3 |
| Oct 27, 1995 | 20 | $498,391 | -75% | 515 | $968 | $7,486,428 | 4 |
| Nov 3, 1995 | 32 | $220,379 | -56% | 199 | $1,107 | $7,706,807 | 5 |
| Nov 10, 1995 | 39 | $118,424 | -46% | 131 | $904 | $7,825,231 | 6 |
| Nov 17, 1995 | 49 | $60,865 | -49% | 78 | $780 | $7,886,096 | 7 |
| Ralph Fiennes | Lenny Nero | |
| Vincent D'Onofrio | Burton Steckler | |
| Angela Bassett | Lornette "Mace" Mason | |
| Juliette Lewis | Faith Justin | |
| Tom Sizemore | Max Peltier | |
| William Fichtner | Dwayne Engelman | |
| Nicky Katt | Joey Corto | |
| Josef Sommer | Palmer Strickland | |
| Michael Wincott | Philo Gant | |
| Glenn Plummer | Jeriko One | |
| Kelly Hu | Anchor Woman |
Production and Technical Credits
| Kathryn Bigelow | Director | |
| Graeme Revell | Composer | |
| James Cameron | Screenwriter | |
| Kelly Port | Digital Artist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Legs: | 2.17 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $20,588,260 |
Movie Details
| Domestic Releases: | October 6th, 1995 (Wide) by 20th Century Fox |
| MPA Rating: | R for intense disturbing violence, sexuality and pervasive strong language |
| Running Time: | 145 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Corrupt Cops, Framed, Prostitution, Sex Crimes, Surprise Twist |
| Social setting: | Film Noir |
| Subgenre: | Crime Thriller |
| Time period setting: | 1990s, Yesterday's Tomorrow |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 1995 | 8 | $3,656,012 | 1,691 | $2,162 | $3,725,388 | 2 | |
| Oct 20, 1995 | 12 | $1,470,214 | -60% | 1,689 | $870 | $6,440,093 | 3 |
| Oct 27, 1995 | 22 | $345,162 | -77% | 515 | $670 | $7,333,199 | 4 |
| Nov 3, 1995 | 34 | $152,083 | -56% | 199 | $764 | $7,638,511 | 5 |
| Nov 10, 1995 | 41 | $81,355 | -47% | 131 | $621 | $7,788,162 | 6 |
| Nov 17, 1995 | 50 | $43,733 | -46% | 78 | $561 | $7,868,964 | 7 |
| Nov 24, 1995 | 57 | $21,523 | -51% | 55 | $391 | $7,907,619 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 1995 | 9 | $4,900,503 | 1,691 | $2,898 | $4,969,879 | 2 | |
| Oct 20, 1995 | 11 | $2,018,158 | -59% | 1,689 | $1,195 | $6,988,037 | 3 |
| Oct 27, 1995 | 20 | $498,391 | -75% | 515 | $968 | $7,486,428 | 4 |
| Nov 3, 1995 | 32 | $220,379 | -56% | 199 | $1,107 | $7,706,807 | 5 |
| Nov 10, 1995 | 39 | $118,424 | -46% | 131 | $904 | $7,825,231 | 6 |
| Nov 17, 1995 | 49 | $60,865 | -49% | 78 | $780 | $7,886,096 | 7 |
| Ralph Fiennes | Lenny Nero | |
| Vincent D'Onofrio | Burton Steckler | |
| Angela Bassett | Lornette "Mace" Mason | |
| Juliette Lewis | Faith Justin | |
| Tom Sizemore | Max Peltier | |
| William Fichtner | Dwayne Engelman | |
| Nicky Katt | Joey Corto | |
| Josef Sommer | Palmer Strickland | |
| Michael Wincott | Philo Gant | |
| Glenn Plummer | Jeriko One | |
| Kelly Hu | Anchor Woman |
Production and Technical Credits
| Kathryn Bigelow | Director | |
| Graeme Revell | Composer | |
| James Cameron | Screenwriter | |
| Kelly Port | Digital Artist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.