The Strangers: Chapter 3 (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $8,560,986 | Details |
| International Box Office | $2,470,961 | Details |
| Worldwide Box Office | $11,031,947 | |
| OpusData ID: 676250100 More info... | ||
| Further financial details... | ||
Synopsis
Maya faces the masked killers one last time in a brutal, full-circle reckoning of survival and revenge.
Metrics
| Opening Weekend: | $3,472,554 (40.6% of total gross) |
| Legs: | 2.47 (domestic box office/biggest weekend) |
| Domestic Share: | 77.6% (domestic box office/worldwide) |
| Theater counts: | 2,565 opening theaters/2,565 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,560,986 |
Movie Details
| Domestic Releases: | February 6th, 2026 (Wide) by Lionsgate |
| International Releases: | February 5th, 2026 (Wide) (Australia)
February 5th, 2026 (Wide) (Israel) February 5th, 2026 (Wide) (Croatia) February 5th, 2026 (Limited), released as Os Estranhos: Capítulo 3 (Portugal) February 5th, 2026 (Wide) (Greece) ... Show all releases |
| Video Release: | March 6th, 2026 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong bloody violence and language. (Rating bulletin 2918 (cert #54907), 1/7/2026) |
| Running Time: | 91 minutes |
| Franchise: | The Strangers |
| Cast, crew, or production detail: | Prologue, Sequels Shot Concurrently |
| Plot point: | Death of a Sibling, Home Invasion, Non-Chronological |
| Subgenre: | Slasher Horror |
| Time period setting: | 2020s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lionsgate, Fifth Element Productions, Strangers Franchise Productions, Hasbula Productions, Stream Media , Sherborne Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 6, 2026 | 7 | $3,472,554 | 2,565 | $1,354 | $3,472,554 | 1 | |
| Feb 13, 2026 | 11 | $2,270,985 | -35% | 2,565 | $885 | $6,949,850 | 2 |
| Feb 20, 2026 | - | $563,481 | -75% | 857 | $658 | $8,217,788 | 3 |
| Feb 27, 2026 | - | $97,249 | -83% | 240 | $405 | $8,516,748 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 5, 2026 | P | $450,000 | 0 | $450,000 | ||||
| Feb 6, 2026 | 6 | $1,590,421 | 2,565 | $620 | $1,590,421 | 1 | ||
| Feb 7, 2026 | 8 | $1,395,006 | -12% | 2,565 | $544 | $2,985,427 | 2 | |
| Feb 8, 2026 | 8 | $487,127 | -65% | 2,565 | $190 | $3,472,554 | 3 | |
| Feb 9, 2026 | 6 | $303,594 | -38% | 2,565 | $118 | $3,776,148 | 4 | |
| Feb 10, 2026 | 6 | $428,256 | +41% | 2,565 | $167 | $4,204,404 | 5 | |
| Feb 11, 2026 | 8 | $261,814 | -39% | 2,565 | $102 | $4,466,218 | 6 | |
| Feb 12, 2026 | 6 | $212,647 | -19% | 2,565 | $83 | $4,678,865 | 7 | |
| Feb 13, 2026 | 12 | $454,719 | +114% | -71% | 2,565 | $177 | $5,133,584 | 8 |
| Feb 14, 2026 | 11 | $1,251,795 | +175% | -10% | 2,565 | $488 | $6,385,379 | 9 |
| Feb 15, 2026 | 11 | $564,471 | -55% | +16% | 2,565 | $220 | $6,949,850 | 10 |
| Feb 16, 2026 | 11 | $255,992 | -55% | -16% | 2,565 | $100 | $7,205,842 | 11 |
| Feb 17, 2026 | 11 | $202,303 | -21% | -53% | 2,565 | $79 | $7,408,145 | 12 |
| Feb 18, 2026 | 11 | $144,111 | -29% | -45% | 2,565 | $56 | $7,552,256 | 13 |
| Feb 19, 2026 | 13 | $102,051 | -29% | -52% | 2,565 | $40 | $7,654,307 | 14 |
| Feb 20, 2026 | - | $164,182 | +61% | -64% | 857 | $192 | $7,818,489 | 15 |
| Feb 21, 2026 | - | $252,008 | +53% | -80% | 857 | $294 | $8,070,497 | 16 |
| Feb 22, 2026 | - | $147,291 | -42% | -74% | 857 | $172 | $8,217,788 | 17 |
| Feb 23, 2026 | - | $50,833 | -65% | -80% | 857 | $59 | $8,268,621 | 18 |
| Feb 24, 2026 | - | $71,122 | +40% | -65% | 857 | $83 | $8,339,743 | 19 |
| Feb 25, 2026 | - | $57,945 | -19% | -60% | 857 | $68 | $8,397,688 | 20 |
| Feb 26, 2026 | - | $21,811 | -62% | -79% | 857 | $25 | $8,419,499 | 21 |
| Feb 27, 2026 | - | $28,387 | +30% | -83% | 240 | $118 | $8,447,886 | 22 |
| Feb 28, 2026 | - | $41,801 | +47% | -83% | 240 | $174 | $8,489,687 | 23 |
| Mar 1, 2026 | - | $27,061 | -35% | -82% | 240 | $113 | $8,516,748 | 24 |
| Mar 2, 2026 | - | $10,275 | -62% | -80% | 240 | $43 | $8,527,023 | 25 |
| Mar 3, 2026 | - | $14,402 | +40% | -80% | 240 | $60 | $8,541,425 | 26 |
| Mar 4, 2026 | - | $12,250 | -15% | -79% | 240 | $51 | $8,553,675 | 27 |
| Mar 5, 2026 | - | $7,311 | -40% | -66% | 240 | $30 | $8,560,986 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 6, 2026 | 8 | $4,678,865 | 2,565 | $1,824 | $4,678,865 | 1 | |
| Feb 13, 2026 | 11 | $2,975,442 | -36% | 2,565 | $1,160 | $7,654,307 | 2 |
| Feb 20, 2026 | 20 | $765,192 | -74% | 857 | $893 | $8,419,499 | 3 |
| Feb 27, 2026 | 28 | $141,487 | -82% | 240 | $590 | $8,560,986 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/5/2026 | $14,059 | 24 | 24 | 0 | $21,380 | 4/6/2026 | |||
| Brazil | 4/9/2026 | $0 | 0 | 56 | 56 | $141,455 | 4/20/2026 | |||
| Bulgaria | 3/6/2026 | $0 | 0 | 1 | 1 | $19,971 | 4/20/2026 | |||
| Croatia | 2/5/2026 | $15,771 | 43 | 43 | 91 | $31,904 | 4/4/2026 | |||
| Dominican Republic | 5/14/2026 | $0 | 0 | 0 | 0 | $4,901 | 6/2/2026 | |||
| Ecuador | 3/26/2026 | $23,709 | 46 | 46 | 67 | $43,749 | 4/10/2026 | |||
| Egypt | 4/2/2026 | $0 | 0 | 6 | 6 | $6,328 | 5/8/2026 | |||
| Iraq | 4/2/2026 | $0 | 0 | 9 | 9 | $18,517 | 4/20/2026 | |||
| Israel | 2/5/2026 | $0 | 0 | 36 | 108 | $79,423 | 4/20/2026 | |||
| Jordan | 4/2/2026 | $3,798 | 0 | 2 | 2 | $8,847 | 4/20/2026 | |||
| Kuwait | 4/2/2026 | $0 | 0 | 7 | 7 | $43,983 | 4/20/2026 | |||
| Mexico | 4/2/2026 | $195,903 | 0 | 26 | 26 | $402,951 | 4/20/2026 | |||
| Mongolia | 3/27/2026 | $0 | 0 | 0 | 0 | $3,950 | 4/10/2026 | |||
| Netherlands | 4/30/2026 | $38,310 | 42 | 42 | 81 | $72,604 | 5/11/2026 | |||
| Oman | 4/2/2026 | $6,151 | 0 | 1 | 1 | $10,216 | 4/20/2026 | |||
| Portugal | 2/5/2026 | $23,714 | 42 | 42 | 0 | $37,553 | 4/4/2026 | |||
| Qatar | 4/2/2026 | $0 | 0 | 1 | 1 | $23,744 | 4/20/2026 | |||
| Romania | 2/20/2026 | $13,435 | 44 | 44 | 0 | $29,507 | 4/16/2026 | |||
| Spain | 4/30/2026 | $95,890 | 204 | 7 | 298 | $178,403 | 5/28/2026 | |||
| Suriname | 3/19/2026 | $0 | 0 | 0 | 0 | $16,890 | 4/10/2026 | |||
| United Arab Emirates | 4/2/2026 | $62,027 | 0 | 1 | 1 | $94,718 | 4/20/2026 | |||
| United Kingdom | 2/6/2026 | $244,245 | 286 | 286 | 443 | $461,171 | 4/4/2026 | |||
| Rest of World | $718,796 | |||||||||
| International Total | $2,470,961 | 6/2/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Madelaine Petsch | Maya |
Supporting
| Gabriel Basso | Gregory/Scarecrow | |
| Ema Horvath | Shelly | |
| Richard Brake | Sheriff Rotter | |
| Ella Bruccoleri | Jasmine/Dollface | |
| Rachel Shenton | Debbie Lucas | |
| George Young | Howard | |
| Miles Yekinni | Marcus | |
| Stephanie Aubertin | teenage Jasmine | |
| Finn Cofell | teenage Shelly Barnes | |
| Nola Wallace | young Shelly Barnes | |
| Kyle Breitkopf | teenage Gregory | |
| Jake Cogman | young Gregory |
Production and Technical Credits
| Renny Harlin | Director | |
| Alan R. Cohen | Screenwriter | |
| Alan Freedland | Screenwriter | |
| Amber Loutfi | Screenwriter | |
| Courtney Solomon | Producer | |
| Mark Canton | Producer | |
| Christopher Milburn | Producer | |
| Gary Raskin | Producer | |
| Charlie Dombeck | Producer | |
| Alastair Birlingham | Producer | |
| Madelaine Petsch | Producer | |
| Alan R. Cohen | Executive Producer | |
| Alan Freedland | Executive Producer | |
| Rafaella Biscayn | Executive Producer | |
| Dorothy Canton | Executive Producer | |
| Roy Lee | Executive Producer | |
| Paul Weinberg | Executive Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Kia Jam | Executive Producer | |
| Andrei Boncea | Executive Producer | |
| Blair Ward | Executive Producer | |
| Anders Erden | Executive Producer | |
| Dennis Pelino | Executive Producer | |
| Andrew Bronfman | Executive Producer | |
| Jonathan Bronfman | Executive Producer | |
| Kate Hickey | Editor | |
| Justin Burnett | Composer | |
| Òscar Senén | Composer | |
| Jose David Montero | Director of Photography | |
| Alan Freedland | Character Creator | |
| Juan Antonio García Peredo | Co-Producer | |
| Alberto Burgueño | Co-Producer | |
| Johanna Harlin | Co-Producer | |
| Mark Frazier | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Maya faces the masked killers one last time in a brutal, full-circle reckoning of survival and revenge.
Metrics
| Opening Weekend: | $3,472,554 (40.6% of total gross) |
| Legs: | 2.47 (domestic box office/biggest weekend) |
| Domestic Share: | 77.6% (domestic box office/worldwide) |
| Theater counts: | 2,565 opening theaters/2,565 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,560,986 |
Movie Details
| Domestic Releases: | February 6th, 2026 (Wide) by Lionsgate |
| International Releases: | February 5th, 2026 (Wide) (Australia)
February 5th, 2026 (Wide) (Israel) February 5th, 2026 (Wide) (Croatia) February 5th, 2026 (Limited), released as Os Estranhos: Capítulo 3 (Portugal) February 5th, 2026 (Wide) (Greece) ... Show all releases |
| Video Release: | March 6th, 2026 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong bloody violence and language. (Rating bulletin 2918 (cert #54907), 1/7/2026) |
| Running Time: | 91 minutes |
| Franchise: | The Strangers |
| Cast, crew, or production detail: | Prologue, Sequels Shot Concurrently |
| Plot point: | Death of a Sibling, Home Invasion, Non-Chronological |
| Subgenre: | Slasher Horror |
| Time period setting: | 2020s |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lionsgate, Fifth Element Productions, Strangers Franchise Productions, Hasbula Productions, Stream Media , Sherborne Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 6, 2026 | 7 | $3,472,554 | 2,565 | $1,354 | $3,472,554 | 1 | |
| Feb 13, 2026 | 11 | $2,270,985 | -35% | 2,565 | $885 | $6,949,850 | 2 |
| Feb 20, 2026 | - | $563,481 | -75% | 857 | $658 | $8,217,788 | 3 |
| Feb 27, 2026 | - | $97,249 | -83% | 240 | $405 | $8,516,748 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 5, 2026 | P | $450,000 | 0 | $450,000 | ||||
| Feb 6, 2026 | 6 | $1,590,421 | 2,565 | $620 | $1,590,421 | 1 | ||
| Feb 7, 2026 | 8 | $1,395,006 | -12% | 2,565 | $544 | $2,985,427 | 2 | |
| Feb 8, 2026 | 8 | $487,127 | -65% | 2,565 | $190 | $3,472,554 | 3 | |
| Feb 9, 2026 | 6 | $303,594 | -38% | 2,565 | $118 | $3,776,148 | 4 | |
| Feb 10, 2026 | 6 | $428,256 | +41% | 2,565 | $167 | $4,204,404 | 5 | |
| Feb 11, 2026 | 8 | $261,814 | -39% | 2,565 | $102 | $4,466,218 | 6 | |
| Feb 12, 2026 | 6 | $212,647 | -19% | 2,565 | $83 | $4,678,865 | 7 | |
| Feb 13, 2026 | 12 | $454,719 | +114% | -71% | 2,565 | $177 | $5,133,584 | 8 |
| Feb 14, 2026 | 11 | $1,251,795 | +175% | -10% | 2,565 | $488 | $6,385,379 | 9 |
| Feb 15, 2026 | 11 | $564,471 | -55% | +16% | 2,565 | $220 | $6,949,850 | 10 |
| Feb 16, 2026 | 11 | $255,992 | -55% | -16% | 2,565 | $100 | $7,205,842 | 11 |
| Feb 17, 2026 | 11 | $202,303 | -21% | -53% | 2,565 | $79 | $7,408,145 | 12 |
| Feb 18, 2026 | 11 | $144,111 | -29% | -45% | 2,565 | $56 | $7,552,256 | 13 |
| Feb 19, 2026 | 13 | $102,051 | -29% | -52% | 2,565 | $40 | $7,654,307 | 14 |
| Feb 20, 2026 | - | $164,182 | +61% | -64% | 857 | $192 | $7,818,489 | 15 |
| Feb 21, 2026 | - | $252,008 | +53% | -80% | 857 | $294 | $8,070,497 | 16 |
| Feb 22, 2026 | - | $147,291 | -42% | -74% | 857 | $172 | $8,217,788 | 17 |
| Feb 23, 2026 | - | $50,833 | -65% | -80% | 857 | $59 | $8,268,621 | 18 |
| Feb 24, 2026 | - | $71,122 | +40% | -65% | 857 | $83 | $8,339,743 | 19 |
| Feb 25, 2026 | - | $57,945 | -19% | -60% | 857 | $68 | $8,397,688 | 20 |
| Feb 26, 2026 | - | $21,811 | -62% | -79% | 857 | $25 | $8,419,499 | 21 |
| Feb 27, 2026 | - | $28,387 | +30% | -83% | 240 | $118 | $8,447,886 | 22 |
| Feb 28, 2026 | - | $41,801 | +47% | -83% | 240 | $174 | $8,489,687 | 23 |
| Mar 1, 2026 | - | $27,061 | -35% | -82% | 240 | $113 | $8,516,748 | 24 |
| Mar 2, 2026 | - | $10,275 | -62% | -80% | 240 | $43 | $8,527,023 | 25 |
| Mar 3, 2026 | - | $14,402 | +40% | -80% | 240 | $60 | $8,541,425 | 26 |
| Mar 4, 2026 | - | $12,250 | -15% | -79% | 240 | $51 | $8,553,675 | 27 |
| Mar 5, 2026 | - | $7,311 | -40% | -66% | 240 | $30 | $8,560,986 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 6, 2026 | 8 | $4,678,865 | 2,565 | $1,824 | $4,678,865 | 1 | |
| Feb 13, 2026 | 11 | $2,975,442 | -36% | 2,565 | $1,160 | $7,654,307 | 2 |
| Feb 20, 2026 | 20 | $765,192 | -74% | 857 | $893 | $8,419,499 | 3 |
| Feb 27, 2026 | 28 | $141,487 | -82% | 240 | $590 | $8,560,986 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/5/2026 | $14,059 | 24 | 24 | 0 | $21,380 | 4/6/2026 | |||
| Brazil | 4/9/2026 | $0 | 0 | 56 | 56 | $141,455 | 4/20/2026 | |||
| Bulgaria | 3/6/2026 | $0 | 0 | 1 | 1 | $19,971 | 4/20/2026 | |||
| Croatia | 2/5/2026 | $15,771 | 43 | 43 | 91 | $31,904 | 4/4/2026 | |||
| Dominican Republic | 5/14/2026 | $0 | 0 | 0 | 0 | $4,901 | 6/2/2026 | |||
| Ecuador | 3/26/2026 | $23,709 | 46 | 46 | 67 | $43,749 | 4/10/2026 | |||
| Egypt | 4/2/2026 | $0 | 0 | 6 | 6 | $6,328 | 5/8/2026 | |||
| Iraq | 4/2/2026 | $0 | 0 | 9 | 9 | $18,517 | 4/20/2026 | |||
| Israel | 2/5/2026 | $0 | 0 | 36 | 108 | $79,423 | 4/20/2026 | |||
| Jordan | 4/2/2026 | $3,798 | 0 | 2 | 2 | $8,847 | 4/20/2026 | |||
| Kuwait | 4/2/2026 | $0 | 0 | 7 | 7 | $43,983 | 4/20/2026 | |||
| Mexico | 4/2/2026 | $195,903 | 0 | 26 | 26 | $402,951 | 4/20/2026 | |||
| Mongolia | 3/27/2026 | $0 | 0 | 0 | 0 | $3,950 | 4/10/2026 | |||
| Netherlands | 4/30/2026 | $38,310 | 42 | 42 | 81 | $72,604 | 5/11/2026 | |||
| Oman | 4/2/2026 | $6,151 | 0 | 1 | 1 | $10,216 | 4/20/2026 | |||
| Portugal | 2/5/2026 | $23,714 | 42 | 42 | 0 | $37,553 | 4/4/2026 | |||
| Qatar | 4/2/2026 | $0 | 0 | 1 | 1 | $23,744 | 4/20/2026 | |||
| Romania | 2/20/2026 | $13,435 | 44 | 44 | 0 | $29,507 | 4/16/2026 | |||
| Spain | 4/30/2026 | $95,890 | 204 | 7 | 298 | $178,403 | 5/28/2026 | |||
| Suriname | 3/19/2026 | $0 | 0 | 0 | 0 | $16,890 | 4/10/2026 | |||
| United Arab Emirates | 4/2/2026 | $62,027 | 0 | 1 | 1 | $94,718 | 4/20/2026 | |||
| United Kingdom | 2/6/2026 | $244,245 | 286 | 286 | 443 | $461,171 | 4/4/2026 | |||
| Rest of World | $718,796 | |||||||||
| International Total | $2,470,961 | 6/2/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Madelaine Petsch | Maya |
Supporting
| Gabriel Basso | Gregory/Scarecrow | |
| Ema Horvath | Shelly | |
| Richard Brake | Sheriff Rotter | |
| Ella Bruccoleri | Jasmine/Dollface | |
| Rachel Shenton | Debbie Lucas | |
| George Young | Howard | |
| Miles Yekinni | Marcus | |
| Stephanie Aubertin | teenage Jasmine | |
| Finn Cofell | teenage Shelly Barnes | |
| Nola Wallace | young Shelly Barnes | |
| Kyle Breitkopf | teenage Gregory | |
| Jake Cogman | young Gregory |
Production and Technical Credits
| Renny Harlin | Director | |
| Alan R. Cohen | Screenwriter | |
| Alan Freedland | Screenwriter | |
| Amber Loutfi | Screenwriter | |
| Courtney Solomon | Producer | |
| Mark Canton | Producer | |
| Christopher Milburn | Producer | |
| Gary Raskin | Producer | |
| Charlie Dombeck | Producer | |
| Alastair Birlingham | Producer | |
| Madelaine Petsch | Producer | |
| Alan R. Cohen | Executive Producer | |
| Alan Freedland | Executive Producer | |
| Rafaella Biscayn | Executive Producer | |
| Dorothy Canton | Executive Producer | |
| Roy Lee | Executive Producer | |
| Paul Weinberg | Executive Producer | |
| Norman Merry | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Kia Jam | Executive Producer | |
| Andrei Boncea | Executive Producer | |
| Blair Ward | Executive Producer | |
| Anders Erden | Executive Producer | |
| Dennis Pelino | Executive Producer | |
| Andrew Bronfman | Executive Producer | |
| Jonathan Bronfman | Executive Producer | |
| Kate Hickey | Editor | |
| Justin Burnett | Composer | |
| Òscar Senén | Composer | |
| Jose David Montero | Director of Photography | |
| Alan Freedland | Character Creator | |
| Juan Antonio García Peredo | Co-Producer | |
| Alberto Burgueño | Co-Producer | |
| Johanna Harlin | Co-Producer | |
| Mark Frazier | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.