Strawberry Mansion (2022)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $96,756 | Details |
| International Box Office | $66,987 | Details |
| Worldwide Box Office | $163,743 | |
| OpusData ID: 530180100 More info... | ||
| Further financial details... | ||
Synopsis
In 2035, our dreams are no longer our own–they’re infused with product placement and auditors assess unpaid taxes on our most private reveries. Beleaguered taxman James Preble arrives at a run-down house in the countryside for a routine audit and encounters Bella Isadora, a lifelong dreamer who remains resolutely analog, circumventing the surveillance state with VHS tapes and homemade headgear. As Preble works his way through Bella’s archive of the unconscious, he begins to fall in love with visions of her younger self. But all is not well in dreamland as dangerous family secrets and a rogue’s gallery of blue demons and fried chicken pitchmen threaten to set the lovers’ paradise ablaze. Can Preble and Bella escape from the modern, monetized dreamscape and find refuge in Strawberry Mansion?
Metrics
| Opening Weekend: | $34,004 (35.1% of total gross) |
| Legs: | 2.85 (domestic box office/biggest weekend) |
| Domestic Share: | 59.1% (domestic box office/worldwide) |
| Theater counts: | 27 opening theaters/28 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $109,900 |
Movie Details
| Domestic Releases: | February 18th, 2022 (Limited) by Music Box Films |
| International Releases: | September 16th, 2022 (Limited) (United Kingdom) |
| Video Release: | June 21st, 2022 by Music Box Films Video |
| Running Time: | 91 minutes |
| Film festival: | Sundance Film Festival 2021 |
| Plot point: | Artists, Romance |
| Social setting: | Dystopia, Surrealism / Absurdism |
| Subgenre: | Genre Mashup |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2022 | - | $34,004 | 27 | $1,259 | $34,004 | 1 | |
| Feb 25, 2022 | - | $11,055 | -67% | 18 | $614 | $65,407 | 2 |
| Mar 4, 2022 | - | $3,577 | -68% | 11 | $325 | $76,144 | 3 |
| Mar 11, 2022 | - | $3,744 | +5% | 12 | $312 | $83,847 | 4 |
| Mar 18, 2022 | - | $1,309 | -65% | 5 | $262 | $88,752 | 5 |
| Mar 25, 2022 | - | $356 | -73% | 3 | $119 | $90,115 | 6 |
| Apr 1, 2022 | - | $2,486 | +598% | 3 | $829 | $93,016 | 7 |
| Apr 8, 2022 | - | $552 | -78% | 3 | $184 | $94,384 | 8 |
| Apr 29, 2022 | - | $165 | 1 | $165 | $95,433 | 11 | |
| May 13, 2022 | - | $705 | 1 | $705 | $96,210 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2022 | - | $54,352 | 28 | $1,941 | $54,352 | 1 | |
| Feb 25, 2022 | - | $18,215 | -66% | 18 | $1,012 | $72,567 | 2 |
| Mar 4, 2022 | - | $7,536 | -59% | 11 | $685 | $80,103 | 3 |
| Mar 11, 2022 | - | $7,340 | -3% | 12 | $612 | $87,443 | 4 |
| Mar 18, 2022 | - | $2,316 | -68% | 5 | $463 | $89,759 | 5 |
| Mar 25, 2022 | - | $771 | -67% | 3 | $257 | $90,530 | 6 |
| Apr 1, 2022 | - | $3,302 | +328% | 3 | $1,101 | $93,832 | 7 |
| Apr 8, 2022 | - | $677 | -79% | 3 | $226 | $94,509 | 8 |
| Apr 15, 2022 | - | $293 | -57% | 1 | $293 | $94,802 | 9 |
| Apr 22, 2022 | - | $466 | +59% | 1 | $466 | $95,268 | 10 |
| Apr 29, 2022 | - | $237 | -49% | 1 | $237 | $95,505 | 11 |
| May 13, 2022 | - | $1,251 | 2 | $626 | $96,756 | 13 | |
| Jul 8, 2022 | - | $770 | 1 | $770 | $770 | 21 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 9/16/2022 | $3,010 | 7 | 7 | 7 | $3,010 | 9/25/2022 | |||
| Rest of World | $63,977 | |||||||||
| International Total | $66,987 | 9/25/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Kentucker Audley | Director | |
| Albert Birney | Director | |
| Kentucker Audley | Screenwriter | |
| Albert Birney | Screenwriter | |
| Dan Deacon | Composer | |
| Emma Hannaway | Producer | |
| Matisse Rifai | Producer | |
| Sarah Winshall | Producer | |
| Taylor Ava Shung | Producer | |
| Tyler Davis | Director of Photography | |
| Albert Birney | Editor | |
| Kentucker Audley | Editor | |
| Maurice Dowdry | Assistant Editor | |
| Becca Brooks Morrin | Production Designer | |
| Lydia Milano | Art Director | |
| Paisley Isaacs | Set Decorator | |
| Chester Gwazda | Sound Mixer | |
| Zach Trees | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 2035, our dreams are no longer our own–they’re infused with product placement and auditors assess unpaid taxes on our most private reveries. Beleaguered taxman James Preble arrives at a run-down house in the countryside for a routine audit and encounters Bella Isadora, a lifelong dreamer who remains resolutely analog, circumventing the surveillance state with VHS tapes and homemade headgear. As Preble works his way through Bella’s archive of the unconscious, he begins to fall in love with visions of her younger self. But all is not well in dreamland as dangerous family secrets and a rogue’s gallery of blue demons and fried chicken pitchmen threaten to set the lovers’ paradise ablaze. Can Preble and Bella escape from the modern, monetized dreamscape and find refuge in Strawberry Mansion?
Metrics
| Opening Weekend: | $34,004 (35.1% of total gross) |
| Legs: | 2.85 (domestic box office/biggest weekend) |
| Domestic Share: | 59.1% (domestic box office/worldwide) |
| Theater counts: | 27 opening theaters/28 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $109,900 |
Movie Details
| Domestic Releases: | February 18th, 2022 (Limited) by Music Box Films |
| International Releases: | September 16th, 2022 (Limited) (United Kingdom) |
| Video Release: | June 21st, 2022 by Music Box Films Video |
| Running Time: | 91 minutes |
| Film festival: | Sundance Film Festival 2021 |
| Plot point: | Artists, Romance |
| Social setting: | Dystopia, Surrealism / Absurdism |
| Subgenre: | Genre Mashup |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2022 | - | $34,004 | 27 | $1,259 | $34,004 | 1 | |
| Feb 25, 2022 | - | $11,055 | -67% | 18 | $614 | $65,407 | 2 |
| Mar 4, 2022 | - | $3,577 | -68% | 11 | $325 | $76,144 | 3 |
| Mar 11, 2022 | - | $3,744 | +5% | 12 | $312 | $83,847 | 4 |
| Mar 18, 2022 | - | $1,309 | -65% | 5 | $262 | $88,752 | 5 |
| Mar 25, 2022 | - | $356 | -73% | 3 | $119 | $90,115 | 6 |
| Apr 1, 2022 | - | $2,486 | +598% | 3 | $829 | $93,016 | 7 |
| Apr 8, 2022 | - | $552 | -78% | 3 | $184 | $94,384 | 8 |
| Apr 29, 2022 | - | $165 | 1 | $165 | $95,433 | 11 | |
| May 13, 2022 | - | $705 | 1 | $705 | $96,210 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 18, 2022 | - | $54,352 | 28 | $1,941 | $54,352 | 1 | |
| Feb 25, 2022 | - | $18,215 | -66% | 18 | $1,012 | $72,567 | 2 |
| Mar 4, 2022 | - | $7,536 | -59% | 11 | $685 | $80,103 | 3 |
| Mar 11, 2022 | - | $7,340 | -3% | 12 | $612 | $87,443 | 4 |
| Mar 18, 2022 | - | $2,316 | -68% | 5 | $463 | $89,759 | 5 |
| Mar 25, 2022 | - | $771 | -67% | 3 | $257 | $90,530 | 6 |
| Apr 1, 2022 | - | $3,302 | +328% | 3 | $1,101 | $93,832 | 7 |
| Apr 8, 2022 | - | $677 | -79% | 3 | $226 | $94,509 | 8 |
| Apr 15, 2022 | - | $293 | -57% | 1 | $293 | $94,802 | 9 |
| Apr 22, 2022 | - | $466 | +59% | 1 | $466 | $95,268 | 10 |
| Apr 29, 2022 | - | $237 | -49% | 1 | $237 | $95,505 | 11 |
| May 13, 2022 | - | $1,251 | 2 | $626 | $96,756 | 13 | |
| Jul 8, 2022 | - | $770 | 1 | $770 | $770 | 21 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 9/16/2022 | $3,010 | 7 | 7 | 7 | $3,010 | 9/25/2022 | |||
| Rest of World | $63,977 | |||||||||
| International Total | $66,987 | 9/25/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Kentucker Audley | Director | |
| Albert Birney | Director | |
| Kentucker Audley | Screenwriter | |
| Albert Birney | Screenwriter | |
| Dan Deacon | Composer | |
| Emma Hannaway | Producer | |
| Matisse Rifai | Producer | |
| Sarah Winshall | Producer | |
| Taylor Ava Shung | Producer | |
| Tyler Davis | Director of Photography | |
| Albert Birney | Editor | |
| Kentucker Audley | Editor | |
| Maurice Dowdry | Assistant Editor | |
| Becca Brooks Morrin | Production Designer | |
| Lydia Milano | Art Director | |
| Paisley Isaacs | Set Decorator | |
| Chester Gwazda | Sound Mixer | |
| Zach Trees | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.