Streets of Fire (1984)
| Theatrical Performance | ||
| Domestic Box Office | $5,600,000 | Details |
| International Box Office | $382 | Details |
| Worldwide Box Office | $5,600,382 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $788,644 | |
| Total | $788,644 | |
| OpusData ID: 45430100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,426,500 (43.3% of total gross) |
| Legs: | 2.31 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,150 opening theaters/1,150 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,849,992 |
Movie Details
| Domestic Releases: | June 1st, 1984 (Wide) by Universal |
| International Releases: | August 9th, 1984 (Limited) (Australia)
April 11th, 2024 (Limited) (New Zealand) |
| Video Release: | July 21st, 1998 by Universal Home Entertainment |
| MPA Rating: | PG |
| Running Time: | 98 minutes |
| Plot point: | Gangs, Kidnap, Rescue, Rock 'n' Roll |
| Social setting: | Film Noir |
| Subgenre: | Action Thriller |
| Target audience: | Cult Movie |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 1984 | 5 | $2,426,500 | 1,150 | $2,110 | $2,426,500 | 1 | |
| Jun 8, 1984 | 9 | $1,202,700 | -50% | 1,055 | $1,140 | $4,540,700 | 2 |
| Jun 15, 1984 | 12 | $632,150 | -47% | 470 | $1,345 | $5,595,150 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 1984 | 5 | $3,338,000 | 1,150 | $2,903 | $3,338,000 | 1 | |
| Jun 8, 1984 | 9 | $1,625,000 | -51% | 1,055 | $1,540 | $4,963,000 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 4/11/2024 | $382 | 1 | 1 | 1 | $382 | 4/21/2024 | |||
| International Total | $382 | 4/21/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael Pare | Tom Cody | |
| Diane Lane | Ellen Aim |
Supporting
| Rick Moranis | Billy Fish, Ellen Aim's Manager | |
| Amy Madigan | McCoy | |
| Bill Paxton | Clyde the Bartender | |
| Willem Dafoe | Raven Shaddock, Bombers Leader | |
| Mykelti Williamson | B.J., The Sorels | |
| Ed Begley, Jr. | Ben Gunn | |
| Deborah Van Valkenburgh | Reva Cody | |
| Rick Rossovich | Officer Cooley | |
| Elizabeth Daily | Baby Doll |
Production and Technical Credits
| Walter Hill | Director | |
| Walter Hill | Screenwriter | |
| Larry Gross | Screenwriter | |
| Marilyn Vance | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,426,500 (43.3% of total gross) |
| Legs: | 2.31 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,150 opening theaters/1,150 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,849,992 |
Movie Details
| Domestic Releases: | June 1st, 1984 (Wide) by Universal |
| International Releases: | August 9th, 1984 (Limited) (Australia)
April 11th, 2024 (Limited) (New Zealand) |
| Video Release: | July 21st, 1998 by Universal Home Entertainment |
| MPA Rating: | PG |
| Running Time: | 98 minutes |
| Plot point: | Gangs, Kidnap, Rescue, Rock 'n' Roll |
| Social setting: | Film Noir |
| Subgenre: | Action Thriller |
| Target audience: | Cult Movie |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 1984 | 5 | $2,426,500 | 1,150 | $2,110 | $2,426,500 | 1 | |
| Jun 8, 1984 | 9 | $1,202,700 | -50% | 1,055 | $1,140 | $4,540,700 | 2 |
| Jun 15, 1984 | 12 | $632,150 | -47% | 470 | $1,345 | $5,595,150 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 1, 1984 | 5 | $3,338,000 | 1,150 | $2,903 | $3,338,000 | 1 | |
| Jun 8, 1984 | 9 | $1,625,000 | -51% | 1,055 | $1,540 | $4,963,000 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 4/11/2024 | $382 | 1 | 1 | 1 | $382 | 4/21/2024 | |||
| International Total | $382 | 4/21/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael Pare | Tom Cody | |
| Diane Lane | Ellen Aim |
Supporting
| Rick Moranis | Billy Fish, Ellen Aim's Manager | |
| Amy Madigan | McCoy | |
| Bill Paxton | Clyde the Bartender | |
| Willem Dafoe | Raven Shaddock, Bombers Leader | |
| Mykelti Williamson | B.J., The Sorels | |
| Ed Begley, Jr. | Ben Gunn | |
| Deborah Van Valkenburgh | Reva Cody | |
| Rick Rossovich | Officer Cooley | |
| Elizabeth Daily | Baby Doll |
Production and Technical Credits
| Walter Hill | Director | |
| Walter Hill | Screenwriter | |
| Larry Gross | Screenwriter | |
| Marilyn Vance | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.