Stuffed (2019)
| Theatrical Performance | ||
| Domestic Box Office | $15,532 | Details |
| OpusData ID: 432350100 More info... | ||
| Further financial details... | ||
Synopsis
Stuffed is a documentary feature film about the surprising world of taxidermy. Told through the eyes and hands of acclaimed artists across the world, the film explores this diverse subculture, where sculptors must also be scientists, seeing life where others only see death. From an all-female studio in Los Angeles that has elevated taxidermy to the forefront of fashion and modern art, to fine artists in the Netherlands, these passionate experts push creative boundaries. The film highlights a diversity of perspectives including an anatomical sculptor in South Africa and a big game taxidermist in Ohio. And, in an unexpected twist, Stuffed reveals the importance of preserving nature, using taxidermy as its unlikely vehicle, and the taxidermist as its wild driver.
Metrics
| Opening Weekend: | $1,602 (10.3% of total gross) |
| Legs: | 7.40 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,260 |
Movie Details
| Domestic Releases: | October 16th, 2019 (Limited) by Music Box Films |
| Video Release: | March 10th, 2020 by Music Box Films Video |
| MPA Rating: | Not Rated |
| Running Time: | 84 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Music Box Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 18, 2019 | 74 | $1,602 | 1 | $1,602 | $2,574 | 1 | |
| Oct 25, 2019 | 74 | $1,572 | -2% | 1 | $1,572 | $4,997 | 2 |
| Nov 1, 2019 | 66 | $2,099 | +34% | 3 | $700 | $8,106 | 3 |
| Nov 8, 2019 | 77 | $442 | -79% | 1 | $442 | $8,977 | 4 |
| Nov 22, 2019 | 84 | $163 | 1 | $163 | $9,406 | 6 | |
| Nov 29, 2019 | 82 | $52 | -68% | 1 | $52 | $9,458 | 7 |
| Dec 13, 2019 | 78 | $956 | 1 | $956 | $11,212 | 9 | |
| Dec 20, 2019 | 70 | $49 | -95% | 1 | $49 | $11,363 | 10 |
| Jan 10, 2020 | 68 | $132 | 1 | $132 | $12,279 | 13 | |
| Jan 17, 2020 | 60 | $933 | +607% | 1 | $933 | $13,212 | 14 |
| Jan 24, 2020 | 68 | $125 | -87% | 1 | $125 | $13,337 | 15 |
| Feb 21, 2020 | 78 | $1,266 | 2 | $633 | $14,740 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2019 | 81 | $972 | 1 | $972 | $972 | 1 | |
| Oct 18, 2019 | 77 | $2,453 | +152% | 1 | $2,453 | $3,425 | 2 |
| Oct 25, 2019 | 72 | $2,582 | +5% | 1 | $2,582 | $6,007 | 3 |
| Nov 1, 2019 | 72 | $2,503 | -3% | 1 | $2,503 | $8,535 | 4 |
| Nov 8, 2019 | 83 | $708 | -72% | 1 | $708 | $9,243 | 5 |
| Nov 22, 2019 | 87 | $163 | 1 | $163 | $9,406 | 7 | |
| Nov 29, 2019 | 77 | $520 | +219% | 1 | $520 | $9,926 | 8 |
| Dec 6, 2019 | 82 | $330 | -37% | 1 | $330 | $10,256 | 9 |
| Dec 13, 2019 | 74 | $1,058 | +221% | 1 | $1,058 | $11,314 | 10 |
| Dec 20, 2019 | 75 | $49 | -95% | 1 | $49 | $11,363 | 11 |
| Dec 27, 2019 | 71 | $320 | +553% | 1 | $320 | $11,683 | 12 |
| Jan 3, 2020 | 69 | $464 | +45% | 1 | $464 | $12,147 | 13 |
| Jan 10, 2020 | 72 | $132 | -72% | 1 | $132 | $12,279 | 14 |
| Jan 17, 2020 | 67 | $933 | +607% | 1 | $933 | $13,212 | 15 |
| Jan 24, 2020 | 73 | $191 | -80% | 1 | $191 | $13,403 | 16 |
| Feb 7, 2020 | 71 | $71 | 1 | $71 | $13,474 | 18 | |
| Feb 21, 2020 | 84 | $2,058 | 2 | $1,029 | $15,532 | 20 |
Interviewee
| Allis Markham | Herself | |
| Ferry Van Tongeren | Himself | |
| Jaap Sinke | Himself | |
| Daniel Meng | Himself | |
| Travis de Villiers | Himself | |
| Wendy Christensen | Herself | |
| Timothy Bovard | Himself | |
| George Dante | Himself | |
| Ken Walker | Himself | |
| Mandy Den Elzen | Herself |
Production and Technical Credits
| Erin Derham | Director | |
| Kaleena Kiff | Producer | |
| Galen Fletcher | Producer | |
| Erin Derham | Producer | |
| Rachel Price | Executive Producer | |
| Holly Brydson | Executive Producer | |
| Alexander Behse | Executive Producer | |
| Jan Balster | Cinematographer | |
| Jenn Strom | Editor | |
| Kirby Jinnah | Sound Designer | |
| Ben Lovett | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Stuffed is a documentary feature film about the surprising world of taxidermy. Told through the eyes and hands of acclaimed artists across the world, the film explores this diverse subculture, where sculptors must also be scientists, seeing life where others only see death. From an all-female studio in Los Angeles that has elevated taxidermy to the forefront of fashion and modern art, to fine artists in the Netherlands, these passionate experts push creative boundaries. The film highlights a diversity of perspectives including an anatomical sculptor in South Africa and a big game taxidermist in Ohio. And, in an unexpected twist, Stuffed reveals the importance of preserving nature, using taxidermy as its unlikely vehicle, and the taxidermist as its wild driver.
Metrics
| Opening Weekend: | $1,602 (10.3% of total gross) |
| Legs: | 7.40 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,260 |
Movie Details
| Domestic Releases: | October 16th, 2019 (Limited) by Music Box Films |
| Video Release: | March 10th, 2020 by Music Box Films Video |
| MPA Rating: | Not Rated |
| Running Time: | 84 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Music Box Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 18, 2019 | 74 | $1,602 | 1 | $1,602 | $2,574 | 1 | |
| Oct 25, 2019 | 74 | $1,572 | -2% | 1 | $1,572 | $4,997 | 2 |
| Nov 1, 2019 | 66 | $2,099 | +34% | 3 | $700 | $8,106 | 3 |
| Nov 8, 2019 | 77 | $442 | -79% | 1 | $442 | $8,977 | 4 |
| Nov 22, 2019 | 84 | $163 | 1 | $163 | $9,406 | 6 | |
| Nov 29, 2019 | 82 | $52 | -68% | 1 | $52 | $9,458 | 7 |
| Dec 13, 2019 | 78 | $956 | 1 | $956 | $11,212 | 9 | |
| Dec 20, 2019 | 70 | $49 | -95% | 1 | $49 | $11,363 | 10 |
| Jan 10, 2020 | 68 | $132 | 1 | $132 | $12,279 | 13 | |
| Jan 17, 2020 | 60 | $933 | +607% | 1 | $933 | $13,212 | 14 |
| Jan 24, 2020 | 68 | $125 | -87% | 1 | $125 | $13,337 | 15 |
| Feb 21, 2020 | 78 | $1,266 | 2 | $633 | $14,740 | 19 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2019 | 81 | $972 | 1 | $972 | $972 | 1 | |
| Oct 18, 2019 | 77 | $2,453 | +152% | 1 | $2,453 | $3,425 | 2 |
| Oct 25, 2019 | 72 | $2,582 | +5% | 1 | $2,582 | $6,007 | 3 |
| Nov 1, 2019 | 72 | $2,503 | -3% | 1 | $2,503 | $8,535 | 4 |
| Nov 8, 2019 | 83 | $708 | -72% | 1 | $708 | $9,243 | 5 |
| Nov 22, 2019 | 87 | $163 | 1 | $163 | $9,406 | 7 | |
| Nov 29, 2019 | 77 | $520 | +219% | 1 | $520 | $9,926 | 8 |
| Dec 6, 2019 | 82 | $330 | -37% | 1 | $330 | $10,256 | 9 |
| Dec 13, 2019 | 74 | $1,058 | +221% | 1 | $1,058 | $11,314 | 10 |
| Dec 20, 2019 | 75 | $49 | -95% | 1 | $49 | $11,363 | 11 |
| Dec 27, 2019 | 71 | $320 | +553% | 1 | $320 | $11,683 | 12 |
| Jan 3, 2020 | 69 | $464 | +45% | 1 | $464 | $12,147 | 13 |
| Jan 10, 2020 | 72 | $132 | -72% | 1 | $132 | $12,279 | 14 |
| Jan 17, 2020 | 67 | $933 | +607% | 1 | $933 | $13,212 | 15 |
| Jan 24, 2020 | 73 | $191 | -80% | 1 | $191 | $13,403 | 16 |
| Feb 7, 2020 | 71 | $71 | 1 | $71 | $13,474 | 18 | |
| Feb 21, 2020 | 84 | $2,058 | 2 | $1,029 | $15,532 | 20 |
Interviewee
| Allis Markham | Herself | |
| Ferry Van Tongeren | Himself | |
| Jaap Sinke | Himself | |
| Daniel Meng | Himself | |
| Travis de Villiers | Himself | |
| Wendy Christensen | Herself | |
| Timothy Bovard | Himself | |
| George Dante | Himself | |
| Ken Walker | Himself | |
| Mandy Den Elzen | Herself |
Production and Technical Credits
| Erin Derham | Director | |
| Kaleena Kiff | Producer | |
| Galen Fletcher | Producer | |
| Erin Derham | Producer | |
| Rachel Price | Executive Producer | |
| Holly Brydson | Executive Producer | |
| Alexander Behse | Executive Producer | |
| Jan Balster | Cinematographer | |
| Jenn Strom | Editor | |
| Kirby Jinnah | Sound Designer | |
| Ben Lovett | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.