Sundown (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $229,921 | Details |
| International Box Office | $237,988 | Details |
| Worldwide Box Office | $467,909 | |
| OpusData ID: 525740100 More info... | ||
| Further financial details... | ||
Synopsis
Neil and Alice Bennett are the core of a wealthy family on vacation in Mexico with younger members Colin and Alexa until a distant emergency cuts their trip short. When one relative disrupts the family’s tight-knit order, simmering tensions rise to the fore.
Metrics
| Opening Weekend: | $21,930 (9.5% of total gross) |
| Legs: | 2.02 (domestic box office/biggest weekend) |
| Domestic Share: | 49.1% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/195 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $261,147 |
Movie Details
| Domestic Releases: | January 28th, 2022 (Limited) by Bleecker Street |
| International Releases: | April 14th, 2022 (Wide) (Italy)
April 22nd, 2022 (Wide), released as Gün Batımı (Turkey) May 27th, 2022 (Limited) (Spain) June 9th, 2022 (Limited), released as Sundown - Geheimnisse in Acapulco (Germany) July 7th, 2022 (Wide) (Australia) ... Show all releases |
| Video Release: | January 28th, 2022 by Bleecker Street |
| MPA Rating: | R for sexual content, violence, language and some graphic nudity. (Rating bulletin 2709 (cert #53523), 12/1/2021) |
| Running Time: | 83 minutes |
| Geographical setting: | Mexico |
| Plot point: | Dysfunctional Family, Family Vacations, Tourists In Trouble |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bleecker Street , Teorema |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $21,930 | 6 | $3,655 | $21,930 | 1 | |
| Feb 4, 2022 | - | $113,607 | +418% | 195 | $583 | $145,339 | 2 |
| Feb 11, 2022 | - | $21,173 | -81% | 181 | $117 | $214,262 | 3 |
| Feb 18, 2022 | - | $1,040 | -95% | 6 | $173 | $229,257 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $10,192 | 6 | $1,699 | $10,192 | 1 | ||
| Jan 29, 2022 | - | $7,091 | -30% | 6 | $1,182 | $17,283 | 2 | |
| Jan 30, 2022 | - | $4,647 | -34% | 6 | $775 | $21,930 | 3 | |
| Jan 31, 2022 | - | $2,215 | -52% | 6 | $369 | $24,145 | 4 | |
| Feb 1, 2022 | - | $2,284 | +3% | 6 | $381 | $26,429 | 5 | |
| Feb 2, 2022 | - | $2,553 | +12% | 6 | $426 | $28,982 | 6 | |
| Feb 3, 2022 | - | $2,750 | +8% | 6 | $458 | $31,732 | 7 | |
| Feb 4, 2022 | - | $32,973 | +1,099% | +224% | 195 | $169 | $64,705 | 8 |
| Feb 5, 2022 | - | $47,190 | +43% | +565% | 195 | $242 | $111,895 | 9 |
| Feb 6, 2022 | - | $33,444 | -29% | +620% | 195 | $172 | $145,339 | 10 |
| Feb 7, 2022 | - | $11,013 | -67% | +397% | 195 | $56 | $156,352 | 11 |
| Feb 8, 2022 | - | $15,664 | +42% | +586% | 195 | $80 | $172,016 | 12 |
| Feb 9, 2022 | - | $13,265 | -15% | +420% | 195 | $68 | $185,281 | 13 |
| Feb 10, 2022 | - | $7,808 | -41% | +184% | 195 | $40 | $193,089 | 14 |
| Feb 11, 2022 | - | $6,004 | -23% | -82% | 181 | $33 | $199,093 | 15 |
| Feb 12, 2022 | - | $9,917 | +65% | -79% | 181 | $55 | $209,010 | 16 |
| Feb 13, 2022 | - | $5,252 | -47% | -84% | 181 | $29 | $214,262 | 17 |
| Feb 14, 2022 | - | $3,793 | -28% | -66% | 181 | $21 | $218,055 | 18 |
| Feb 15, 2022 | - | $3,669 | -3% | -77% | 181 | $20 | $221,724 | 19 |
| Feb 16, 2022 | - | $3,290 | -10% | -75% | 181 | $18 | $225,014 | 20 |
| Feb 17, 2022 | - | $3,203 | -3% | -59% | 181 | $18 | $228,217 | 21 |
| Feb 18, 2022 | - | $294 | -91% | -95% | 6 | $49 | $228,511 | 22 |
| Feb 19, 2022 | - | $418 | +42% | -96% | 6 | $70 | $228,929 | 23 |
| Feb 20, 2022 | - | $328 | -22% | -94% | 6 | $55 | $229,257 | 24 |
| Feb 21, 2022 | - | $272 | -17% | -93% | 6 | $45 | $229,529 | 25 |
| Feb 22, 2022 | - | $140 | -49% | -96% | 6 | $23 | $229,669 | 26 |
| Feb 23, 2022 | - | $149 | +6% | -95% | 6 | $25 | $229,818 | 27 |
| Feb 24, 2022 | - | $103 | -31% | -97% | 6 | $17 | $229,921 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $31,732 | 6 | $5,289 | $31,732 | 1 | |
| Feb 4, 2022 | - | $161,357 | +408% | 195 | $827 | $193,089 | 2 |
| Feb 11, 2022 | - | $35,128 | -78% | 181 | $194 | $228,217 | 3 |
| Feb 18, 2022 | - | $1,704 | -95% | 6 | $284 | $229,921 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/7/2022 | $24,414 | 31 | 31 | 111 | $70,880 | 9/12/2022 | |||
| Italy | 4/14/2022 | $11,056 | 0 | 0 | 0 | $11,056 | 10/20/2022 | |||
| Netherlands | 9/8/2022 | $27,988 | 0 | 41 | 41 | $64,976 | 9/20/2022 | |||
| Portugal | 7/28/2022 | $4,260 | 9 | 9 | 23 | $17,690 | 9/13/2022 | |||
| South Korea | 8/31/2022 | $9,971 | 45 | 45 | 94 | $42,442 | 9/21/2022 | |||
| Spain | 5/27/2022 | $12,041 | 47 | 47 | 77 | $27,762 | 6/20/2022 | |||
| Turkey | 4/22/2022 | $1,488 | 23 | 23 | 38 | $3,182 | 5/6/2022 | |||
| International Total | $237,988 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tim Roth | Neil | |
| Charlotte Gainsbourg | Alice |
Supporting
| Iazua Larios | Bernice | |
| Henry Goodman | Richard | |
| Samuel Bottomley | Colin | |
| Albertine Kotting McMillan | Alexa | |
| Qodriyah Faoziati | Masseur | |
| Ely Guerra | Singer | |
| Javier Mendez | Waiter in Hotel | |
| Raúl Peña Montalbán | Waiter in Hotel |
Production and Technical Credits
| Michel Franco | Director | |
| Michel Franco | Screenwriter | |
| Michel Franco | Producer | |
| Cristina L Velasco | Producer | |
| Erendira Nunez Larios | Producer | |
| Tim Roth | Executive Producer | |
| Lorenzo Vigas | Executive Producer | |
| Yardena Maimon | Executive Producer | |
| Cecilia Franco | Executive Producer | |
| Jonas Kellagher | Co-Producer | |
| Caroline Ljungberg | Co-Producer | |
| Hedi Zardi | Co-Producer | |
| Fiorella Moretti | Co-Producer | |
| Luis Romano | Associate Producer | |
| Rafael Micha | Associate Producer | |
| Gregoire Lassalle | Associate Producer | |
| Yves Cape | Director of Photography | |
| Oscar Figueroa Jara | Editor | |
| Michel Franco | Editor | |
| Susan Shopmaker | Casting Director | |
| Viridiana Olvera | Casting Director | |
| Alejandro De La Pena | Line Producer | |
| Claudio Ramirez Castelli | Production Designer | |
| Gabriela Fernandez | Costume Designer | |
| Niklas Skarp | Sound Designer | |
| Raul Locatelli | Sound Mixer | |
| Marco Antonio Olivera Lynch | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Neil and Alice Bennett are the core of a wealthy family on vacation in Mexico with younger members Colin and Alexa until a distant emergency cuts their trip short. When one relative disrupts the family’s tight-knit order, simmering tensions rise to the fore.
Metrics
| Opening Weekend: | $21,930 (9.5% of total gross) |
| Legs: | 2.02 (domestic box office/biggest weekend) |
| Domestic Share: | 49.1% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/195 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $261,147 |
Movie Details
| Domestic Releases: | January 28th, 2022 (Limited) by Bleecker Street |
| International Releases: | April 14th, 2022 (Wide) (Italy)
April 22nd, 2022 (Wide), released as Gün Batımı (Turkey) May 27th, 2022 (Limited) (Spain) June 9th, 2022 (Limited), released as Sundown - Geheimnisse in Acapulco (Germany) July 7th, 2022 (Wide) (Australia) ... Show all releases |
| Video Release: | January 28th, 2022 by Bleecker Street |
| MPA Rating: | R for sexual content, violence, language and some graphic nudity. (Rating bulletin 2709 (cert #53523), 12/1/2021) |
| Running Time: | 83 minutes |
| Geographical setting: | Mexico |
| Plot point: | Dysfunctional Family, Family Vacations, Tourists In Trouble |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bleecker Street , Teorema |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $21,930 | 6 | $3,655 | $21,930 | 1 | |
| Feb 4, 2022 | - | $113,607 | +418% | 195 | $583 | $145,339 | 2 |
| Feb 11, 2022 | - | $21,173 | -81% | 181 | $117 | $214,262 | 3 |
| Feb 18, 2022 | - | $1,040 | -95% | 6 | $173 | $229,257 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $10,192 | 6 | $1,699 | $10,192 | 1 | ||
| Jan 29, 2022 | - | $7,091 | -30% | 6 | $1,182 | $17,283 | 2 | |
| Jan 30, 2022 | - | $4,647 | -34% | 6 | $775 | $21,930 | 3 | |
| Jan 31, 2022 | - | $2,215 | -52% | 6 | $369 | $24,145 | 4 | |
| Feb 1, 2022 | - | $2,284 | +3% | 6 | $381 | $26,429 | 5 | |
| Feb 2, 2022 | - | $2,553 | +12% | 6 | $426 | $28,982 | 6 | |
| Feb 3, 2022 | - | $2,750 | +8% | 6 | $458 | $31,732 | 7 | |
| Feb 4, 2022 | - | $32,973 | +1,099% | +224% | 195 | $169 | $64,705 | 8 |
| Feb 5, 2022 | - | $47,190 | +43% | +565% | 195 | $242 | $111,895 | 9 |
| Feb 6, 2022 | - | $33,444 | -29% | +620% | 195 | $172 | $145,339 | 10 |
| Feb 7, 2022 | - | $11,013 | -67% | +397% | 195 | $56 | $156,352 | 11 |
| Feb 8, 2022 | - | $15,664 | +42% | +586% | 195 | $80 | $172,016 | 12 |
| Feb 9, 2022 | - | $13,265 | -15% | +420% | 195 | $68 | $185,281 | 13 |
| Feb 10, 2022 | - | $7,808 | -41% | +184% | 195 | $40 | $193,089 | 14 |
| Feb 11, 2022 | - | $6,004 | -23% | -82% | 181 | $33 | $199,093 | 15 |
| Feb 12, 2022 | - | $9,917 | +65% | -79% | 181 | $55 | $209,010 | 16 |
| Feb 13, 2022 | - | $5,252 | -47% | -84% | 181 | $29 | $214,262 | 17 |
| Feb 14, 2022 | - | $3,793 | -28% | -66% | 181 | $21 | $218,055 | 18 |
| Feb 15, 2022 | - | $3,669 | -3% | -77% | 181 | $20 | $221,724 | 19 |
| Feb 16, 2022 | - | $3,290 | -10% | -75% | 181 | $18 | $225,014 | 20 |
| Feb 17, 2022 | - | $3,203 | -3% | -59% | 181 | $18 | $228,217 | 21 |
| Feb 18, 2022 | - | $294 | -91% | -95% | 6 | $49 | $228,511 | 22 |
| Feb 19, 2022 | - | $418 | +42% | -96% | 6 | $70 | $228,929 | 23 |
| Feb 20, 2022 | - | $328 | -22% | -94% | 6 | $55 | $229,257 | 24 |
| Feb 21, 2022 | - | $272 | -17% | -93% | 6 | $45 | $229,529 | 25 |
| Feb 22, 2022 | - | $140 | -49% | -96% | 6 | $23 | $229,669 | 26 |
| Feb 23, 2022 | - | $149 | +6% | -95% | 6 | $25 | $229,818 | 27 |
| Feb 24, 2022 | - | $103 | -31% | -97% | 6 | $17 | $229,921 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $31,732 | 6 | $5,289 | $31,732 | 1 | |
| Feb 4, 2022 | - | $161,357 | +408% | 195 | $827 | $193,089 | 2 |
| Feb 11, 2022 | - | $35,128 | -78% | 181 | $194 | $228,217 | 3 |
| Feb 18, 2022 | - | $1,704 | -95% | 6 | $284 | $229,921 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/7/2022 | $24,414 | 31 | 31 | 111 | $70,880 | 9/12/2022 | |||
| Italy | 4/14/2022 | $11,056 | 0 | 0 | 0 | $11,056 | 10/20/2022 | |||
| Netherlands | 9/8/2022 | $27,988 | 0 | 41 | 41 | $64,976 | 9/20/2022 | |||
| Portugal | 7/28/2022 | $4,260 | 9 | 9 | 23 | $17,690 | 9/13/2022 | |||
| South Korea | 8/31/2022 | $9,971 | 45 | 45 | 94 | $42,442 | 9/21/2022 | |||
| Spain | 5/27/2022 | $12,041 | 47 | 47 | 77 | $27,762 | 6/20/2022 | |||
| Turkey | 4/22/2022 | $1,488 | 23 | 23 | 38 | $3,182 | 5/6/2022 | |||
| International Total | $237,988 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tim Roth | Neil | |
| Charlotte Gainsbourg | Alice |
Supporting
| Iazua Larios | Bernice | |
| Henry Goodman | Richard | |
| Samuel Bottomley | Colin | |
| Albertine Kotting McMillan | Alexa | |
| Qodriyah Faoziati | Masseur | |
| Ely Guerra | Singer | |
| Javier Mendez | Waiter in Hotel | |
| Raúl Peña Montalbán | Waiter in Hotel |
Production and Technical Credits
| Michel Franco | Director | |
| Michel Franco | Screenwriter | |
| Michel Franco | Producer | |
| Cristina L Velasco | Producer | |
| Erendira Nunez Larios | Producer | |
| Tim Roth | Executive Producer | |
| Lorenzo Vigas | Executive Producer | |
| Yardena Maimon | Executive Producer | |
| Cecilia Franco | Executive Producer | |
| Jonas Kellagher | Co-Producer | |
| Caroline Ljungberg | Co-Producer | |
| Hedi Zardi | Co-Producer | |
| Fiorella Moretti | Co-Producer | |
| Luis Romano | Associate Producer | |
| Rafael Micha | Associate Producer | |
| Gregoire Lassalle | Associate Producer | |
| Yves Cape | Director of Photography | |
| Oscar Figueroa Jara | Editor | |
| Michel Franco | Editor | |
| Susan Shopmaker | Casting Director | |
| Viridiana Olvera | Casting Director | |
| Alejandro De La Pena | Line Producer | |
| Claudio Ramirez Castelli | Production Designer | |
| Gabriela Fernandez | Costume Designer | |
| Niklas Skarp | Sound Designer | |
| Raul Locatelli | Sound Mixer | |
| Marco Antonio Olivera Lynch | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.