Superfly (2018)

Superfly
Theatrical Performance
Domestic Box Office $20,537,137Details
International Box Office $202,186Details
Worldwide Box Office $20,739,323
Home Market Performance
Est. Domestic DVD Sales $1,196,869 Details
Est. Domestic Blu-ray Sales $733,029 Details
Total Est. Domestic Video Sales $1,929,898
Further financial details...

Synopsis

The film that helped define a genre in its characters, look, sound, and feel—is re-imagined.

Metrics

Opening Weekend:$6,870,740 (33.5% of total gross)
Legs:2.99 (domestic box office/biggest weekend)
Domestic Share:99.0% (domestic box office/worldwide)
Production Budget:$16,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:2,220 opening theaters/2,220 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $24,301,893

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: June 13th, 2018 (Wide) by Sony Pictures
International Releases: July 27th, 2018 (Wide) (New Zealand)
August 3rd, 2018 (Wide) (Norway)
August 10th, 2018 (Wide) (Australia)
August 10th, 2018 (Wide) (South Africa)
September 14th, 2018 (Wide) (Netherlands)
... Show all releases
Video Release: August 28th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for violence and language throughout, strong sexuality, nudity, and drug content
(Rating bulletin 2530 (Cert #51442), 6/6/2018)
Running Time: 116 minutes
Comparisons: vs. Nobody
Create your own comparison chart…
Keywords: African Americans, Black Urban, Blaxploitation, Crime, Crime Thriller, Remake, Hood Film
Source:Remake
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, Silver Pictures
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 15, 2018 6 $6,870,740   2,220 $3,095   $9,012,057 1
Jun 22, 2018 8 $3,404,964 -50% 2,220 $1,534   $15,321,359 2
Jun 29, 2018 13 $1,403,058 -59% 1,157 $1,213   $18,382,177 3
Jul 6, 2018 18 $626,383 -55% 535 $1,171   $19,834,783 4
Jul 13, 2018 24 $200,301 -68% 172 $1,165   $20,334,691 5
Jul 20, 2018 38 $50,397 -75% 85 $593   $20,480,302 6
Jul 27, 2018 54 $8,017 -84% 21 $382   $20,517,147 7
Aug 3, 2018 49 $14,993 +87% 37 $405   $20,537,137 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jun 13, 2018 5 $1,202,734     2,220 $542   $1,202,734 1
Jun 14, 2018 5 $938,583 -22%   2,220 $423   $2,141,317 2
Jun 15, 2018 7 $1,882,219 +101%   2,220 $848   $4,023,536 3
Jun 16, 2018 7 $2,423,948 +29%   2,220 $1,092   $6,447,484 4
Jun 17, 2018 6 $2,564,573 +6%   2,220 $1,155   $9,012,057 5
Jun 18, 2018 7 $818,853 -68%   2,220 $369   $9,830,910 6
Jun 19, 2018 7 $933,254 +14%   2,220 $420   $10,764,164 7
Jun 20, 2018 8 $624,364 -33% -48% 2,220 $281   $11,388,528 8
Jun 21, 2018 7 $527,867 -15% -44% 2,220 $238   $11,916,395 9
Jun 22, 2018 8 $969,384 +84% -48% 2,220 $437   $12,885,779 10
Jun 23, 2018 8 $1,409,813 +45% -42% 2,220 $635   $14,295,592 11
Jun 24, 2018 8 $1,025,767 -27% -60% 2,220 $462   $15,321,359 12
Jun 25, 2018 8 $439,097 -57% -46% 2,220 $198   $15,760,456 13
Jun 26, 2018 8 $533,684 +22% -43% 2,220 $240   $16,294,140 14
Jun 27, 2018 8 $394,860 -26% -37% 2,220 $178   $16,689,000 15
Jun 28, 2018 9 $290,119 -27% -45% 2,220 $131   $16,979,119 16
Jun 29, 2018 13 $404,779 +40% -58% 1,157 $350   $17,383,898 17
Jun 30, 2018 13 $579,434 +43% -59% 1,157 $501   $17,963,332 18
Jul 1, 2018 13 $418,845 -28% -59% 1,157 $362   $18,382,177 19
Jul 2, 2018 13 $200,347 -52% -54% 1,157 $173   $18,582,524 20
Jul 3, 2018 13 $235,287 +17% -56% 1,157 $203   $18,817,811 21
Jul 4, 2018 14 $246,830 +5% -37% 1,157 $213   $19,064,641 22
Jul 5, 2018 15 $143,759 -42% -50% 1,157 $124   $19,208,400 23
Jul 6, 2018 - $186,984 +30% -54% 535 $350   $19,395,384 24
Jul 7, 2018 - $261,514 +40% -55% 535 $489   $19,656,898 25
Jul 8, 2018 - $177,885 -32% -58% 535 $332   $19,834,783 26
Jul 9, 2018 - $80,462 -55% -60% 535 $150   $19,915,245 27
Jul 10, 2018 - $96,991 +21% -59% 535 $181   $20,012,236 28
Jul 11, 2018 - $69,284 -29% -72% 535 $130   $20,081,520 29
Jul 12, 2018 - $52,870 -24% -63% 535 $99   $20,134,390 30
Jul 13, 2018 - $56,325 +7% -70% 172 $327   $20,190,715 31
Jul 14, 2018 - $86,132 +53% -67% 172 $501   $20,276,847 32
Jul 15, 2018 - $57,844 -33% -67% 172 $336   $20,334,691 33
Jul 16, 2018 - $27,691 -52% -66% 172 $161   $20,362,382 34
Jul 17, 2018 - $31,075 +12% -68% 172 $181   $20,393,457 35
Jul 18, 2018 - $22,475 -28% -68% 172 $131   $20,415,932 36
Jul 19, 2018 - $13,973 -38% -74% 172 $81   $20,429,905 37
Jul 20, 2018 - $13,139 -6% -77% 85 $155   $20,443,044 38
Jul 21, 2018 - $21,827 +66% -75% 85 $257   $20,464,871 39
Jul 22, 2018 - $15,431 -29% -73% 85 $182   $20,480,302 40
Jul 23, 2018 - $8,217 -47% -70% 85 $97   $20,488,519 41
Jul 24, 2018 - $9,274 +13% -70% 85 $109   $20,497,793 42
Jul 25, 2018 - $6,773 -27% -70% 85 $80   $20,504,566 43
Jul 26, 2018 - $4,564 -33% -67% 85 $54   $20,509,130 44
Jul 27, 2018 - $2,214 -51% -83% 21 $105   $20,511,344 45
Jul 28, 2018 - $3,337 +51% -85% 21 $159   $20,514,681 46
Jul 29, 2018 - $2,466 -26% -84% 21 $117   $20,517,147 47
Jul 30, 2018 - $1,341 -46% -84% 21 $64   $20,518,488 48
Jul 31, 2018 - $1,884 +40% -80% 21 $90   $20,520,372 49
Aug 1, 2018 - $1,090 -42% -84% 21 $52   $20,521,462 50
Aug 2, 2018 - $682 -37% -85% 21 $32   $20,522,144 51
Aug 3, 2018 - $3,875 +468% +75% 37 $105   $20,526,019 52
Aug 4, 2018 - $6,345 +64% +90% 37 $171   $20,532,364 53
Aug 5, 2018 - $4,773 -25% +94% 37 $129   $20,537,137 54

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 8, 2018 11 $2,141,317   2,220 $965   $2,141,317 1
Jun 15, 2018 7 $9,775,078 +356% 2,220 $4,403   $11,916,395 2
Jun 22, 2018 8 $5,062,724 -48% 2,220 $2,281   $16,979,119 3
Jun 29, 2018 14 $2,229,281 -56% 1,157 $1,927   $19,208,400 4
Jul 6, 2018 18 $925,990 -58% 535 $1,731   $20,134,390 5
Jul 13, 2018 24 $295,515 -68% 172 $1,718   $20,429,905 6
Jul 20, 2018 38 $79,225 -73% 85 $932   $20,509,130 7
Jul 27, 2018 55 $13,014 -84% 21 $620   $20,522,144 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/10/2018 $39,717 51 51 87 $64,480 9/11/2018
Netherlands 9/14/2018 $23,197 23 23 45 $66,663 10/2/2018
New Zealand 7/27/2018 $7,955 10 10 18 $13,550 8/28/2018
Norway 8/3/2018 $186 2 2 3 $495 8/14/2018
South Africa 8/10/2018 $1,948 5 7 15 $6,315 8/28/2018
United Kingdom 9/14/2018 $20,544 95 95 98 $34,941 9/25/2018
 
Rest of World $15,742
 
International Total$202,186 10/2/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 16, 20182215,064 15,064$273,864$273,8643

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 16, 2018717,382 17,382$346,937$346,9373
Sep 23, 2018175,521-68% 22,903$102,304$449,2414

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Trevor Jackson Campbell    Youngblood Priest

Supporting Cast

Jason Mitchell    Eddie
Michael Kenneth Williams    Scatter
Lex Scott Davis    Georgia
Jennifer Morrison    Detective Mason
Kaalan Rashad Walker    Juji
Esai Morales    Adalberto Gonzalez
Big Bank Black    “Q”
Big Boi    Mayor Atkins
Jacob Ming-Trent    Freddie
Andrea Londo    Cynthia
Brian F. Durkin    Officer Turk Franklin
Dominique Madison    Rochelle
Angel Love    Hot Coco
Terayle Hill    Dee
Dawntavia Bullard    Monique
Kia Shine    Big Man
Al Nuke    Litty’s Muscle
Atkins Estimond    Barber
Adriyan Rae    Candice
Lisa Rayam    TV Reporter
Kurt Yue    Developer
Renee Victor    Esmeralda Gonzalez
Allen Maldonado    Litty
Ahmed Lucan    Diplomatic Official
Michael Beasley    Litty’s Security
Adam Boyer    Investigator
Rick Ross    Racks
Samantha Sander    Dinner Server
Kevin Young    Cryptocurrency Supervisor
Ivan Leung    Cryptocurrency Miner
L. Warren Young    Funeral Director
Lasana B. Smith    Racks’ Muscle
Amelia Sanchez    Bottle Service Girl
Zaytoven    Artist
Ebonie Barton    Art Gallery Patron
Roddy White    Football Star
Ezama Loi    Pole Dancer
Sharae Monique Williams    Pole Dancer
Fareedah Aleem    Aerial Dancer
Marilyn Leigh Chen    Aerial Dancer
Patricia Michelle Bushrod    Masquerade Dancer
Cherokee M. Hall    Masquerade Dancer
Cmayla Neal    Masquerade Dancer
Sean Garrett Hamler    Funeral Singer
Crystal Nichole Johnson    Funeral Singer
Lecrae Moore    Funeral Rapper
Joshua Bias    Funeral Choir Member
Augusta Thomas    Funeral Choir Member
Keisha Archer    Funeral Choir Member
Joshua Knauls    Funeral Choir Member
Harold Derrick Lee    Funeral Choir Member
Tiffany Williams    Funeral Choir Member
Jeremiah Renaldo Bethea    Funeral Choir Member
Linda Copeland    Funeral Choir Member
Natasha Mosley    Funeral Choir Member
Artia Emelia Lockett    Funeral Choir Member

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Director X    Director
Alex Tse    Screenwriter
Phillip Fenty    Based on ‘Super Fly’ by
Joel Silver    Producer
Future    Producer
Hal Sadoff    Executive Producer
Aaron Auch    Executive Producer
Ethan Erwin    Executive Producer
Matthew Hirsch    Executive Producer
Anthony Saleh    Executive Producer
Taj Critchlow    Executive Producer
Steven R. Shore    Executive Producer
Amir Mokri    Director of Photography
Graham Grace Walker    Production Designer
Ann-Carolin Biesenbach    Editor
Tamara-Lee Notcutt    Casting Director
Antoinette Messam    Costume Designer
Future    Song Writer
Josh Atchley    Composer
Randall Poster    Music Supervisor
Markos Rounthwaite    Stunt Coordinator
Jennifer Radzikowski    Unit Production Manager
Will Greenfield    Unit Production Manager
Brett Robinson    First Assistant Director
Chris O’ Hara    Second Assistant Director
Magdalena Munao    Associate Producer
Kristen D. Walker    Set Decorator
Lori Grabowski    Script Supervisor
Shilla Benning    Costume Supervisor
Tracy Ewell    Make up
Jack Lazzaro    Make up
Andrea C. Brotherton    Hairstylist
Talya R. Melvey    Hairstylist
Jay Meagher    Production Designer
David Fletcher    Special Effects Supervisor
Kai Thorup    Location Manager
John H. Findley III    Location Manager
Ricky Aguirre    Set Designer
Markos Rounthwaite    Second Unit Director
Tracey Wadmore-Smith    Additional Editor
Kevin Stermer    Additional Editor
Michael S. Smith    First Assistant Editor
Sharia Lynn Davis    Assistant Editor
Michael Goldberg    Assistant Editor
Kevin O'Connell    Re-recording Mixer
Greg Orloff    Re-recording Mixer
Steven Ticknor    Supervising Sound Editor
Kevin O'Connell    Supervising Sound Editor
Tony Lamberti    Sound Designer
Steve Urban    Sound Effects Editor
Joe Iemola    Sound Effects Editor
Robert Troy    Dialogue Editor
Jeanette Surga    Music Editor
Tom Kramer    Music Editor
Amanda Goodpaster    Music Editor
Russell Emanuel    Executive Score Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for September 11th, 2018

September 10th, 2018

Hearts Beat Loud

It is not a very busy week on the home market. Ocean’s 8 is the biggest release of the week, but it is not a Pick of the Week contender. In fact, there was only one real contender for that title, Hearts Beat Loud on Blu-ray. That said, Ocean’s 8 is worth picking up, as is Modern Family: Season Nine. More...

Home Market Releases for August 28th, 2018

August 29th, 2018

Bound

It is a very busy week with a flood of TV on DVD releases. Because of that, each entry has to be a little shorter than usual, especially the TV on DVD releases. There are some titles that are worth more attention, like American Animals, Bound, RBG, and others. It was a close race for Pick of the Week, but in the end I went with Bound on Blu-ray. More...

Weekend Wrap-Up: Jurassic World and Incredibles Combine for Biggest June Weekend

June 26th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom beat expectations with $148.02 million over the weekend, but it wasn’t the only monster hit in theaters. Incredibles 2 added $80.35 million during its second weekend of release, which helped the overall box office become the biggest June weekend of all time. The overall box office rose just 2.3%, but that was enough to break the record with $277 million. This is also 98% higher than the same weekend last year. 2018 has had a string of hits that have dominated their 2017 counterparts, even if they missed expectations, so it is no surprise that 2018 has a lead over 2017 in the year-over-year comparison. However, that lead is surprisingly larger. It has grown to 9.1% or $490 million at $5.85 billion to $5.36 billion. No year has started as fast as 2018 has, and even its estimated ticket sales are the best in the 2010s. More...

Weekend Wrap-Up: Incredible Doesn’t Even Begin to Describe It

June 18th, 2018

Incredibles 2

Incredibles 2 became the first potential monster hit since Infinity War to beat tracking numbers, opening with a mind-numbing $182.69 million. It is hard to describe how amazing this opening is. It has rewritten the record book when it comes to animated films and it gives Disney the top three openings of 2018 and four of the top five. This is twice as much as the rest of the box office earned over the entire weekend. There were other new releases this week, with Tag doing fine. Its $14.95 million opening is nothing special, but it should break even sometime on the home market. SuperFly, on the other hand, was a disappointment. The overall box office grew by 126% from last weekend, with Incredibles 2 earning about 50% more than the entire box office pulled in last weekend. The film was just shy of the same weekend last year, while the overall box office rose by 43%. Year-to-date, 2018 continues to have a lead over 2017, and it has grown to a commanding lead of 6.6% or $340 million at $5.44 billion to $5.10 billion. Granted, we are barely halfway through the year, but 2018 is in a great position to break the all-time yearly box office record. More...

Weekend Estimates: $180 million Opening is Beyond Incredible

June 17th, 2018

Incredibles 2

Incredibles 2 was widely expected to dominate the box office over the weekend, but after the two previous potential monster hits missed high expectations, I thought it was wise to be a little more pessimistic. I was wrong. Incredibles 2 opened with an estimated $180 million. This is not only the best opening for a Pixar film, and an animated film in general, it is the 8th biggest opening weekend of all time. (It could slip a little in tomorrow’s final numbers, putting it in 9th place behind Captain America: Civil War.) The film is already the 50th biggest animated hit of all time and unless its legs are shorter than expected, it will quickly race to the top of that chart. Speaking of legs, Incredibles 2 has the best reviews in the top ten and earned a stunning A plus from CinemaScore. To be frank, perhaps stunning isn’t the right word. Perhaps “expected” is a better term, as Pixar has earned 7 A plus ratings out of its 20 films and has never once slipped below an A minus. Internationally, the film opened in second place with $51.5 million in 25 markets and earned a Pixar-best opening in Mexico ($12.3 million) and Argentina ($3.0 million). In fact, it was outstanding in all of Latin America. It is also the fasting opening Pixar film in Australia with $7.7 million, while it managed the studio’s second biggest opening in Russia with $5.4 million. Granted, the film is not doing as well internationally as it is domestically; however, it is still on pace for $1 billion worldwide, so there’s no way the studio isn’t celebrating this opening. More...

Friday Estimates: Incredibles Smashes Animated Records

June 16th, 2018

Incredibles 2

Incredibles 2 opened with $71.55 million on Friday. To put this in perspective, it is already the biggest digital animation of 2018 and even if it doesn’t sell a single ticket on Saturday and Sunday, this would still be the fifth biggest opening weekend for a Pixar film and the 13th biggest opening for an animated film. Assuming its 93% positive reviews and its A plus from CinemaScore help its legs, it could top Solo: A Star Wars Story’s running tally by the end of the weekend. On the other hand, an opening weekend of $180 million seems like a solid goal after an opening day like this and that will put it on pace for over $500 million domestically. More...

Thursday Night Previews: Incredibles Doubles Dory’s Record with $18.5 million

June 15th, 2018

Incredibles 2

Incredibles 2 earned $18.5 million on preview night, which is double the previous record for an animated film of $9.2 million held by Finding Dory. However, and this is massively important, we’ve seen a number of really impressive previews turn into disappointing opening weekends, so I think it is wise to wait until Friday’s full numbers are in before we get excited about the movie’s weekend results. Even with 93% positive reviews, it could still be front-loaded and it might not necessarily break Dory’s and Pixar’s opening weekend record of $135.06 million. Normally I would be really enthusiastic about this result, but recent events have made it clear that being more cautious is better. More...

Weekend Predictions: How Incredible can the Incredibles Open?

June 14th, 2018

Incredibles 2

Incredibles 2 leads a group of three wide releases coming out in theaters this week. It should open with more than the rest of the box office combined. Tag is a film that many will find a little unbelievable, even though it is based on real-life events. Its reviews suggest a moderate opening, but nothing too special. The buzz surrounding SuperFly is really quiet, but it is being aimed at its target audience in a much more focused ad campaign, which makes judging said campaign’s effectiveness more difficult. Ocean’s 8 should have no trouble earning second place, while it could avoid falling 50%. Meanwhile, this weekend last year, Cars 3 opened with $53.69 million, while Wonder Woman added $41.27 million over the same weekend. I would be shocked if Incredibles 2 doesn’t open with more than those two films earned combined. 2018 should win in the year-over-year comparison with relative ease. More...

2018 Preview: June

June 1st, 2018

Incredibles 2

This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017. More...

Superfly Trailer

April 10th, 2018

Action movie starring Trevor Jackson opens June 15 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

The film that helped define a genre in its characters, look, sound, and feel—is re-imagined.

Metrics

Opening Weekend:$6,870,740 (33.5% of total gross)
Legs:2.99 (domestic box office/biggest weekend)
Domestic Share:99.0% (domestic box office/worldwide)
Production Budget:$16,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:2,220 opening theaters/2,220 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $24,301,893

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: June 13th, 2018 (Wide) by Sony Pictures
International Releases: July 27th, 2018 (Wide) (New Zealand)
August 3rd, 2018 (Wide) (Norway)
August 10th, 2018 (Wide) (Australia)
August 10th, 2018 (Wide) (South Africa)
September 14th, 2018 (Wide) (Netherlands)
... Show all releases
Video Release: August 28th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for violence and language throughout, strong sexuality, nudity, and drug content
(Rating bulletin 2530 (Cert #51442), 6/6/2018)
Running Time: 116 minutes
Comparisons: vs. Nobody
Create your own comparison chart…
Keywords: African Americans, Black Urban, Blaxploitation, Crime, Crime Thriller, Remake, Hood Film
Source:Remake
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, Silver Pictures
Production Countries: United States
Languages: English

Leading Cast

Trevor Jackson Campbell    Youngblood Priest

Supporting Cast

Jason Mitchell    Eddie
Michael Kenneth Williams    Scatter
Lex Scott Davis    Georgia
Jennifer Morrison    Detective Mason
Kaalan Rashad Walker    Juji
Esai Morales    Adalberto Gonzalez
Big Bank Black    “Q”
Big Boi    Mayor Atkins
Jacob Ming-Trent    Freddie
Andrea Londo    Cynthia
Brian F. Durkin    Officer Turk Franklin
Dominique Madison    Rochelle
Angel Love    Hot Coco
Terayle Hill    Dee
Dawntavia Bullard    Monique
Kia Shine    Big Man
Al Nuke    Litty’s Muscle
Atkins Estimond    Barber
Adriyan Rae    Candice
Lisa Rayam    TV Reporter
Kurt Yue    Developer
Renee Victor    Esmeralda Gonzalez
Allen Maldonado    Litty
Ahmed Lucan    Diplomatic Official
Michael Beasley    Litty’s Security
Adam Boyer    Investigator
Rick Ross    Racks
Samantha Sander    Dinner Server
Kevin Young    Cryptocurrency Supervisor
Ivan Leung    Cryptocurrency Miner
L. Warren Young    Funeral Director
Lasana B. Smith    Racks’ Muscle
Amelia Sanchez    Bottle Service Girl
Zaytoven    Artist
Ebonie Barton    Art Gallery Patron
Roddy White    Football Star
Ezama Loi    Pole Dancer
Sharae Monique Williams    Pole Dancer
Fareedah Aleem    Aerial Dancer
Marilyn Leigh Chen    Aerial Dancer
Patricia Michelle Bushrod    Masquerade Dancer
Cherokee M. Hall    Masquerade Dancer
Cmayla Neal    Masquerade Dancer
Sean Garrett Hamler    Funeral Singer
Crystal Nichole Johnson    Funeral Singer
Lecrae Moore    Funeral Rapper
Joshua Bias    Funeral Choir Member
Augusta Thomas    Funeral Choir Member
Keisha Archer    Funeral Choir Member
Joshua Knauls    Funeral Choir Member
Harold Derrick Lee    Funeral Choir Member
Tiffany Williams    Funeral Choir Member
Jeremiah Renaldo Bethea    Funeral Choir Member
Linda Copeland    Funeral Choir Member
Natasha Mosley    Funeral Choir Member
Artia Emelia Lockett    Funeral Choir Member

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Director X    Director
Alex Tse    Screenwriter
Phillip Fenty    Based on ‘Super Fly’ by
Joel Silver    Producer
Future    Producer
Hal Sadoff    Executive Producer
Aaron Auch    Executive Producer
Ethan Erwin    Executive Producer
Matthew Hirsch    Executive Producer
Anthony Saleh    Executive Producer
Taj Critchlow    Executive Producer
Steven R. Shore    Executive Producer
Amir Mokri    Director of Photography
Graham Grace Walker    Production Designer
Ann-Carolin Biesenbach    Editor
Tamara-Lee Notcutt    Casting Director
Antoinette Messam    Costume Designer
Future    Song Writer
Josh Atchley    Composer
Randall Poster    Music Supervisor
Markos Rounthwaite    Stunt Coordinator
Jennifer Radzikowski    Unit Production Manager
Will Greenfield    Unit Production Manager
Brett Robinson    First Assistant Director
Chris O’ Hara    Second Assistant Director
Magdalena Munao    Associate Producer
Kristen D. Walker    Set Decorator
Lori Grabowski    Script Supervisor
Shilla Benning    Costume Supervisor
Tracy Ewell    Make up
Jack Lazzaro    Make up
Andrea C. Brotherton    Hairstylist
Talya R. Melvey    Hairstylist
Jay Meagher    Production Designer
David Fletcher    Special Effects Supervisor
Kai Thorup    Location Manager
John H. Findley III    Location Manager
Ricky Aguirre    Set Designer
Markos Rounthwaite    Second Unit Director
Tracey Wadmore-Smith    Additional Editor
Kevin Stermer    Additional Editor
Michael S. Smith    First Assistant Editor
Sharia Lynn Davis    Assistant Editor
Michael Goldberg    Assistant Editor
Kevin O'Connell    Re-recording Mixer
Greg Orloff    Re-recording Mixer
Steven Ticknor    Supervising Sound Editor
Kevin O'Connell    Supervising Sound Editor
Tony Lamberti    Sound Designer
Steve Urban    Sound Effects Editor
Joe Iemola    Sound Effects Editor
Robert Troy    Dialogue Editor
Jeanette Surga    Music Editor
Tom Kramer    Music Editor
Amanda Goodpaster    Music Editor
Russell Emanuel    Executive Score Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for September 11th, 2018

September 10th, 2018

Hearts Beat Loud

It is not a very busy week on the home market. Ocean’s 8 is the biggest release of the week, but it is not a Pick of the Week contender. In fact, there was only one real contender for that title, Hearts Beat Loud on Blu-ray. That said, Ocean’s 8 is worth picking up, as is Modern Family: Season Nine. More...

Home Market Releases for August 28th, 2018

August 29th, 2018

Bound

It is a very busy week with a flood of TV on DVD releases. Because of that, each entry has to be a little shorter than usual, especially the TV on DVD releases. There are some titles that are worth more attention, like American Animals, Bound, RBG, and others. It was a close race for Pick of the Week, but in the end I went with Bound on Blu-ray. More...

Weekend Wrap-Up: Jurassic World and Incredibles Combine for Biggest June Weekend

June 26th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom beat expectations with $148.02 million over the weekend, but it wasn’t the only monster hit in theaters. Incredibles 2 added $80.35 million during its second weekend of release, which helped the overall box office become the biggest June weekend of all time. The overall box office rose just 2.3%, but that was enough to break the record with $277 million. This is also 98% higher than the same weekend last year. 2018 has had a string of hits that have dominated their 2017 counterparts, even if they missed expectations, so it is no surprise that 2018 has a lead over 2017 in the year-over-year comparison. However, that lead is surprisingly larger. It has grown to 9.1% or $490 million at $5.85 billion to $5.36 billion. No year has started as fast as 2018 has, and even its estimated ticket sales are the best in the 2010s. More...

Weekend Wrap-Up: Incredible Doesn’t Even Begin to Describe It

June 18th, 2018

Incredibles 2

Incredibles 2 became the first potential monster hit since Infinity War to beat tracking numbers, opening with a mind-numbing $182.69 million. It is hard to describe how amazing this opening is. It has rewritten the record book when it comes to animated films and it gives Disney the top three openings of 2018 and four of the top five. This is twice as much as the rest of the box office earned over the entire weekend. There were other new releases this week, with Tag doing fine. Its $14.95 million opening is nothing special, but it should break even sometime on the home market. SuperFly, on the other hand, was a disappointment. The overall box office grew by 126% from last weekend, with Incredibles 2 earning about 50% more than the entire box office pulled in last weekend. The film was just shy of the same weekend last year, while the overall box office rose by 43%. Year-to-date, 2018 continues to have a lead over 2017, and it has grown to a commanding lead of 6.6% or $340 million at $5.44 billion to $5.10 billion. Granted, we are barely halfway through the year, but 2018 is in a great position to break the all-time yearly box office record. More...

Weekend Estimates: $180 million Opening is Beyond Incredible

June 17th, 2018

Incredibles 2

Incredibles 2 was widely expected to dominate the box office over the weekend, but after the two previous potential monster hits missed high expectations, I thought it was wise to be a little more pessimistic. I was wrong. Incredibles 2 opened with an estimated $180 million. This is not only the best opening for a Pixar film, and an animated film in general, it is the 8th biggest opening weekend of all time. (It could slip a little in tomorrow’s final numbers, putting it in 9th place behind Captain America: Civil War.) The film is already the 50th biggest animated hit of all time and unless its legs are shorter than expected, it will quickly race to the top of that chart. Speaking of legs, Incredibles 2 has the best reviews in the top ten and earned a stunning A plus from CinemaScore. To be frank, perhaps stunning isn’t the right word. Perhaps “expected” is a better term, as Pixar has earned 7 A plus ratings out of its 20 films and has never once slipped below an A minus. Internationally, the film opened in second place with $51.5 million in 25 markets and earned a Pixar-best opening in Mexico ($12.3 million) and Argentina ($3.0 million). In fact, it was outstanding in all of Latin America. It is also the fasting opening Pixar film in Australia with $7.7 million, while it managed the studio’s second biggest opening in Russia with $5.4 million. Granted, the film is not doing as well internationally as it is domestically; however, it is still on pace for $1 billion worldwide, so there’s no way the studio isn’t celebrating this opening. More...

Friday Estimates: Incredibles Smashes Animated Records

June 16th, 2018

Incredibles 2

Incredibles 2 opened with $71.55 million on Friday. To put this in perspective, it is already the biggest digital animation of 2018 and even if it doesn’t sell a single ticket on Saturday and Sunday, this would still be the fifth biggest opening weekend for a Pixar film and the 13th biggest opening for an animated film. Assuming its 93% positive reviews and its A plus from CinemaScore help its legs, it could top Solo: A Star Wars Story’s running tally by the end of the weekend. On the other hand, an opening weekend of $180 million seems like a solid goal after an opening day like this and that will put it on pace for over $500 million domestically. More...

Thursday Night Previews: Incredibles Doubles Dory’s Record with $18.5 million

June 15th, 2018

Incredibles 2

Incredibles 2 earned $18.5 million on preview night, which is double the previous record for an animated film of $9.2 million held by Finding Dory. However, and this is massively important, we’ve seen a number of really impressive previews turn into disappointing opening weekends, so I think it is wise to wait until Friday’s full numbers are in before we get excited about the movie’s weekend results. Even with 93% positive reviews, it could still be front-loaded and it might not necessarily break Dory’s and Pixar’s opening weekend record of $135.06 million. Normally I would be really enthusiastic about this result, but recent events have made it clear that being more cautious is better. More...

Weekend Predictions: How Incredible can the Incredibles Open?

June 14th, 2018

Incredibles 2

Incredibles 2 leads a group of three wide releases coming out in theaters this week. It should open with more than the rest of the box office combined. Tag is a film that many will find a little unbelievable, even though it is based on real-life events. Its reviews suggest a moderate opening, but nothing too special. The buzz surrounding SuperFly is really quiet, but it is being aimed at its target audience in a much more focused ad campaign, which makes judging said campaign’s effectiveness more difficult. Ocean’s 8 should have no trouble earning second place, while it could avoid falling 50%. Meanwhile, this weekend last year, Cars 3 opened with $53.69 million, while Wonder Woman added $41.27 million over the same weekend. I would be shocked if Incredibles 2 doesn’t open with more than those two films earned combined. 2018 should win in the year-over-year comparison with relative ease. More...

2018 Preview: June

June 1st, 2018

Incredibles 2

This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017. More...

Superfly Trailer

April 10th, 2018

Action movie starring Trevor Jackson opens June 15 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 15, 2018 6 $6,870,740   2,220 $3,095   $9,012,057 1
Jun 22, 2018 8 $3,404,964 -50% 2,220 $1,534   $15,321,359 2
Jun 29, 2018 13 $1,403,058 -59% 1,157 $1,213   $18,382,177 3
Jul 6, 2018 18 $626,383 -55% 535 $1,171   $19,834,783 4
Jul 13, 2018 24 $200,301 -68% 172 $1,165   $20,334,691 5
Jul 20, 2018 38 $50,397 -75% 85 $593   $20,480,302 6
Jul 27, 2018 54 $8,017 -84% 21 $382   $20,517,147 7
Aug 3, 2018 49 $14,993 +87% 37 $405   $20,537,137 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jun 13, 2018 5 $1,202,734     2,220 $542   $1,202,734 1
Jun 14, 2018 5 $938,583 -22%   2,220 $423   $2,141,317 2
Jun 15, 2018 7 $1,882,219 +101%   2,220 $848   $4,023,536 3
Jun 16, 2018 7 $2,423,948 +29%   2,220 $1,092   $6,447,484 4
Jun 17, 2018 6 $2,564,573 +6%   2,220 $1,155   $9,012,057 5
Jun 18, 2018 7 $818,853 -68%   2,220 $369   $9,830,910 6
Jun 19, 2018 7 $933,254 +14%   2,220 $420   $10,764,164 7
Jun 20, 2018 8 $624,364 -33% -48% 2,220 $281   $11,388,528 8
Jun 21, 2018 7 $527,867 -15% -44% 2,220 $238   $11,916,395 9
Jun 22, 2018 8 $969,384 +84% -48% 2,220 $437   $12,885,779 10
Jun 23, 2018 8 $1,409,813 +45% -42% 2,220 $635   $14,295,592 11
Jun 24, 2018 8 $1,025,767 -27% -60% 2,220 $462   $15,321,359 12
Jun 25, 2018 8 $439,097 -57% -46% 2,220 $198   $15,760,456 13
Jun 26, 2018 8 $533,684 +22% -43% 2,220 $240   $16,294,140 14
Jun 27, 2018 8 $394,860 -26% -37% 2,220 $178   $16,689,000 15
Jun 28, 2018 9 $290,119 -27% -45% 2,220 $131   $16,979,119 16
Jun 29, 2018 13 $404,779 +40% -58% 1,157 $350   $17,383,898 17
Jun 30, 2018 13 $579,434 +43% -59% 1,157 $501   $17,963,332 18
Jul 1, 2018 13 $418,845 -28% -59% 1,157 $362   $18,382,177 19
Jul 2, 2018 13 $200,347 -52% -54% 1,157 $173   $18,582,524 20
Jul 3, 2018 13 $235,287 +17% -56% 1,157 $203   $18,817,811 21
Jul 4, 2018 14 $246,830 +5% -37% 1,157 $213   $19,064,641 22
Jul 5, 2018 15 $143,759 -42% -50% 1,157 $124   $19,208,400 23
Jul 6, 2018 - $186,984 +30% -54% 535 $350   $19,395,384 24
Jul 7, 2018 - $261,514 +40% -55% 535 $489   $19,656,898 25
Jul 8, 2018 - $177,885 -32% -58% 535 $332   $19,834,783 26
Jul 9, 2018 - $80,462 -55% -60% 535 $150   $19,915,245 27
Jul 10, 2018 - $96,991 +21% -59% 535 $181   $20,012,236 28
Jul 11, 2018 - $69,284 -29% -72% 535 $130   $20,081,520 29
Jul 12, 2018 - $52,870 -24% -63% 535 $99   $20,134,390 30
Jul 13, 2018 - $56,325 +7% -70% 172 $327   $20,190,715 31
Jul 14, 2018 - $86,132 +53% -67% 172 $501   $20,276,847 32
Jul 15, 2018 - $57,844 -33% -67% 172 $336   $20,334,691 33
Jul 16, 2018 - $27,691 -52% -66% 172 $161   $20,362,382 34
Jul 17, 2018 - $31,075 +12% -68% 172 $181   $20,393,457 35
Jul 18, 2018 - $22,475 -28% -68% 172 $131   $20,415,932 36
Jul 19, 2018 - $13,973 -38% -74% 172 $81   $20,429,905 37
Jul 20, 2018 - $13,139 -6% -77% 85 $155   $20,443,044 38
Jul 21, 2018 - $21,827 +66% -75% 85 $257   $20,464,871 39
Jul 22, 2018 - $15,431 -29% -73% 85 $182   $20,480,302 40
Jul 23, 2018 - $8,217 -47% -70% 85 $97   $20,488,519 41
Jul 24, 2018 - $9,274 +13% -70% 85 $109   $20,497,793 42
Jul 25, 2018 - $6,773 -27% -70% 85 $80   $20,504,566 43
Jul 26, 2018 - $4,564 -33% -67% 85 $54   $20,509,130 44
Jul 27, 2018 - $2,214 -51% -83% 21 $105   $20,511,344 45
Jul 28, 2018 - $3,337 +51% -85% 21 $159   $20,514,681 46
Jul 29, 2018 - $2,466 -26% -84% 21 $117   $20,517,147 47
Jul 30, 2018 - $1,341 -46% -84% 21 $64   $20,518,488 48
Jul 31, 2018 - $1,884 +40% -80% 21 $90   $20,520,372 49
Aug 1, 2018 - $1,090 -42% -84% 21 $52   $20,521,462 50
Aug 2, 2018 - $682 -37% -85% 21 $32   $20,522,144 51
Aug 3, 2018 - $3,875 +468% +75% 37 $105   $20,526,019 52
Aug 4, 2018 - $6,345 +64% +90% 37 $171   $20,532,364 53
Aug 5, 2018 - $4,773 -25% +94% 37 $129   $20,537,137 54

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 8, 2018 11 $2,141,317   2,220 $965   $2,141,317 1
Jun 15, 2018 7 $9,775,078 +356% 2,220 $4,403   $11,916,395 2
Jun 22, 2018 8 $5,062,724 -48% 2,220 $2,281   $16,979,119 3
Jun 29, 2018 14 $2,229,281 -56% 1,157 $1,927   $19,208,400 4
Jul 6, 2018 18 $925,990 -58% 535 $1,731   $20,134,390 5
Jul 13, 2018 24 $295,515 -68% 172 $1,718   $20,429,905 6
Jul 20, 2018 38 $79,225 -73% 85 $932   $20,509,130 7
Jul 27, 2018 55 $13,014 -84% 21 $620   $20,522,144 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/10/2018 $39,717 51 51 87 $64,480 9/11/2018
Netherlands 9/14/2018 $23,197 23 23 45 $66,663 10/2/2018
New Zealand 7/27/2018 $7,955 10 10 18 $13,550 8/28/2018
Norway 8/3/2018 $186 2 2 3 $495 8/14/2018
South Africa 8/10/2018 $1,948 5 7 15 $6,315 8/28/2018
United Kingdom 9/14/2018 $20,544 95 95 98 $34,941 9/25/2018
 
Rest of World $15,742
 
International Total$202,186 10/2/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 16, 20182215,064 15,064$273,864$273,8643

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 16, 2018717,382 17,382$346,937$346,9373
Sep 23, 2018175,521-68% 22,903$102,304$449,2414

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.