Suspiria (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $2,483,472 | Details |
| International Box Office | $5,591,835 | Details |
| Worldwide Box Office | $8,075,307 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $1,012,985 | |
| Total | $1,012,985 | |
| OpusData ID: 148810100 More info... | ||
| Further financial details... | ||
Synopsis
Young American dancer Susie Bannion arrives in 1970s Berlin to audition for the world-renowned Helena Markos Dance Company, stunning the troupe’s famed choreographer, Madame Blanc, with her raw talent. When she vaults to the role of lead dancer, Olga, the previous lead, breaks down and accuses the company’s female directors of being witches. As rehearsals intensify for the final performance of the company’s signature piece, Susie and Madame Blanc grow strangely close, suggesting that Susie’s purpose in the company goes beyond merely dancing. Meanwhile, an inquisitive psychotherapist trying to uncover the company’s dark secrets enlists the help of another dancer, who probes the depths of the studio’s hidden underground chambers, where horrific discoveries await.
Metrics
| Opening Weekend: | $184,037 (7.4% of total gross) |
| Legs: | 2.53 (domestic box office/biggest weekend) |
| Domestic Share: | 30.8% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2 opening theaters/309 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,260,404 |
Movie Details
| Domestic Releases: | October 26th, 2018 (Limited) by Amazon Studios November 2nd, 2018 (Expands Wide) by Amazon Studios |
| International Releases: | October 12th, 2018 (Wide) (Australia)
November 2nd, 2018 (Wide) (Poland) November 9th, 2018 (Wide) (Turkey) November 16th, 2018 (Wide) (Netherlands) November 16th, 2018 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | January 15th, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for disturbing content involving ritualistic violence, bloody images and graphic nudity, and for some language including sexual references. (Rating bulletin 2533 (Cert #51647), 6/19/2018) |
| Running Time: | 152 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Genderbending Casting, Intertitle, Remake, Same Actor, Multiple Roles |
| Geographical setting: | Berlin, West Germany |
| Plot point: | Haunting, Political Protest, Terrorism |
| Social setting: | Ballet, Surrealism / Absurdism |
| Time period setting: | 1970s |
| Source: | Based on Poem |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Amazon Studios, K Period Media, Frenesy Film, Videa, Mythology Entertainment, First Sun, Memo Films |
| Production Countries: | United States |
| Languages: | English, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 24 | $184,037 | 2 | $92,019 | $184,037 | 1 | |
| Nov 2, 2018 | 19 | $979,882 | +432% | 309 | $3,171 | $1,230,739 | 2 |
| Nov 9, 2018 | 23 | $366,600 | -63% | 261 | $1,405 | $1,945,156 | 3 |
| Nov 16, 2018 | 30 | $95,804 | -74% | 53 | $1,808 | $2,236,185 | 4 |
| Nov 23, 2018 | 39 | $46,677 | -51% | 34 | $1,373 | $2,338,797 | 5 |
| Nov 30, 2018 | 42 | $31,388 | -33% | 33 | $951 | $2,397,484 | 6 |
| Dec 7, 2018 | 46 | $23,835 | -24% | 33 | $722 | $2,445,454 | 7 |
| Dec 14, 2018 | 51 | $9,922 | -58% | 19 | $522 | $2,474,044 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | - | $58,020 | 2 | $29,010 | $58,020 | 1 | ||
| Oct 27, 2018 | - | $70,286 | +21% | 2 | $35,143 | $128,306 | 2 | |
| Oct 28, 2018 | - | $55,731 | -21% | 2 | $27,866 | $184,037 | 3 | |
| Oct 29, 2018 | - | $15,053 | -73% | 2 | $7,527 | $199,090 | 4 | |
| Oct 30, 2018 | - | $20,438 | +36% | 2 | $10,219 | $219,528 | 5 | |
| Oct 31, 2018 | - | $19,930 | -2% | 2 | $9,965 | $239,458 | 6 | |
| Nov 1, 2018 | - | $11,399 | -43% | 2 | $5,700 | $250,857 | 7 | |
| Nov 2, 2018 | 13 | $461,577 | +3,949% | +696% | 309 | $1,494 | $712,434 | 8 |
| Nov 3, 2018 | - | $278,055 | -40% | +296% | 309 | $900 | $990,489 | 9 |
| Nov 4, 2018 | - | $240,250 | -14% | +331% | 309 | $778 | $1,230,739 | 10 |
| Nov 5, 2018 | - | $82,677 | -66% | +449% | 309 | $268 | $1,313,416 | 11 |
| Nov 6, 2018 | - | $87,007 | +5% | +326% | 309 | $282 | $1,400,423 | 12 |
| Nov 7, 2018 | - | $107,854 | +24% | +441% | 309 | $349 | $1,508,277 | 13 |
| Nov 8, 2018 | - | $70,279 | -35% | +517% | 309 | $227 | $1,578,556 | 14 |
| Nov 9, 2018 | - | $116,281 | +65% | -75% | 261 | $446 | $1,694,837 | 15 |
| Nov 10, 2018 | - | $140,074 | +20% | -50% | 261 | $537 | $1,834,911 | 16 |
| Nov 11, 2018 | - | $110,245 | -21% | -54% | 261 | $422 | $1,945,156 | 17 |
| Nov 12, 2018 | - | $56,500 | -49% | -32% | 261 | $216 | $2,001,656 | 18 |
| Nov 13, 2018 | - | $46,509 | -18% | -47% | 261 | $178 | $2,048,165 | 19 |
| Nov 14, 2018 | - | $46,476 | n/c | -57% | 261 | $178 | $2,094,641 | 20 |
| Nov 15, 2018 | - | $45,740 | -2% | -35% | 261 | $175 | $2,140,381 | 21 |
| Nov 16, 2018 | - | $26,396 | -42% | -77% | 53 | $498 | $2,166,777 | 22 |
| Nov 17, 2018 | - | $38,311 | +45% | -73% | 53 | $723 | $2,205,088 | 23 |
| Nov 18, 2018 | - | $31,097 | -19% | -72% | 53 | $587 | $2,236,185 | 24 |
| Nov 19, 2018 | - | $17,111 | -45% | -70% | 53 | $323 | $2,253,296 | 25 |
| Nov 20, 2018 | - | $16,304 | -5% | -65% | 53 | $308 | $2,269,600 | 26 |
| Nov 21, 2018 | - | $10,989 | -33% | -76% | 53 | $207 | $2,280,589 | 27 |
| Nov 22, 2018 | - | $11,531 | +5% | -75% | 53 | $218 | $2,292,120 | 28 |
| Nov 23, 2018 | - | $15,414 | +34% | -42% | 34 | $453 | $2,307,534 | 29 |
| Nov 24, 2018 | - | $18,185 | +18% | -53% | 34 | $535 | $2,325,719 | 30 |
| Nov 25, 2018 | - | $13,078 | -28% | -58% | 34 | $385 | $2,338,797 | 31 |
| Nov 26, 2018 | - | $6,897 | -47% | -60% | 34 | $203 | $2,345,694 | 32 |
| Nov 27, 2018 | - | $7,530 | +9% | -54% | 34 | $221 | $2,353,224 | 33 |
| Nov 28, 2018 | - | $6,396 | -15% | -42% | 34 | $188 | $2,359,620 | 34 |
| Nov 29, 2018 | - | $6,476 | +1% | -44% | 34 | $190 | $2,366,096 | 35 |
| Nov 30, 2018 | - | $8,245 | +27% | -47% | 33 | $250 | $2,374,341 | 36 |
| Dec 1, 2018 | - | $11,473 | +39% | -37% | 33 | $348 | $2,385,814 | 37 |
| Dec 2, 2018 | - | $11,670 | +2% | -11% | 33 | $354 | $2,397,484 | 38 |
| Dec 3, 2018 | - | $5,136 | -56% | -26% | 33 | $156 | $2,402,620 | 39 |
| Dec 4, 2018 | - | $7,540 | +47% | n/c | 33 | $228 | $2,410,160 | 40 |
| Dec 5, 2018 | - | $6,005 | -20% | -6% | 33 | $182 | $2,416,165 | 41 |
| Dec 6, 2018 | - | $5,454 | -9% | -16% | 33 | $165 | $2,421,619 | 42 |
| Dec 7, 2018 | - | $8,989 | +65% | +9% | 33 | $272 | $2,430,608 | 43 |
| Dec 8, 2018 | - | $8,655 | -4% | -25% | 33 | $262 | $2,439,263 | 44 |
| Dec 9, 2018 | - | $6,191 | -28% | -47% | 33 | $188 | $2,445,454 | 45 |
| Dec 10, 2018 | - | $4,995 | -19% | -3% | 33 | $151 | $2,450,449 | 46 |
| Dec 11, 2018 | - | $4,889 | -2% | -35% | 33 | $148 | $2,455,338 | 47 |
| Dec 12, 2018 | - | $4,573 | -6% | -24% | 33 | $139 | $2,459,911 | 48 |
| Dec 13, 2018 | - | $4,211 | -8% | -23% | 33 | $128 | $2,464,122 | 49 |
| Dec 14, 2018 | - | $2,335 | -45% | -74% | 19 | $123 | $2,466,457 | 50 |
| Dec 15, 2018 | - | $3,500 | +50% | -60% | 19 | $184 | $2,469,957 | 51 |
| Dec 16, 2018 | - | $4,087 | +17% | -34% | 19 | $215 | $2,474,044 | 52 |
| Dec 17, 2018 | - | $2,204 | -46% | -56% | 19 | $116 | $2,476,248 | 53 |
| Dec 18, 2018 | - | $2,349 | +7% | -52% | 19 | $124 | $2,478,597 | 54 |
| Dec 19, 2018 | - | $2,315 | -1% | -49% | 19 | $122 | $2,480,912 | 55 |
| Dec 20, 2018 | - | $2,560 | +11% | -39% | 19 | $135 | $2,483,472 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 25 | $250,857 | 2 | $125,429 | $250,857 | 1 | |
| Nov 2, 2018 | 19 | $1,327,699 | +429% | 309 | $4,297 | $1,578,556 | 2 |
| Nov 9, 2018 | 22 | $561,825 | -58% | 261 | $2,153 | $2,140,381 | 3 |
| Nov 16, 2018 | 33 | $151,739 | -73% | 53 | $2,863 | $2,292,120 | 4 |
| Nov 23, 2018 | 40 | $73,976 | -51% | 34 | $2,176 | $2,366,096 | 5 |
| Nov 30, 2018 | 41 | $55,523 | -25% | 33 | $1,683 | $2,421,619 | 6 |
| Dec 7, 2018 | 47 | $42,503 | -23% | 33 | $1,288 | $2,464,122 | 7 |
| Dec 14, 2018 | 51 | $19,350 | -54% | 19 | $1,018 | $2,483,472 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/1/2019 | $26,882 | 35 | 35 | 50 | $48,288 | 3/5/2019 | |||
| Australia | 10/12/2018 | $1,197 | 2 | 1 | 160 | $177,198 | 4/4/2026 | |||
| France | 11/16/2018 | $138,448 | 137 | 137 | 356 | $248,888 | 2/12/2019 | |||
| Germany | 11/16/2018 | $0 | 0 | 66 | 184 | $229,136 | 2/1/2019 | |||
| Italy | 1/1/2019 | $480,620 | 0 | 31 | 66 | $1,219,513 | 2/12/2019 | |||
| Japan | 1/25/2019 | $141,235 | 59 | 59 | 179 | $684,410 | 4/13/2019 | |||
| Lithuania | 12/14/2018 | $6,503 | 43 | 43 | 54 | $12,924 | 1/3/2019 | |||
| Mexico | 1/11/2019 | $151,047 | 290 | 290 | 455 | $311,732 | 3/15/2019 | |||
| Netherlands | 11/16/2018 | $23,376 | 27 | 27 | 102 | $89,195 | 2/1/2019 | |||
| Poland | 11/2/2018 | $217,780 | 148 | 148 | 148 | $217,780 | 1/1/2019 | |||
| Portugal | 11/23/2018 | $14,794 | 25 | 25 | 52 | $32,252 | 12/27/2018 | |||
| Russia (CIS) | 11/29/2018 | $174,322 | 396 | 396 | 716 | $317,998 | 2/1/2019 | |||
| South Korea | 5/16/2019 | $108,494 | 238 | 238 | 325 | $250,237 | 7/11/2019 | |||
| Spain | 12/7/2018 | $39,954 | 45 | 45 | 85 | $122,315 | 2/2/2019 | |||
| Taiwan | 1/11/2019 | $38,702 | 24 | 24 | 61 | $92,531 | 2/16/2019 | |||
| Turkey | 11/9/2018 | $14,343 | 63 | 63 | 69 | $29,564 | 11/29/2018 | |||
| United Kingdom | 11/16/2018 | $213,451 | 77 | 77 | 233 | $442,990 | 4/4/2026 | |||
| Rest of World | $1,064,884 | |||||||||
| International Total | $5,591,835 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Dakota Johnson | Susie | |
| Tilda Swinton | Madame Blanc | |
| Mia Goth | Sara | |
| Lutz Ebersdorf | Dr. Klemperer | |
| Chloë Grace Moretz | Patricia | |
| Angela Winkler | Miss Tanner | |
| Renee Soutendijk | Miss Huller |
Supporting
| Jessica Harper | Anke | |
| Ingrid Caven | Miss Vendegast | |
| Elena Fokina | Olga | |
| Sylvie Testud | Miss Griffith | |
| Christine Leboutte | Miss Balfour | |
| Fabrizia Sacchi | Pavla | |
| Malgosia Bela | Mother | |
| Vanda Capriolo | Alberta | |
| Alek Wek | Miss Millius | |
| Olivia Ancona | Marketa | |
| Brigitte Cuvelier | Miss Kaplitt | |
| Jessica Batut | Miss Mandel |
Production and Technical Credits
| Luca Guadagnino | Director | |
| David Kajganich | Screenwriter | |
| Dario Argento | Story based on the original screenplay by | |
| Daria Nicolodi | Story based on the original screenplay by | |
| Marco Morabito | Producer | |
| Bradley J. Fischer | Producer | |
| David Kajganich | Producer | |
| Silvia Venturini Fendi | Producer | |
| Francesco Melzi d'Eril | Producer | |
| William Sherak | Producer | |
| Gabriele Moratti | Producer | |
| Kimberly Steward | Executive Producer | |
| Lauren Beck | Executive Producer | |
| Josh Godfrey | Executive Producer | |
| Stella Savino | Executive Producer | |
| James Vanderbilt | Executive Producer | |
| Massimilliano Violante | Executive Producer | |
| Carlo Antonelli | Executive Producer | |
| Walter Fasano | Editor | |
| Sayombhu Mukdeeprom | Cinematographer | |
| Thom Yorke | Composer | |
| Inbal Weinberg | Production Designer | |
| Giulia Piersanti | Costume Designer | |
| Damien Jalet | Choreography | |
| Robin Urdang | Music Supervisor | |
| Stella Savino | Casting Director | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Young American dancer Susie Bannion arrives in 1970s Berlin to audition for the world-renowned Helena Markos Dance Company, stunning the troupe’s famed choreographer, Madame Blanc, with her raw talent. When she vaults to the role of lead dancer, Olga, the previous lead, breaks down and accuses the company’s female directors of being witches. As rehearsals intensify for the final performance of the company’s signature piece, Susie and Madame Blanc grow strangely close, suggesting that Susie’s purpose in the company goes beyond merely dancing. Meanwhile, an inquisitive psychotherapist trying to uncover the company’s dark secrets enlists the help of another dancer, who probes the depths of the studio’s hidden underground chambers, where horrific discoveries await.
Metrics
| Opening Weekend: | $184,037 (7.4% of total gross) |
| Legs: | 2.53 (domestic box office/biggest weekend) |
| Domestic Share: | 30.8% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 0.4 times production budget) |
| Theater counts: | 2 opening theaters/309 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,260,404 |
Movie Details
| Domestic Releases: | October 26th, 2018 (Limited) by Amazon Studios November 2nd, 2018 (Expands Wide) by Amazon Studios |
| International Releases: | October 12th, 2018 (Wide) (Australia)
November 2nd, 2018 (Wide) (Poland) November 9th, 2018 (Wide) (Turkey) November 16th, 2018 (Wide) (Netherlands) November 16th, 2018 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | January 15th, 2019 by Lionsgate Home Entertainment |
| MPA Rating: | R for disturbing content involving ritualistic violence, bloody images and graphic nudity, and for some language including sexual references. (Rating bulletin 2533 (Cert #51647), 6/19/2018) |
| Running Time: | 152 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Genderbending Casting, Intertitle, Remake, Same Actor, Multiple Roles |
| Geographical setting: | Berlin, West Germany |
| Plot point: | Haunting, Political Protest, Terrorism |
| Social setting: | Ballet, Surrealism / Absurdism |
| Time period setting: | 1970s |
| Source: | Based on Poem |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Amazon Studios, K Period Media, Frenesy Film, Videa, Mythology Entertainment, First Sun, Memo Films |
| Production Countries: | United States |
| Languages: | English, German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 24 | $184,037 | 2 | $92,019 | $184,037 | 1 | |
| Nov 2, 2018 | 19 | $979,882 | +432% | 309 | $3,171 | $1,230,739 | 2 |
| Nov 9, 2018 | 23 | $366,600 | -63% | 261 | $1,405 | $1,945,156 | 3 |
| Nov 16, 2018 | 30 | $95,804 | -74% | 53 | $1,808 | $2,236,185 | 4 |
| Nov 23, 2018 | 39 | $46,677 | -51% | 34 | $1,373 | $2,338,797 | 5 |
| Nov 30, 2018 | 42 | $31,388 | -33% | 33 | $951 | $2,397,484 | 6 |
| Dec 7, 2018 | 46 | $23,835 | -24% | 33 | $722 | $2,445,454 | 7 |
| Dec 14, 2018 | 51 | $9,922 | -58% | 19 | $522 | $2,474,044 | 8 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | - | $58,020 | 2 | $29,010 | $58,020 | 1 | ||
| Oct 27, 2018 | - | $70,286 | +21% | 2 | $35,143 | $128,306 | 2 | |
| Oct 28, 2018 | - | $55,731 | -21% | 2 | $27,866 | $184,037 | 3 | |
| Oct 29, 2018 | - | $15,053 | -73% | 2 | $7,527 | $199,090 | 4 | |
| Oct 30, 2018 | - | $20,438 | +36% | 2 | $10,219 | $219,528 | 5 | |
| Oct 31, 2018 | - | $19,930 | -2% | 2 | $9,965 | $239,458 | 6 | |
| Nov 1, 2018 | - | $11,399 | -43% | 2 | $5,700 | $250,857 | 7 | |
| Nov 2, 2018 | 13 | $461,577 | +3,949% | +696% | 309 | $1,494 | $712,434 | 8 |
| Nov 3, 2018 | - | $278,055 | -40% | +296% | 309 | $900 | $990,489 | 9 |
| Nov 4, 2018 | - | $240,250 | -14% | +331% | 309 | $778 | $1,230,739 | 10 |
| Nov 5, 2018 | - | $82,677 | -66% | +449% | 309 | $268 | $1,313,416 | 11 |
| Nov 6, 2018 | - | $87,007 | +5% | +326% | 309 | $282 | $1,400,423 | 12 |
| Nov 7, 2018 | - | $107,854 | +24% | +441% | 309 | $349 | $1,508,277 | 13 |
| Nov 8, 2018 | - | $70,279 | -35% | +517% | 309 | $227 | $1,578,556 | 14 |
| Nov 9, 2018 | - | $116,281 | +65% | -75% | 261 | $446 | $1,694,837 | 15 |
| Nov 10, 2018 | - | $140,074 | +20% | -50% | 261 | $537 | $1,834,911 | 16 |
| Nov 11, 2018 | - | $110,245 | -21% | -54% | 261 | $422 | $1,945,156 | 17 |
| Nov 12, 2018 | - | $56,500 | -49% | -32% | 261 | $216 | $2,001,656 | 18 |
| Nov 13, 2018 | - | $46,509 | -18% | -47% | 261 | $178 | $2,048,165 | 19 |
| Nov 14, 2018 | - | $46,476 | n/c | -57% | 261 | $178 | $2,094,641 | 20 |
| Nov 15, 2018 | - | $45,740 | -2% | -35% | 261 | $175 | $2,140,381 | 21 |
| Nov 16, 2018 | - | $26,396 | -42% | -77% | 53 | $498 | $2,166,777 | 22 |
| Nov 17, 2018 | - | $38,311 | +45% | -73% | 53 | $723 | $2,205,088 | 23 |
| Nov 18, 2018 | - | $31,097 | -19% | -72% | 53 | $587 | $2,236,185 | 24 |
| Nov 19, 2018 | - | $17,111 | -45% | -70% | 53 | $323 | $2,253,296 | 25 |
| Nov 20, 2018 | - | $16,304 | -5% | -65% | 53 | $308 | $2,269,600 | 26 |
| Nov 21, 2018 | - | $10,989 | -33% | -76% | 53 | $207 | $2,280,589 | 27 |
| Nov 22, 2018 | - | $11,531 | +5% | -75% | 53 | $218 | $2,292,120 | 28 |
| Nov 23, 2018 | - | $15,414 | +34% | -42% | 34 | $453 | $2,307,534 | 29 |
| Nov 24, 2018 | - | $18,185 | +18% | -53% | 34 | $535 | $2,325,719 | 30 |
| Nov 25, 2018 | - | $13,078 | -28% | -58% | 34 | $385 | $2,338,797 | 31 |
| Nov 26, 2018 | - | $6,897 | -47% | -60% | 34 | $203 | $2,345,694 | 32 |
| Nov 27, 2018 | - | $7,530 | +9% | -54% | 34 | $221 | $2,353,224 | 33 |
| Nov 28, 2018 | - | $6,396 | -15% | -42% | 34 | $188 | $2,359,620 | 34 |
| Nov 29, 2018 | - | $6,476 | +1% | -44% | 34 | $190 | $2,366,096 | 35 |
| Nov 30, 2018 | - | $8,245 | +27% | -47% | 33 | $250 | $2,374,341 | 36 |
| Dec 1, 2018 | - | $11,473 | +39% | -37% | 33 | $348 | $2,385,814 | 37 |
| Dec 2, 2018 | - | $11,670 | +2% | -11% | 33 | $354 | $2,397,484 | 38 |
| Dec 3, 2018 | - | $5,136 | -56% | -26% | 33 | $156 | $2,402,620 | 39 |
| Dec 4, 2018 | - | $7,540 | +47% | n/c | 33 | $228 | $2,410,160 | 40 |
| Dec 5, 2018 | - | $6,005 | -20% | -6% | 33 | $182 | $2,416,165 | 41 |
| Dec 6, 2018 | - | $5,454 | -9% | -16% | 33 | $165 | $2,421,619 | 42 |
| Dec 7, 2018 | - | $8,989 | +65% | +9% | 33 | $272 | $2,430,608 | 43 |
| Dec 8, 2018 | - | $8,655 | -4% | -25% | 33 | $262 | $2,439,263 | 44 |
| Dec 9, 2018 | - | $6,191 | -28% | -47% | 33 | $188 | $2,445,454 | 45 |
| Dec 10, 2018 | - | $4,995 | -19% | -3% | 33 | $151 | $2,450,449 | 46 |
| Dec 11, 2018 | - | $4,889 | -2% | -35% | 33 | $148 | $2,455,338 | 47 |
| Dec 12, 2018 | - | $4,573 | -6% | -24% | 33 | $139 | $2,459,911 | 48 |
| Dec 13, 2018 | - | $4,211 | -8% | -23% | 33 | $128 | $2,464,122 | 49 |
| Dec 14, 2018 | - | $2,335 | -45% | -74% | 19 | $123 | $2,466,457 | 50 |
| Dec 15, 2018 | - | $3,500 | +50% | -60% | 19 | $184 | $2,469,957 | 51 |
| Dec 16, 2018 | - | $4,087 | +17% | -34% | 19 | $215 | $2,474,044 | 52 |
| Dec 17, 2018 | - | $2,204 | -46% | -56% | 19 | $116 | $2,476,248 | 53 |
| Dec 18, 2018 | - | $2,349 | +7% | -52% | 19 | $124 | $2,478,597 | 54 |
| Dec 19, 2018 | - | $2,315 | -1% | -49% | 19 | $122 | $2,480,912 | 55 |
| Dec 20, 2018 | - | $2,560 | +11% | -39% | 19 | $135 | $2,483,472 | 56 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 26, 2018 | 25 | $250,857 | 2 | $125,429 | $250,857 | 1 | |
| Nov 2, 2018 | 19 | $1,327,699 | +429% | 309 | $4,297 | $1,578,556 | 2 |
| Nov 9, 2018 | 22 | $561,825 | -58% | 261 | $2,153 | $2,140,381 | 3 |
| Nov 16, 2018 | 33 | $151,739 | -73% | 53 | $2,863 | $2,292,120 | 4 |
| Nov 23, 2018 | 40 | $73,976 | -51% | 34 | $2,176 | $2,366,096 | 5 |
| Nov 30, 2018 | 41 | $55,523 | -25% | 33 | $1,683 | $2,421,619 | 6 |
| Dec 7, 2018 | 47 | $42,503 | -23% | 33 | $1,288 | $2,464,122 | 7 |
| Dec 14, 2018 | 51 | $19,350 | -54% | 19 | $1,018 | $2,483,472 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/1/2019 | $26,882 | 35 | 35 | 50 | $48,288 | 3/5/2019 | |||
| Australia | 10/12/2018 | $1,197 | 2 | 1 | 160 | $177,198 | 4/4/2026 | |||
| France | 11/16/2018 | $138,448 | 137 | 137 | 356 | $248,888 | 2/12/2019 | |||
| Germany | 11/16/2018 | $0 | 0 | 66 | 184 | $229,136 | 2/1/2019 | |||
| Italy | 1/1/2019 | $480,620 | 0 | 31 | 66 | $1,219,513 | 2/12/2019 | |||
| Japan | 1/25/2019 | $141,235 | 59 | 59 | 179 | $684,410 | 4/13/2019 | |||
| Lithuania | 12/14/2018 | $6,503 | 43 | 43 | 54 | $12,924 | 1/3/2019 | |||
| Mexico | 1/11/2019 | $151,047 | 290 | 290 | 455 | $311,732 | 3/15/2019 | |||
| Netherlands | 11/16/2018 | $23,376 | 27 | 27 | 102 | $89,195 | 2/1/2019 | |||
| Poland | 11/2/2018 | $217,780 | 148 | 148 | 148 | $217,780 | 1/1/2019 | |||
| Portugal | 11/23/2018 | $14,794 | 25 | 25 | 52 | $32,252 | 12/27/2018 | |||
| Russia (CIS) | 11/29/2018 | $174,322 | 396 | 396 | 716 | $317,998 | 2/1/2019 | |||
| South Korea | 5/16/2019 | $108,494 | 238 | 238 | 325 | $250,237 | 7/11/2019 | |||
| Spain | 12/7/2018 | $39,954 | 45 | 45 | 85 | $122,315 | 2/2/2019 | |||
| Taiwan | 1/11/2019 | $38,702 | 24 | 24 | 61 | $92,531 | 2/16/2019 | |||
| Turkey | 11/9/2018 | $14,343 | 63 | 63 | 69 | $29,564 | 11/29/2018 | |||
| United Kingdom | 11/16/2018 | $213,451 | 77 | 77 | 233 | $442,990 | 4/4/2026 | |||
| Rest of World | $1,064,884 | |||||||||
| International Total | $5,591,835 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Dakota Johnson | Susie | |
| Tilda Swinton | Madame Blanc | |
| Mia Goth | Sara | |
| Lutz Ebersdorf | Dr. Klemperer | |
| Chloë Grace Moretz | Patricia | |
| Angela Winkler | Miss Tanner | |
| Renee Soutendijk | Miss Huller |
Supporting
| Jessica Harper | Anke | |
| Ingrid Caven | Miss Vendegast | |
| Elena Fokina | Olga | |
| Sylvie Testud | Miss Griffith | |
| Christine Leboutte | Miss Balfour | |
| Fabrizia Sacchi | Pavla | |
| Malgosia Bela | Mother | |
| Vanda Capriolo | Alberta | |
| Alek Wek | Miss Millius | |
| Olivia Ancona | Marketa | |
| Brigitte Cuvelier | Miss Kaplitt | |
| Jessica Batut | Miss Mandel |
Production and Technical Credits
| Luca Guadagnino | Director | |
| David Kajganich | Screenwriter | |
| Dario Argento | Story based on the original screenplay by | |
| Daria Nicolodi | Story based on the original screenplay by | |
| Marco Morabito | Producer | |
| Bradley J. Fischer | Producer | |
| David Kajganich | Producer | |
| Silvia Venturini Fendi | Producer | |
| Francesco Melzi d'Eril | Producer | |
| William Sherak | Producer | |
| Gabriele Moratti | Producer | |
| Kimberly Steward | Executive Producer | |
| Lauren Beck | Executive Producer | |
| Josh Godfrey | Executive Producer | |
| Stella Savino | Executive Producer | |
| James Vanderbilt | Executive Producer | |
| Massimilliano Violante | Executive Producer | |
| Carlo Antonelli | Executive Producer | |
| Walter Fasano | Editor | |
| Sayombhu Mukdeeprom | Cinematographer | |
| Thom Yorke | Composer | |
| Inbal Weinberg | Production Designer | |
| Giulia Piersanti | Costume Designer | |
| Damien Jalet | Choreography | |
| Robin Urdang | Music Supervisor | |
| Stella Savino | Casting Director | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.