Swallow (2020)
| Theatrical Performance | ||
| Domestic Box Office | $33,419 | Details |
| International Box Office | $418,945 | Details |
| Worldwide Box Office | $452,364 | |
| OpusData ID: 330800100 More info... | ||
| Further financial details... | ||
Synopsis
On the surface, Hunter appears to have it all. A newly pregnant housewife, she seems content to spend her time tending to an immaculate home and doting on her Ken-doll husband, Richie. However, as the pressure to meet her controlling in-laws and husband’s rigid expectations mounts, cracks begin to appear in her carefully created facade. Hunter develops a dangerous habit, and a dark secret from her past seeps out in the form of a disorder called pica — a condition that has her compulsively swallowing inedible, and oftentimes life-threatening, objects.
Metrics
| Opening Weekend: | $12,850 (38.5% of total gross) |
| Legs: | 2.60 (domestic box office/biggest weekend) |
| Domestic Share: | 7.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/39 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $43,534 |
Movie Details
| Domestic Releases: | March 6th, 2020 (Limited) by IFC Films |
| International Releases: | January 17th, 2020 (Wide) (France)
July 3rd, 2020 (Wide) (South Korea) January 27th, 2022 (Wide), released as Swallow — Distúrbio (Portugal) |
| Video Release: | March 6th, 2020 by IFC Video |
| MPA Rating: | R for language, some sexuality and disturbing behavior. (Rating bulletin 2612 (Cert #52550), 1/15/2020) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Scene in End Credits |
| Plot point: | Dysfunctional Family, Eating Disorder, Mental Illness, Pregnant Women, Self Harm |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Charades, Logical Pictures, Stand Alone Productions, Syncopated Films |
| Production Countries: | United States, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 57 | $12,850 | 3 | $4,283 | $12,850 | 1 | |
| Mar 13, 2020 | 46 | $8,448 | -34% | 39 | $217 | $25,763 | 2 |
| Apr 10, 2020 | - | $1,710 | 1 | $1,710 | $28,079 | 6 | |
| Apr 17, 2020 | - | $2,490 | +46% | 1 | $2,490 | $31,646 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | - | $5,454 | 3 | $1,818 | $5,454 | 1 | ||
| Mar 7, 2020 | - | $4,237 | -22% | 3 | $1,412 | $9,691 | 2 | |
| Mar 8, 2020 | - | $3,159 | -25% | 3 | $1,053 | $12,850 | 3 | |
| Mar 9, 2020 | - | $1,025 | -68% | 3 | $342 | $13,875 | 4 | |
| Mar 10, 2020 | - | $1,250 | +22% | 3 | $417 | $15,125 | 5 | |
| Mar 11, 2020 | - | $1,331 | +6% | 3 | $444 | $16,456 | 6 | |
| Mar 12, 2020 | - | $859 | -35% | 3 | $286 | $17,315 | 7 | |
| Mar 13, 2020 | - | $2,974 | +246% | -45% | 39 | $76 | $20,289 | 8 |
| Mar 14, 2020 | - | $3,183 | +7% | -25% | 39 | $82 | $23,472 | 9 |
| Mar 15, 2020 | - | $2,291 | -28% | -27% | 39 | $59 | $25,763 | 10 |
| Mar 16, 2020 | - | $520 | -77% | -49% | 39 | $13 | $26,283 | 11 |
| Mar 17, 2020 | - | $86 | -83% | -93% | 39 | $2 | $26,369 | 12 |
| Apr 10, 2020 | - | $846 | 1 | $846 | $27,215 | 36 | ||
| Apr 11, 2020 | - | $582 | -31% | 1 | $582 | $27,797 | 37 | |
| Apr 12, 2020 | - | $282 | -52% | 1 | $282 | $28,079 | 38 | |
| Apr 13, 2020 | - | $276 | -2% | 1 | $276 | $28,355 | 39 | |
| Apr 14, 2020 | - | $336 | +22% | 1 | $336 | $28,691 | 40 | |
| Apr 15, 2020 | - | $102 | -70% | 1 | $102 | $28,793 | 41 | |
| Apr 16, 2020 | 2 | $363 | +256% | 1 | $363 | $29,156 | 42 | |
| Apr 17, 2020 | - | $591 | +63% | -30% | 1 | $591 | $29,747 | 43 |
| Apr 18, 2020 | - | $909 | +54% | +56% | 1 | $909 | $30,656 | 44 |
| Apr 19, 2020 | - | $990 | +9% | +251% | 1 | $990 | $31,646 | 45 |
| Apr 20, 2020 | - | $261 | -74% | -5% | 1 | $261 | $31,907 | 46 |
| Apr 21, 2020 | - | $600 | +130% | +79% | 1 | $600 | $32,507 | 47 |
| Apr 22, 2020 | - | $207 | -66% | +103% | 1 | $207 | $32,714 | 48 |
| Apr 23, 2020 | - | $705 | +241% | +94% | 1 | $705 | $33,419 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 57 | $17,315 | 3 | $5,772 | $17,315 | 1 | |
| Apr 10, 2020 | 4 | $2,787 | 1 | $2,787 | $29,156 | 6 | |
| Apr 17, 2020 | 5 | $4,263 | +53% | 1 | $4,263 | $33,419 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/17/2020 | $119,115 | 52 | 66 | 118 | $234,206 | 1/31/2020 | |||
| Portugal | 1/27/2022 | $416 | 3 | 3 | 3 | $416 | 2/1/2022 | |||
| South Korea | 7/3/2020 | $1,473 | 5 | 10 | 23 | $8,740 | 7/22/2020 | |||
| Rest of World | $175,583 | |||||||||
| International Total | $418,945 | 2/1/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Haley Bennett | Hunter |
Supporting
| Austin Stowell | Richie | |
| Elizabeth Marvel | Katherine | |
| David Rasche | Michael | |
| Denis O'Hare | Erwin | |
| Lauren Luna Vélez | Lucy | |
| Zabryna Guevara | Alice | |
| Laith Nakli | Luay | |
| Babak Tafti | Aaron | |
| Nicole Kang | Bev |
Production and Technical Credits
| Carlo Mirabella-Davis | Director | |
| Carlo Mirabella-Davis | Screenwriter | |
| Mollye Asher | Producer | |
| Mynette Louie | Producer | |
| Carole Baraton | Producer | |
| Frédéric Fiore | Producer | |
| Yohann Compte | Executive Producer | |
| Constantin Briest | Executive Producer | |
| Pierre Mazars | Executive Producer | |
| Eric Tavitian | Executive Producer | |
| Sam Bisbee | Executive Producer | |
| David Stone | Co-Executive Producer | |
| David Boies | Co-Executive Producer | |
| Julie Parker Benello | Co-Executive Producer | |
| Katy Drake Bettner | Co-Executive Producer | |
| Allison Twardziak | Casting Director | |
| Katelin Arizmendi | Director of Photography | |
| Erin Magill | Production Designer | |
| Joe Murphy | Editor | |
| Nathan Halpern | Composer | |
| Liene Dobraja | Costume Designer | |
| Joe Rudge | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
On the surface, Hunter appears to have it all. A newly pregnant housewife, she seems content to spend her time tending to an immaculate home and doting on her Ken-doll husband, Richie. However, as the pressure to meet her controlling in-laws and husband’s rigid expectations mounts, cracks begin to appear in her carefully created facade. Hunter develops a dangerous habit, and a dark secret from her past seeps out in the form of a disorder called pica — a condition that has her compulsively swallowing inedible, and oftentimes life-threatening, objects.
Metrics
| Opening Weekend: | $12,850 (38.5% of total gross) |
| Legs: | 2.60 (domestic box office/biggest weekend) |
| Domestic Share: | 7.4% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/39 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $43,534 |
Movie Details
| Domestic Releases: | March 6th, 2020 (Limited) by IFC Films |
| International Releases: | January 17th, 2020 (Wide) (France)
July 3rd, 2020 (Wide) (South Korea) January 27th, 2022 (Wide), released as Swallow — Distúrbio (Portugal) |
| Video Release: | March 6th, 2020 by IFC Video |
| MPA Rating: | R for language, some sexuality and disturbing behavior. (Rating bulletin 2612 (Cert #52550), 1/15/2020) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Scene in End Credits |
| Plot point: | Dysfunctional Family, Eating Disorder, Mental Illness, Pregnant Women, Self Harm |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Charades, Logical Pictures, Stand Alone Productions, Syncopated Films |
| Production Countries: | United States, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 57 | $12,850 | 3 | $4,283 | $12,850 | 1 | |
| Mar 13, 2020 | 46 | $8,448 | -34% | 39 | $217 | $25,763 | 2 |
| Apr 10, 2020 | - | $1,710 | 1 | $1,710 | $28,079 | 6 | |
| Apr 17, 2020 | - | $2,490 | +46% | 1 | $2,490 | $31,646 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | - | $5,454 | 3 | $1,818 | $5,454 | 1 | ||
| Mar 7, 2020 | - | $4,237 | -22% | 3 | $1,412 | $9,691 | 2 | |
| Mar 8, 2020 | - | $3,159 | -25% | 3 | $1,053 | $12,850 | 3 | |
| Mar 9, 2020 | - | $1,025 | -68% | 3 | $342 | $13,875 | 4 | |
| Mar 10, 2020 | - | $1,250 | +22% | 3 | $417 | $15,125 | 5 | |
| Mar 11, 2020 | - | $1,331 | +6% | 3 | $444 | $16,456 | 6 | |
| Mar 12, 2020 | - | $859 | -35% | 3 | $286 | $17,315 | 7 | |
| Mar 13, 2020 | - | $2,974 | +246% | -45% | 39 | $76 | $20,289 | 8 |
| Mar 14, 2020 | - | $3,183 | +7% | -25% | 39 | $82 | $23,472 | 9 |
| Mar 15, 2020 | - | $2,291 | -28% | -27% | 39 | $59 | $25,763 | 10 |
| Mar 16, 2020 | - | $520 | -77% | -49% | 39 | $13 | $26,283 | 11 |
| Mar 17, 2020 | - | $86 | -83% | -93% | 39 | $2 | $26,369 | 12 |
| Apr 10, 2020 | - | $846 | 1 | $846 | $27,215 | 36 | ||
| Apr 11, 2020 | - | $582 | -31% | 1 | $582 | $27,797 | 37 | |
| Apr 12, 2020 | - | $282 | -52% | 1 | $282 | $28,079 | 38 | |
| Apr 13, 2020 | - | $276 | -2% | 1 | $276 | $28,355 | 39 | |
| Apr 14, 2020 | - | $336 | +22% | 1 | $336 | $28,691 | 40 | |
| Apr 15, 2020 | - | $102 | -70% | 1 | $102 | $28,793 | 41 | |
| Apr 16, 2020 | 2 | $363 | +256% | 1 | $363 | $29,156 | 42 | |
| Apr 17, 2020 | - | $591 | +63% | -30% | 1 | $591 | $29,747 | 43 |
| Apr 18, 2020 | - | $909 | +54% | +56% | 1 | $909 | $30,656 | 44 |
| Apr 19, 2020 | - | $990 | +9% | +251% | 1 | $990 | $31,646 | 45 |
| Apr 20, 2020 | - | $261 | -74% | -5% | 1 | $261 | $31,907 | 46 |
| Apr 21, 2020 | - | $600 | +130% | +79% | 1 | $600 | $32,507 | 47 |
| Apr 22, 2020 | - | $207 | -66% | +103% | 1 | $207 | $32,714 | 48 |
| Apr 23, 2020 | - | $705 | +241% | +94% | 1 | $705 | $33,419 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2020 | 57 | $17,315 | 3 | $5,772 | $17,315 | 1 | |
| Apr 10, 2020 | 4 | $2,787 | 1 | $2,787 | $29,156 | 6 | |
| Apr 17, 2020 | 5 | $4,263 | +53% | 1 | $4,263 | $33,419 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 1/17/2020 | $119,115 | 52 | 66 | 118 | $234,206 | 1/31/2020 | |||
| Portugal | 1/27/2022 | $416 | 3 | 3 | 3 | $416 | 2/1/2022 | |||
| South Korea | 7/3/2020 | $1,473 | 5 | 10 | 23 | $8,740 | 7/22/2020 | |||
| Rest of World | $175,583 | |||||||||
| International Total | $418,945 | 2/1/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Haley Bennett | Hunter |
Supporting
| Austin Stowell | Richie | |
| Elizabeth Marvel | Katherine | |
| David Rasche | Michael | |
| Denis O'Hare | Erwin | |
| Lauren Luna Vélez | Lucy | |
| Zabryna Guevara | Alice | |
| Laith Nakli | Luay | |
| Babak Tafti | Aaron | |
| Nicole Kang | Bev |
Production and Technical Credits
| Carlo Mirabella-Davis | Director | |
| Carlo Mirabella-Davis | Screenwriter | |
| Mollye Asher | Producer | |
| Mynette Louie | Producer | |
| Carole Baraton | Producer | |
| Frédéric Fiore | Producer | |
| Yohann Compte | Executive Producer | |
| Constantin Briest | Executive Producer | |
| Pierre Mazars | Executive Producer | |
| Eric Tavitian | Executive Producer | |
| Sam Bisbee | Executive Producer | |
| David Stone | Co-Executive Producer | |
| David Boies | Co-Executive Producer | |
| Julie Parker Benello | Co-Executive Producer | |
| Katy Drake Bettner | Co-Executive Producer | |
| Allison Twardziak | Casting Director | |
| Katelin Arizmendi | Director of Photography | |
| Erin Magill | Production Designer | |
| Joe Murphy | Editor | |
| Nathan Halpern | Composer | |
| Liene Dobraja | Costume Designer | |
| Joe Rudge | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.