Swept Away (2002)
| Theatrical Performance | ||
| Domestic Box Office | $631,021 | Details |
| International Box Office | $12,387 | Details |
| Worldwide Box Office | $643,408 | |
| OpusData ID: 65870100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $354,052 (56.1% of total gross) |
| Legs: | 1.78 (domestic box office/biggest weekend) |
| Domestic Share: | 98.1% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 196 opening theaters/196 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,264,699 |
Movie Details
| Domestic Releases: | October 11th, 2002 (Limited) by Sony Pictures |
| International Releases: | November 28th, 2002 (Wide) (Australia) |
| MPA Rating: | R for language and some sexuality/nudity |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Plot point: | Marooned, Romance |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Screen Gems, SKA Films, Codi SpA |
| Production Countries: | United Kingdom, Italy |
| Languages: | English, Italian, Greek |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 24 | $354,052 | 196 | $1,806 | $354,052 | 1 | |
| Oct 18, 2002 | 45 | $74,252 | -79% | 196 | $379 | $553,102 | 2 |
| Oct 25, 2002 | 78 | $12,284 | -83% | 59 | $208 | $598,645 | 3 |
| Jan 31, 2025 | - | $6,554 | 1 | $6,554 | $605,199 | 1,165 | |
| Feb 7, 2025 | - | $2,013 | -69% | 2 | $1,007 | $619,466 | 1,166 |
| Feb 14, 2025 | - | $1,273 | -37% | 3 | $424 | $622,314 | 1,167 |
| Feb 21, 2025 | - | $879 | -31% | 2 | $440 | $623,193 | 1,168 |
| Feb 28, 2025 | - | $714 | -19% | 1 | $714 | $624,209 | 1,169 |
| Mar 7, 2025 | - | $1,336 | +87% | 3 | $445 | $625,545 | 1,170 |
| Mar 14, 2025 | - | $1,143 | -14% | 2 | $572 | $626,688 | 1,171 |
| Mar 21, 2025 | - | $612 | -46% | 2 | $306 | $627,300 | 1,172 |
| Mar 28, 2025 | - | $979 | +60% | 2 | $490 | $628,279 | 1,173 |
| Apr 4, 2025 | - | $496 | -49% | 1 | $496 | $629,227 | 1,174 |
| Apr 11, 2025 | - | $714 | +44% | 2 | $357 | $629,941 | 1,175 |
| May 9, 2025 | - | $652 | 1 | $652 | $630,685 | 1,179 | |
| May 16, 2025 | - | $175 | -73% | 1 | $175 | $630,860 | 1,180 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 17 | $126,834 | 196 | $647 | $126,834 | 1 | |
| Oct 12, 2002 | 18 | $131,338 | +4% | 196 | $670 | $258,172 | 2 |
| Oct 13, 2002 | 18 | $95,880 | -27% | 196 | $489 | $354,052 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 26 | $478,850 | 196 | $2,443 | $478,850 | 1 | |
| Oct 18, 2002 | 44 | $107,511 | -78% | 196 | $549 | $586,361 | 2 |
| Oct 25, 2002 | 88 | $12,284 | -89% | 59 | $208 | $598,645 | 3 |
| Jan 31, 2025 | 46 | $12,254 | 1 | $12,254 | $617,453 | 1,165 | |
| Feb 7, 2025 | 62 | $3,588 | -71% | 2 | $1,794 | $621,041 | 1,166 |
| Feb 14, 2025 | 60 | $1,273 | -65% | 3 | $424 | $622,314 | 1,167 |
| Feb 21, 2025 | 62 | $1,181 | -7% | 2 | $591 | $623,495 | 1,168 |
| Feb 28, 2025 | 71 | $714 | -40% | 1 | $714 | $624,209 | 1,169 |
| Mar 7, 2025 | 66 | $1,336 | +87% | 3 | $445 | $625,545 | 1,170 |
| Mar 14, 2025 | 65 | $1,143 | -14% | 2 | $572 | $626,688 | 1,171 |
| Mar 21, 2025 | 69 | $612 | -46% | 2 | $306 | $627,300 | 1,172 |
| Mar 28, 2025 | 63 | $1,431 | +134% | 2 | $716 | $628,731 | 1,173 |
| Apr 4, 2025 | 68 | $496 | -65% | 1 | $496 | $629,227 | 1,174 |
| Apr 11, 2025 | 59 | $806 | +63% | 2 | $403 | $630,033 | 1,175 |
| May 9, 2025 | 75 | $652 | 1 | $652 | $630,685 | 1,179 | |
| May 16, 2025 | 77 | $336 | -48% | 1 | $336 | $631,021 | 1,180 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/28/2002 | $12,387 | 40 | 40 | 40 | $12,387 | 4/9/2020 | |||
| International Total | $12,387 | 4/9/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Madonna | Amber | |
| Adriano Giannini | Giuseppe, a mariner |
Supporting
| Jeanne Tripplehorn | Marina | |
| Bruce Greenwood | Anthony 'Tony' Leighton | |
| Elizabeth Banks | Debi | |
| David Thornton | Michael | |
| Michael Beattie | Todd | |
| Yorgo Voyagis | Captain | |
| Ricardo Perna | Crew Member | |
| George Yiasoumi | Chef | |
| Beatrice Luzzi | Rich Lady | |
| Lorenzo Ciompi | Rich Man | |
| Patrizio Rispo | Burly Captain | |
| Francis Pardeilhan | Tony's Assistant | |
| Rosa Pianeta | Receptionist | |
| Andrea Ragatzu | Bell Boy |
Production and Technical Credits
| Guy Ritchie | Director | |
| Matthew Vaughn | Producer | |
| Guy Ritchie | Screenwriter | |
| Alex Barber | Director of Photography | |
| Russell De Rozario | Production Designer | |
| Eddie Hamilton | Editor | |
| Adam Bohling | Co-Producer | |
| David Reid | Co-Producer | |
| Michel Colombier | Composer | |
| Arianne Phillips | Costume Designer | |
| Mike Elliott | Assistant Director | |
| Sandra Shuttleworth | Production Manager | |
| Damon Earnshaw | Art Director | |
| Karl Watkins | Second Unit Camera | |
| Jesse Hall | Second Unit Camera | |
| Janet Tebrooke | Costume Supervisor | |
| Marcus Love | Costume Supervisor | |
| Simon Hayes | Sound Mixer | |
| Chris Burdon | Re-recording Mixer | |
| Sven Taits | Re-recording Mixer | |
| Matthew Collinge | Sound Effects Editor | |
| Matthew Collinge | Sound Designer | |
| Danny Sheehan | Dialogue Editor | |
| Danny Sheehan | Music Editor | |
| Fae Hammond | Make-up and Hair Designer | |
| Ian Neil | Music Supervisor | |
| Lucinda Syson | Casting Director | |
| Billy Hopkins | Casting Director | |
| Suzanne Smith | Casting Director | |
| Kerry Barden | Casting Director | |
| Mark Bennett | Casting Director | |
| Franco Salamon | Stunt Coordinator | |
| Riccardo Mioni | Stunt Coordinator | |
| Stefano Mioni | Stunt Coordinator | |
| Steve Durkee | Score Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $354,052 (56.1% of total gross) |
| Legs: | 1.78 (domestic box office/biggest weekend) |
| Domestic Share: | 98.1% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 196 opening theaters/196 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,264,699 |
Movie Details
| Domestic Releases: | October 11th, 2002 (Limited) by Sony Pictures |
| International Releases: | November 28th, 2002 (Wide) (Australia) |
| MPA Rating: | R for language and some sexuality/nudity |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Foreign-Language Remake, Remake |
| Plot point: | Marooned, Romance |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Screen Gems, SKA Films, Codi SpA |
| Production Countries: | United Kingdom, Italy |
| Languages: | English, Italian, Greek |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 24 | $354,052 | 196 | $1,806 | $354,052 | 1 | |
| Oct 18, 2002 | 45 | $74,252 | -79% | 196 | $379 | $553,102 | 2 |
| Oct 25, 2002 | 78 | $12,284 | -83% | 59 | $208 | $598,645 | 3 |
| Jan 31, 2025 | - | $6,554 | 1 | $6,554 | $605,199 | 1,165 | |
| Feb 7, 2025 | - | $2,013 | -69% | 2 | $1,007 | $619,466 | 1,166 |
| Feb 14, 2025 | - | $1,273 | -37% | 3 | $424 | $622,314 | 1,167 |
| Feb 21, 2025 | - | $879 | -31% | 2 | $440 | $623,193 | 1,168 |
| Feb 28, 2025 | - | $714 | -19% | 1 | $714 | $624,209 | 1,169 |
| Mar 7, 2025 | - | $1,336 | +87% | 3 | $445 | $625,545 | 1,170 |
| Mar 14, 2025 | - | $1,143 | -14% | 2 | $572 | $626,688 | 1,171 |
| Mar 21, 2025 | - | $612 | -46% | 2 | $306 | $627,300 | 1,172 |
| Mar 28, 2025 | - | $979 | +60% | 2 | $490 | $628,279 | 1,173 |
| Apr 4, 2025 | - | $496 | -49% | 1 | $496 | $629,227 | 1,174 |
| Apr 11, 2025 | - | $714 | +44% | 2 | $357 | $629,941 | 1,175 |
| May 9, 2025 | - | $652 | 1 | $652 | $630,685 | 1,179 | |
| May 16, 2025 | - | $175 | -73% | 1 | $175 | $630,860 | 1,180 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 17 | $126,834 | 196 | $647 | $126,834 | 1 | |
| Oct 12, 2002 | 18 | $131,338 | +4% | 196 | $670 | $258,172 | 2 |
| Oct 13, 2002 | 18 | $95,880 | -27% | 196 | $489 | $354,052 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 11, 2002 | 26 | $478,850 | 196 | $2,443 | $478,850 | 1 | |
| Oct 18, 2002 | 44 | $107,511 | -78% | 196 | $549 | $586,361 | 2 |
| Oct 25, 2002 | 88 | $12,284 | -89% | 59 | $208 | $598,645 | 3 |
| Jan 31, 2025 | 46 | $12,254 | 1 | $12,254 | $617,453 | 1,165 | |
| Feb 7, 2025 | 62 | $3,588 | -71% | 2 | $1,794 | $621,041 | 1,166 |
| Feb 14, 2025 | 60 | $1,273 | -65% | 3 | $424 | $622,314 | 1,167 |
| Feb 21, 2025 | 62 | $1,181 | -7% | 2 | $591 | $623,495 | 1,168 |
| Feb 28, 2025 | 71 | $714 | -40% | 1 | $714 | $624,209 | 1,169 |
| Mar 7, 2025 | 66 | $1,336 | +87% | 3 | $445 | $625,545 | 1,170 |
| Mar 14, 2025 | 65 | $1,143 | -14% | 2 | $572 | $626,688 | 1,171 |
| Mar 21, 2025 | 69 | $612 | -46% | 2 | $306 | $627,300 | 1,172 |
| Mar 28, 2025 | 63 | $1,431 | +134% | 2 | $716 | $628,731 | 1,173 |
| Apr 4, 2025 | 68 | $496 | -65% | 1 | $496 | $629,227 | 1,174 |
| Apr 11, 2025 | 59 | $806 | +63% | 2 | $403 | $630,033 | 1,175 |
| May 9, 2025 | 75 | $652 | 1 | $652 | $630,685 | 1,179 | |
| May 16, 2025 | 77 | $336 | -48% | 1 | $336 | $631,021 | 1,180 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/28/2002 | $12,387 | 40 | 40 | 40 | $12,387 | 4/9/2020 | |||
| International Total | $12,387 | 4/9/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Madonna | Amber | |
| Adriano Giannini | Giuseppe, a mariner |
Supporting
| Jeanne Tripplehorn | Marina | |
| Bruce Greenwood | Anthony 'Tony' Leighton | |
| Elizabeth Banks | Debi | |
| David Thornton | Michael | |
| Michael Beattie | Todd | |
| Yorgo Voyagis | Captain | |
| Ricardo Perna | Crew Member | |
| George Yiasoumi | Chef | |
| Beatrice Luzzi | Rich Lady | |
| Lorenzo Ciompi | Rich Man | |
| Patrizio Rispo | Burly Captain | |
| Francis Pardeilhan | Tony's Assistant | |
| Rosa Pianeta | Receptionist | |
| Andrea Ragatzu | Bell Boy |
Production and Technical Credits
| Guy Ritchie | Director | |
| Matthew Vaughn | Producer | |
| Guy Ritchie | Screenwriter | |
| Alex Barber | Director of Photography | |
| Russell De Rozario | Production Designer | |
| Eddie Hamilton | Editor | |
| Adam Bohling | Co-Producer | |
| David Reid | Co-Producer | |
| Michel Colombier | Composer | |
| Arianne Phillips | Costume Designer | |
| Mike Elliott | Assistant Director | |
| Sandra Shuttleworth | Production Manager | |
| Damon Earnshaw | Art Director | |
| Karl Watkins | Second Unit Camera | |
| Jesse Hall | Second Unit Camera | |
| Janet Tebrooke | Costume Supervisor | |
| Marcus Love | Costume Supervisor | |
| Simon Hayes | Sound Mixer | |
| Chris Burdon | Re-recording Mixer | |
| Sven Taits | Re-recording Mixer | |
| Matthew Collinge | Sound Effects Editor | |
| Matthew Collinge | Sound Designer | |
| Danny Sheehan | Dialogue Editor | |
| Danny Sheehan | Music Editor | |
| Fae Hammond | Make-up and Hair Designer | |
| Ian Neil | Music Supervisor | |
| Lucinda Syson | Casting Director | |
| Billy Hopkins | Casting Director | |
| Suzanne Smith | Casting Director | |
| Kerry Barden | Casting Director | |
| Mark Bennett | Casting Director | |
| Franco Salamon | Stunt Coordinator | |
| Riccardo Mioni | Stunt Coordinator | |
| Stefano Mioni | Stunt Coordinator | |
| Steve Durkee | Score Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.