Swimming With Men (2018)
-(2018).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $24,888 | Details |
| International Box Office | $1,301,527 | Details |
| Worldwide Box Office | $1,326,415 | |
| OpusData ID: 346500100 More info... | ||
| Further financial details... | ||
Synopsis
His job is a drag, his wife may be cheating on him, and he’s not getting any younger. Accountant Eric is simply treading water when he discovers a newfound sense of purpose thanks to an unexpected source: a group of similarly stuck-in-a-rut guys who have found camaraderie and self-worth through synchronized swimming. Sure, they may be a bit paunchy, but they’re determined to prove they have what it takes to be a whirling, twirling, scissor-kicking aquatic dream team. And they’ve set their sights on the ultimate prize: the world championship.
Metrics
| Opening Weekend: | $10,844 (43.6% of total gross) |
| Legs: | 2.30 (domestic box office/biggest weekend) |
| Domestic Share: | 1.9% (domestic box office/worldwide) |
| Theater counts: | 31 opening theaters/31 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $32,675 |
Movie Details
| Domestic Releases: | December 7th, 2018 (Limited) by IFC Films |
| International Releases: | July 6th, 2018 (Limited) (United Kingdom)
October 26th, 2018 (Wide) (Australia) |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Ensemble |
| Plot point: | Infidelity, Mid-Life Crisis, Swimming, Synchronized Swimming |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dignity Film Finance, Kerris Films, HanWay Films, Umedia, Met Film Production, Shoebox Films, AMP Film , Anyway Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 7, 2018 | 55 | $10,844 | 31 | $350 | $10,844 | 1 | |
| Dec 14, 2018 | 68 | $2,034 | -81% | 7 | $291 | $19,634 | 2 |
| Dec 21, 2018 | 62 | $1,695 | -17% | 7 | $242 | $22,184 | 3 |
| Dec 28, 2018 | 70 | $724 | -57% | 4 | $181 | $24,137 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 7, 2018 | - | $3,037 | 31 | $98 | $3,037 | 1 | ||
| Dec 8, 2018 | - | $4,295 | +41% | 31 | $139 | $7,332 | 2 | |
| Dec 9, 2018 | - | $3,512 | -18% | 31 | $113 | $10,844 | 3 | |
| Dec 10, 2018 | - | $1,253 | -64% | 31 | $40 | $12,097 | 4 | |
| Dec 11, 2018 | - | $1,289 | +3% | 31 | $42 | $13,386 | 5 | |
| Dec 12, 2018 | - | $2,880 | +123% | 31 | $93 | $16,266 | 6 | |
| Dec 13, 2018 | - | $1,334 | -54% | 31 | $43 | $17,600 | 7 | |
| Dec 14, 2018 | - | $531 | -60% | -83% | 7 | $76 | $18,131 | 8 |
| Dec 15, 2018 | - | $886 | +67% | -79% | 7 | $127 | $19,017 | 9 |
| Dec 16, 2018 | - | $617 | -30% | -82% | 7 | $88 | $19,634 | 10 |
| Dec 17, 2018 | - | $245 | -60% | -80% | 7 | $35 | $19,879 | 11 |
| Dec 18, 2018 | - | $114 | -53% | -91% | 7 | $16 | $19,993 | 12 |
| Dec 19, 2018 | - | $263 | +131% | -91% | 7 | $38 | $20,256 | 13 |
| Dec 20, 2018 | - | $233 | -11% | -83% | 7 | $33 | $20,489 | 14 |
| Dec 21, 2018 | - | $474 | +103% | -11% | 7 | $68 | $20,963 | 15 |
| Dec 22, 2018 | - | $693 | +46% | -22% | 7 | $99 | $21,656 | 16 |
| Dec 23, 2018 | - | $528 | -24% | -14% | 7 | $75 | $22,184 | 17 |
| Dec 24, 2018 | - | $126 | -76% | -49% | 7 | $18 | $22,310 | 18 |
| Dec 25, 2018 | - | $61 | -52% | -46% | 7 | $9 | $22,666 | 19 |
| Dec 26, 2018 | - | $400 | +556% | +52% | 7 | $57 | $23,066 | 20 |
| Dec 27, 2018 | - | $347 | -13% | +49% | 7 | $50 | $23,413 | 21 |
| Dec 28, 2018 | - | $157 | -55% | -67% | 4 | $39 | $23,570 | 22 |
| Dec 29, 2018 | - | $163 | +4% | -76% | 4 | $41 | $23,733 | 23 |
| Dec 30, 2018 | - | $404 | +148% | -23% | 4 | $101 | $24,137 | 24 |
| Dec 31, 2018 | - | $102 | -75% | -19% | 4 | $26 | $24,239 | 25 |
| Jan 1, 2019 | - | $124 | +22% | +103% | 4 | $31 | $24,363 | 26 |
| Jan 2, 2019 | - | $57 | -54% | -86% | 4 | $14 | $24,420 | 27 |
| Jan 3, 2019 | - | $468 | +721% | +35% | 4 | $117 | $24,888 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 7, 2018 | 57 | $17,600 | 31 | $568 | $17,600 | 1 | |
| Dec 14, 2018 | 68 | $2,889 | -84% | 7 | $413 | $20,489 | 2 |
| Dec 21, 2018 | 67 | $2,924 | +1% | 7 | $418 | $23,413 | 3 |
| Dec 28, 2018 | 73 | $1,475 | -50% | 4 | $369 | $24,888 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/26/2018 | $10,471 | 6 | 138 | 668 | $688,237 | 9/10/2019 | |||
| United Kingdom | 7/6/2018 | $78,649 | 136 | 136 | 325 | $613,290 | 4/4/2026 | |||
| International Total | $1,301,527 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Rob Brydon | Eric | |
| Adeel Akhtar | Kurt | |
| Jim Carter | Ted | |
| Rupert Graves | Luke | |
| Daniel Mays | Colin |
Supporting
| Charlotte Riley | Susan |
Lead Ensemble Member
| Thomas Turgoose | Tom |
Supporting
| Jane Horrocks | Heather | |
| Nathaniel Parker | Lewis | |
| Christian Rubeck | Jonas | |
| Robert Daws | Michael |
Production and Technical Credits
| Oliver Parker | Director | |
| Stewart Le Marechal | Producer | |
| Anna Mohr-Pietsch | Producer | |
| Maggie Monteith | Producer | |
| Aschlin Ditta | Screenwriter | |
| Al Morrow | Executive Producer | |
| Jonny Persey | Executive Producer | |
| Paul Webster | Executive Producer | |
| Guy Heeley | Executive Producer | |
| Dylan Williams | Executive Producer | |
| Erik Pauser | Executive Producer | |
| Chris Reed | Executive Producer | |
| Gabrielle Stewart | Executive Producer | |
| Peter Watson | Executive Producer | |
| Ian Dawson | Executive Producer | |
| Norman Humphrey | Executive Producer | |
| Ben Friedman | Executive Producer | |
| Bastien Sirodot | Executive Producer | |
| Adrian Politowski | Executive Producer | |
| Ed Clarke | Co-Producer | |
| Kasia Malipan | Line Producer | |
| David Raedeker | Director of Photography | |
| Amanda McArthur | Production Designer | |
| Liana Del Giudice | Editor | |
| Charlie Mole | Composer | |
| Jo Thompson | Costume Designer | |
| Ben Baird | Sound Designer | |
| Sarah Bridge | Music Supervisor | |
| Alex Johnson | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
His job is a drag, his wife may be cheating on him, and he’s not getting any younger. Accountant Eric is simply treading water when he discovers a newfound sense of purpose thanks to an unexpected source: a group of similarly stuck-in-a-rut guys who have found camaraderie and self-worth through synchronized swimming. Sure, they may be a bit paunchy, but they’re determined to prove they have what it takes to be a whirling, twirling, scissor-kicking aquatic dream team. And they’ve set their sights on the ultimate prize: the world championship.
Metrics
| Opening Weekend: | $10,844 (43.6% of total gross) |
| Legs: | 2.30 (domestic box office/biggest weekend) |
| Domestic Share: | 1.9% (domestic box office/worldwide) |
| Theater counts: | 31 opening theaters/31 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $32,675 |
Movie Details
| Domestic Releases: | December 7th, 2018 (Limited) by IFC Films |
| International Releases: | July 6th, 2018 (Limited) (United Kingdom)
October 26th, 2018 (Wide) (Australia) |
| MPA Rating: | Not Rated |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Ensemble |
| Plot point: | Infidelity, Mid-Life Crisis, Swimming, Synchronized Swimming |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Dignity Film Finance, Kerris Films, HanWay Films, Umedia, Met Film Production, Shoebox Films, AMP Film , Anyway Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 7, 2018 | 55 | $10,844 | 31 | $350 | $10,844 | 1 | |
| Dec 14, 2018 | 68 | $2,034 | -81% | 7 | $291 | $19,634 | 2 |
| Dec 21, 2018 | 62 | $1,695 | -17% | 7 | $242 | $22,184 | 3 |
| Dec 28, 2018 | 70 | $724 | -57% | 4 | $181 | $24,137 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 7, 2018 | - | $3,037 | 31 | $98 | $3,037 | 1 | ||
| Dec 8, 2018 | - | $4,295 | +41% | 31 | $139 | $7,332 | 2 | |
| Dec 9, 2018 | - | $3,512 | -18% | 31 | $113 | $10,844 | 3 | |
| Dec 10, 2018 | - | $1,253 | -64% | 31 | $40 | $12,097 | 4 | |
| Dec 11, 2018 | - | $1,289 | +3% | 31 | $42 | $13,386 | 5 | |
| Dec 12, 2018 | - | $2,880 | +123% | 31 | $93 | $16,266 | 6 | |
| Dec 13, 2018 | - | $1,334 | -54% | 31 | $43 | $17,600 | 7 | |
| Dec 14, 2018 | - | $531 | -60% | -83% | 7 | $76 | $18,131 | 8 |
| Dec 15, 2018 | - | $886 | +67% | -79% | 7 | $127 | $19,017 | 9 |
| Dec 16, 2018 | - | $617 | -30% | -82% | 7 | $88 | $19,634 | 10 |
| Dec 17, 2018 | - | $245 | -60% | -80% | 7 | $35 | $19,879 | 11 |
| Dec 18, 2018 | - | $114 | -53% | -91% | 7 | $16 | $19,993 | 12 |
| Dec 19, 2018 | - | $263 | +131% | -91% | 7 | $38 | $20,256 | 13 |
| Dec 20, 2018 | - | $233 | -11% | -83% | 7 | $33 | $20,489 | 14 |
| Dec 21, 2018 | - | $474 | +103% | -11% | 7 | $68 | $20,963 | 15 |
| Dec 22, 2018 | - | $693 | +46% | -22% | 7 | $99 | $21,656 | 16 |
| Dec 23, 2018 | - | $528 | -24% | -14% | 7 | $75 | $22,184 | 17 |
| Dec 24, 2018 | - | $126 | -76% | -49% | 7 | $18 | $22,310 | 18 |
| Dec 25, 2018 | - | $61 | -52% | -46% | 7 | $9 | $22,666 | 19 |
| Dec 26, 2018 | - | $400 | +556% | +52% | 7 | $57 | $23,066 | 20 |
| Dec 27, 2018 | - | $347 | -13% | +49% | 7 | $50 | $23,413 | 21 |
| Dec 28, 2018 | - | $157 | -55% | -67% | 4 | $39 | $23,570 | 22 |
| Dec 29, 2018 | - | $163 | +4% | -76% | 4 | $41 | $23,733 | 23 |
| Dec 30, 2018 | - | $404 | +148% | -23% | 4 | $101 | $24,137 | 24 |
| Dec 31, 2018 | - | $102 | -75% | -19% | 4 | $26 | $24,239 | 25 |
| Jan 1, 2019 | - | $124 | +22% | +103% | 4 | $31 | $24,363 | 26 |
| Jan 2, 2019 | - | $57 | -54% | -86% | 4 | $14 | $24,420 | 27 |
| Jan 3, 2019 | - | $468 | +721% | +35% | 4 | $117 | $24,888 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 7, 2018 | 57 | $17,600 | 31 | $568 | $17,600 | 1 | |
| Dec 14, 2018 | 68 | $2,889 | -84% | 7 | $413 | $20,489 | 2 |
| Dec 21, 2018 | 67 | $2,924 | +1% | 7 | $418 | $23,413 | 3 |
| Dec 28, 2018 | 73 | $1,475 | -50% | 4 | $369 | $24,888 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/26/2018 | $10,471 | 6 | 138 | 668 | $688,237 | 9/10/2019 | |||
| United Kingdom | 7/6/2018 | $78,649 | 136 | 136 | 325 | $613,290 | 4/4/2026 | |||
| International Total | $1,301,527 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Rob Brydon | Eric | |
| Adeel Akhtar | Kurt | |
| Jim Carter | Ted | |
| Rupert Graves | Luke | |
| Daniel Mays | Colin |
Supporting
| Charlotte Riley | Susan |
Lead Ensemble Member
| Thomas Turgoose | Tom |
Supporting
| Jane Horrocks | Heather | |
| Nathaniel Parker | Lewis | |
| Christian Rubeck | Jonas | |
| Robert Daws | Michael |
Production and Technical Credits
| Oliver Parker | Director | |
| Stewart Le Marechal | Producer | |
| Anna Mohr-Pietsch | Producer | |
| Maggie Monteith | Producer | |
| Aschlin Ditta | Screenwriter | |
| Al Morrow | Executive Producer | |
| Jonny Persey | Executive Producer | |
| Paul Webster | Executive Producer | |
| Guy Heeley | Executive Producer | |
| Dylan Williams | Executive Producer | |
| Erik Pauser | Executive Producer | |
| Chris Reed | Executive Producer | |
| Gabrielle Stewart | Executive Producer | |
| Peter Watson | Executive Producer | |
| Ian Dawson | Executive Producer | |
| Norman Humphrey | Executive Producer | |
| Ben Friedman | Executive Producer | |
| Bastien Sirodot | Executive Producer | |
| Adrian Politowski | Executive Producer | |
| Ed Clarke | Co-Producer | |
| Kasia Malipan | Line Producer | |
| David Raedeker | Director of Photography | |
| Amanda McArthur | Production Designer | |
| Liana Del Giudice | Editor | |
| Charlie Mole | Composer | |
| Jo Thompson | Costume Designer | |
| Ben Baird | Sound Designer | |
| Sarah Bridge | Music Supervisor | |
| Alex Johnson | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.