Synchronicity (2016)
| Theatrical Performance | ||
| Domestic Box Office | $4,505 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $45,248 | |
| Blu-ray Sales (estimated) | $65,093 | |
| Total | $110,341 | |
| OpusData ID: 243830100 More info... | ||
| Further financial details... | ||
Synopsis
Daring physicist Jim Beale has invented a machine that can fold space-time and ruthless corporate tycoon Klaus Meisner will stop at nothing to get it. When Jim uses the machine to tear open the fabric of the universe, a rare Dahlia appears from the future. But in order to keep the rights to his invention he must prove that it works by finding the flower's identical match in the present. Jim soon discovers that the Dahlia lies in the hands of the mysterious Abby, who seduces him into revealing his secrets. Convinced that she is in league with Klaus to take ownership of his life’s work, Jim travels back in time to stop the conspiracy before it can happen. But once in the past, Jim uncovers a surprising truth about Abby, the machine, and his own uncertain future.
Metrics
| Opening Weekend: | $2,859 (63.5% of total gross) |
| Legs: | 1.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/5 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,231 |
Movie Details
| Domestic Releases: | January 22nd, 2016 (Limited) by Magnolia Pictures |
| Video Release: | May 10th, 2016 by Magnolia Home Entertainment |
| MPA Rating: | R for language including some sexual references. (Rating bulletin 2403 (Cert #50166), 12/9/2015) |
| Running Time: | 100 minutes |
| Plot point: | Corporate Malfeasance, Inventor, Romance, Time Travel, White Collar Crime |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Magnet Releasing, POP Films, Soapbox Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2016 | 63 | $2,859 | 5 | $572 | $2,859 | 1 | |
| Jan 29, 2016 | 81 | $312 | -89% | 2 | $156 | $4,267 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2016 | 69 | $3,955 | 5 | $791 | $3,955 | 1 | |
| Jan 29, 2016 | 89 | $550 | -86% | 2 | $275 | $4,505 | 2 |
Supporting
| Chad McKnight | Jim Beale |
Leading
| Brianne Davis | Abby |
Supporting
| AJ Bowen | Chuck | |
| Scott Poythress | Matty | |
| Michael Ironside | Klaus | |
| Claire Bronson | Helen | |
| Ashley Drayton | Herself | |
| Erik Thirsk | Limo Driver | |
| Sergine Dumais | Helen | |
| Elle Sunkara | Waitress |
Production and Technical Credits
| Jacob Gentry | Director | |
| Jacob Gentry | Screenwriter | |
| Jacob Gentry | Story by | |
| Alex Orr | Story by | |
| Alexander Motlagh | Producer | |
| Christopher Alender | Producer | |
| Alex Orr | Co-Producer | |
| Ben Lovett | Composer | |
| Eric Maddison | Cinematographer | |
| Jacob Gentry | Editor | |
| Jason L. Wood | Casting Director | |
| Jeffrey Pratt Gordon | Production Designer | |
| Christopher Alender | Visual Effects by | |
| Dave Jacobson | Visual Effects by | |
| Caroline Miller | Costume Designer | |
| Syretta L Bell | Make up | |
| Noel Hernandez | Make up | |
| Alex Orr | Production Manager | |
| Robert Ballentine | Assistant Director | |
| Spencer Jarvis | First Assistant Director | |
| Amir R. Khan | Second Assistant Director | |
| Stephen Rubac | Art Director | |
| Juan Campos | Sound Editor | |
| Marcus Zalewski | Sound Editor | |
| Michael P Clark | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Daring physicist Jim Beale has invented a machine that can fold space-time and ruthless corporate tycoon Klaus Meisner will stop at nothing to get it. When Jim uses the machine to tear open the fabric of the universe, a rare Dahlia appears from the future. But in order to keep the rights to his invention he must prove that it works by finding the flower's identical match in the present. Jim soon discovers that the Dahlia lies in the hands of the mysterious Abby, who seduces him into revealing his secrets. Convinced that she is in league with Klaus to take ownership of his life’s work, Jim travels back in time to stop the conspiracy before it can happen. But once in the past, Jim uncovers a surprising truth about Abby, the machine, and his own uncertain future.
Metrics
| Opening Weekend: | $2,859 (63.5% of total gross) |
| Legs: | 1.58 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/5 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $6,231 |
Movie Details
| Domestic Releases: | January 22nd, 2016 (Limited) by Magnolia Pictures |
| Video Release: | May 10th, 2016 by Magnolia Home Entertainment |
| MPA Rating: | R for language including some sexual references. (Rating bulletin 2403 (Cert #50166), 12/9/2015) |
| Running Time: | 100 minutes |
| Plot point: | Corporate Malfeasance, Inventor, Romance, Time Travel, White Collar Crime |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Magnet Releasing, POP Films, Soapbox Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2016 | 63 | $2,859 | 5 | $572 | $2,859 | 1 | |
| Jan 29, 2016 | 81 | $312 | -89% | 2 | $156 | $4,267 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 22, 2016 | 69 | $3,955 | 5 | $791 | $3,955 | 1 | |
| Jan 29, 2016 | 89 | $550 | -86% | 2 | $275 | $4,505 | 2 |
Supporting
| Chad McKnight | Jim Beale |
Leading
| Brianne Davis | Abby |
Supporting
| AJ Bowen | Chuck | |
| Scott Poythress | Matty | |
| Michael Ironside | Klaus | |
| Claire Bronson | Helen | |
| Ashley Drayton | Herself | |
| Erik Thirsk | Limo Driver | |
| Sergine Dumais | Helen | |
| Elle Sunkara | Waitress |
Production and Technical Credits
| Jacob Gentry | Director | |
| Jacob Gentry | Screenwriter | |
| Jacob Gentry | Story by | |
| Alex Orr | Story by | |
| Alexander Motlagh | Producer | |
| Christopher Alender | Producer | |
| Alex Orr | Co-Producer | |
| Ben Lovett | Composer | |
| Eric Maddison | Cinematographer | |
| Jacob Gentry | Editor | |
| Jason L. Wood | Casting Director | |
| Jeffrey Pratt Gordon | Production Designer | |
| Christopher Alender | Visual Effects by | |
| Dave Jacobson | Visual Effects by | |
| Caroline Miller | Costume Designer | |
| Syretta L Bell | Make up | |
| Noel Hernandez | Make up | |
| Alex Orr | Production Manager | |
| Robert Ballentine | Assistant Director | |
| Spencer Jarvis | First Assistant Director | |
| Amir R. Khan | Second Assistant Director | |
| Stephen Rubac | Art Director | |
| Juan Campos | Sound Editor | |
| Marcus Zalewski | Sound Editor | |
| Michael P Clark | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.